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Abracadabra: Book1
Abracadabra: Book1
Abracadabra
'-
BOOK1
-.
SECONO
Fully revised
EOITION
and expanded
Peter Davey
with
Christopher Hussey
A & e Block. London
Second
edition
Photocopying prohibitel
AlI rights reserved. No part of this
publication may be reproduced in any
2002
photographic,
'
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CONTENTS
'-()
step 1
.J
Pizz on D
pizz. 2
3
1"1
Pizz A pizza!
Bobby Shafto
step 2
- Ji
arca
~ ~ 5
6
V 7
8
+ 9
~
~
~
10
:~ 11
12
13
14
step 3
....
O.e. al Fine
ostinato
:~
~ ~
0.5.
s.b.
A friend in DEED
One f.jnger dance
Eee-abba-dabba-dee!
Spinning wheel
A stitch in time
28 Secret agents
29
-'""
t;1;ii
~
~j
step 7
-~
-~
Brown bread
Big Ben
Tum the glasses over (a round)
Off to France in the morning
D major scale
37
38
39
40
41
~~
~C
-~
~(c
-(
~(
'-'e
-'e
'-'
-"-..
\"
- (~(
~(-
/
~ .
.,.
42
43
44
45
~; "
30 Summer shine
31 Halfway down the stairs
32 Old MacDonald
G major scale
step 9
step 5
-e)
Little bird
step
step 4
18
Au clair de la lune
Twinkle, twinkl~ little bow
Miss Mary Mac
The song that never stops
Whistle while you work
step 6
33
34
35
36
11..
15 Frere Jacques
~
16 Welsh lullaby (Suo-ganJ
17 Windmill song
11"
23
24
25
26
27
.._---
-./
step 10
73
47
lavender's
blue
-----------
.J
step
slow fast
step
.J.
11
49
50
q 51
52
f.b.
54 london Bridge
55 Tea for two
56 Stand by me
-=-
step 14
.J r
; r m:p
60 Kalinka
cresc.
'"!f
r-r
).J)
WaltL
step
15
66
67
68
69
The shepherdess
(a round)
O majar arpeggio
G major
70
()
-~--
..
arpeggio
17
75 Short'nin' bread
76 What shall we do with the
drunken sailor?
77 Winterwonderland
78 EastEnders
step
18
step 19
step 13
~
step
80
81
82
83
12
is icumen in
(a raund)
74 Part of your world
Summer
the Wizard
step 16
71 Egyptian snake dance
72 Shalom (a round)
84 Ragamuffin's rag
A major scale
A major arpeggia
85 Who will buy?
G majar seale (two octaves)
G major arpeggia (two octaves)
86 Beauty and the Beast
step
20
87 Barcarolle
88 Millennium
89 Watch out kookaburra!
(a round)
rall. 90 Nocturne
Acknowledgements
Index
Glossary
-")
'"1
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"
...
.
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-uG
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~)
'"
"i.:~
'-("
Pluek your violn strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.
~,
1 Pizz
~o
~11D
CH/V5P
{
~;
-(
'-'(O
You
~zz
j
~Piz zi
ma
to
squashed
to,
ea
~.J
~j
~vl.
~l
to.
'-'(.
-..
~(
J
.J
~,
zi
ea
to
string.
lis
ten
to
the
sound
ring.
".
~(
~,~
Count
- ing
two
in,
ev
'ry
bar,
keep
stea
dy
beato
CH/1S
Play your part twice.
You
~zz.
fJ
.J
Moz
za
.J
rel
fJ
.J
la,
pizz
.J
~piz
za!
Your teacher
Chee
sy
piz
za,
Mar
ghe
- ri - ta,
my
That's
tea - time
treat.
traditionaJ
You
~zz.
~.J fJ
.J
by
80b
les
I~
to
.J
oh,
sea
.J
fJ
.J
buck
ver
gone
to's
I~
.J
Sil
Shaf
.J
.J
on
his
oh.
knee
Your teacher
Bob - by
Shaf - to's
gone
to
sea.-
Sil - ver
J
He'U
come
back
and
mar
ry
me.-
Bon
ny
buck - les
on
his
knee.-
F
Bob
by
Shaf
to.
~\
....
v~
n marks
~
- with
your bow
'-
~(
a down-bow.
,--,e
/C
tells you to lift your bow in a circular moton to prepare for the next down-bow.
(pupil's part)
-oG
lift
~
~
-
~
-
--(~
traditiona/spiritua/
--./c
lift
lift
lift
(2
--
-'(
=~
~(
lift
~
-
lift
~
-
lift
~
-
- !
Richard M Sherman
andRobert
B Sherman
lift
S uperea
I i...
If you say iL
Supereali...
-~~
Su
per
ea
E - ven though
the
sound
~:~/
of
it
al ways sound
is
pre
some
eo
- thing
quite.
tro.
cious,
If
you
soy
it
loud
- nough.
you'lI
- cious.
..
V
7
Oh, when
the
go
go
saints
J
saints
mareh
ing
mareh
~.
in,
want
- ing
to
in,
Oh, when
with
be
~.
~
num
ber-
When
the
saints
go
mareh -
ing
in.
in
that
the
6 -A-tts"et, a-tas"et
~t~o~t~
~tJ
i1
~,
t.:;
~~i1
~i1
i1
~i1
~~j===E=il
C)
't)
f'j
()
Tj
lA
tis
- ket, o - tos -
tos - ket,
o - tis -
in
my
or - ange
bas
bis
ket,
It
cuit,
1'11
-rJ
T")
J
11>
T)
smells
eot
so
it
to
you
eot,
I'd
con, 'Cos
bet you'd
like
to toste
it. 2. A
t)
7J
'7)
tI
7J
'()
fj
V marks an up-bow.
fJ
".
'~
if)
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:)
c~;
l,ttl e
~iJ
plaj'tnates
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i1
I~
F X Chwatal
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,
5
V
~J
i1
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~-
i1
~-
~rJ
11.
i1
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r' ) ,
112.
c\\'
rrvr
1()
CH/1S
~~!j
D
D,
Your friend
5
O
~~d
Al
80th
9
O
..
