Saleh Babgi

Freshman Inquiry

The Artist is Present Documentary Analysis

Contemporary art is basically the work of artists who are living in the twenty-first
century. Contemporary

art

mirrors

contemporary

society

and

society,

offering

educators, understudies, and general groups of onlookers a rich asset through which to consider
current thoughts and reconsider the natural. The work of contemporary artists is a dynamic mix
of materials, systems, ideas, and subjects that difficulties customary limits and resists simple
definition. Assorted and mixed, contemporary craftsmanship is recognized by the very absence of
a uniform sorting out rule or belief system. In an all-around impacted, socially different, and
mechanically propelling world, contemporary artists offer voice to the fluctuated and changing
social scene of character, qualities, and convictions.

Contemporary audiences play a dynamic part during the time spent building
significance about works of art. A few artists frequently say that the viewer adds to or even
finishes the work of art by contributing his or her own personal reflections, encounters,
sentiments, and understandings. One of the foundations of the Art of the 21st century rationality
is to permit specialists to exhibit their work in their own words and to urge viewers to get to their
own abilities to consider, respond, and react to visual art.

Contemporary art reflects a wide range of materials, media, and technologies, as well as
opportunities to consider what art is and how it is defined. Artists today explore ideas, concepts,

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Freshman Inquiry

questions, and practices that examine the past, describe the present, and imagine the future. In
light of such diversity, there is no simple or singular way to define contemporary art. Often
recognized for the absence of a uniform organizing principle, ideology, or label, contemporary
art can often seem overwhelming, difficult, or so simple that the viewer might wonder if they are
missing something. Perhaps the most helpful defining characteristic is the most obvious:
contemporary art is the art of today.

Social hypothesis has brought up imperative issues about what we mean when we say
"the arts." What matters and who chooses? When we know what matters, how would we choose
which art is great? Why do human social orders produce workmanship? Does craftsmanship
serve a social capacity? Answers to these inquiries stay slippery and challenged. Also, the inability
to eloquent such answers is itself a wellspring of concern with respect to the spot and eventual
fate of human expressions. Whether art is made for its own particular purpose or for the purpose
of public purposes, its association with the social world is unpredictable and dynamic. Art can on
occasion an intelligence of society however regularly in a misshaped or deluding way yet it can
likewise change society.

In the film, The Artist is Present" the viewer takes after Marina Abramovic as she gets
ready for her great retrospective in the Museum of Modern Art in New York. From a somewhat
historical and true to life point of view, we are offered a look in the personal life of the Serbian
craftsman. Not just do we meet a percentage of the general population from her entourage,

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Freshman Inquiry

however we likewise see her train a huge gathering of more youthful specialists that will perform
some of her prior exhibitions, the inescapable stretch and tears as the show approaches, and,
obviously, the sensational get-together with her former lover and accomplice in wrongdoing.
Regardless of this, the significant piece of the documentary is committed to a nearby enrollment
of her new bit of performance art that occurred as a vital piece of the presentation. We are
clarified that, for a progressive time of 2,5 months, every guest could sit opposite the artist amid
the opening hours of the historical center. At first, this confrontation in the middle of guest and
craftsman could keep going the length of the guest wanted. However, when the chamber of
MoMA got progressively swarmed, the most extreme time of the experience was diminished to
just fifteen minutes. Besides, talking and other types of verbal or non-verbal correspondence
were entirely restricted. There was just the look, immaculate hush and the moderate section of
time. Together with the impressive dress of the artist, this allowed the execution its verging on
sacrosanct and spiritual setting.

In the last 45 minutes of the documentary, we see a bit of execution art unfolding in
unadulterated exhibition. Every one of the fixings arrive. Not just arrives the media consideration
for Marina Abramovic's show and execution, yet there is also the unpreventable pack of
superstars that appears to be unavoidably joined to these sorts of occasions. On the other hand
what to think about a substantial number of individuals that we could almost recognize as
groupies? Consistently the same gathering of young people, sitting on the ground of MoMA's
museum so as to watch the execution develop. Young girls and ladies that are not reluctant to

Saleh Babgi
Freshman Inquiry

concede that all they need is to wind up like Marina Abramovic. A fellow who took an interest in
the execution for more than twenty times and in the long run got himself a tattoo of the
execution. The pop show like crowd, spending their evenings on the walkways before the MoMA
and rushing towards the chamber when the historical center opened. Also, there is even much
more to specify. Since what to think about the more emotional minutes in which the execution
is aggravated by a female streaked and the challenge of a conservative religious gathering. All
the crying individuals, profoundly touched by their showdown with Marina. Then again the
emotional peak in which guardian Klaus Biesenbach, as last member, finished the execution,
under a thundering applause of the group of onlookers, with a kiss on the artist cheek. What's
more, in the midst of all of this chaos there was obviously Marina Abramovic, in all her
immaculateness and peace, being the particular perspective around which this entire marvelous
event revolved.

In other words, what I am trying to indicate is that 21st century artists have brought up
this unfamiliar type of art named contemporary art. It is definitely a young kind of art that was
established or created in the 21st century. One of the important reasons that this type of art has
grown and spread globally quickly is because most of 21st artists have either performed, attended
or said something about this new kind of art. The publics can be easily influenced by these
reactions responses from beloved artists whom they admire.