LIK ENE

iz fonda Umjetnikog muzeja

NARODNI MUZEJ CRNE GORE
ATELJE DADO

U okviru projekta kojim se javnosti predstavlja umjetniko blago iz fonda Umjetnikog

muzeja, u Ateljeu DADO realizovana je izloba Lik ene u likovnim djelima jugoslovenskih
autora.
Posveena je temi koja je milenijumima nadahnjivala i inspirisala stvaraoce razliitih profila eni-muzi zatitnici umjetnosti, koja je kao simbol plodnosti, ljepote, ljubavi i majinstva, oboavana, slavljena i potovana kroz sve epohe ljudske civilizacije.
Svako razdoblje i umjetnika epoha odreivali su njeno mjesto i posebnost u kontekstu socijalne antropologije, a njena likovna interpretacija apriorno je bila usaglaena
sa vladajuim pravilima umjetnikog izraza. Ipak, stvaralac koji se oslanjao na vlastitu
imaginaciju i kreativnu slobodu u estetskom, filozofskom i plastiko-strukturalnom smislu,
imao je samosvojan izbor u doaravanju ene kao bia i njenog tijela.
Izlobom su obuhvaeni slikarski i vajarski radovi nastali na nekadanjim jugoslovenskim prostorima od kraja XIX do druge polovine XX vijeka perioda koji odreuju stilske
karakteristike: romantizam, impresionizam/plenerizam, moderni klasicizam, ekspresionizam, konstruktivizam, socijalni realizam.
Mada su u realizaciji slike autori koristili razliita izraajna sredstva, kod svih je prisutna
atmosfera intimistike poetike koja im daje toplu notu prisnosti i neposrednosti, jedan
humanistiki pogled na svijet. Na portretima iji su autori Jovan Bijeli, Cvetko Lainovi, Luka Berberovi i Igor Vasiljev potovana su klasina pravila: statinost, izraz unutranjeg stanja,
karakterne osobenosti, na kojima je enski lik atribuiran kao djelo moderne provenijencije,
ili poetskog doivljaja koji nalazimo na slikama Vlaha Bukovca, Boka Risimovia Risima,
Lazara Vozarevia i Zulfikara Dumhura. Meutim, pored individualnog odreenja,
znaajno je pozicioniranje ene u ambijentalni prostor enterijer ili eksterijer/plener gdje je
predstavljena u obavljanju svakodnevnih ivotnih radnji, kao na slikama ora Pravilovia,
Voja Stania, Alekse elebonovia, Ivana Radovia, Dimitrija Vujovia.
Dok se na slikarskim djelima kao motivsko opredjeljenje enski lik javlja na portretima i u
anr-scenama, u skulpturi je akcenat stavljen na enski akt. Prema esto citiranom miljenju
francuskog pjesnika Pola Valeria enski akt je za likovnog umjetnika predstavljao ono to je
tema ljubavi predstavljala za pjesnika.
enski akt bio je najsenzualnija i naintrigantnija tema likovne umjetnosti od praistorije i
arhetipskog naela Velike majke do savremene umjetnosti. Na principima harmonizovanja
materije i duha, spoljanjeg i unutranjeg sadraja, erotike i vitalizma, ljepote i sklada,
umjetnici su iskazivali svoje stvaralako umjee.
U vajarskim djelima Rista Stijovia, Frana Krinia, Sretena Stojanovia, Milice Ribnikar i
Nikole Milunovia ensko tijelo predstavljeno je u varijacijama razliitih poza i stavova.
Na njima su evidentne daleke reminiscencije na renesansnu idealizaciju, sumersku egzotinost i etrursku svedenost (akometi), to govori o fenomenu ene koja je van vremenskih i
prostornih ogranienja bila i ostala vjena inspiracija likovnih umjetnika.
Ljiljana Zekovi
istotiarka umjetnosti

Igor Vasiljev, slikar | painter

(1928 1954. Beograd)
Portret | Portrait, 1952.
ulje na kartonu | oil on cardboard
60,5 x 49 cm

Aleksa elebonovi, slikar, likovni kritiar, istoriar umjetnosti | painter, art critic, art historian
(Lozana, 1917 Beograd, 1987.)
Enterijer | Interior, 1951.
ulje na platnu | oil on canvas
60 x 89 cm

