‘100 Jazz & Blues Greats100 Jazz & Blues Greats Excusve Osun: ‘Musi Sales Lito, 89 Fin soet London WIV STZ, England ‘Muse Salas Pry, Limtoe 20 Rotnschis Avenve, Rosebery, NSW 2018, Ausra “This book © Copyaght 1987 by Wise Pubieatons S6NO7119:12008, ‘Orsor No AIM 6854 Unauthorised epradution of any po this publication by ary ‘meas incudng photocopying san initogemen of copyror beegred by Peatce Marchbank tule Masi Sales compet catalogue las thousands o ies and sr from you loeal muse Donk shop, ode om Muse Sales Lied Prease sore a cheque o Postal Orde fo"21 0 or postage o Muse Sales Limited, ‘89 Ph Sveet London WIV STZ, Priasin Grea Brian by Dotosos x, Trowoge, Witshve,ANightin Tunisia A Sunday Kind Of Love ATaste Of Honey Adios Ain't Misbehavin’ All Or Nothing At al Angeleyes Back ToEartn Basin Street Blues Blue And Sentimental Blues In The Night (My Mama Done Tol’ Me) But Beautiful Caravan Chances Are Come Fly With Me Cute The Girl From Ipanema (Garota De Ipanema) Glow Worm Good Time Fiat Blues Here's That Rainy Day Hey Lawdy Mamma Hit The Road Jack How Ya Baby 1 Ain't Got Nobody 1 Gar’t Give You Anything But Love, Baby WiHad You ruBe Around Remember April 'm Beginning To See The Light m Getting Sentimental Over You Should Care Is You Is Or Is You Air’t (Mia Baby) Don'tGoTo Strangers It Don't Mean A Thing Gf It Air’t Got That Swing) Don't Worry ‘bout Me Early Autumn, East Of The Sun (And West Of The Moon) Everything Happens To Me Fever Fly Me To The Moon (in Other Words) ” Georgia On My Mind v Its A Raggy Waltz The Joint is Jumpin’ eee Loay Sings Irectuea tarypones Lesenie The Blues Let's Get away Fromit anYesterdan Shers Leasing, Ha LovQ Fora das, My Paw Uru Gag Areckanas Raw Rul The Thine You Ane hiuiay Me Shy Limehouse Blues Lonesome (Si Tu Vois Ma Mere) The Lonesome Road Lover Man (Oh Where Can You Be) ~~ Lullaby Of Birdland Mean ToMe Meditation (Meditacac) Mercy,Mercy,Mercy ~~ Midnight Sun oe imesiesinptmud acene eS mocngiow ‘The music Goes Round And Around My Very Good Friend The Milkman The Night We Called Ita Day Nina Never Knew Oh! Lock At Me Now The Old Piano Roll Blues One Note Samba (Samba De Una Nota So) Opus One Pennies From Heaven Wah Wall F de Hone Linnew Taken te Mt Ha & Hows DELO IS You Lewy Ho better Bucy Cote wut Baboon MAE Oe The Han | Cong SS eon Boy Socdhe we Cor T mes . Round Midnight ~~ oe September: ‘Song ~~ Stightty Out Of Tine (Oeeatinadoy Snootie tite Cutie sotto sonice ease Stare FeltOnAlabame Summertime Bivoe 7 Sweet Sue, Just You Swinging Shepherd aives TainrtNoboct¢s Bie-Nows #100 Take The Train Tat ole DewilCalled Love + es The Touch OF ourLipe Tuxedo Junction ‘The Very Thought! ‘Of You Votete For Your ure The Wang Wang Blues va You Sue mine vouve ChangedCaravan By Duke Etngton ving Mile & Juan Tot *Srongutitonieetecrmaciee ames ea Moderato Quasi Misterioso mp-mf F ag i ag &e Eheim & zYain fe Night —______________ and stars a - bover that shine 20. 1 es Mo We bright —____________" Themys-"try of their fad-ing light Bim cs lain cr Rm cr Ft that shines up ~or ————— Sleep ——_________.up-on my CSP Ft ip FH Elam cr Haim oy¥ nha cr mhdim cr Blain cr Fae RB Aa BA shoul-der as we creep—___________A-crossthe sandsso I may & ee This mem-ry of our CAR- A -thrillBhdim cr Bidin cr Bidim cr Blain co aS ga Be fe ROR you—__________ Be. side me here. be-neath the Misterioso q a Be ome Be ode Ae de Oe My dream of love is com- ing q "a = - be a de BY ode Ee ee Boe With-in our des-ert CAR-A - VAN. iOh! Look At Me Now Words by John Devries ‘Musto by Joo Bushin Moderately fy sm a Tm not Abmas? ea) hrs Ebay? DT a : i ie 7 guy fared about for ~ tunes a nev-er cared mucl Tim not the GY5- who cared about fo sand such, — id much, — 8 = 2 BIS Bhp co FT eae BSEbe/e Ebr-g 0 AemalT a tech-nique of Kiss Fo abo fe Abms ch & = ie eT thrill I could get_ from your touch, _—nev-er knew much, Ohl Look At Me 4 new man, bet-ter Girl) in a on prs Gm Gmt cr, Fm . ea a fe ete no -va at his best.