Professional Documents
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Project Work Submitted On Behalf of Partial Fulfilment of Requirement of The Degree of B.A. L.L.B (H)
Project Work Submitted On Behalf of Partial Fulfilment of Requirement of The Degree of B.A. L.L.B (H)
Submitted by
Gurpreet Singh
A11911111029,
Section A
Semester
Acknowledgment
RIGHT. While researching on this topic I came to know about so many new
things. Secondly I would also like to thank my parents and friends who helped
me a lot in finalizing this project within the limited time frame.
Thank you.
TABLE OF CONTENTS
1.
2.
3.
4.
5.
6.
7.
Introduction
Human Right & Intellectual Property Right
Human Right, contribution to knowledge and Intellectual Property Right:
Copyright & Right to Education
The link between copyright law and education
The fundamental hurdle: the cost of learning materials
Oxford & Cambridge University Publishers v Rameshwari Photocopy
Services
8. Fair dealing of copyright laws in India
9. Bibliography
1. Introduction
Human rights and Intellectual Property rights, especially patent right
regime, are two branches of law that have overcome their initial shyness
of each other and are now becoming increasingly intertwined by the day.
These two subjects have developed in virtual isolation from each other for
several decades. However, during the past few years, there have been a
plethora of international standard setting activities, which have begun to
explore the nooks and crannies that represent the common haunts of
patent law on the one hand and human rights law on the other. Patent
rights have now spread throughout the world by virtue of an intrinsic
network of bilateral, regional and multilateral treaties like World Trade
Organisation etc. and the extensive usage of such rights that resulted
from this spread has had an inevitable effect on human rights. Perhaps an
appropriate example will be the implications for the right to health.
The aim of a human rights approach to patents can be expressed as a
desire to obtain an inherent balance between the moral and economic
rights of inventors and the wider interests and needs of the society. An
integral component of intellectual property, patents emerged into the
global limelight only during the 20th century. In the words of Carla Hesse,
The concept of intellectual property the idea that an idea can be owned
is a child of the European Enlightenment. A whole array of contrasting
rights, some statutory, some common law, some equitable, protect
creative patentable inventions for varying periods of time, against use by
others of the same. Human rights, on the other hand, mean those basic
rights and freedoms to which all humans are entitled, like the right to life
and liberty, freedom of thought and expression, and equality before the
law, those basic standards without which people cannot live in dignity.
rights
and
intellectual
property
rights.
The
first
general
usually for a limited time, with the intention of enabling the creator (e.g.
the photographer of a photograph or the author of a book) to receive
compensation for their intellectual effort.
Copyright is a form of intellectual property (as patents, trademarks and
trade secrets are), applicable to any expressible form of an idea or
information. It is often shared, then percentage holders are commonly
called rightsholders legally, contractually and in associated "rights"
business functions. Generally rightsholders have "the right to copy", but
also the right to be credited for the work, to determine who may adapt the
work to other forms, who may perform the work, who may financially
benefit from it, and other related rights.
The Copyright Act, 1957(Act No. 14 of 1957) governs the laws &
applicable rules related to the subject of copyrights in India. Copyright
Law in the country was governed by the Copyright Act of 1914, was
essentially the extension of the British Copyright Act, 1911 to India, and
borrowed extensively from the new Copyright Act of the United Kingdom
of 1956. All copyright related laws are governed by the Copyright Act,
1957. The Copyright Act today is compliant with most international
conventions and treaties in the field of copyrights. India is a member of
the Berne Convention of 1886 (as modified at Paris in 1971), the Universal
Copyright Convention of 1951 and the Agreement on Trade Related
Aspects of Intellectual Property Rights (TRIPS) Agreement of 1995. Though
India is not a member of the Rome Convention of 1961, WIPO Copyrights
Treaty (WCT) and the WIPO Performances and Phonograms Treaty (WPPT),
the Copyright Act is compliant with it.
The Right to Education, envisioned at first as a Directive Principle of State
Policy under the Indian Constitution, has now become a fundamental right,
enshrined in the Constitution. Its implementation under Central and State
legislation is still under way, but its evolution in fact extended over
decades, and was initiated by the judiciary.
The link between copyright and learning is indeed an old one, and the free
dissemination of knowledge and culture has always informed the
normative spirit. of copyright law. The first copyright statute, The Statute
of Anne, was titled An Act for the Advancement of Learning.
This approach which emphasized public interest in the circulation of
knowledge was the philosophical basis for granting limited exclusive rights
to authors. Today, the concern for the public interest has been recognized
by all major international institutions and clearly articulated in all major
instruments tasked with the global regulation of copyright.
However, as Amy Kapczynski, in her insightful survey of the access to
knowledge
on
intellectual property (IP) is vital.30 For the past two decades, IP has been
framed only from the perspective of private property and the rights of
copyright owners. This has created an imbalanced system, biased towards
IP rights owners.
As P. Bernt Hugenholtz and Ruth Okediji put it:Unfortunately, the idea of public interest in copyright has tended to focus
on one aspect, namely the maximum protection of creative enterprise
through the grant of exclusive rights to authors. The other component of
public interest that of ensuring optimal access to creative works and
stimulating broad dissemination of knowledge and downstream creativity
has been historically left to the discretion of individual States, thus
producing a patchwork effect with respect to copyright limitations and
exceptions.
As such, it is essential to frame international copyright provisions in a
way that redirects copyright back to its historical purpose of securing the
public interest. Recently support has grown for such a shift, for framing IP
in a human rights context. The access to knowledge and access to
medicine movements reflect this growing consensus. For our purposes,
recounting the public interest provisions embedded in international IP
instruments will help make the case for such reframing IP in this way.