As part of the project of presenting art treasure from the Art Museum holdings to the
public, the DADO Atelier is hosting an exhibition of works of Yugoslav artists entitled The
Image of Woman. The exhibition is devoted to the theme which has inspired various kinds of
artists for millennia: female muse as the protectress of art, who, as a symbol of fertility, beauty, love and motherhood, has been adored, celebrated and respected through all the epochs
of human civilization. Each period and artistic epoch have defined the place of the woman
and her uniqueness in the context of social anthropology, and her artistic interpretation was
primarily driven by the ruling principles of artistic expression. However, artists who relied
on their own imagination and creative freedom in the aesthetic, philosophical, plastic and
structural sense had their individual choice in depicting the woman, her being and body
alike.
The exhibition encompasses paintings and sculptures created in former Yugoslav territories from the end of the 19th to the second half of the 20th century a period shaped by the
stylistic features of: romanticism, impressionism/plain-airism, modern classicism, expressionism,
constructivism and social realism.
Even though the artists used diverse means of expression in their art, they all reveal an
intimate atmosphere which gives them a warm note of intimacy and immediacy, a humanistic
view of the world. The portraits created by Jovan Bijeli, Cvetko Lainovi, Luka Berberovi
and Igor Vasiljev show respect for classical rules: static quality, expression of inner state,
character features, where the female image emerges as a work of modern provenance, or
poetic experience found in the paintings of Vlaho Bukovac, Boko Risimovi Risim, Lazar
Vozarevi, Zulfikar Dumhur.

Vojo Stani, slikar, vajar | painter, sculptor

(Titograd, 1924.)
Iz Konavala | From Konavli, 1955.
ulje na platnu | oil on canvas
64,2 x 82,2 cm

However, apart from her individual definition, it is important to note the positioning of the
woman in the environment interior or exterior/plain air where she is depicted as performing
her daily tasks, like in the paintings of ore Pravilovi, Vojo Stani, Aleksa elebonovi,
Ivan Radovi, Dimitrije Vujovi and Igor Vasiljev.
While the image of woman as a motif in paintings appears in portraits and genre-scenes,
in sculpture emphasis is placed on the female nude. According to the frequently quoted
words of French poet Paul Valry, the female nude was to a fine artist what the theme of love
was to a poet.
The female nude has been the most sensual and most intriguing theme in fine art since
prehistoric times and the archetypal figure of Great Mother. Artists have demonstrated their
creative skills on the principles of harmonization of matter and spirit, external and internal
content, eroticism and vitalism, beauty and harmony.
In the sculptures created by Risto Stijovi, Frano Krini, Sreten Stojanovi, Milica Ribnikar and Nikola Milunovi, the female body is represented in a variety of different postures and
positions.
They show distant reminiscences of Renaissance idealization, Sumerian exoticness and
Etruscan reduction of form (Giacometti), which speaks of the phenomenon of woman, who
has always been the eternal inspiration of fine artists outside temporal and spatial constraints.
Ljiljana Zekovi
art historian

ore Pravilovi, slikar | painter

(Cetinje, 1925 Herceg Novi, 2008. )
Seljanka | Countrywoman, 1954.
ulje na platnu | oil on canvas
64 x 82,3 cm

Dimitrije Vujovi, slikar | painter

(Vladivostok, 1913 ?)
estanke | estan Women, 1956.
ulje na platnu | oil on canvas
100 x 81 cm

Ivan Radovi, slikar, likovni kritiar | painter, art critic

(Vrac, 1894 Beograd, 1973.)
Doruak | Breakfast
ulje na platnu | oil on canvas
65 x 55 cm

Cvetko Lainovi, slikar | painter

(Podgorica, 1931 Beograd, 2006. )
Glava | Head, 1954.
ulje na platnu | oil on canvas
27 x 26 cm

Frane Krini, vajar | sculptor

(1997. Lombarda, Korula Zagreb, 1982.)
enski akt | Female Nude
bronza | bronze
h - 48 cm

Sreten Stajanovi, vajar | sculptor

(1898. Prijedor Beograd, 1960.)
ena sa djetetom | Woman with Child
bronza | bronze
h - 49,5 cm

Luka Berberovi, slikar | painter | (1934. Morinj, Boka Kotorska)

ena sa makom | Woman with Cat, 1962. | ulje na platnu | oil on canvas, 107 x 56 cm
Naslovna strana | Cover
Jovan Bijeli, slikar | painter | (1884. Koluni, Bosansko petrovaki srez Beograd, 1964.)
Balerina | Ballerina, 192325. | ulje na platnu | oil on canvas, 95 x 67,7 cm
Izdava: Narodni muzej Crne Gore | Za izdavaa: Pavle Pejovi | Kustos: Mirjana Dabovi Pejovi
Tekst: Ljiljana Zekovi | Izbor radova: Ljiljana Zekovi, Mirjana Dabovi Pejovi | Prevod: Olivera Kusovac
Dizajn: Branka Vujovi | tampa: DPC Podgorica | Tira: 300

Cetinje, avgust 2014.