__ nev -er knew love was like this.De ca Fm Fm? Bot Bbr+s < Ea & sg I'm 50 proud I'm bust-in’ my vest — Gon-na be Mis - iz, not Miss. Abmal? Ebmal? é ng 7 “ one of those things, a a | co FS ae Pe Fm? Be BETS aay ae SE eS — Now.Swingin’ Shepherd Blues Moderately slow ef ———=s|-_d > PrP ERP? 2 BBS She 2 = 2 aBb VERSE ag <= 1, Aclong @ —-moun-tain pass,there is @ patch of grass where the swing - in’ shepherd playshis tune, 2 (And:down the) moun-tain pass there lives a pret - ty lass who'swait-in’ for the moon to shine a-bove,_ eb p p Eb? ES ae Ea His sheep nev-er stray, —dene = int = She dress - es with care,—braid - in! all tay till they see the her hair for_her one and I + z cm? cfatm Bb a cmt Se Sa and yel - low moon, — And— then he leads his flock and home-ward Wy—swing - in’ love, And_she knows he'll nev - er foam be-cause she Porte Each t * of fF ea & i sit aaa = = = Z they all rock tothe tune of The Swing - in’ Shep - hard BIUBE.— waits at home forthe tune af |The Swing - in’ Shep - herd Blues. — 2those haunt - ing i ee weil, at through the hills, The Swing wd cmt et e z Ib" a sz Vise aor eb 7, FT Bb WR we Bt eb OT, py SE ae en Blues. 2, Anddown the Blue, a [Feet ae xTuxedo Junction Worde by Buddy Feyne Music by Erskine iawkina Wiam Johan & Juslan Dash 2 ae Feelin’ Rock-in' slow, zh Fr 2 Q 8 2 Senet ac meEr tee Right back where Ibe = long. = Pe chores ARB os ee a » a e _# Way down South, Ip Bir ming-ham,— 1 mean South fe arve of walk “for’ miles. to "get jive that South Ep Ea o an old where peo - ple g0. - fow that) makes you want_— fi I~,Be Bt & = you, Come on = 9 Fy fae eee Youll find Bis where the town folks meet, fa there down, your care...Come onMean To Me Words & Music by Roy Turk & Fred. Ahlert 3 Moderately oS mt a @ © Fmaj? cme omt co 2 a Hgre ei # oe GE ig! RieFm? pg Dm opmr SL fot cree = om & ae & a why. 1 stay home~ cma ce or & & #¢ & & & && say you'll phone— Fma? cms pep G7 i Fmal? pe ke ee # & ie Sing-in" the blues_ and Omi FT-8 phsuss BD Fro EE Ge oe ee You treat me cold fieBb pos D9 om ome zp pos D2 Gh Rak & # ah & — You al- ways scold & bbs Bhmt Fall op pm? mt co a 2 2 i Ea can't. you see what you mean rc V3 F 1 Gm? ons F Bie ae a ae & meSatin Doll Words By Johnny Mercer Music by Duke Elington & Biy Strayhorn war ae SES which wigs me=a Tu eive it a whirl, but 1 20amt bo ‘ERY an ain't for no girl catching me,______________ (Spoken) Swich - ¢~ Roo-ney Dm? zt 2 Pa ar Hig ee EN eS Se SS well you know, do - ingmy chum = basSophisticated Lady Words by ving Mite & Mitchell Parish io by Duke Elington i km ot py ct Pat Bp Bie dois HE - oly miata ay | ‘Say=o— into your ear - ly life rovmance came Andin this heart of yours burned a — simple and shy But then as 2Laugh Fine, Gar Iag, SSS wg FS. nesver pin - ing For 2 Sa SS a = nat a ee o oe SaBlues In The Night (My Mama Done Tor Me) Words by Johnny Mercer ‘Music by Haro anon Blues tempo el mB ie ma-ma done tol” me—— when I was in }ENEP™ done tol’ me, id give ya the hig eye,— but when the sweet wom-an's ® tWo- face mags’ & twolfacge| A Mors tisome thing whollleweya ¢ sing the 24blues in the night, Be fe aR mama done tol’ me,—) Hear dat lone-some whis-tle blow » in’ crossthe trea-tle, whoo-ee— (My if Fl ea I © 7 ma-ma done tol’ me,—)A whoo-ce-duh-whoo-ee— Ol" click-e-ty clack’s a ech-o-in' back th’ a Ri in the night, The eve-nin’ breeze - ‘ll start the trees to cryin’ and the = 5 5 5 25Bm & py, (ore ore ogee oztee aS cr a fee A moon - ‘Il hide its light, when you get the blues in the night. # B Ams a Be Zine m7 ae aT fa oR Take my word, the mock - in’ bird-"Il sing the sad - dest kind knows things are and he's right. Ame a7 oS Bb ED From Nat-cher to Mo-bile,— from aga= — HE heard me some big talk, butthere is one thing I know, — SA womras a hohe ‘A man_is a two-face—! A eS 7 a fe i wor ricsome thing whol leave yet sing the blues. x a oa = ma-ma was right,there’s blues_in the night. = aap a cee fe aOpus One Words & Music by Sy Olver Moderate Jump Tenrpo i Ss REFRAIN fH wrack-in' mybraia, to think of a came, To give tothis tune, so Per -rycan croon, And reo rE mponf a9 P ‘Am /p ee fom Fp ph ah Fon h tops Ee ae ay-neOlBiog wil give a fing And Oat-lstat ev"ry-one hummidthe thing. The ? RPE bet — : ? et Ea a mel-o-dy'sdumb, te-peat an! re- peat, But if you canswing, it's got a good beat, Pr F 28Ao Am7/D