re ¥ ™ = Fo moyements ofthe Exposure Lever are needed for a“ Time” ure varies considerably according’ be anything from one second fon @ dull day to many minutes Fa church neo, ‘After a litle experience you will get to know roustly How loi to give ‘Both camera and subject must he kept dead stil during a‘ Time? Exposure. So you must never try to hold the camera in your hands for a “Time Exposure, not even for a short one, a i is duite impossible to keep it tll enough. Don't forget to move the ‘Time? Lever back before starting to take snapshots agai, How to Unload After you have takep the last picture (No. 8), turn the winding ey until you see the end of the red paper 80) Open the camera as deseribed above. Lift‘out the roll of exposed film from the bottom ofthe rll-holder, holding the end of the red paper and the white gummed slip together, to prevent the paper becoming loose. Fold the red paper over at the place marked on it, and fasten it down with the gummed Tr is now ready to take to the nearest Kodak Dealer for developing and printing. Change the empty spoo! from the top tothe Bottom spool-reces. [Be ready for the ntxt picture by reloading at once with Kodal, Flm—Reglar No. 620 or “ Verichtome” No. Vézo. _—. 2 How to use your : POPULAR. “BROWNIE” * emIND WHAT THEY ARE FOR “sins Lavan nd a oe i wis = en ‘marked ‘T* when you want nae = = tomake a‘ Time’ Exposure. For snapshots the lever should be at "T, ‘To move the lever it should VIEWFINDERS show in ‘niniature what will appear firstbe pushed towards back Jn the finished pictur, = of camera, CATCH for opening camera, ‘ to load oF unload the film, en (There is similer catch not shown -here—on the other side of the camera) TESTED KODAK L tHirourh which light fo make the picture when you move the Exposure Lever, WINDING KEY. For winding the film on to the ext number after ech ~ exposure. EXPOSURE LEVER Move" this once, up or dows, to make @ snapshot,The film you need is KODAK REGULAR No. 620 or KODAK “ VERICHROME ” No. V620 ‘obtainable from Kodak Dealers everywhere. “Verichrome” Is the fast double-coated Kodak Film that gives you clearer, more detailed pictures in poor or perfect light: How to Load oF ms acme pynwcae ee ‘But don't do elther in the full Sun the lm might become *fopred” (epollt by light leaking in). Always get Jingo the shade Sst. [Draw out the winding Key as far as it will come, Unfasten the metal catches at each side of the camera. Gently pull the two portions of the eamera apart, holding the part containing the lens in the right hand, with the carrying handle on top, Tike tie ‘Phe handle prevents them from becoming separated. ‘in the part of the camera you bold in your ricit hand (the follsislder ”) you will see to recestess fone with «zeal spool in ity and the top one empty. {your new spool in the empty recess so thatthe word ‘ Top” piinted on the red paper comes on the same side of the rll- folder a the “Time? Lever and Exposure Lever. Fit the in between the two side springs so that the projecting pins ton the springs engage in the holes at cach end of the spool: ‘out the further (narrower) side spring to do this, not ret (wide) one. ake out the empty spoal from the other spook ‘bottom of the rol-holder. ‘sea the gommed paper that goes round the new spool, draw ‘our two or three inches of red paper, and thread the tapered end ‘nto the longer slot in the empty spooks 80 for three tnt (so thatthe red tide of the to make sure the paper has been eaught securely. Pat the spool beck in the J8Wer tpoolrecess: The rod paper will how run from the top spool, over the two rollers, and into the bottom spool, as shown in the picture on the right. ‘Now put the roll-nolder back inside the other part of the camera and fasten the two catches Press ia the winding-keyy tum it lowly in the direction of the so Stand 40 thet the sun is over one shoulder arrow until ie engages with the spool inside the eameras go fon taming and wateh the litle red window at the back of the ‘camera atthe same time. Afler few turns a warning hand will ‘appears then continue turning slowly until the figure 1 comes into the centre of the window. (Once you have wound the film foto this position you must noe ‘open the camera again until the pictares have been taken and all the red paper wound past the window. [Now you are ready to take the first snapshot. MAKING THE PICTURES Snapshots Hold the camer lee and olathe oa Le a ees to ake are you gt tr pans ee i meat nests avert: Pret the Exponure Lever up o down, ce toy and aoa. ‘Tar mabe Ui pla goa “Two HeVEIeY eo RM ot ex er pete cone se Deck Ger SERENE Toso sour Ferrey wil coe ra aga Meret aks ra = Fore er if possible; in any ‘ive see that i does not shine straight into the lens ee oie the next number shows in the red window. If you don't fio this at once, it i not lays easy to remember whether it huss been done at all by the time you come to take the next ppleware, and you run the #isk of taking ‘two on one” and spoiling both. How to take Close-ups "To ake stharp Gse-an get a Kodak Porat tocmen from HS PEL ate epee GSeeePe cal Ne. 5 fc ihe Forciar “Boric” igre eae Fe eT Gores, wish toe vier, 3 ce ei esis Fox ar» Porn, mink Fetes Scare usr otras gi «Time Exposures Sth solg OPP eet ou sits ttc cane ealiie Toco. wiceree te SOI pre rr tro aie Teast eae Fre ce seu Eronpln for «Tene ean “Tre evr tp te ead of he los market “cee Prope the icra aah Goan emcee ta, Tae me es carly Hapa MMM tar, eoctrtnn = Witeacer, ig PR be clone te cans ee Fees ete cmccenry, then pow tn Pe carerce ela cove ibe se ————e ll —