‘wwvwaplustinet att Editors Direccisn: Aurora Fernandez Pe, Javier Mozas Graphic Concept Concacto grafico: Alex 5. Ollero Layout and production Maqustacion y produccion Dela Argote ‘Managing Coordinacion: Kota Esteban ‘Communication and Press Comunicaciny Prensa: Patricia Garcia Editor, Englth language version Responsable de la version an inglés: Ken Mortimer ‘Submissions and subscriptions Redacciony suscripciones| General Alva,15 2°A, 01008 Vteria-Gastel. Spain Tel +34 945 134275 submission@aplust net fesidonsuscipcorescaphstnet ‘we aplut.net Publiher Ecta: att architecture publishers Printing imeresion: Grafica ud Depssite Legal V<8V94 Issn 132.0109 ISBNO7ESA-sI0-6137-6 Fariodicidad Frecueney: Bianval (Spring and Autumn) Somestal [Primavera y Oto) Distribution Distibucion “Europe, USA, Canada, Austalla, Asa Idea Books [Niaue Herengracht 11.101 18K Amsterdam. The Netherlands Tel 31 20.6026154 Fax 121 200208299 ides Digeaboaks.n| ‘wiv idesbocke “Espana, Portugal y Latinoamérica att architecture publishers General Alais,15 2° 01005 Vitora-Gtale. Expats Tol+34965 131276 pedidceysiacrincionesfapict net vwornaplustet ‘This esue has been put together withthe collaboration of Este numero ha id adoconls colaboracion de + stephanie Bonder (28 STRATEGIES URBAINES ‘CONCRETES) ‘Tokura Tay 403 ARCHITECTURE) + Sande Rulgess (@RCHITECTEN DE WYLDER VINCK TAILLIEU) + Flip Rodtigues, Marta Fazao (ATELIER DATA) + Eva Wollaet (2OVEN BOW ARCHITECTUUR) + Maas Nutkala (DOW JONES ARCHITECTS) ‘Jule Fabre (FABRE DEMARIEN) ‘Jeremie Koemposn (KA + FUGA) 4 Nie Howete JONATHAN TUCKEY DESIGN) ‘+ Phippe Vermeersch LENSYASS ARCHITECTEN) “+ MARIA GONZALEZ & JUANJO LOPEZ DE. LacRUZ 1 Fokato Tanaka (SCHEMATAY + Foro Bul VORA ARQUITECTURA) Cover Cubierts Houte 42. archtecten de wydar vinck tally and Tice Hofkens architec in collaboration with Bort Van Boxalaere architect Photo Foto Flip Dujardin © att architecture publishers Sopot mer ng nbnQE DOMESTIC ACTIONSACTIONS FOR A DOMESTIC ARCHEOLOGY ACCIONES | a ne ARGUEDLOGI DOMESTICA[IM 1, 1268, amorican artist JOHN BALDESSARI was establish. is Tape ne ust astey ust ta hae eee in ith acpi pat on canvas the bon ft worst accoeng ‘to him, explained such a practice in the 20* century. He himself, howeter Si et core up wth em nor dae pat ere he tir bahay bounded te ook treugh art books eh sons Were the most Reewertiy employes, Afterward, he dicated ‘those actions to a poster artist who then affixed those verbs to dhe tine Man lars sotion ofa taory Aloe os perhaps the only certainty that art had brought forth throughout ‘the unfolding of that century. Aciacure could be exphined by skndar mone, houch the Tait che Gea teed eae tad aaioke An weiner propccan be breseted ou catalogue of con, Heegbewn Taitneatt ¢ speci place, asst ot ocone bayer ater titel sone nares tote ature af ho hots kes EM joe arst ntcamorearo JOHN BALDESSARI osable sana Torarr thee ea dete af tor ote ta plomande co tre cic sob un le xu sein cn ln paleo apace de expla ena pricica on oegle busca on lil a caien ee anon nr Sel deny contusion, elo eth oun cola que een ata sqvetos ceboncomy una venén aera del aa del a pe La arquitectura podria ser explicada de un modo parecido, através de las acciones que convoca, mas allé de intenciones © ret6ricas, Un proyecto de arquitecture puede enunciarse como un catélo- {90 de acciones, sucesién de actuaciones establecidas en un lugar conereto que desencadena otra serie de actos por parte de los habitantes; una suerte de ley de Newton por la que las acciones ddesplegedas porla arquitectura conllevan reacciones ciudadanas. JOHN BALDESSARL TERMS MOST USEFULIN DescHlaN CREATIVE WORKS OF ART 54D) Pontnae Aayleon anes TERMS MOST USF IN EESCRIBNG CREATIVE NOS OF Aa GVE VION wor DSCPUNE RECTION CHARM DuucATE FLAVOR IWFWUENCE COMMAND ATTOTION ANEW SLANT INTEREST ALT Force DeuGiT DevEio winless AROUSE SATISFY PERMANENCE — COMMUNCATE BEAUTIFY INGPRATION = GLTNATE—DOTIFY AGLON NURTURE INSPIRE MOTION UNNTILGINTY ORIGNATE TACHANIMENT. DETACH CREATE BLEND TpavseeR ASSOCIATE FNUGHTIN. CHALLENGE CHERISH Invicorare —LsvATE ALTER ENTHRALL | SATIATE REVISE ‘Te EriqustY PROVE camicize PRICISECARE VALUE ‘RES COUT GFTHECINARY FLAGRANCE ——MPARTREDUCE - Chapter 01 -O01 feahittsesintthendcina pede weir ES . 