or ¢ cr s fa that's the main thing, to make with the feet, ‘Cause ev-'ry-one is swing.in to-day, So,-lUlcall it : Pe Boe Gres co PT4S me oa Es O-PUS ONE! It's aot for Sammy Kaye, Heyl. hey!. —hey!, it's, O-PUS ONE! It's 4 got to swing, cot - bey if Mis-terLesBrowncould F or a Takeit. te Town And Ray An-tho-ay could swing it for aes Theres nev-er a doubt youll F ¥ 28Solitude Words by Edie de Lange & Irving Mis Bhtsicby Duke Elington SEmr eerie Bois | “Ebmajt y Slowly, cwich expression In my SOL-1 - TUDE__ = eee ‘Ab/Bb Gm Fm/Bh gy Bbr Bbrs5 — Ebmaj7 omy feta ga ein Be ER re-ver-ies__ of daysgone by In my SOL-I - TUDE FL Ab/Bb « arn ae & fe FR ee With mem.o- ries__ that nev-er diea a a sit_in my chair, Tim filled with de-spair, Theres no one could be so si tf Tif Fm? rior Bi or phr | BbTS a ee gloom ev-'ry-where, I sit_and I stare, I know that Pl soon go mad = In my TF iF Ebmaj? cm? Fmt ‘Ab/B> Gm SOL-I- TUDE Tm_— pray ing Dear Lord a - bove_ = Send back my aMood Indigo Words & Music by Duke Ellington, Irving Mile & Albany Bigard Very Slow —S 7" : a == Till youve had that Fea Se That feel- in’ == —— —— Se sh and Sigh bm cbt ch Se Bb? Ebm be Ab 32CHORUS Slow Always get that mood in-di-go,— Since my ba-by said good r Tinjust a soul who’ biu-er than blue can be, pe =.- pt pe — vies 33Blue And Sentimental Words & Music by Count Basle, Jorry Livingston & Mack Davie mee RR Slowly with a beat Verse Rubato FR = mance iso ver, you've You nev-er loved me, 1 should be flad_that ws Refrain STOWIE With 8 beat Db, 34Ed Ez ea Chees fA" T can't for-get you, + —— 6 A fr fr E> BT Bb just won't come trie dreams, 1 ring all the time since you eb Gj F Eb Bbr+s E29 ie my heart won't let you said "Good bye, a skies and omy & heart all ery, (epee "ebmaioeye a \PEbmajgevs chy And Sen ts = ——— = men-tal ? s 35 =September Song Words Menor Anderson sagen se ae os Bb Moderately slow nt (Sass ag 32 Oh, t's @ Tong, long while from May to De-com - ber, but the days grow g corsa B Bhmalt ome (Shay ei) F fl Hs adi, - when you reach Sep -tem - ber.- When the au-tumn weath - er— 7 Fem py © hy F ath catlay ban time {or the watt FF ¥ mums the leaves to flame ng he p aa 36Oh, the days dwin -dle | crese. pocd a poco Edtm pre- cious few, a (EBay Tacet ool aim erese, poco e poco XT J a cosbaw) And these few pre - cious days FI spend with you Pe rhy ———— |b abs fe ae fer eeFly Me To The Moon (in Other Words) ‘Words & Music by Bart Howard Dmq-5 387 as OB om7 67 om 8 : Be @ & 8 Fm? my heart with con & Ema? 67 Ab ace aRound Midnight Words & Music by Coote Willams & Thelonious Monk Moderately slow, in 2 Am?7-5 Qe ae ray Bbmajr ty Bbr7-5 40Ebn/D Ebq/Db cmr-s pare fen = Ee ee a be-gins to tell ‘round mid - night, ‘round mid - night. Bw é Be 2 ik bm | Ep/D cmr-s Nmraadcheradachyabnadd ebaiaiac) if a & &” gr wr do pret = ty é 2 tr a ea mR | Sup per-time, I'm feel - sad. But it abm Ebm/D Ebm/D> om7-s Fare) Fel a i ce a8 Mem ‘ries al.- ways start’ ‘round mid - night, ‘round mid - night. r= = = s Ebm Ebp/D ‘cm7-6 ‘Boi7(add CH) E (add C#) Bhm add C)Eb Tadd C) Eg _ Y & er er Haven't got the heart to stand those mem + ‘ries, Abo? po by Ebmo a9 when my heart is still om7-5 Fs Cho Ab/Bb Eb(add FY)“ a ee 42Fs Bho Fb7-5 ele > a ——3—— | mean that our dove ——3—— BbTs cm7-5 Fr Bois you're Baa Dhosit abot pms BES hr ee” Ee] * 43bm Ep/D Ebm/Db Fmt-5 bo e i aa Be Let our love take wing some_—=mid - night, ‘round mid - night. bm Ebm/D Cmr-5 ‘Bm tiaad CHE Tadd Ch Bhd C)EST(aa Cy Ee as & be Fb “Ebmo aby = 8 Ee fe cts Erg cho Ab/BbEM add F efegce ~- mid - night comes a —3— —3.om7-5 cba om7-s ae D&E rat Bhagat ciao Fis Bm? Bs Amo phys | EME * 0 ink Ebmt 45The Very Thought Of You Words & Music by Ray Noble eT a Fm a3 Bb? kT Abin? ad) Be BS 1 don'tneed your pho-to - graph, To keep_by my beds, 1 hold you “re = spon-si_- ble, I'll take it_ to law, OO = Your pic- ture is _al-ways in Toney er have felt ike this x Fm 83 ey en ‘Edin Fim es Ea aj BS 1 don'tneed your portrait, Tm ‘suing for _dam-ag To call you to Ex-cus - es won'tFr? Abn gbansi7/Bb ay Bb? ay pret 2 ae ae A if For sleep -ing or wak-ing, dear Ti on - ly be sat- is ~ fied with rerrain [EER ae