~So
ways
~d
we're
You're
to
help
when
to
in
deed.
~-
~j j
there
friends
friend
~d
~-
~j
S
.O
I~
ge
I'm
in
need.
~-
.J .J
-
ther,
yes
in
deed.
l~f'.
l:r"
()
jl
r)
r"
r"
,J
(~
P
f)
t)
f')
t~
Swung
>..
','
-_.~--"--~.
'.
"""
'"
;
"
,...
In the second part of One finger dance the open strings D and A are played together
stopping.
11
iI
PO
You
~f
r
r1
~- I
"',.
4J
. .
Your friend
r1
f}
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..
I
u
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r1
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..
..
c..
12
CH
~~AB
~V -~
I~
E
.
D
E,
Fred and
'
A,
me,
Eee
ab
- ba -
dab
- ba -
A,
dee!
. '--" .'
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e)
v)
r-)
PO
1.
~i~~J
tread
Push
le,
spm - die,
drive
Round
goes
~J
the
:~
..
'0
,.
14-
CH
pIZZ. 1
~ i~
Stitch
in, stitch
in,
stitch
In
time,
stitch
in
t~
l"
( 1S ) t'rere
Jat1t/es
traditional
French
1\;~nato 1
arco
o
~ t~
Fre
~.
re
Jac
ques,
Fre
Son
- nez
re
Jac
ques,
Dor
mez
vous?
Dor
mez
vous?
Son
- nez
les
ma
- ti -
nes!
les ma
Ostinato
~012
- ti -
Ding, dang,
nes!
Ostinato
tj~
Fre - re
dong!
Jac
- ques
Ding, dang,
dong!
:
Fre - re
Jac- ques
(Suo-gon)
traditional Welsh
'"
You
'c"
~~I
w.
" no
~@),
1
I
~,, -
...-1
1
"
Your friend
tJ
"
40
"
11.
11
11
'
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.....
"
...-1
U
\)
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-"
'C)
\)
1:J
-r)
t)
11
r:)
You
",
"
@)
"
Sails
~I
..
LL
nTI
11
go round, the
corn
is ground for
"
flour
Your friend
)
11
in
side
the
wind
- milI.
"
o
r)
'f')
T)
f:)
,
'41)
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t::.~.~)
"
"
."
"
11
11
( ---
--<
l. i
f')
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c--
'"--'.
.~
-'-
The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by
.
traditional
You
,ti
1"}
~,
r
"
,. u.
11
4J
TI
Hot
Your friend
cross
cross
hot
buns.
buns.
i1
1"}
,
.-
IT
.,
,)
.,I
.,
fT
~~i1
.'
.,
.,
One
40
.,
.,
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I
--=
two
pen - ny.
T
.
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r,
,,
V
"40
pen - ny.
I
I
TI
hot
cross
buns.
~. I
.,
11
Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.)
traditional
arco
..
i1
~J J S
Swung
s'
..
..
., ..
.,
\:~)
y
':)
C)
tJ
e)
(')
r)
e)
la
traditional
r)
(;)
t-)
pud
Pease
5
- ding
T)
pud
pea se
hot,
- ding
r)
1"')
cold.
e)
'f:J
~j
pud - ding
Pease
~.JJ
in
the
pot
~-
J
ing
grow
:1
..."..,,
f)
71)
mould!
1~)
'r)
p)
..
..
..'
,
'
'
>:
,-,-"
,
,",
,.,
#,
'
")
l1
traditional French
on page 17.
V
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/
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--:)
'"-'
II
~ad
~t
h\~l1sters
Big
big
red
bus.
bus,
red
big
red
bus.
11.
tJ
and
troin
rood
~o~t~
big
red
trae
bus,
'
tor,
trae
v.
G.
H.
on
and o
tor,
.0
112.
~~jj
big
~big
bus.
red
j :~
red
bus.
v
.
big
11.
~
r~
bus.
red
red
bus,
big
bus.
red
tor,
trae
r
tor,
trae
on
or-
11.
- ti -
21
big
bus,
112."
big
red
cu
Ostinato
la
ted
lor
ry
ond
accompaniment
big
red
bus.
big
red
bus:
E=U
~-~
112.
" ,
"
traditianal French
"'.,
This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece.
Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).
Fine
.'(.'
\:)
t)
r)
t,)
D.e. al Fine
\"1
t)
C)
~~)
lO)
f'')
~
To Codal '
rOl
112
=r2~
DI"
f~
"--'
"
::::
24
(pupil's part)
~t~
Twin
lit
- cress
- tle
bow,
the string,
-play
care
this
- fui
r
r)
:1
c)
r)
1")
T)
Fine
fj
f.c.)
..
fast
then
play
it slow.
0'J
D.e. al Fine
,
-...
I~
not
te
let
it
ping!
l'
"
-->
.-
~~
Miss Ma
- ry
black,
black, Her
Mac,
hair
was
long,
long,
112.
..
~~r1
~-
Ma - ry
back.
..
her
...
11
..
112.
. ...
. . .
,.
pizz.
>-
-.
~~
down
pIZZ.
11.
=fJ-.
in
""',""'"..
24
all dressed
long, all
r1
~~j
back. Miss
back,
back,
Mac,
Mac,
..
black,
r1
traditional
part)
~'
.
~~
112.
26
T~e
S~115
CH
Play this song over and aver withaut pausing in between. Find a way ta end the piece.
Then play it again, starting slowly and gradually getting faster each time.
i1
This
keep on
play - ing
you drop!
'til
i1
~SJ
~)
:j
1[5)
t;;)
~)
f::?J
'ri)
ti
ti
i1
..
40
whist
,
~V
- le
i1
11
work,
while you
Just
whis - tle
V,
..
11
4)
F:)
fe)
TI
Just
11
l)
while you
work.
