ONTHE CD 3 TRACKS 1921 GI. RATINGINSPIRED BY JAZZ GUITARISTS C Parker, econ ma huge aly began his profes singing at th with his solos, Arps ule of them i at ALTHOUGH ESSENTIALLY A BLUES withthe best of tein. He instrament, aiding up toon anv maginaty PT coed, wh side) because it tart, Ford is more than capable of azn rst. BARS S and 6 see Robben playing over ives bark to I minor at exact the right point Femeuane 003 Guin Tchniges 53Jazz 10 COOL JAZZ FUSION LICKS ‘THE THUNDER FROM DOWN Under is up next, Best known fr his work with Chick (Coreas Elektnic Band and Vital Informatie, Frank Gambale i the undisputed king ‘ofthe sweep picking technique, as wll as an excellent. iar Leah His te videos ate certainly worth looking at i you want ro pursue this ste. The line shows ‘nice melodic approach, anv Te inched one of his trademark sweep Hicks in BAR 5, ABUTAV THe THT 87} —— 187 @; SOUND ADVICE (GETTING A JAZZ TONE | RECORDED THESE EXAMPLES with 2 Wayne guar(by ‘Wayne Chara), using ether the bridge pickup a Jf Beck trombucker), orth bridge and miele (Alico #) configuration. This was then plugged into a Marshall MPI, ‘with EQeweaked inthe syle of each payer @ BLOWTHE FUSION FURTHER LISTENING SE OBVIOUSLY THE LICKS HERE are but try taste of each player style, so its dificult to ‘recommend any one album to Inspire your playing So, we'd ‘simply 37 you should ey any ‘ofthese: George Benson ~The Best of George Benson’ oF ‘Beyond The Blue Horizon’; Robben Ford ~ Handhl Of Blues and Myc Mie’ Frank Gamble ~ ‘Live! and "The Bese of Frank Gamba’ Brett Garsed ~ ‘Quid Pro Que and Exempt; Scott Henderson ~"Tial Tech With Gary Wills and Vial Tech Tones Alan Holdsworth ~The Staen Men Of Tan’ andMeral Fatigue’ John MeLavghin Passion Grace And Fie or Friday Night In Son Francisco’ Pat Metheny —"Brigh Sie Lie and"ae Metheny Group'John Scofield —"Blue Mater’ and Pick Hie Liveand Mike Stern ‘Odds Or Evers and ‘Sandads (and Oxher Sones): 54 Guile Technigues Fesnuas 2003,& TRACKS |9.2! ALTHOUGH GARSED HAS WORKED with fellow Aussie John Farm (remember You're the Vee’) and AOR duo Nelson (stop shickering’), fs his work in the te man si with'TS Helmerich) tat is of most interest. A quick Rach boa pick and th Henderson is anoth 1 Tribal Tech shaw latest th and lunatic foun is just plains. The Ds which ean sound obvious, but not i rant note ofthis ick is the Fa th ly Feaauany 2003 Guitar Techniques 55Jazz 10 COOL JAZZ FUSION LICKS ED & tees eee és PERE SORKSHIREMAN HOLDSWORTH DOESNT branch of music. He possesses arguably the best legato technique on the planet an «chord vocabulary that is totally unique. He's been kaown to use the od sonic shape’ from time to time — e physical fingering patterns that work well on the neck (especially when played at ridiculous ted to reflect that n the hosen Hks belo have is own style as is on SSS ee — 0-110 19— PHOT ia Lt cate RSE > stetelees ee oe oy oe os Fie eee . i == See ee tapinies 1st 13— 120 56 Guitar Techniques esauany 2002@ TRACKS 19-21 ETE JOHN MCLAUGLIN IS ANOTHER guitarist that defies deseripton, categorisation and, tas of the tine, trasenpion. Whether is his zen fusion work with the Mahavishnu Orchestra, his han influenced lies with Shai, is jaz tr (featuring drummer extraondinaire Deans Chambers atl Joey DeFrancesco on Hammon), or his Sp igs with AI DiMeola and Paco De Laci, hes a rise su that sick would be just as appr acoustic ~ likewise, those for Pat Metheny, John Seofeld and George Bes work well witha semi-acoustc ~ but it really is up to HEF E Pete nite oie 5 ——— AEN aa ete h 109" MODERN JAZZ LEGEND METHENY taught at the University of Mian and Beride and made is recording debut a just 19 with (avant-garde keyboardist) Paul Ble and legendary juz bait Jaco Pastorius. His style i alway’ istanty recog and he enjoys freeform soos tat take the listener on a musical journey thats always intriguing, Metheny particulary likes to take motifs and ide the neck, soT stuck one such example in BAR 5 Feanuany 200 Citar Tchniqus 57Jazz 10 COOL JAZZ FUSION LICKS EEE fle FE A011 1H on te Pipher, Prete, tient iettit aletore, eee 13— 4 14 16-1814 eo ae ate PES ANOTHER UNIQUE VOICE IN the jaze guitar worlds that of John Scoheld, Not ony intervalic pha * N19 10-9 8108 ‘58 Guitar Tecnu reemuany 2003® TRACKS 19-2! Z Wu | Ht hie oo i o 7 ‘o @ProTIP ALWAYS SAQ*PLAY THE Feanuasy 2003 Guia Tehri $9