The ver -¥ thought of you, ———" Anat for-get to do, #44 Le 72 — Thelit -tle or that & = ry - one a7that’s ev! = ry ~ thing ‘The mere i - I ———> Fie You'll nev- er know + ments go ‘till Pm 48By De Ebr ae al He near to you, ——________—" Tee your face poco rit. Bn i Bint By as Ea 2 & ge 15 just the thought of ¢ 49The Wang Wang Blues ‘Musto by Gus Muslics Buster Jonson & Henry Busse cr F Mode: sateen gi # Wane, Wang She's gone and left_me with the Wang, Wang Wang Te got the ev - er-last-ing Wang, i ceneteag ‘And let me tell you, mister, 1 Tim only ask -ing’that_my’ Sweet F Gm faim p ab F Obaim Gm? (TGF #6 02a Ble a 68 8 knew Td be so. blue un til she went will come back and chase 2 - way those 50Ain't Misbehavi ir by Andy Razat Musto by Thomas Wallet & Harry Brooks [== ‘Thilth a» fie-kle age, Youriypeot man in rary ¥ = Happy. inside my cage. Whey way sorte where, Withsheaingal the rage, Here is one birdwith econt, Thmow yourealy care, thafawhy myconsrience never sleeps, i oe Tknow who I love bet, “Thumbs dowafor all the Nurewar a luek-y. ‘When fatevont you my NCO fy lovewas given, heartand woul; So it cametandthe teat, Andmadeyoummine a lonefor Keeps, Dit-to to all you aay. rere 51CHORUS Siowiy, with expression Noowe iotlkwith, all by mp-aef, Ro one owalkwithbot in happy on the abet ———— _— Popp ‘Aint me-be-buv-in', — Timaav-in’ mylove for you. ‘Yonthrs with irtin ite just you Tn think in’ of, Aintimicbe-havciny—— Tmaavcin’ my love for yo 52in thecorser, dol go aowhere, what do Tears, Your Risen Téortsay out ate, ——; dontcareto. go, Fmtone'stouteightjuet mead my re = dl-0) —Alahmi he-bavin? —— nana any neve toe gue you. 53But Beautiful Words by Jonnny Burke Music by Jimmy Van Heusen ql Verse D Bm? Em Ar D Who can say what love is? rit Bm? G Favs Fe? Bm7 E95 E9 Am7 Av When I hear dis - cus~ sions on what Em7 AT ABS Am? Ew'rybod-y speaks a dif-frent par 54Refrain (Slowly with expression) e Gedim Am? Bedim Or it’s qui-et_ or it's mad; Its a — Pert FP Fe ta D7 Fidim G Em AmT iG chance and if you fall, you fallGedim Am? Bedim tear = ful or it’s Is a prob-lem or it's play; thinking if you were mine I'd nev-er let you 56it Don’t Mean A Thing (if It Ain’t Got That Swing) saleby Bue Sngton Vamp Gm Gm? BT DT Gm Gm Gmé BT Gm Gm If itain’t pos - Gmé E7 Dlaug Gm Gm Gm? BT ODT Gm Gm? sessin’ some - thing sweet, —__ Ik ain’e the it ain't the 57Gmé BT Gm Gt Gmé BT AT ADS Dr ‘There's some-thing se that makes the tune com ~ CHORUS Gm Cat my Gm cr gotthat swing, crs FTsus B Diaug Gm doo wah, doo wah, doo wah, doo wah, doowah, doo wah,) It don’t. mean Gms BT —Diaug Devaug CT ons 5 * : = sa 7+ tt SS thing, all you got to do is sing, (doo wah, doo wah, doo wah,doo wah doo wah,Frsus Be Fidim Fm ‘Bo9Bo7 — doo wah, doo wah, doo wab,) It makes no dif-frence if EB Fidim C7 Fidim C7 Fr Gr pr givethatrhy-thm ev-"ry-thingyou got, gotthat swing, chs Fisus Bi D7Here’s That Rainy Day Words & Music by Johnny Burke & Jimmy Von Heusen Ln EET apes Slowly, with expression nf Broadly (with much feeling) May-be I should have savedthose left - = er dreams; Fun-ny, but Here's that rain - y — Here's that rain-y day they told me a - bout, laughed at the thought that it might turn out this —— _——_——————~Where is that wornout wish that = & on 2 Af-ter it brought my lov-er love be-comes a cold rain-y Fun-ny that rain-y day — aan 6Don’t Go To Strangers Moderately a4 ot ecenl Beild yoar dreams to the stars a - bove— but when you need_some-one true to love, = ee ee DON'T GO TO STRAN-GERS,darling,come to me. Psezac 8 fingers burn,— and =H jw to turn, DON'T GO TO STRANGERS, 62(raced) For, when you hear a oF be 2 : da EB Tol-tow your heart, you'll fol-low your heart I Fre been through it all, for br fm an old hand, and Ill wn-der - standif yoo gol So, makeyour mith for your T i hand, under - stand_if gol Ke y tor yo friends ty Seer bat when you _sewd,mope tiga com pa-1y- DONT GO 10 STRANGERS, a dacling,come to me a darling.come tome. e brsJust The Two Of Us Easily #=96 Biot atat LT see the crys tal 2.4. (s0e addivional lyrics) Fain - drops fy iiss is when the sun comes shin - ing Dhinat tH ea to make those rain- bows in my time, and I want to spend. some 65 ‘time with Fm Eat an Ee fall, and the beau- ty of through, re shor an aes i mind, when I think of you some - ey you.110 Choris oa a two. of us: we can make it if we try; just the 329.12. 