Come
11
r)
...
"
11
112.
I
I
ej
P)
~
14
p)
F)
on
up
and
start
to
whis
- tle
while you
work.
Just
V
work.
/t'1
($1
s
.. ..
.
!-~
...
. -...
-~
arco
a - wa re
Be
and
take
good
careo Watch
out
for
sec
to
track
and
ret
- gents.
pIZZ.
Codes
to
cars
crack and
to
chase.
Trails
foes
to
face.
"
Be
dis
- creet
all
you . do,
'Cos
a - gents might be
watch - ing
you!
s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.
e)
c)
c~
little bird
traditiana/ German
C)
r)
J
9
r~
~J
.J
.J~
n
r)
r)
~""U'"
t()
fe)
0.5. al Fine
F)
Fine
s.b.
M
h
?,:>
(
)
D.e. al Fine
without repeat
Finel
c)
"
P)
(','\
f"1
f')
P1
Ho
Ii
- days
are
on
the way,
Clouds are
gone,
days
are
long.
,:- '\
s.b.
'-/
I
""U'"
is
here
to
sta y,
Lark
will
sing
his
songo
s.b.
i
Introduction
~-
~J
~.
Holf
- way
down
~J~J~
is
n't
not
at
17
stairs
the
stair
where
sit:
~.J~
J
o
ther
stair
that's
quite
like.
~?
bot - tom and
I'm
at
not
the
top:
the
~J
stair
where
al
ways
stop.
Introduction
~
J
.16.
r.. .
11
~~~
I'm
V
J~~is
this
5,~
it.
fj
There
V
ny
the
is
~
.
So
.
You
words adapted
11.
Your friend
I.--}
With a
oh!
oh!
ee - i - ee - i
a horse,
had
nald
~;)
G here and
G.
G there.
Old
Here
G. there
G.
ev - 'ry- where
G.
tJ
j
-
Mac
Do -. nald
had
I~
l-:J
ee
horse,
~0
tj)
oh!
ee
tU
'.
.'
.
~
:>
11.
pizz.
.
o
"~
.oo.!
___00-::--
oo.
_.
'.
-:> :>
>-
.. .:>
>-"::::-
K)
#>-
. :>
10
>-
f::)
~ZL
d~
f:)
l:t)
.:>"
>-
(,)
..
arco.'
12. . pizz.
arco
>-.::;>"
.>++v
~~
G.
\;)
C)
<;::)
\:C-
~th
~_J
You
:~
Old Mac-Do-
112.
~S~
G.
>-
>-
E})
"1
0'j
f::~:':J
--()
'-.."
, ;
"
G majar sea le
.i~~
J.
2'
,(
i,-:-
.'
.
~
"U'"
~'
s
..
..
-,
.~
'..
bTead
~~~T~Wn
CH.
-~
O,,
Cheerfully
.~
Fine
--
~--
232
D.e. al Fine
traditiona/
Like cIockwork
'"
~~4)
D
Big
Ben
,,
,,
.,
,.
011 doy
(J
ding,
dong,
'Oing,
long goes
clocks
Smoll
dong'.
,
~":
s.b.
/'~
(J
~u
'u
leJ
)
I
~~I
'"
\:
1"
t1
)
~
40
on
'4)
soy
woll
the
'Tic k, tock,
tick,
tock,
tick,
Bu - sy
lit
~~pIZZ. 3
tock'.
- tle
()
~~~
,,
tick,
tock,
t.)
",)
10
3
~~~I
{J
()
-:-
40
wotch - es
whis - per
~110-.40
- a,
~~I
- o-tock
"
traditionaJ
~r.~.~
"ve
been
to
Hor.-
lem,
I've
world
~J
011
Do - ver,
to
've
tro - velled
~J J .E8
ver,
ver,
three
times
~~j
Orink
* entry point
whot
you
hove
wide
this
J===1
ver,
.J
to
l" J
*
ver.
been
drink
ond
turn
the
gloss
es
ver.
11
'-.
;
(
wards
-.
.,
Off
to
just
France,
Get - ting up
for
day,
Glad
that
ev
it's not
- 'ry - one
far
toa
is
CH, music PO
- way.
yawn - ing.
~
~~
a - long,
13
let's
can't wait,
ce
- le -brate,
'Cos
we're
j'~I-
morn
V V
- ing.
..
j'#_.
-"--",,
~"
."VV
'-.-'
--
o majar
scale
o
.-
~~~~
~.,-~
.0
~~
'--'
VV"V.V
..-.-
11
s
"j
~)
~.
~
rJ
You can .use either the open string or your 4th finger to play the note A. The choice you make will depend on
the notes before and after the note A.
t)
rJ
:;;;..R~.tit!i
driver
(a round)
l..)
French
r)
4
~
Ra
- cing
dri
- .ver,
ra
- cing
dri
- Ver,
In
your
car,
in
'rJ
fe.)
your
car,
FiII it
Fe!}
ts';
L)
.-,..,/
.
I
fill it
up with pet
rol,
You'lI
90
far,
you'lI 90
faro
r
.~
..
....
..
r,
'-.
Thornas H Bayly
1\
'"
Andante
oI
.!.lo
--
.,
Te
""
..
me the tales that to
11
me were so dear,
s.b.
()
.,
4J
r--'
~I
s.b .
., -
'-J
,4 )
.,
")
"
- go,
s.b.
Long, long a
1"""""-1
.,
.;
1\ JJ,
Allegro
., ,,,
40
~3
GI
..
..
"'-.4
6
~")
..
..
4U
~2
2
") JJ,
,4)
')
~I
2
I
1"1
.,
.-1
1"1
I
I
3
-1"1
'
S(J
.,
. 4U
'
"1 JJ,
~1"1
-.-1
-...
., I
u
I
'\
40
jerome
Cantabile
- ,
Il.
Kern
112.
pizz.
:~
r',
-r/'
I I
.
arco
.'
pl~Z.
arco
J~
arco
pIZZ.
arco
arco
plZZ.
