HUGE 2015 ALBUM aaa erate PALMA VIOLETS CHVRCHES - THE CRIBS WOLF ALICE - DRENGE ells Pee Pan ee ced Eorcnsrs ( M mA wm CHARLI XCXAt Recordstore, we're committed to the finest indie and alternative music. Here are some of the albums we're excited about this month... Ghost Culture - Ghost Culture Panda Bear - Panda Bear Meets Grim Reaper cD white Le Ds Deluxe 21 ’ dazzling atray of surprises’ - Drowned in Sound. Denise, slippery, wily, and flun like a meticulously reneersec s The Charlatans - Modern Nature Sleater-Kinney - No Cities To Love cD) LPsco sat cD / Beluxe LP ‘One of che fast oftheir career “Ten years away has made them more essential than ever"= DIY recordstore.co.uk // @recordstoreF E BR U AR Y 201 5 Goo GooD VS EVIL EDITOR’S LETTER VICTORIASINDEN —LOUISEMASON _So, you've got SieaterKinney on the cover of your magazine Inthe neat Deputy Editor ‘rt Director decade they've been aay, Carte Brownstsn has made a ice sideline GOOD Festiva GOOD Whative comedy, withher pretty damn riliant series Forandi. One ofthe Season s back justseeninthe standout sketches rom the show involves hipster atts putting bird on aiready with DY Background ina i, to make their designs cole. mmakinga quicktipto__photoof Drenges Look tthe photo above. Yeah, We went there. Sorry Cari EVIL Havingto EVIL 343daysuntl Stephen Ackroyd thinkofan Bullevery Christmas = blind GOOD How many amazing new allumsare outin the next few months? fucking month. panes Bloody loads, that's how many. aaa EVIL The phrase ‘featuring Rita Ora! EMMA SWANN JAMIE MILTON Reviews aitor Online Editor GOOD Somany GOOD Marika potentially brilliant Hackman’s debut aaiuete welders. ane a vit inetesstion SAID EVIL Nobody's thatimissodouton = LES TENING POST actualy saying when Glastonbury ticket What's on the DIY stereo ry § wellgetthem! gets more harrowing this month? by the day beeen es SARAH JAMIESON COURTNEY BARNETT Cee neg Naa cei EL HUNT Sometimes Sit And Think, And, reer WELD in: cteantenie Se ¥ of music that’s setto Editor Take everything that's great about ‘The A bereleasedthisyear - GOODIrssettled ——oubie ep: Sea of SplitPeas, multiply Find out on p.21 Isinsaneandtcannot __oneeandfor al itby ten and you've landed yourself an waittodelveintoall ‘Sleater-Kinney want paving debut record from this Aussie sta Teese The Word toreturn euciabut ecore fram is Aussies EVIL Thoserecipe- Producers take note DEATH CAB FOR CUTIE Vienne tome EVIL ies 2015 and Tints foveratCreme Egg ——_—theresstllnosignof ——_Theirlatafoumwith founding member headquarters.Gert— thatelusive Rihanna Chris Walla, Kintsuaiis the sound of Death album. What'sshe Cab opening new doors and beginning an playing at” exciting new chapter.IMIS[ZIMIA[ZIOIN FEATURES 34 SLEATER-KINNEY 42 PEACE 46 POND 50 FATHER JOHN MISTY NEWS GET EXCITED ABOUT 6 PALMA VIOLETS 9 CHVRCHES 10 DRENGE 12 THE CRIBS 17 WOLF ALICE 18 GHOSTPOET 20 RAE MORRIS 22 THE DECEMBERISTS 24 #STANDFORSOMETHING 54 MENACE BEACH 56 PANDA BEAR NEU 26 SHAMIR 28 THE MAGIC GANG 30 KERO KERO BONITO 32 ALEX BUREY REVIEWS 60 ALBUMS 78 LIVE Editor Stephen Ackroye Deputy Editor Victoria Sinden Associate Editor Emma Swann News Editor Sarah Jamieson Art Direction & Design Louise Mason Head Of Marketing & Events Jack Clothier Online Editor amie Milton Assistant Online Editor EIHunt Contributors: Ali Shutter, Ben Jolley, Chis Bunt, Cris Rickett, Danny Wright, Dan Owens, David Zammitt, Dominique Sisley, Euan Davidson, Henry Boon, Hugh Morris, Huw Baines, Huw Oliver, Kate Lismore, Laura Studarus, Liam McNeilly, Loren Dias, Louis Haines, Matthew Davies, Natasha West, Ross Jones, Shetali Srivastava, Tim Foil Tom Connick, Tom Walters, Will Moss, WillRichards Photographers Abi Dainton, Carolina Faruolo, Leah Henson, Mike Massaro, Phil Smithies, Sarah Louise Bennett, Sinead Grainger For DIY editorial infoadiymag,com For DIY sales rupert@sonicdigitalco.uk lawrencegsonicdigital.co.uk bryonyasonicligitalco.uk tel: +44 (0)20 76130555 DIV published by Sonic Media Group. Ali material copyright) Allnghteresarved ‘Thispublication may not be reproduced or transmitted in any form, inwhole orn part, without the express written permission of Div. 25p where sold Disclaimer: While every etfort is ‘made to ensue the information ln this magazine is coreect changes ean accur whieh affect the accuracy of copy for which Sonic Media Group holds no responsbilty The opinions ef the contributors da not necessarily beara relation to those of DIY or ite staff and we diciaim bit forthose impressions. Distributed nationallyROUNDHOUSE RISING DISCOVER