13. ete (Instr. solo od lib) HE a (Bkgr) ‘Just. the two. of us. build ~ ing 5 = thes in the [BST ara TE TS cr Ft © iat re (fade)) or — (Bker.) Juat the 66Dhmait ctw cr Bites abt Bibi itaue an “binait bags 19) ERE or fe ae be i cae =e a= as tiene for tears: Wasted water's all that is, and it don’t make no flowers grow. Good things might come to those who wait, But not for those who wait too late; We've got t0 g0 forall we know. Just the ..(To Chorus:) Verse 3 hear the crystal raindeops fall on the window down the hall, ‘And it becomes the morning dew. ‘And darling, when the morning comes, and I see the morning sun, Twant co be the one with you. Just the... (To Chonus:)Misiriou ""Bierlanwordesys. Pina MoslebyNRoubarie Beguine tempo (not too fast) = tives kneel in under an east - een mStse my tone 3 pal lost blos-som of | Shal Old tem-pie bells are calling a —3— == = . . 3 = We'llfind our Kis - met, an-swer-ing osheav-en will guide SSSMoonglow Words & Music by Wil Hudson, Eade de Lange & Irving Mile MOON - GLOW, MOON - GLOW n 1 rust have been,‘And now when there's MOON ~ GLOWLimehouse Blues Worde by Douglas Furber "Music by Phil Braham Doe ‘Medium bright HH Qh! Oh! Lime-house kid — Oh! Lime-house kid — Qh! Go-ing the way that the rest of them did — > Pour brok-en blos - som and no- bod-y’s child — i Vass 7 , a Haunt-ing and taunt - ing you're just kind o’ wild Oh! Oh! ™Oh! Lime-house blues— I've the real Lime-house blues — BbT ie Can'tseem to shake off those sad Chin-a blues al Fz Bbm Bbm7-5 ie if Rings on your fin - gers and tears for your crown — that is the sto- if) Eb Ab Ab Ab BB aa fet" ef" — Of old Chin- a - town. 5Come Fly With Me sade 8y Sinn Van Heusen scorns ee Refrain (moderately, with 2 strong beat) ‘cass co cma 8, hor aah Ed FE COME FLY WITH ME!____ Let's fly!____Let's fly. away! or Ed = & booze _ there's a9 = 6 Ea 9 sy FLY WITH ME! Let's fly! oe BS Dm? or EyS Ey ay prt ss cmaja_o6 cmaia ce Eb07 § i oS Fe =: — = == — COME FLY WITH ME! Let'sfow down to Pe mi. om: aj? C8, his Land there's a z Ee flute for ahs2 e = a f of He off in the blue: | FLY WITH MB!___ Let's take ¢ Ab, Abe, ms co ie r Where the air (Once Dbmajt Dbs By Bhm(maj7) pyn7 —_EbT just glide, Once 1 get youdDb s a a & hold - ing r—- Sh Bot ey em Ss Weather wise, it’s such — An-gels cheer, we're to - geth ~ er. co poco rall a tempoae Ee ee fm ae say the words and we'll beat the birds__ down to = ca~pul- co 5 ‘Bog Bbr+5 pbr per = fect for ee FLY WITH ME! Let's fy 80Angel Eyes SSE oserle Freely, with expression Gm omé Am7, D7 fe i i verse Ev-er hed the feel- in’ that the world's gone and left you with pedal throughout Gm Am?-5 Gi7 sam m6 Ev-er had the feel-in' that you're Abs Fmaj7/G Dm9, Dm? G13 iia ag that close to los - tn’ your mind? ‘You i a1Medium Blues cm ors gp Amos BTS gm a age See BH Bm7-5 13-9 aay cool per - haps,— pre - tend that you don't care, Tacet a) Slow Blues. 38 Dm AS gm ATS eae i = Rp" a fa fae gap dam cme Abs ay) feck il you find, OF youll nev- er unwind, a t [Ft * opusast807 gbo7 Dm Bhs A7-9 Dm Bm7-5 Chorus EHREHR EE EQ ae Ge ER Tey to think_ love's not 2 - round,— My old heart_ ain't $ 83ie wy Bho? Dm abo Dm Bho Ar8 ah a Ee ey fe Ee that my love's mis-spent,___mis~ spent with an-gel eyes to -nigi FT-9 oh6 Dimil Gt778 an es grea faa drink and the laugh’s_ on me. 84Bb 47-9 Bn7-5 Bm? ATS AT 507 BbO7 Bho ee dead ea a «= age 1 ais a omg Dina sosion FREE Se ere ee 85Back To Earth Moderately (J:10) Fat oye “y a6e769) ‘ 1st Improvisation cms 12 24s ak, on > ota i aad $4313.32 pea =peerage= = ante) ane 198) cn? puse ppoe is . 2 ma p slower tolend cm Fa? Gn cm rai 89Lullaby Of Birdiand Music by. worde By George David Woe SSE Moderato, With A Rock iF De & chmr-s FHI-9 6 8 w E Hes LUL-LA-BY OF BIRDLAND that what 1 al-ways hear when yoo sigh E FPS owt sS Bm? Eat $F Amt E * A Fa ie ‘i S. a A é Never in mp nondland could there be ways to re- veal, ina phrase, Huw 1 fe a =| », i ay gee Bt S * S Have_you ever heard two * bill and coo when they love? mucsiec_we_gake with ovr lipp—————— when we kiss! rr 20Am amt be pre A con aR 7 & ae! a HB al ‘And thereb a weep-y old wil = lows. He real-[yXaows how to ry! — » & #£ &2 B 8 # LUL-LA-BY OF BIRDLAND, whisper low,.