11.
(1
r }
arco
112. arco
f)
:n_:
r,
: ;:/
'.
'
.'
"
41
i
"
~
t:';
t--._',
(pupil's part)
l' "
Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.
1. Flint - stones,
2. From the
meet
town
~ ~
the
of
~
the
a
they're
they're
........
.-
112.
Eu
fa - mi
his - to
- stones,
- rock,
Flint
Sed
Il.
:~
- ry.
Iy.
Let's
ride
with
the
13
o
fam -'Iy down the
street,
through
the
cour - te - sy
of Fred's two
feet.
---
When
with
you're
the
Flint
- stones,
J~ ~V
a
ya
doo
ba
time,
you'lI
have
ya
ba da
doo
ba
pIZZ.
have a
o
r~
good
old
time.
41
~
11
J.
''-.7
CODA
time,
A slur joins two notes of different pitch and isplayed in one bow,
which enables you to play smoothly.
The Ita/ian term for playing smooth/y is legato.
42
traditional
r1
r1
~
.
'
.
1
J~
~
Melody
pIZZ.
r1
'"
112
pizz. I
r1
j~
~
Il.
12.
r1
. ..
r1
J
r1 V
t9
r1
.J
~.
~
9
+
~
r1
-
:~
.
p~z.
o~
r1
.J~~
0.
.3
3
r-)
'0
t')
rJ
7)
11
/)
4
i)
"F")
rf"'
.}
~')
')
...
')
r)
"1
Malvina Reyrrolds
arr. CH
North American,
:1
Tr~j~c\
Serge Prokofieff
..
~IS.b
.0
r:...r:..r..r-
Your teacher
Dc\}'dre~h\er
CH
2
how
day- dreams
soothe,
all
the
J
Think
when
ed
v
J=i.
V
-
ges
blur.
To
s.b.
~o
make
..
the
mu
sic
43
then
join
notes
with
slur.
.","..
~
9
smooth,
."'
'...
----Morningtown
12.
ride
(teacher's
part continued)
.
-"
)
'(c
T
l")
johonn
Strauss 1/
'f::'}
r')
With a HIt
Il.
~~o
.~.
~.
~.
~.
y'
l:')
pizz.
112.
~.
'()
'
T
I
:~
Your friend
r,:
I l.
pizz.'
('
-t
'-',
(
-,.
41
traditional
Dolce
blue,
di!
- Iy,
La
ven
- der's
green;
'-"I
'}
"-'----
am
king.
dil - Iy,
shall
You
queen.
be
..
~.
..
~.
CH
"
s.b.
~.
~.
~.~.
--------
~.
.6~~II-
'~~r~L~'~'~
s.b.
~.
-------.~.,
\ 1
slow
fast
r)
t'1
o,
or loudly to play.
r)
,.;
Ti
T)
T)
1"',
,""
Paul McCartney
or
Win
lose,
Sink
or
~"
~r'
One thing is
swim,
"
C'
p
8
~~~I
Tl
-~
'....
4J
cer - tain we'lI
)
nev - er
'-41
14
/
"
-,-
..
We
hond,
-"1
,. \J
,,41 )
~I
I
:.;;
'~
to -
stond
011
o.
~~..... ..7u.
-ge-ther
We
ge - ther
112
J.I,
in
Hond
side,
J.I,
41)
-.r
J.I,
--
by
Side
in.
give
..
-'
'-;:'\--
r;;eSSiVO
~.
~
-,
P E~ -
del
weiss,
del
~-...
f1.
greet
-~
Small
me.
morn
- ing
you
~.
I~.
J~
'ry-
Ev
weiss,
el ea n
white,
and
13
and
bright, -
tJ
~.
You
hap - py
look
to
meet
19
r~
bloom
Blos - som
me.
of
~~~m.
~.
and
Bloom
grow,
and
grow
for
P~E - del-
er.
ev
~.
-weiss,
J~
~.
~.
~.
E
del
- weiss,
Bless
my
for
home -Iand
ev
er.
11.
-/
11
., '
,,-.)
51
e)
~)
rJ
~)
lZJ)
top
Old
of
COy
Al!
key,
Smo
- ered with
~g
s.b.
6
")
JJ.
O,
p
snow,
.,
.~
lost
lov
true
., ., .,
p
~u
fj]\.;,.
11
s.b
~fJ,j.
~r
"
,J
'\
"
"40
my
~'\:V
~r
4J
..~ JJ.
~
~
~)
l@
-~
J;o,f/
.~
r:;T'
~er,
From
.-
~e;
~
'--E
slow.
~(
'-'(2
"
'-01
~C
~<1
traditional
Con fuoco
Lon - don's
burn - ing,
Lon don's
burn
ing,
J
Fetch
the
en
~.<
gines, fetch
the
~
fire!
Fire,
fire!
Pour on
--(
'-' {
~J
en - gines, Fire,
/""I
.ti
'--'{
(
.-;5.
wa
- ter,
pour on
'\.".:
wa - ter.
'\;.:..,.
(I
c:
..
Waltz
4
~.
rry~
~.
I~.
Mud,
mud,
glo
~
-
ri
mud!
OUS
No
- thing
quite
like
it
for
Accompaniment
Melody .
p
cool
- ing
the
blood.
(~o
follow.-
down
to
the
hollow,) And
13
~~~
there
wal
- low
in
glo
ri
- ous
mudo
Melody
arco
..
fol-Iow,-
.., /
us
1~~~_.
.--
let
(So
""-'"
...
.'
.'.
'.
1
---
~)
\:,)
;c')
r u r
~}
don Bridge
Lon
()
r'
~r
don Bridge
Lon
~J
1f)
traditional
o
~~I
"
4U
~.
---../
'---""
r)
'--""
r)
r)
r:
---:,
') .u.
.4)
'--"
,-, '
~.
~.
Tea
Leggiero
~o
p
Tea
don Bridge
is
_.
ing
fall
~.
f~T tw~
for
~.
you - you - you
My
down,
(pupil's part)
and
two
two
for
f:)
f.b.