NEW MUSIC 18—22 FEBRUARY 2015 FEATURING: GIRL BAND : PRETTY VICIOUS FTSE i TIM EXILE THE MAGIC GANG i GWILYM GOLD CHARLIE CUNNINGHAM | OBJECT OBJECT ROUNDHOUSE i + MANY MORE RESIDENT ARTISTS | ACTS TBA IN ASSOCIATION WITH invoducing. cada pDIy 8. WW W.ROUNDHOUSE.ORG.UK #RISING2015 s OP Paul Hamlyn | PS Toke Erfawall with thelr second album, utthings are Ok NOW. ACCORDING TO THE CHINESE ZODIAC, 2015 IS GOING TO BE THE YEAR OF THE SHEEP. SHEEP? PFT, WHO NEEDS SHEEP?! THE NEXT TWELVE MONTHS IS ALL ABOUT THE MUSIC. WANT PROOF? HERE'S EXACTLY WHICH ARTISTS AND ALBUMS YOU SHOULD BE GETTING EXCITED ABOUT. ng Ea get this record, from this point on, it’s going to be so Ses IB Lsoll) sm qumber two, ‘wo summers ago, Palma Violets weren't just tearing up the live circuit ina figurative sense, they were wreaking total havoc. Hosting stage invasions at Bricton’s Jamm and prompting nudity and mass crowd- surfing at festival tents all over the country, they were swept along in the riptide of their debut album. twas a record that captured the barely Sellotaped-tagether chaos of the music that Palma Violets were making together at their Lambeth headquarters, 180; butt wasn't a climate that allowed much time for \writing the follow-up. After retreating to Wales to regroup, though, Palma Violets have found a new headspace. “forgot how to write,” shrugs int frontman and unofficial head troublemaker Chill esson, surveying Palma Violets’ new rehearsal space, tucked under a clanky rallway track. The band freely admit that writing was the last thing on thelr mind for ‘wo years after getting signed by Rough Trade. ‘We didn't ‘even give a shit,” laughs Chilli." couldn't even read <> ‘We made a conscious decision after Reading [2013] to go and write in Wales,” he explains. Chili Jesson’s first go on the drums turns him into the new Phil Collins.“We met these two hippy folk, they're very spiritual people. They sing a cong on ouralbum.” The peace and quiet of ‘Monmouthshire was exactly what the band needed to approach a new album. “Coming back we realy had to learn how to start again,” nods Sam Fryer, the front-of-stage ‘counterpoint to Chilli. “This place in Wales was the perfect place todo it” “We spent a lot more timecn this one,” agrees drummer Will Doyle. “There was alot more work and effort putintoit. Last album when we got signed, itwas a very quick thing. It was, all happening so quickly, and we needed to capture that ‘momentin time, We hadn't been creative fora year and a half When you tour, your mindset is: turn up, play a show. We had a week where we would fly to different country every day. You forget what day itis, you're on autopilot.” Chili shuffles in his seat with something to add. "We didn’t want to write a secand record about what Wills talking about,” he says. “Touring and stuff, and feeling shit.” ‘When the curtain came down {on’180'," continues Wil, “we thought, right, what are we going to do? We want something we're really proud of” “Being in that barn in Wales, we had to take the time to rebuild our creative mojo” says Sam, and Chill fs visibly amused. “Moja! Ilike taat!” he announces, taking a swig from his can. "Putitin big capitals as the fucking title,” he advises, “cosit’s true.” Palma Violets are by no means weirdly reformed new characters, but they do talk honestly about the difficulties Involved in the process this time around, as well as how they've put their heads down for this album and grafted harder than ever before, They’te adamant though that despite having a little more structure, the core of the bands the same. "We wanted to keep it youthful, basicaly” says Will “This is depth!” shouts Chill. Keyboardist Pete Mayhew gives alittle whistle for effect; “it's emotional." ‘Not in an arrogant way.” Chilli goes on, “but its definitely ‘us. It's probably alin, how shambolic it stills. However hard we try,” he adds, “we seem to still only ust make itto the end of asong.” “We had the chance to make it better that’s the thing," says. Pete, quietly. “We neverchanged.” “Lots of bands try to make the giant leap between their first and second albums," observes Will. “You know, we have progressed, we are adults! We're still only 21.""They make very dark records,” Interjects Chill.” But it's easy to write a minor song. | think the hardest thing isto write a major happy song.’ The rest of Palma Violets burst into laughter. Nol” he continues, “Iwas thinking about this. mean, writing a minor song about your dead dog or something...that’s easy!” There might not be any ballads about dead dogs on Palma Violets’ new album, but there are distinct moments where they're not racing along at 150 mph. They even ended up ina unique new position when they started recording, with 16 or 17 demos to choose from. It sounds like one of those records they made in the 70s, and you can hear the beautiful keyboards that sound like an orchestra,” says Sam. *ifwe can get away with this, we can get away with anything,’ ‘chuckles Chili's music that we really lke, and we know how to doit. If people get this record, from this point on, it's, going to be so easy,” he adds, perhaps teetering on the edge of hyperbole. “It'll bea record every six fucking months! | fee! like we've gotit" he says, hitting aplastic bottle on the floor to add emphasis. Compared to their debut, this is a more considered record, and Palma Violets are proud of the outcome. "The fist songs, Weld written were pretty brainless,” asses Pete, bluntly. "You're kind of lke..” he shrugs, and makes a mumbling noise alittle ike a squirrel trapped in a box of packing foam. “Can you write that down in words? “Im very proudl of this recore!”’ finalises Chill. It’s taken a lot out of us, i's not been easy. That's important to know. | think alot of bands will le, I's nat all high-fives and that.” *There Were a few high-fves!" protests Pete, holding out his hand ininvitation. Chill slaps it in return. “See!” says Will gleefully, “we're all fiends now!” BIY 5 iMET Toemerge out ene ew FSSTeMTET RE TAT TOT See eee Toronto water: the city seems to boast a ee ea em eect Pop signees METZ blew many other Rem Se aes Sec ea) offering, eee Seo ee teen Pec ec cas oon can rea ae esse Ea Cee ene et ed Pet eet eee ALABAMA [ie ee SHAKES ; eno maeac at Ce a After the whirlwind success of ed debut album Boys Gis, the, hen in the studio, you're ‘Athens, Alabama four piece, Oxnnens fei : we STURT aaa iakes have stirred up quite a fervour, ke this huge sound, Seneca Having emerged from the small Detpihempertect is foHow ue, ctyof Athens, AL sandwiched between Aen Birmingham, ALandNashvile,TN- backing ee 2011, the four-piece have since wormed their way into hearts al over the world wth their soulful-but git bluesy rock Nonetheless the ee band werent going to rush out a second offering, " fe away from Iwould never De Rad i That was he mostimportantthingtous" agrees put outa record ee frontwoman Brittany Howard, "We could've just gotten ecmoget cord he offers." together written a bunch ofstuffand putoutarecord that didn't excite Been eee’ ayear ago but that’s not what| wanna do. want to put ” Brit eee Svtcomethne theme prouat teat memes ™6"~ Brittany ERE A lot tome." Howard ee ence inert ene a) The band were also keen that the followup to 2012 eee ee eee "Boys Gils’ made things exciting again. "We had been on the rozdfor almost three A aac aaa an years and itjust got to this point where was bored of the musicand wanted to find [Io a/tanet tet ttt eee some place that was exciting to go," Howard explains. needed that spark. With, ears this record, l wanted to do what | wanted todo and, naturally, have what's inside af me come out. With authenticity high on the list of priorities their second album sees Howard coming to terms with her place in the world. “Ive had time to explore myself and time to reflect on what it is that got tome where I've found this so-called success, what itis that brought me hereand haw |feel about it Ina lot of ways, it's different to ous frst record: sonically it’s different and the themes and things talk about are different, but the way that it's alike with ‘Boys and Ginls'isthat it's very truetto us, and it's very tue to the things that excite me. would never put outa record that didn’t excite me, soin that way it's the same.”CHVRCHES Inthe wake of thelr debut album, ‘Chyrches found themselves Touringthe world and playing Shows foraimost two yearssolidly. Now theyre setting ther sights ‘nasecond offering: 2075 sees fhemopen up the next chapter of, theitband.end they re goingin Bepared 6 Je've now donealot of waiting on the road,” claims the band's Martin Doherty. The band finished touring about two weeks ago, and already he's eager to start the motor up again. "I think, initially, we were reluctant to doit: we sort of wanted to protect the dynamic of three people in aroomat once’ idea, because that's the way that the first allbum came about. “When you've been on tour as much as ‘we have been in the past two years, you don'treally have a choice. You either, create on the road or you don't do anything and the idea of