Timothy O'Sullivan field Where General Reynolds fell, gettysburg is an image of his that came before his time working for 'king' and from his time in battle field photography. The copy I have found is in sepia not black and white and gives a real feel for the era in which this image was taken. The first thing I notice when looking at this photograph is the bleak truth about a bleak situation, very similar to his later images on the expedition O'Sullivan does not seek
Timothy O'Sullivan field Where General Reynolds fell, gettysburg is an image of his that came before his time working for 'king' and from his time in battle field photography. The copy I have found is in sepia not black and white and gives a real feel for the era in which this image was taken. The first thing I notice when looking at this photograph is the bleak truth about a bleak situation, very similar to his later images on the expedition O'Sullivan does not seek
Timothy O'Sullivan field Where General Reynolds fell, gettysburg is an image of his that came before his time working for 'king' and from his time in battle field photography. The copy I have found is in sepia not black and white and gives a real feel for the era in which this image was taken. The first thing I notice when looking at this photograph is the bleak truth about a bleak situation, very similar to his later images on the expedition O'Sullivan does not seek
I chose an image of OSullivans that came before his time working for King and from his time in Battle field photography; the copy of the image I have found is in sepia not black and white and gives a real feel for the era in which this photograph was taken. The first thing I notice when looking at this photograph is the bleak truth about a bleak situation, very similar to his later images on the expedition OSullivan does not seek out the attractive element of his location or his situation but aims straight for the dark side and does not hold back, and in this case shows what appears to be dead soldiers immediately in front of him which is far more intense and personal than if he gave himself some distance between him and his focal point (bodies); OSullivan is not in any way romanticising the battle being fought. The focus is on the soldiers allowing the background to be sharp enough to recognise and give a sense of context but not be equals with the main message and to me this layout and approach is important it gives atmosphere that emphasises a morbid reality the background highlights that seems to be shrouding the trees gives the impression of fog, natural or from canons, the trees in the background also highlight two things: one that his trees and their positionings create triangular shapings but also few trees left.