T)
f()
fair
words lrving
- two - two
C)
l"}
Lon
~"--....I
la
T'j
dy.
s.b.
tea,
~.
Me
for
you
py
we
( .
and
~.
for
me,
Cao'l
you
see
how
,
na
'ha
hap
wili
-)
55
11.
112.
i1
1-
i1
be.
pizz.
Rhythmically
~.
~.
4
f-J.
~.
~.
.~
11.2.
~.
.~
I ~ ~.
~}.
When
the
night
has
on -Iy-
_.
light
we'U
Just
as
-fraid,
long
18
and
come-
..
..~
!he
land
dar!<.
And
- fraid,
No I
the
moon
is
me,
Oh.-
stand
see.-
by
the
~.
as you
is
No
stand,-
be
won't
stand by
So
me.
won't
me,
Oh,
stand,-
stand
by-
me,
stand
by-
be
a-
by
55
me.
1
~"}'f
b~at
Dolce
n
shows a r1 V r1 pattern
shows a V i1 V pattern
s~n5
traditional Scottish
..........
f.b.
rJ
FJ
r)
C)
Fine
r)
(')
t:?;
P)
t)
T)
t'')
(p)
13
f.b.
11.
112.
o.e. al Fine
(with repeat)
-<:
C)
r)
T)
'...,
/1)
F}
;'~
JtlpitfT
(p~pil'spart)
Gustav Holst
Inthis piece, use your 4th finger to play the note D on the G string when marked.
~/
Maestoso
..
Accompaniment
11
4.
,,0
0.5. al Fine
Melady
..
..
'---'
"j-
".)
I~
~g
fb.~
[ntrodu~ion
I~
J~.
~.
f.b.
~.
~.
fb.
..
f.b.
f.b.~
I~.
58
.
6
11
~J
..
-~:,.:;;:;,;.~::;~-
";."J.,"";
,','.;.
-~-'
.,'I.~.:.~:'i :-:':"-=-->~'.~.-:...
-=':"-':-~'-':'-''.
Rn~
D.S. al Fine
(Accomp.)
\.1
~)
,
--"'''\
,-,,'
l.;
6()
traditional Russian
Con spirito
~
5
f'J
t;)
t)
p crese.
cW
/1.
]/2.
;~
r:~
F'')
r)
.
p cresc.
11.
112.
r()
(~
tI
r)
61
r1
~;
traditional
arco
f)
,ti
cre;c.
p crese.
--:;
.-
f
.
..
..
--
.
"
..
,- ---,-
--
mp
'"!f
A tenuto line tells you to hold the note for its fulllength.
.
62
(a round)
traditional
Waltz.
mp ~
Oh you can't
in
.our
- bin.
dust
our
dust
- bin,
our
dust
- bin,
you
j
put
can't
~
~
your muck
in
our
dust
chips and
dust
vin
Pizz.
+
+
- e - gar,
fui!.
bin's
m.fFish
--/'n'
our
bin.
pep - per
pep
- per
pep
-per
At - choo!
pot.
Fish
'n'
chips
and
One
cup
of
cup
of
tea,
vin
tea,
twa
- gar,
cup
pep
of
tea,
- per
three
pep
cup
- per
of
tea,
cup
af
pep
- per
faur
pat.
cup
of
21
~
five
*
six
cup
of
tea,
sev'n
tea,
eight.
tea,
i1
i1
Y~-..v
j-~ j r r
lJ
V)
ri
is a diminuendo.
=-
c:')
6~
Wa'tz
Franz Lehar
f:)
}::)
tj
~j~
~JE J~.
~. S.~
---=--
mf
mp
9
r)
r;1
T)
T)
'
mp
~j~
~.
~.
~j~
~mf
~.~
=-
'F)
'iJ
7)
mp
~)
(-c:~)
~.
T;J
=-- mp
7';)
1')
pIZZ.
..
s.
""')
l;)
~.~
~
...)
At~
/
~)
~
F.~~
"~
/"
..)
.r..".-.
~)
..~)
'
"J
11if
mp
17
'-" '
mp
11if
'-'
"
64-
Moderato
1"1
V v
1"1
v V 11.
f.b.
"
traditiona/ Caribbean
11.
~J.
'-"
mf
'Ja - ney,
.8u
~.
'-"
pass
1TI!J1'NO
here?'
me
112.
:~.
friend.'
friend.'
pizz.
~.
~ one
-~-
of
me dump-lins
avco
}.
11if
'Well
me
so!'
..
'One af
me dump-lins
pizz.ll.
V V
gane!'
+ lIzo
o.:.
o".
mp
'0.
'0
nrrn
r
mf
\.1
n
r')
f0
66 ~w)
~.
mj'
J
Row,
~.
t:
traditional
gen
r')
~.
-
r')
r)
your boat
row
row.
(around)
*
stream.
the
tly down
r")
('
r1
[)
~.
Mer
ri
Iy, mer
- ri -
Iy,
mer
- ri -
Iy. mer
- ri -
Iy,
life
is but
lO')
e)
"")
61
traditional
nV
f
Half
a pound
of
tup
5
V
- pen - ny
rice,
~--------
the way
Ostinato accompaniment
.11if
the
mon
~Half
~~7
-
pIZZ.
~r1
That's
~nv
dream.
ey goes.
Pop!
------pound
arco
~r1
goes
of
trea
'
'-'~~.;.:
j.
)
de,
-ffi.
the wea - se!.
-~
------
,---
- ---
Marvin Hatley
Cheekily
arco
,;
~~r1
t.J
r1
u.'
'
nif
~~jJ, pizz.
.'
1)
~.
f
s
..
-.
~.
.'
~.
r1
s,b.
r1
V
.
mp
mf
traditianiJI
French
*
~
~r~'
v
~
.
-------
Sheepishly!
~.
~.
r1
mf
:~
ar ~
G majar arpeggia
D majar arpeggia
3
~.