02. tsteatmnnncints enn tar certs anvraaee 1619 003 cee ctc stasis pwr docoeta a2 HAE TELDVAER- Ain Wor ils Ook TR = 04 trssmth Setar see ate tis 22 SHV e-in Wiei e BTS . Faereucta dunce can perez wen os i * de scans pa LE tir aa Em TEN = DOT ee Sei inte det samenos 2H ron CTT NT = QB Exstiansiet at tr eseretde mer sas SAS ARENT pr aT 7 sear O10 Sesh ssaass ae HEA ORLA ee es py TRF 7 O14 Hameerciats tele ima son Soe NT NEES Ai aT =Ri Sustainable construction due to reduction of processes Construcci6n sostenible por reduccién de procesos HOUSE ROTELLEN-BERG - architecten de wiser vinck tallow warde (Belg 1 hid(arom ‘Any consruction is mere sustainable provided it invalve loss production on pro-onisig structs, any a es ivoling loving the plumbing and mifnces uncovered and maintaining the ‘temporary elements ued in conrruton a defintve elements become in processes, both meter trenspertaton andthe amour of eansrton sriccién ex mia sontenine en ln medics ong 8 de produc, transporte y puesta en obra. I rabajareobre Invekntacl ce der ‘come defnitcs los elementos temporales coeneilslong O12 Conialats pesedentembeses 45 6 ER ST oy i = O13 Epstanssttnreett aestnstns sea 9H WERE FRA Ger hp pe a ESTO 7 014 Remnant dt wands Ye sara a5 6 aerate Rady Lacing TT . O15 Esmmnedineteretneseon erat exer as 6 ATCC eA Rn eal . O16 iosesh i Seetie tttinen ues gat 5 6 A SR TA = 17 Gaiinetntciugen ett wlsresas se? oso OREN ro Res a TT . O18 Eisiscints tres nate rsa an SHE RL oes The = O19 Beticeh Sette suas be tenets soaks aes eis RENT a a TT . O20 tierra cts ees y tensa as O21 Sreteth tne seps fates er trr woe Hove cies ds ve i aes a HO OS a TATE . O22 _Weinttmont dd geet tets messes was ee = 023 vagus vasa meter nn 6 LA en eR . O24 eectiieSte mana mes sot lec na O25 Eivcindt ataneasy santas as 7478 6 ne WAL oF aati nana RT 7 026 EARLSNe atin Stapeytannaan tense 167 She BaNOrNET A nee = O27 Sienetietnathinetonnnetearenas fon ET =RETRIEVE 0 1 8 Exteriorizing a reinforced timber structure Exteriorizacion de una estructura de madera reforzada BELONGS TO PROJECT: «wt SAWA.- Schemata Architects ONS WITHIN THE SAVE PRCUECT ON PAGE ©REMOVE - Chapter 03 -ees = 029 fetes ElmnacnSetaites teasers ites 7 EE . 030 pas rats wii sprint tant ornate pra we oi ciara ht Maha OE ae TS = a forma femyad Aart cehuetosenteneaet oe une gu gr 03 “6 ov Ee ad eo aS GSS a TT . 032 “97 7 E = (033, Estes nts nina tn Esin ae apne meas estan ra 09 Hove ences rms fd wT ED . 034. ftinttt ‘Ateracion del concepto de eecalera como ‘tent stitico ‘eriaot 035 fn Inresueotn eens ene servo ee tn planta 102-103 SH Doe ves dn ed toh an ea 7 O36 _fesntie decrees oy vests 6307 oer w ELLE hob Orsi ep TT = oon 6 en Tr TTT . (138. tree ronan ry Arianne faca con sen Sen Ys ra REE AAR ea cP = 030 tetate sts sta aan any Pelekaon dea pvadaa mete hens 6 HOLE ew ci RT . O40 stn ttt om nt Crea eegacr aay bia new DART toes ha a ERT = O41. fpteaytin oni rte nargtn Fetepain Mgt cone guage trenaen naaREMOV! Creating an open floor plan with a prop structure Creacién de una planta libre con estructura de andamios‘ting sytem of ot. The bathroom located nthe space beiow she oot we ‘a feSIMULATErat O42 eth Surtshstaterae stew unease ents rn eem Varer CoE GNF . sige mir tat ia tn 5 O43 Eiekotls tengo nnn snpnn veo 2 an a TNT = 04d, tinge see ieatnn cn a Cequhussn el pra sano ie dla sein oa RSS ee RT = amo oe drm gm ad , 045 fnetiatettrrananecstentnaste a as9p ne oven ance SNE = 4G rimgranes mt es Schpselint une a ner * Matysg th ina faa lates fen 47 rtesinechner pica trom mses 2 a = ing an sna nd stra itso vel 48 crptoctcniecansrdures soci y aud ove a ce ls ee TT 2 Camo sda hin stall uae Q4Q anise powtmen mur dees aes a = taser FE hs a a SHS * ns romps ena a seg wl bone 51st ronpefoa onan rane cere CT > O52 _Rescienthn’c mcr fone heres sae sts er ener . avanig ata is O53 Resprathrtteds crs rns yao 132388 a RR to a a ST = The ds oa a aie 54 Bresette fama hams de eo tse TUT a ni ay OT .SIMULA’ 0 5 0 Camouflaging an opening in a partition wall-bookshelf Camuflaje de un hueco en un tabique-estanteria