—Kiss me awect and well_ go Brot B . fly-in’ high ia bitdland, High in the sky up a-bove al be-cause_wete in lov el oren cor aeaaeeea| a 8a @ are Z il aLearnin’ The Blues Words & Music by Dolores Vicki Sivers, With a solid beat 07 cor Refrain ta - bles are ‘The dance floor's de - You play the same after the won't help you for ~ 92Eg fe ia love pong, W's the tenth time you've heard ot {Ree vate Nay SE Se” EGY E - Sabres Ebmaj7 ELS Ebm6 Ebm? i i fa That's the be ~ gin - ning, You're on - ly burn = ing Ror cm? ‘You've had your first les. - son, but you're ‘on the right track cient Ebr Bb BOT In | LEARN - IN’ THE BLUES. For{ 93EE = EbS o EDS Eb7 __ Bi a When you're out in 2 crowd, The blues will taunt you con ™™stant~ fa a Um OR p Cegsy EL a blues will hauntyour memo - ry. The nights whenyou don't sleep, —___ y oi i a —— The whole night you're cry - in', you can't for - bpSoon you e ~ ven stop ‘= EA 8 & You'll walk the you feel your heart _break,. Ebr Bb abr pho Ea ES a You're LEARN - IN’ THE —= 95Midnight Sun Words by Johnny Mercer Music by Sonny Burke & Lionel Hampton somapanautigrenmnreerateemcest tt Slowly, witha beat tn pt ge a) = ase aa nf CHORUS Your lips_were_like a red_and ru- by chal- ice, © warm~er_than the — — ES STN, The clouds were like an a - la-bas-ter = & 2 poleate rising to tow height sud - den - ly you 96[a = & held me tight, T could seo the Mip-Nicut Sun, can’t_ex-plain the sil-ver rain that found me, or was that @ moon-lit__veil?___ u-ni-verse a- Bbmt eho round me, or wasthat a night-in - gale?. me then your arms mi - rac - -lous-ly found me, sud -den- ly theae & aq ely, turned (pale, eens L could see the Mip-NiGHT SUN. —a——_——X a Ay Ea Was _there such a night, it’s a thrill_I still don’t quite be - = =~ = - But af-ter_you were gone, there was flame_of it __may dwin-dle to an em - ber, and the stars for - 98cnt » car oi a ie” Ee OR me to__ shine, ___________ And we may see the mead- ow in De- bo. = Bbmt a cem-ber, ie - y white and orys-tal - line, a: _ my dar-ling al-ways I'll re - mem- ber, when your lips were i ae I ee 1 ‘Mip-NIGHT SUN. Your MID-NIGHT SuN, Tes 99The Glow-Worm ‘Composed by PaulLinoke Medium jump Glow, lit-tle glow- worm, of fire, Glow! tke an in - can- Glow, lit-tle glow- worm, and giim-mer, Swim thru the sea of originat GOW, little glow- worm, the ‘key ‘on, You are e-qulpped with 8! shine, lt=tle glow- worm, rmer (elim mer) Shine —, iy - tle glow worm, — — eS Ses on Bg ae SS SS= SSS fly fom giim au ut a a « a q a a a SSS ———— Ee = F ? f = vent” dire, Glow forthe te -’ male af the spe - cle, nigh, t= fleswim‘mer; ‘Thou ser - O-nau-te-al Boll Wee - it; tail” ght ne on; You got a cute- vest pock - et Maz - da giim - merl(glimager) —Lgad’, us, Test top ar we_wan ~ der, SSS a5 = = = # . Z oi 2 ma woods pri-me - val; See how the shad - ows slow or ‘faz - da;* 1 don’t know who you call - ing yon - deri Shine, lt - tle glow - worm, a 100{SSS SSS SS x It > A, Brlght-alet, Lagat? oe is gt be erin diy Hatta et ey ee Whe aa Eee HED oP “I Shine to’ Or eho ere cue ton ike Stent to, gim - mer, (giim-mer,) Shine,— lit - tle glow worm, glim - mer! (glim-mer) = SS SS a 5g fp ve es g © * soe F au DT T ‘Det c B a Ed ‘When you got-ta glow, you got -ta glow, Glow, lit-tle glow-worm, glow. T got a gal "that T love so" Glow, Iit-tle glow-worm, glow. 1 got_ a gal that 1 love so,— Glow, lit-tle glow-worm, glow. Light “the path, be - low, a-bove,And lead’ us on to " Lovell [Fine for 3rd Chorus ‘bo. S. eI faa Glow, lit-tle glow - worm,. Put on a show worm, Glow, lit -tle Dm? a ¢ Fine tor 6k pete a ) “ae ea Ee £ glow - worm, glow. 101The Joint is Jumpir’ Words by Andy Razaf &JC Johneon Waiter ‘Miles by Thomas SS See ‘Tempo distueb de neighbors They have a new ex + pres - tells you when a ten times more than gay. or ee say that things are jump gh: 102cr F Fhaim Gmt ae &# 8 8 @ & ev -‘ry-thing