~.
I1
words E Y Harburg,
Con spirito
11if
We're
off
tosee
the
Wiz-ard,
the
he
whiz
is
of
Wiz
of
~.
ev
if
- er
Wiz
there
ev - er
there was,
Wiz
~~
the
fJr
- cause,
be - cause,
be-cause,
e)
T)
If
is
of Oz
e)
r)
r)
T)
be-
be -cause,
one
s.b.
14
f
be - cause,
Be
17
If~
ti)
~~--
~
be -cause,
r')
mp
,
was.
I:J)
Wiz-ard
13
We
ev - er, oh
Oz.
WJF
hear
"\
e,
fr'j
~.
-cause
of
21
~~
11if
We're
he does.
.'1-
to see
the
Wiz- ard,
the
7:1
of
Oz.
('
,,
---
"
mp
'I~
13
~~f
C')
(.::.-
19
r)
1)
~.
off
.
'"!:t
\
J
.1,1')
' ' -
F is halfway between E and F# - a semitone higher than E and a semitone lower than F#.
11
traditional
Misterioso
~ia~
mp
v V
..
-----
Il.
~~.
112.
.----.--
,- .
r)
(~
. 'o
r;~)
l')
1)
()
~~a'~\'n
(a round)
Wcvm1y
uu
.~i~.
Sha
.
-
,-".
mp
Cm:...
traditonallsraeli
10m, cha
f~
- ve - rim,
sha
10m, cha
- ve - rim,
f.b.
J=i
sha
m"..a
':/
10m,
sha
- 10m.
Le -
fobo
~.
- hi *
oto
tra
le
hi
ot,
tra
sha
lm.
sha
:.
'tom~
r"'-..j
")
")
.
Brightly
~~
12
::
*
~. J~
'
i~
=-
_.
n
~-
'
*n
'"!f
~-
traditional
mf
~~'
mp
V
~.
14
Cantabile
mp
4
mp
9
v
-=
v
mf
13
v
...
V n
pizz.
mp
11..
112..
~#..
..
mf
12
:'y,._,_.~
mp
,,
'
Look carefully at the key signature before you start each piece,
so that you can decide where to place your second finger.
f',
r'
Lookat the accompaniments for Short'nin' bread and What shall we do with the drunken sailor~
Check their key signatures. What do you notice? Where will you place your second finger?
jacques
'"!f
'"!f
16
traditiona/
Con spirito
_J
~)
)
~-4f
'"!f
What shall ""e do with the drunk
- en
sail
"
sail
oro
,4)
- en
~~~.~
mf
5
~,
4
What shall we do
with the
drunk
en
sail
or,
Ear
,.
"
Iy
in
the
morn
ing?
-<:::;'
n
4
-..:-'
,-
11
~.
r1
~
Sleigh
be lis
you
are
ring,
list
4
r1
~.
'nin'!
r1
the
In
~r
p
glist
'nin',
beau
ti
sight,
- fui
r1
Walk
- in'
.
in
win
ter
der
won
112.
r1
J.
:J~.
Sleigh
land!
bells
11.
J3J
o
r1
hap - py to - night,-
~.
is
snow
~.
We're
lane
o
4
r1
-Iand!
112.
pizz.
~j.~
LesJie Osborne and Simon May
r1
.
~
~:
~.
V
'--'
71if
11.
mf
11
";
112.
J ~:
112.
O
J
~:
pizz.
+
II
Al! the tunes in this step use a mixture of both positions of the
2nd finger.
..4
.~
HiIl
~)
ct\
')
IFJ
("")
hop - py
you,
to
birth - doy
you.
to
birth - doy
Hop - py
T')
~r.")
f'~-~
.;'
mf
5
G\
,t
."
birth
Mis
deor
doy
hop
sak,
G\
-.f
i1
py
birth
doy
to
you.
....
-d
i1
u
""
""
v
I
mf
I'J~
,41)
i1
,)
mf
"")
')
')
'"1
Lively
V.
f'Heigh
ho',
i1
~
To
'Heigh - ho',
")
go,
Just
~"
""1
~o
".
~--
keep
on
sing
V
i
.
6
_.~
011
doy
long 'Heigh
ho',
'Heigh
- ho',
'Heigh
- ho',
'Heigh
ho',
~
'Heigh
ing
- ho'.
~.-"'0
"
.
-.'
f'.
11.
112-
_L
-~
_1
The next three tunes use both positions of the 2nd finger on the O string: F~and F.
VicMizzy
Spookily
nif
5
11.
112.
mp
mf
traditional
f.b.
~.
~.
~b.
Caribbean
:~
J~o
mp
I
El
--,
,,'
mf
Richard M Sherman
1..
Waltz
~I
I
6.-.1
mp
........
r '0)
r
V
t ..
....
r')
F")
Il.
112.
f.b.
f.b.
.. V n
7')
r-)
,,
,,-,,,
~nif=
V
..
p)
r---.
!'!p
I
I
~m
if
11
....
~T
=-
Accompaniment
n
~~
")
~rj ..
'1)
-=
Ij..
mp
r7\
/
/)
"'u
.g'
:j
7::f.
7::f
"')
= mf
)
~.
.
'<)
')
.'
11.
mp
Melody
arco
112."
~iimf
.
~.
.,
-:::
.
'.'
11
mp
I~
-.
CH
Rhythmically
112.
~ r
1
11.
i1
~:~
f
==-
f
/1.
mf
.:~
mp
112.
ToCado
=--
f
D.e. al Coda
112.
-= mf
mp
11.
~~j~n.
wif-
i1
~t
D.e. al Fine
(with repeat)
112.
===--
CODA
~~U~
mp
mp
mp
A majar
scale
The finger pattern is the same as that of D major (pa.ge 27), starting on the A string.
.
-~
arpeggio
~.
~".
3
pizz.
+
."
r,;.;j
..
