Professional Documents
Culture Documents
scale degree 1 3 5
7
9 11 13
15
17
19
21
23
example in C C E G
B
D F
A
C
E
G
B
D
application triad seventh most 7ths dim. 7ths 7sus4
23rd extensions
Like most chord tones, the tensions can be altered to fit the function, applying the formula
change: b, #, bb, or in the case of 23rd chord extensions, (double-sharp).
The chord tones [1 - 3 - 5 - 7] and conventional tensions [9 - 11 - 13] are the typical tools of the
American Musician. 23rd chord extensions are a logical outgrowth of the development
of chromatic harmony in conjunction with jazz improvisational approaches involving a linear
approach to chords [chord-tones and tensions]. This technique has been used in classical music
and by some jazz improvisers, amongst them Eric Dolphy, David Murray, and Bruce Gertz.
Imaj7
example in
C
#11
13
#15
#17
#19
b21
#23
F#
C#
E#
G#
Bb
D#
application
IImin7
example in
C
b3
b7
#11
13
#15
#17
#19
21
Eb
Bb
F#
C#
E#
G#
V7sus4
example in
C
application
23
D
b7
#11
13
#15
#17
#19
21
#23
Bb
F#
C#
E#
G#
D#
conventional
tensions
chord tones
b3
b5
b7
11
b13
b15
17
19
Eb
Gb
Bb
Ab
Cb
application
Io7delayed
resolution
example in
C
application
tensions
[ conventional
11 is natural ]
chord tones
application
IIm7b5
example in
C
application
V79, 13
example in
C
conventional
tensions
chord tones
conventional
tensions [ can
also take b9 ]
chord tones
bb21 b23
Bbb
Db
b3
b5
bb7
11
b13
b15
17
19
b21
b23
Eb
Gb
Bbb
Ab
Cb
Bb
Db
chord tones
conventional tensions
b7
#11
13
#15
17
#19
21
#23
Bb
F#
C#
G#
D#
conv.
23rd
conv.
23rd
conv.
chord tones
23rd ext.