coming back after three years of doing absolutely nothing -and not even working those muscles creatively -is insane. Ait stands, the band started work on the follow-up to The Bones of What ‘You Believe’ in January, and they went in with plenty of elements to play with, “There's between twenty five and thirty ideas; verse, chorus song structures ot ‘melodic ideas kicking around which vil be really useful in the studio, but they're not the be all and end all ofthe recording process.” The three-piece are also sure that album number two isn't going to be ‘a major move away: it'll be more of a progression, “It's interesting,” Martin starts. “I mean, it'll audibly be the same band. lle the same writers, and the same songwriting styles, but as for how the songs are dressed, that's never been. {as important to me. “That's informed by what we're listening tot the time, whether it’s old or now music of ust the things that inspire us. big part of the recording process ic tho few months before it when we're just digesting as much music as possible and figuring out where you're at in terms of where your tastes are at. ‘And having recently recorded two songs for other projects ~'Get Away’ for the recent BBC Radio 1 Rescores: Drive and 'Dead Air from the Lorde-curated soundtrack for the most recent The Hunger Games - they've also had the ‘opportunity to warm themselves up before really shifting back into gear. ‘We had a couple of days to do each of those songs, because of the schedule, That was the first time we hhadallsat in astudio and written together for some time, There an element of relief because it was lke, ‘Okay, we haven't been on tour for two years and forgotten where we're at!’ We can still work togetherina really easy and exciting way.” THE MACCABEES Title: TBC Expected: 2015 Confirming that recording for thelr new full-length was “due to start very soon” hackin June last year, The Maccabees greeted the New Year by assuring their Twitter follows that a fourta recardl ison its way: "Next year we will be back on tour much more regularly and have our fourth album BRAND NEW Title: TEC Expected: 2015 During the past few years it was tumottted that a follow-up te Brand New's 2010 reeard ‘Daley’ mightnot comete light so the news thatthey hhave entered the studio again /s both ‘unexpected and brilliant. The quartet are recording, as confirmed by their website: "Brand New isin the studio, treads, What the rest oftheir message ‘Procrastinate! Pogollth Earth Sound Alliance 2015'- meansthough, well, that'sanyone's guess. MARINA & THE DIAMONDS Title: FROOT’ Expected: 6th April 2015 Forherforthcoming new album, Marina's beginning what she calls ‘a new musical and visual era" for herself.Currently in the midst of supplying fans with a track every few weeks -a FROOT af the Monta, as shelikes to call-in the lead up toh third album's release, 2015 looks like it's ‘ping to be just peachy for Marina. RADIOHEAD Title: TRC Expected: | ate 2015 One of theses days Radiohead are going to go down the traditional route and release 4 record the old-fashioned. way, but chances are the follow-up to 2011's The King of Limbs’ likely to opt for something ‘revolutionary’ After Thom Yorke's BitTorrent obsession, he's recently got into Bandcamp, What's next, ReverbNation? Sessione have been taking place in Oxford since the end of 2014, with Jonny Greenwood ‘and Tham Yorke exchanging ideas via ‘email from this time last year. Expect this year's #Broaktheinternet tocome courtesy of Radiohead.DRENGE ‘The most effort that drummer Rory Loveless has put inte anything Since school tray have raken 2 ‘While but Orenge’ssecond album issetto be quite the teat 66 Je are pretty much 90% done,’ reveals Drenge’s drummer Rory, the younger of the Loveless brothers. ‘There's just some tinkering time to be had, as they call t fon Scrapheap Challenge. ‘Things haven't quite been the same since the duo released their self-titled debut. From unwillingly getting involved in political resignations to bumping into Kanye, itfeels like Drenge have done it ll over the past twa years. All, that is, except give us some more music. In 2015, with their second album almost done, that's set to change. That's not the only thing, either “Well Rory pauses. “I think we had ano ‘blood’ policy with the lyrics. guess, because we've changed as people since we wrote those fist songs nearly four years ago, we wanted to get away from that. Away ftom that teenage, anasty thing even though we are described as looking like we'te twelve. It's more of a case of us