is in full swing when you hear some - bod - y shout: (Here tis) == 2 Baim Sat fe g =a This joint is jump = in it’s real-ty jump ~ This joint is jump - in’ its really jump - in’ check— your hats, 1 mean this joint is fis toes, 1 mean the joint is jump = "ty Mose. ison i = > sae =e s 103F or F Flam C7, Fr “ # @ @ # #8 spot is more than hot, infact. the joint is jue and "out the mug [mean this joint is Bby Edm Bor Eb Bb? Bb a 8 & ee Check your weap-ons atthe door, be sure to pay your quar -ter. Get your pig’ feet, beer and gin, there's plen - ty inthe _ kitchen z = cr crs Fr fe a 8 a Burn your leath -er onthe floor... grab an = y_- body's Who "is that that just came in? Just look at the way he's The roof is rock the neigh-bor's. knock - in’. Don't mind the hous, ‘cause “Tm in pow + er.a i ORO We've all bums_when the wag-on comes. mean thisjoint is T got bail if we go to jal mean_ ‘2 & IEE ze 8 Hee \ — thisjoint is jump - in’ ‘Thisjoint ie jump - in’, 1s real -ly jump in We're all bums.whenthe wag-on comes,[_ mean this joint is jump- IT ge FOUF Pig Fame Wd, NOT 105The Old Piano Roll Blues Words & Music by Cy Coben = RSI raging Somers ere Ragtime Tempo aa CHORUS gain, I wan-na hear it a - gain,— The Old Pi- a-no Roll Blues._ ‘Were sit. tin’ at an up-right, My (op z t Be > > > = eweet-ie and me. Push-in’ on the ped-als, mak-in’ sweet har-mo-ny. When we hearrink-i-ty tink, And we hear plink-i- ty plink, We cud-dle clos-er, it seems, 7 Cia 07 r ae — And while we kiss, kiss, kiss a- way all our cares, 4 ne play-er pianos piay-a razz-a-ma-tazz,. T wan-na hear it a- gain, I wan-na hear it a- gain, The Old Pi-a-no Roll Blues.— 107Time’s A-Wastin’ ‘Words & Musle by Duke Eiington, Mercer Elington & Don George aE Lis-ten, baby the TIME'S A-WAST = IN‘ ‘An'T'm tellin’ ya itS dis-grace - z Miss-in’kiss-es we should be tast. - in” Sugar child,— now I’m beg-gin your lips to hast- xz a T need "em £0 roause T got a feel-in’ I got - ta glow. esi fF = Bhay Bi BS Fn 108Whilethere’ a moon up Canit our sung bemorethan just 4 tune up? = a7 Boor why 8 Z PS. [pe PELE Se: — — td —, te BY odin Po? wh2 RS? Ab Bom ase BB 1091 Can't Give You Anything But Love words by Dorothy Feiss MORSE eRay etioch “Moderately. ¢ oS phatm Amt Dr De i 1 Can't Give You An - y - thing But 110pe Cham Dmt sehem + in’ a > while, — Sie | SS you're sure to find, Hap - pi ~ ness, — ao 1 guess all those things. youve al: ways’=—sopined = for, © Gee, 'd_—_—sitke a of Baim »o f see you look = in Sy ia ~ mond brace - lets mTill that luck - y 12Tain’t Nobody’s Biz-Ness If |Do ‘Words & Music by Porter Grainger & Everett Robbine mon SRE ee TST Brightly Gm Bb Edim Fae Fg & eS = Eg If J should take a no - tion jump in - to the o - cean, If 1 go to church on Sun - day, then cab-a-ret all day on Mon - day, th e "Tain't No = ‘Tain't No - a 3 = i my friend ain't got no mon-ey, T give her my last nick el, 13Br Edim BO Gm cmt Fr a 2 & & & & & B and I say, “Take all mine, hon-ey.” "Tain’t No = bod - y's dnd that leaves me pick-le, “Tain't No - bod - y's ‘There sin’t noth - in’work and come home drag- gin’ then stay up all night rag gin’, eat three tur - key din-ners and announce that's just be ~ gin-ners T Bo Gat mtr ee ac ef fe 2 i OO ‘Tain’t No -bod-y’s Biz - ness ain't No = bod-y’s Biz - ness 15pb cmt Ckatm Bb FY, B bi7 ReEaee ., # £#§ real style set - stay out drink- but go home with someone bet ter, “Tain't_ No- body's Biz-ness If T and buy mea ten-grand Lin-coln, ‘Tain't No-bod-y’s Biz-new if I 1. cto chess FHS iz Chm? Daim 1 1 feed my wife. ba = lo - ney, and don't pay my al - i - mo - ny, 16or ff ain't No-bod- y's Biz -ness if | ress up sport ‘nilive to die be = fore I'm for - ty, Tain'tyour biz - ness, biz = ness, "Tain't their . "t No - bod - y's "W7Mercy, Mercy, Mercy ‘Words by Gall Fisher Levy & Vincent Levy ‘Music by Jose Moderately slow with expression — £88 & 4 & It seems_ life has played 2 game on me, Tm lost in T wait for you ev ~ ‘ry “sin ~ gle night, Hop-ing— you'll re ~ i fe atin th sis sea of mis-er -y My love has turned fPS! pack on me turn and make things right You don't. show and Tm eft! all 8 ~ lone f FT f "PF ae