‘Theory I Spring 2016 - MPATC-UE.36. 1,006 - Arjomand / Midterm Worksheet #3 Realize the figured bass below in SATB style. Provide a Roman numeral analysis below. ‘Theory II Spring 2016 - MPATC-UE.36.1.006 - Arjomand / Midterm Worksheet #1 Harmonize the melody below in SATB style, using the chords given, a Vivi vi VE i vi fotTheory II Spring 2016 - MPATC-UE.36.1.006 - Arjomand / Midterm Worksheet #2 1. Realize the figured bass below in SATB style. Provide a Roman numeral analysis below. 2, Harmonize the melody below in SATB style. Guidelines: 1, Use secondary dominant chords at the asterisks, approaching them appropriately, with good bass lines. 2, Measures 1-3 consist of back-to-back tonic expansions (two tonic expansions; the last chord of the first becomes the first chord of the second). Measure 3, given, involves shifting the inner voices of the previous tonic expansion in order to make it lead into the idea in measure 4 smoothly and with good voice leading. 3. Use a chromaticized voice exchange in measure 4, 4, Measure 5 is a half cadence, and measure 6 begins a new phr authentic cadence. 5. Provide a Roman numeral analysis. Measure 11 is a perfect