. ..~ ..,;
~
~
~
tf~
Lione/ 8art
~~)
~
7';\..;i
Who
Such
will buy
you
a sky
1?)
p)
P9
?Si)
Who
will tie
up with
it
rib
bon,
And
put
it
box
for
me?
~
~
~
~;)
'.
.:~~
.
mf
..
..
tt
------
~
~
~
~
I't)
~)
~
f~;
"
210_321
;1
-," .
020313231302
:)
~)
AS)
4'1
~)
""f
-'r~;'1
-.
01230123012301
7IJt-
V-
-r)
G majar
scale (two octaves)
in
... c:f.
.'
1$eatity
Andante
t~e ~east
c:\l1d
p'---'"
,4
'---'"
true
time,
as
Tale as old
":-"
as
it
can
v'
.'
p
5
,;
"*~
Bare - Iy
e - ven
friends,
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~"-"'
mp
=:
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,)
be.
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bends
un - ex - pec-ted -
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9
,)
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"\
..
'''''
1"1
---./
"*-d
"*'
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1"1
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-~
.
Just a
,
13
change.
lit - tle
Both a
u"
~n
1"1.
'---"
mf
scared,
,,'
'
pared.
...'
==
Beau- ty
...
y.
-ep
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and the
Beast.
~. ...'
...~,
.-
~'-"
p
v
lit - tle
1"1
11
"
least.
11
tz1
~ar(aT~"e
jacques Offenbach
Tempo di valse
i1
i1
i1
i1
r)
V]
r)
r")
P
i1
i1
i1
i1
112.
mp
m:p
~~Millenl1itt\'n
arco
i1
i1
mf
pizz.
f
I
.) \
f
;"':'..'
112.
(.'\
-.
Melody
We've got
stors di - rec -
ting our
fote,
ing it's-
not too
4jll
..
....
lote,
'cos
we know-
we're foil
ing from
.groce.
.
We've
got
Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow.
(a round)
4
_V-
on the
Fly
koo
te - le - phone
- ka - bur -
fiy
ra,
wire~
~r ~
*
'"!f
Koo- ka- bur- ra sits
1-
::
traditional Australian
fea-thers
fireL
on
mf
Flap
your
wings.
high.
fly
Aleksander Borbdin
Andante
~r
7
mp
11.
~L
'--'" .
112.
"
~'"!f=
------
~.
-~
~o
------
11,.
~- o..
.
11
~r
p
11.
12
roll.
J~
-" /.-
mp
j~.
~
Melody
v v
"
~-'-
..:
Accompaniment
V
V
---.
mf
Melody
-----V
.
"""--'-
'-'"
- o .-
..
Accompaniment
..
-'-'"
rall.
mp
,,~~'o-~~~~~~~:~~lt>r~~t-f!.1\"i~,f"',,*~~~~~.:,~miF~'4!i%~~~-~~ijt~~~~~}~ft~~>~'$t~~~~.w~WJ:~~",',1.-,1I~~~~~M~I.~.J,.~~~~&.-~,J-F:",tl..'fJ!'o\\;~~,~.;~
.
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p
The author and publisher would like to thank the following for their help in
the preparation of this book: jeremy Birchall, Patricia Birchall, jennfer
Boston, Adrian Bradbury, Emily Brayshaw, Chris Bryant, Helen Crayford,
janet Crew, Louise Dearsley, Tanya Demidova, Philip Dukes, Heather Fleck.
David W Giles, Emily'Haward, jocelyn Lucus, Andrew Lynwaod, Grace
Lynwood, Barry Newland, Maleolm Pollant, Maja Passchier, Aoife PatarotHinds, Roland Roberts, Sheena Roberts, Valre Saint-Pierre, Elaine Scott,
Michelle Simpson, Hally Stirling, Daminic Viall, Matthew Watson and
Allison Whitehead. Very special thanks ga to Caria Moss.
We are grateful to the following copyright owners who have kindly granted
permissio;, for the reprinting of these items:
Beauty and the beast (from Beauty And The Beast) Words by Howard
Ashman, music by Alan Menken :J1991 Walt Disney Music Co and
Wonderland Music Co Inc, USA Warner/Chappell
Artemis Music Ltd,
London W6 SBS. Reproduced by permission af Faber Music Ltd. AII Rights
Reserved;
Chim chim c"er-ee (from Mary Poppins) Wards ,and music by Richard M
Sherman and Rabert B Sherman :J1963 Wonderland Music Company Inc.
USA. Warner/Chappell
Artemis Music Ltd, London W6 8BS. Reproduced by
permission of Faber Music Ltd. AII Rights Reserved ;
Dance of the cuckoos (Ku-ku) By T Marvin Hatley <C1930, 1932 Hatley
Music Company, USA. Robert Kingston Music Limited, 8/9 Frith Street,
London Wl. Used by permission of Music Sales Ltd. AII Rights Reserved.
Internatianal
Copyright Secured;
Eastenders by Leslie Osborne & Simon May <C1985 ATV Music. Sany/ ATV
Music Publishing (UK) Limited, 10 Great Marlborough
Street, London Wl.
Used by permission of Music Sales Ltd. AII Rights Reserved. International
,
Copyright Secured;
Edelweiss from the Sound of Music. Words by Oscar Hammerstein
11,music
by Richard Rodgers <C19S9 by Rchard Rodgers and Oscar Hammerstein
11.
Copyright renewed. This arrangement
tO 2002 by Williamson Music.
Williamson Music owner of publication and allied 'rights throughout the
world. International
Copyright Secured. AII Rights Reserved;
Feed the birds (from Mary Pappins) Music and words by Richard M
Sherman and Robe,rt B Sherman <C1963 Wonderland Music Company Inc,
USA, Warner/Chappell
Artemis Music Ltd, Londan W6 8BS. Reproduced
by
,
by Hanna-Barbera
Production
Inc;
by
AIIRights Reserved ;
1921 Goodwin
& Tabb
Transferred
to
J Curwen
& Sons
Limited, 8/9 Frith Street, London W1D 3JB. AII Rights Reserved.