heartache why. won't you let me _ be. to pray= you'll. call me on the phone. iF —$— = neplease don't a stir make please: mer-ey on me, Interlude with - out Tm beg knees oh please— Mer-cy, Mercy, Mer-cy what would 1 for ‘one more you = ging pl i we one chance Facet) were through? has man-y a twistPa a | SEES a = SS thing T can’t Fecsist, Fa Chorus Hf fad BS ge SS = To just can't goon living With-out please— knees oh Please don't make — Ze aw a a E Mer-ey, Mer-cy, Mer-cy, mer-cy on me,— Mer-cy, Mer-cy, Mer-cy, Please (Tacet) please 120IShould Care Words & Music by Sammy Cahn, Axel Stordaht & Paul Weston, seroma oeenneremerrevae ‘Molto moderato e con espressione Toa don't be - cause, you -—— oo GF c Cm 5 + —— oP 1 have loved = and ora]Refrain Tenderly Dm? csc Dmt (crc) = Should Care, I should go _a-round weep - ing. a p.m atempo I should go without sleep - ing. es An Bn? ET cr S™1_co Gm oF = a Serangely e-nough I sleep well “Cept for adream or two, = = 3 => But, then, I count_my ——Dm? co c Dm? a oc 1 should let_it_up « es Am Dm Gdim BY Am E+ Am7 D7 Fe Dm? May-be I won't find some-one TS Tasreree aP 123Nina Never Knew Girls were made to mp a tempo Fo, abr Byrbs Eby Br 5 om? 7 SSS 6 did not un-der - stand, i ee ar ar SSS 25 4TELW = Pe x. [SS Sweet sur-prise filled fe SSAF one ae Bi T kissed her hand, why dreams be-ganto stir deep down in-sideof iy dovams began Jo 2 Jeep i her! J a f 7 Dey susec7 Fim Fm ‘When I whis-pered things that. Ni-na nev-er heard, Ni-na’s heart took a4 al fr Bhrbo__ 87 Bomt _Fi7_Eb+ ab Abn wings with evry tender word, Then sudden-ly she clang to me; she vee ? a bit crt cr Fm By Tm so glad that Ni- na Never Knew till 125Chances Are Words by Al Silliman Musioby Robert Allon sepa miners Sm Moderately, with great warmth 745 cs 745 ¢ C6 6 ‘an? SB & & veause I wear a il - ly grin, The mo-ment you comein - to to Ghancees Are you think that ir ers 8 a7 m6 & See ee ee ee my com- po-sure sort of slips, the mo-ment that your lips mest Te 128your ‘va higher optional ¥ cm om m6 B ‘2 & Chances Are you be lieve the stars a, Be os 745 6 745 ‘e & Ss Guess you feet you'll al ways be Theoneand a7@ = & = 2 « fon = ly one for me IF youthink you could r Am Bdim Am Chdim——f! Am or or-8 @ & @ & 8 |e @ & & Ghanc-es Are your Chane - Fant o7 m6 a @ & Ey Gg G75 a #3 128Polka Dots And Moonbeams | Moderately at re tn : bea S & & & s Be 1296m? co F om m7 Ae OAT, g @ a om Bom F fom Sma 8 & Ey 6 ‘8 ae i im my fight eed ame ram, ET A Gaim Bm? EL om = Fim am al A Gein a # # & &§ a = 130m7 Om ET Fim? diem Guz = & & @ & Ey Hs ee Gm? co F om ey Gm7 coMississippi Mud Words & Music by Harry Barris Segre Moderately slow, with a beat ¢ aT er BT i Gh a Ey & & & @ ‘The peo ple gath - er ‘round and they to shout 7 ¢ Coin ¢ Céim Cain G Cdm Gg ¢ Cdn # = ¢ @8 & # &@ # & & & to beat your feet on the Mis- sis -sip- pi Mud It beat your feet on the a 132On a. om & a & = = = =e —— no 6 ba They ep They don't need g. Ay a & = = Fae pe = 3 Chew-"on’ on a cud When the poo ple beat their feet on the | Mis- sit- sip - pi Mud 133sm gL am etm Am am tm @eeb @ 8 BBeH & 8 = how cy 7 Cy ¢ a7 or oar cém c. 8 e — & & @ a & 6 how they pound the mire with vi gor and as fe Es 8 | stow when they 40 Say! they best it up ei =ther fast or slow. ‘When the ? 134It’s A Raggy Waltz ‘Musle by Dave Brubeck ann a It's a raggy waltz, a raggy waltz, a raggy waltz _It's a raggy waltz, a raggy waltz, a raggy waltz, That I'm gonna dance with you. And no other dance will do. Now that you've heard this very funny beat And when the dance is through Let me see if you can feel it in your feet. ‘You're gonna say, Yeah, you've got it! Startin’ to swing! “Never stop romancin; dancin’ in this way Just forget everything, Makes me love you’ Raggy waltzin’ with me. Out on the floor you'll be askin’ for more It's not a waltz that’s Viennese, Raggy waltzin’ with me Johann Strauss ‘twould never please, Come dance with me. Walte Tempo.with a swing c or Gain i TSS me TFS cos 8 rag - gy waltz, a rag - gy | waltz, a rag - gy waltz that ee or ct Ra ose 2 2 a a en gon - na dancewith you, Now that you've| heard this ver - y fun - ay —— feet. Yeah, you've got 135