Photoshoot for Digipak inside Panels

These are the main photographs I took for my Digipak sunset

panel. I mainly liked the photographs that had the sun centered
in the middle of the frame and had slightly more sky ratio to
land.

I firstly realized when taking the photographs how it was very

difficult to jump from sunrise to sunset over two panels because
it is basically a 180 degree turn to face where the sunrise would
be to where the sunset would be.
It was also difficult to have a clear shot of where the sunset was
as well as a clear shot of where the sunrise would be after
turning nearly 180 degrees.

I roughly put together the photographs I took in the first field I

went to see how the technique might look in my Digipak. In the
far right panel is the area of where the sun would rise in this
location.

I realized I should have started taking photographs of the

sunset in the location I would have taken photographs for the
sunrise, as when I put the photographs roughly together the
place the sunrise would be is meant to be on the far left panel
(not the far right panel). So I went to the place where the sun
would rise in the morning to test idea again.

(Roughly edited together panoramic image)

I found that a field was the best location to my photographs
because elsewhere objects were too tall and obstructed the
view of the sun rise and sun set. (The sun would rise in the far
left panel and was setting in the far right panel)

(Roughly edited together panoramic image)

I found a field that would show my sunrise best as it would rise
in the far left panel which has low trees which would emphasize
the sunrise clouds and colours.
I have decided since there is such a large turn to physically
make with the camera to aim from sunrise to sunset that I will
return to my earlier plan to use separated photographs in my
inside Digipak of the sunrise, sunset and night. However I will
make sure I have the same ratio of land to sky in all of my 3
panel photograph frames so that they link together well.