Reproduced by permission;
~
f)
r~)
G)
f.()
fI'J,
Waltz from The merry widow Original words by Leo Stein and Viktor
Leon. English translation by Adrian Ross. Music by Franz Lehar. <C1964
Glocken Verlag Ltd. Chappell Music Ltd, London W6 8BS. Reproduced by
permission of Faber Music Ltd. AII Rights Reserved;
?')
rC')
10 1984 MPL
J":)
~
1''')
We're off to see the wizard Words by E Y Harburg, music by Harold Arlen
lO 1939 EMI Catalogue Partnership, EMI Feist Catalog Inc and EMI United
Partnership Ltd, USA. Worldwide print rights controlled by Alfred
Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd. AII
Rights Reserved;
'
Whistle while you work Words by Larry Morey. Music by Frank' Churchill. 10
copyright 1937 by Bourne Co. AII Rights Reserved. International
Copyright
Secured. Printed with permission from Bourne Music Ltd;
Who will buyl <C1960 Lakeview Music Publishing Co Ltd. Suite 2.07, Plaza
535 Kings Road, London SW10 OSZ. International
Copyright Secured. AII
Rights Reserved. Used by permission;
Winter wonderland Words by Richard Smith, music by Felix Bernard 10 1934
Bregman Vocea & Conn Inc, USA. (50%) Francis Day & Hunter Ltd, London
WC2H OQY (for Europe) and Warner/Chappell
Music Ltd. Landon, W6 8BS
(for World excl. Europe and British Commonwealth).
50% Redwood Music
Ltd, London, NWl 8BD (for British Commonweafth).
Reproduced by
permission of Faber Music Ltd and Internationl
Music Publications Ltd.
AII Rights Reserved.
AII other original pieces and arrangements
are copyright A&C Black.
Every effort has been made to trace and acknowledge
copyright owners. If
any right has ben omitted, the publishers offer their apologies and will
rectify this in subsequent ~itions foIlowing notification.
Part of your world (from The Little Mermaid) Music by Alan Menken, words
by Tim Rice <C1988 Walt Disney Music Company, USA and Wonderland
Music Company Inc, Warner/ChappellArtemis
Music Ltd, London W6 8BS.
Reproduced by permission of Faber Music Ltd. AII Rights Reserved;
oi
(iD
I?)
Limited.
Off ta France in the morning, One finger dance, Spinning wheel. Summer
shine and Windmill song <C1985 Peter Davey;
Puff the magic dragon Words and Music by Peter Yarrow and Leonard
Lipton 10 1963 Pepamar Music Corp and Honalee Melodies, USA, (70%)
WarneriChappeii
Music Ltd, London Wb 865. Reproduced by permission
Faber Music Ltd. AII Rights Reserved;
L:)
e)
A::)
~
)
--./
r-')
Io;'~
>'
,)
~ )
--
.~
page
page
A friend
in DEED,
10
10
A
A
A
A
arpeggio
sea le
in time, 14
a tasket, 6
59
59
12
8
page
32
Jupiter, 58
42
Kalinka,60
44
42
iI
major
major
stitch
tisket,
I
I
18
Au clair de la lune, 23
I
I
!
62
61
26
Barcarolle, 87
Beauty and the Beast, 86
Big Ben, 34
Bobby Shafto, 3
Brown bread, 33
5
25
35
58
16
iI
iI
I
I
I
I
!
49
iI
I
33 I
49 I
27 I
47 I
EastEnders, 78
55
Ede1weiss, 50
Eee-abba-dabba-dee!
37
11
12
51
43
9
13
II
i
I
!
i
I
Lavender's blue, 47
Little bird, 29
Little playmates,
7
London Bridge, 54
34
38
29
30
19 I
9 i
32 I
Mobile phone, 8
Morningtown ride, 43
Muck! (a round), 62
22
8
40
I
i
I
I
I
Waltz, 63
46
I
I
27
Old MacDonald,
32
One finger dance, 11
24
II
11
II
iI
38
53
16
Pizz onO, 1
Pop! goes the weasel, 67
4
48
47
60
I
I
I
Happy birthday, 79
23
56
Heigh-ho, 80
56
i
28
59 ,
17
I
34 II
48
49 I
I
G major arpeggio
G major scale
G major scale and arpeggio
(two octaves)
24
15
I
I
II
I
I
57
44
49
20
30
33
26
18
29
to joy, 39
expialidocious, 5
45 I
Ode
Stand by me, 56
Summer is .icumen in (a round), 73
Summer shine, 30
Suo-gin, 16
Supercalifragilistic-
.40
57
39
62
63
Spinning wheel, 13
21
52
54
42
12
41
52
22
14
15
Nocturne, 90
Pizz A pizza! 2
I
II
Secret agents, 28
Shalom (a round), 72
Short'nin' bread, 75
Skye boat song, 57
49
63
36
14
50
Who willbuy?85
54
6
20
14
55
60
i
I
--
,.,
down-bow
up-bow
lift bow in circular motion
~
+
left hand pizzicato
repeat from the beginning (Da Capo) up to Rne (the end)
D.e. al Fine
repeat from %; (the sign) up to Fine (the end)
D.5. al Fine
slow bow
s.b.
fast bow
f.b.
z:...r'1Vi1 zig-zag bowing pattern
V,., V zig-zag bowing pattern
--=s::crescendo - get gradually louder
diminuendo -.get gradually quieter
===pause
arco
with bow
ostincto
a repeated musical phrase
pizzicato-(pizz. ) plucked
rallentando (rall.) get gradually slower
short and detached
staccato
tenuto
with a light accent, lasting fulllength
."
"
p
f
11rJ'
"!f
(piano) quiet
(forte) loud
(mezzo piano) moderately quiet
(mezzo forte) moder.ately l,!lud
allegro
andante
cantabile
con fuoco
con spirito
dolce
espressivo
legato
leggiero
maestoso
misterioso
moderato
tempo di valse