wanting to address the present rather than try and recreate the frst album.” Having released their last full-length in August 2013, Loveless claims that this record has taken up a huge chunk of their time since, “It’s probably the most effort I've put into anything since GCSE Art, and I got an Ain that,” he laughs. "It did take a long while, and we've hada couple of practical set-backs hereand there, but it’ all the better for the extra attention we've given to things. guess we could've left things as they were but | think we could see where this album was going and we were getting really excited about it; we're really proud of everything.” They'eal "It’s probably the most effort I've put into asinoa anything since GCSE Art.”- Rory Loveless yer a, themixfor their second effort: there's going to be bass. “Yeah, we've been putting bass parts down, he offers up, “just to fill out the songs, and we will be playing with a third live member next time we play a show.” It feels like a natural progression. "I didn't feet like it was going stale,” he pauses, "but we were both wondering where it was gonna {go next after the fist album. There's specific dynamic to it and I don't know how long I could've kept doing that, so we've expanded. | think the tunes are alot more subtle. I's been fun and interesting to do, because we've never done that before, butit came fairly easly and | think it sounds really cool. The Loveless brothers prove you can't make a great record without tea and biscuits. FIDLAR Title: TSC Expected:Late 2015 With shout-a-long choruses andincendiary riffs ahoy, the LA punks’ debut took 2013 by storm, “Cheap Beer’ a bona fide festival anthem, Having been working ‘on album two properly since last summer, it shouldn't be mach longer before there's twice the songs to go ns to. YEARS & YEARS Title: TEC Expected: May 2015 Fronting DIY's Class of 2015, ‘Years & Years have thelr heads screwed on about this album lark. Frontman Olly Alexander ‘admitted that at this point they remain a singles act", with Real ‘and Desire’ eyeing the charts ‘without spelling out how a full-enath might sound. Things ‘we know! one of the more emotional numbers has a string section, with Olly naming the ‘theme to be one of unrequited lover” KANYE WEST Title: T8C Expected: June 2015, With the 'Yeezus' follow-up slated for a 2015 release, there's every chance people will hear the whole thing in advance. According ta Nicolas Jaar (who's involved in the LP), Kanye has been dimming rooms and blowing speakers for special previews. Then there's the tele recounted by Seth Rogen, where West distracted the actor from a family tip to play him new material coupled with improvised live rapping. Whoever gets ta hear the new album first isin fora treat, PJ HARVEY Title: TSC Expected: September 2015 Py Harvey is choosing to record the bulk of her new aloum ina box, in front of the UK public. I'shappening two times a day for around amonth, meaning plucky ticket-buyers could be fortunate ‘enough to witness a eureka moment. This saunique insight, athrough-the- looking-gless treat like few ‘others- runs vuntilmmid= February. Almost, PlHarvey.PEC aero ac Cesena) Sees econ Cs et on LTCC RTs SOR CC enc) ad aed garage, london Pmt Lg fet: elm Pre er cee Praca PeCh Cathy eee Live nario heaven, london Cte nly POC Le LEA LTC) re Patt Triad 92 acagemy, pirmingnam ella eyre roundhouse, london ree Ctrl lee Pour Perea eae ae Praesens men 30 mar BREConca io Baie tel ied Caen Cay eras george the poet porary eee Paar Seoorronoen Ceres Rupe tay oe aquilo Cn ace Pacey Bullingden, oxtora ren Miter ee ey teen er Te Bos Ta) Pega ene PU erg EAE ae ry Cnet} pra erg PAINS eon? ier Coie Bond RRnr acacia Cree eee Cece Pore fice [X-la ror) Cy ines buy tickets at livenation.co.ukTHE CRIBS ‘The Jarman brothers are back, this, Timewitha pop album that has Bic Ocacek behind the production esk Tree years since therelease dfn The Bolly of The Brazen Bull Gary, Ryan and Ross are itching to Unleash thelr sith record, Words Ross Jones. Title: For All My Sisters’ Expected: 23rd March 2015 ‘Tracks: An Ivory Hands, Finally Free’, Summer Of Chances ary Jarman likes to pay attention to detail. With the recarding for their upcoming sixth album now done, the band ~ completed by his brothers Ryan and Ross~ are preparing its final details. This, according to Gary, is where ‘things start ta get taxing for the Wakefield tri. “When you‘te making the record you only have one thing to ‘thinkabout and you're pretty consumed by it, you get abit obsessive," explains