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in
implementing
their
TRIPS
obligations.
Article
titled
Objectives, provides:
The protection and enforcement of intellectual property rights should
contribute to the promotion of technological innovation and to the transfer
and dissemination of technology, to the mutual advantage of producers
and users of technological knowledge, and in a manner conducive to
social and economic welfare, and to a balance of rights and obligations.
It is clear from the wording of the article that copyright protection is
justified insofar as it achieves the goal of social and economic welfare.
Article 8(1) then provides that member states may, in formulating or
amending their laws and regulations, adopt "measures necessary to
protect public health and nutrition, and to promote the public interest in
sectors of vital importance to their socio-economic and technological
development, provided that such measures are consistent with the
provisions of this Agreement." Article 8(2) further allows for "appropriate
measures... consistent with the provisions of this Agreement" that may be
needed to prevent the abuse of intellectual property rights (IPRs) or
"practices which unreasonably restrain trade or adversely affect the
international transfer of technology." It is clear from these provisions then,
that when interpreting TRIPS in the light of the agreements object and
purpose, it is necessary to weigh the interests of rights holders against
other competing public interests, such as educational and developmental
concerns. In other words, it would be mistaken to adopt a maximalist prorights view.
12
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(which in Indian terms is exactly the same value as $440.50 in the United
States, by this logic) is not treated with similar outrage.
A
recent
study
conducted
by
the
Ministry
of
Human
Resources
now a leading expert on copyright and public interest and one wonders
whether a similar question posed to the lawyers representing Oxford and
Cambridge University Press would evoke a similar change of heart
especially if they considered their own route to becoming lawyers. The
fact of the matter is that in most academic disciplines textbooks are
extremely expensive and unaffordable for the average student and if one
attempted to buy all the books which are prescribed for a course it would
mean that only very few privileged students would afford an education in
India. While one often hopes for a commonsensical change of heart from
lawyers and copyright owners one cannot bank on it which is why the law
in India has a number of provisions which allow for exceptions and
limitation to copyright law. The educational use exception in India is
indeed one of the widest in the world and designed to address the needs
of education in a developing country. Cambridge and Oxford university
press along with Francis and Tailor have filed a copyright infringement
petition against Rameshwari Photocopy services and the Delhi university
claiming that the course packs that are distributed are in violation of
copyright. Describing the course packs as infringing and pirated copies
the petitioners have claimed damages to the tune of sixty lakhs. The
inflated damages sought is not surprising at all and works within the logic
of the assumption that every photocopy is a lost sale but aside from this
dubious assumption inflated sums are usually a part of the shock and awe
tactics that copyright owners use to establish a test case.
Lets understand how course packs work and then examine the law on the
point. Most students will testify that the university library have a
maximum of one to three copies of books that are shared by hundreds of
students and the course pack is therefore an institutionalized practice to
ensure that all students have access to learning materials. This has been
the subject of much controversy in many countries but particularly so in
the United States, and any one who has studied in the US will know the
severe restrictions that are placed on the ability to provide course packs
even as students pay a hefty sum for textbooks. One of the clearest
16
(except computer
The
Supreme Court in the Francis Coralie Mullin case (1981) has held that the
right to life in Art 21 is not just about physical survival and includes the
right to facilities for reading, writing and expressing oneself in diverse
forms. And when Copyright comes in the way of a fundamental right it
clear what should be given precedence.
17
are shown in the background. The plaintiffs claimed that such acts of the
defendants amounted to infringement of their copyright. However, the
defendants claimed that such use of the plaintiff's copyrighted material
constituted fair dealing within the meanings of section 52 of The
Copyrights Act. The Delhi High Court in its judgment restrained the
defendants from distributing, broadcasting or otherwise publishing or in
any other way exploiting any cinematograph film, sound recordings or
part thereof that is owned by the plaintiff. However, if we look at the
present case from a slightly different perspective, there are certain
questions which still remain unanswered. In my opinion the argument of
the counsel for defendant stating that "the singer who has recorded a
song which has gone on to become a hit has a sense of ownership over
such a song, and that it would be very unreasonable-to the point of being
unfair and cruel to the said singer, to say that he/she cannot sing the said
song in a TV or other interactive program in front of an audience, only
because the copyright in the underlying literary and musical works resides
in some other person(s)" also withholds a valid point. But since such use
does not come within the exhaustive list provided under section 52 of the
act, they were deprived of any remedy in the fair dealing laws.
But, after a long litigation saga, in the appeal from the above order, the
Hon'ble bench of the Delhi High Court also felt the need of a diversion
from the conventional approach and thus the decision of the single judge
was set aside and the restrictions thus imposed were accordingly
removed. However, the Appellants were still prohibited from displaying
any cinematographic films without permission.
This judgment indicates that the courts also have started feeling that
there is still much left to look upon, to consider to keep the legislations
hand in hand with the technological and scientific developments going
across the world.
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20
BIBLIOGRAPHY
1. Oxford and Cambridge University Publishers v. Students of India by
Lawrence liang, 27 august 2012, Kafila.org.
2. http://cis-india.org/a2k/publications/exceptions-limitations-education
3. India: "fair dealing" in copyrights: is the Indian law competent enough to
meet the current challenges? Article by Vaibhavi Pandey.
4. Human Right and Intellectual Property Rights. By Dr. Philippe Cullet
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