Gary, from his home in Portland, USA. “So to now have it 'm defensive and precious about t. Everything has to be right. We've got to get the artwork right and we've, got to have the right B-sides, everything that goes with it. We've always been idealistic lke that.” Their ethos has always been thorough, especially when it comes to their creative output: “People might think that’s nat the case with us- historically our records have been rough around the edges - but that was how we wanted it tobe. We didn’t want things to be too perfect, we were excited by what itwas before and people might not see us as idealists for that When it came to writing and recording for the new LP, the band hada clearidea, “I like to think that we've always been a pop band, When you look at bands from The Replacements, to Nirvana, to whoever, it’s always been pop music played by weirdos telly. That's my favourite music, and we've always aspired to be a pop band ina conventional sense.” From the first track previewed, ‘An Ivory Hand, it's obvious that their direction is a more pop-orientated one; the track a ‘swaying, 80s quitar-Ied single that withholds the traditional Cibs-esque tone. "We've explored a lot of the things that we've done before. The influences pretty much remain the same, except | think that it is just a more fully realised version, of what we intended to do.” The group had a producer in mind from early on. “When “I've also been very frustrated by the fact that we've been away for so long." - Gary Jarman we started making the demos we thought, let’sjust send them to Ric [Ocasek] and see if he's available. We've always wanted to work with him and he's kind of a difficult guy to pin own, It was great because he was available and was really Into the tracks, so we spent a lot of time talking about them.” Famous for his warkas frontman of The Cars and producing Weezer, Ric was able to provide the group with just what they needed. “We spent alot of time getting the right performance ‘and the right guitar sounds. e's role was to say, ‘Let's get this changed,'‘A guitar should sound like this; "That was agood take’ and then listen to us sing. He was the guy who was a good arbiter” With the album now complete, Gary ic understandably feeling alittle nervy. “When it comesto the time of puttingit out, you start to worry about it because it ceases to be yours, it's open. Having said that, I've also been very frustrated by the fact that we've been away forsolona. itreally balances it out just how happy we are to be back and how ready we are." GRIMES Title: TAC Expected: 2015 When Grimes first et sip that shewas hoping to release the ollow-up to Visions’ in September last year, thingswvent Into overdrive, Since then, she's supplied us with single Go! before scrapping het previous plans and starting heralbum all jy ‘over again. Now she's hoping i to release ke this year, with Lizzo Joining her in the studtio, opting for amore in’ style. “Guitar is Just a whole nevi sonic wor, Imelodically, rhythmically ec.” she's stated. "Playing ‘it’ music is ‘my bigjaest inspiration really.LITTLE BOOTS Having built hername upon euphoric dancefloor poy ‘anthems Little Boots is using her forthcoming third album, fgmarka change inthe tide, verte ast sb years, Ute Boots has een on aut O:: ins journey From topping he 8 Soundof ola th stutter ree orang ir pth byesbishing her ounlabel shes got afar sof exprence tnderher ett Nor she's oman bach ane lent, lending anftomerecet Business ensure EP Btn tine she’ set ere some ground ues “For me," Victoria Hesketh begins, during a phone call just after the release of her four-track taster, “this is my third ERRORS With their last musical offering Errors were ambitious: they Unvelled two separate full engths within the samme year Now Siler taking come much-needed time off the iio are reluenin with anew record, but this ime they found themselves Tending tothe wildernessto create Title: Lease Of Life’ Expected: 23rd March 2015, 6 T= was a big gap between starting this record and the best realisation yet of one ofthe world’s greatest - and &. most sought-after - live bands. arse Mion) 2208 halls from shows in Paris Bercy and Birmingham's Que less randomly accessed. FootLiterate, catchy as hell indie Trust fund “No one’s coming for us” pop: eteacaaraces tok tok TRUST FUND cue Dott oursel'sems tobe aterm sooteaity parce scat knowa thing orto abou IY Sut fortvst ur (Els Jone) 08 tihosenddexeription wih rnot only entata hisworkbut as acrrately captures otf whats eda gab lis rae FSD opty