ee a eee) WYN) SUPER BEST Pe eerraateGUITAR I VOCAL BASS KEYBOARD GUITAR II DRUMS ANIMAL OWL] 2 by Stephen Clark/Joseph Elliott/Peter Willis/Richard Savage/Robert John “Mutt” Lange (AREA) introl>Ai-B-O-f -a-B-o-T* -0-H-ps. — § BHC] to — -@ Coda EF) (opaayad) ALES gue Wuolch, A zhi O82) Srpat YzpspA|et Zuppo] BOUE Fo] SpA, Ege 724] SE Beolr, ad! ds F4] SES FD Ayala] Aes 7] Bal Sh wa Sasha] Ashe Ho] $22) BEG, WoAE geeHu7} AS AS BA SHE B Bo} Zol7t $2 SH sr] YH Ao] Bzpsp2] Bry. JANE FES AWAoe ASS wgolzt 1 PEs HPAlo] Ao] ep] Heow Toss, [AWA Ws, AF oS Roly HES, ULE] AF Slo FH] Be ames WE Yous! 14 folzj7z] Fes seh Ce taht FEM, Ase IES WH Qay 2 HHS Fr As4] SOA teach S DAE Zou wolzs} Fee ARs] AZ Bole Aza Ss] AWB W)]D Me XA- 3°5° 7] 4h} AMHE)YA me7] AS AS Aas VE ZA UBS Hebe ope] Qh. A7)AS BZ] inpc] pH} Mouse Fe 4eeHo] Eoyoz! of Qe A. FALE BALES FEISS BYSS Ys AS sar Qe, Ss] Sejstojok B Ae ort HM] wc FuyS AAS SH Fy YOLSTD YE XH Fo] MD] 7- gebcjAoyry 23h guwtoe RASAAN BAAS SSW We KS FINS. Hoe ABP sas} 12~139}4 AS] HAolae Ago] SUIES Fh, (mt suf fru 2% to ee ee DDD oo aaa De eeeeeeoe——T—l SS] A ee ere ~ Eee 5 pe a ee or a Pe tt feel become 1 lo Distortion» Arm , uuu u uu ve rtd TT oo < Synth > iy a po “CT10£ c A wild c Dm7 ee | L ~ ° | Gmi7 F(onA) Gm7 ————————————— — Such a lust for like a mo - vin’ it | | Hi 7] , | I | i it Ali nt ah I NET lt lel a pera c. + “17 F Ke The KE LU na IVWDOA IYVLIND I ¥vLinod auvOgaan ssva swnaa IWD5D0A Tavling Il avLIND auvogaax ssva swnag B’ Toe tp ground — mouth 4 laa j 4 L470) (fia © Dm? 4 Unt nT v2 O v2 VR O 0 O 0 rr Eo oo eee _ | —— 3 eo so o-p— | — a —— 7 a 9 2 or ee 9 ——— ED c Dm? ee ee a eee 4 FE o-ver sto - ny gi-venmouth to ‘ Natural Tone > wolf ___ oy DA ccnp SJ? FD —— [Al ride___. )F(onA) Gm7 Gm7 Dm7 oe —————} - ory the — are the hung I’m run-nin’ with — We HL ’ j iw : : | : Ug! ir 32 a i Qs WT se rT a3 l ns Bhi rT : | 3 le Lid et - a ole Ly Lier! WS0A Taviind Wavlind qavogazay ee. 5 4 a . a A ach a cdi Mena BN Tis Oy Bh Un AG Gm7 ff — = ver vin’ F(onA) rl Just like a And like the dri Gm? B | / ee Eg B’ —— —————— 2 raid dust ee a i *Z 2 4 eee OO ....__. I eee ee ——————_—— ei ih — — —— Cae light - ning i the eee —————— ae — J —— ~~ CT (ZY) Nae 5 NS 5 on el ssv@ swnad WS0A Taviino TL avLind aqyayvOgaan ssva@ swnaa ee eed Dm? a (a) sha- dow in c on 1H ones __ wind — C+ . La Ot 106Gm7 F(onA) Gm7 Dm7 c T burn for you I Oh, flame needs like a fire runs ne - ver sleep __ rust less like the rest - yeah, rain (Mute LN N ole eked oh Lr me Tavlind (Mute Ee OCCCC“‘“#*SS PS fA | a ro HS eee EE EEE ——,......--——— Taviind YVLIND auvogdaan ———ssva ™~ o Tle a swnad oh wo my — blood —___ in__ it ta feel got (tt) Ml 4 a. + —| TavVLIND Il ¥vLIND s it oH 1 il r aavogaan LT I | BE Mn ie Ee ie | PA | » & ih CI foly swnadAnd I want —_ oh wo love don’t need— your touch _. l need _ your = ay Oi ize aA ‘ie 4 TK} ILA Taviind I] 8VLIND aquvogaAam T want And A -ni-mal -T lust And lL need and I ll a TavLIND TavLind auvOgaan my | mot Ul it i Tit Ht HE TT Ir] HN) | ‘ PA # || BN ssva@ swnad dl Hn) ot WUE ih I HHA lhe i LIF Ih if:Al fl rT er | Cry Arm = A- ni-mal __ ( iit Wil ui} = i | < (all I | il w I (Hf | UT lg ui 2 WI Hi} 8 (all Wi | HI mat = ot tt Tt aviInD avLINS B / HH IL YVLIND ) iy | aguvogaam 109 3 WH it on aay = | J it “| fn Ar ssva@a swnad tough. Cry -by ba Cry Wolf Oh Hu __ Arm. Arm. f— ave Ut rT] Q tt Pi re) ' << tL Taviins : i He IT aVvLind re j I I Tt i i | i aavogaan ive TA eT ii HH al ann swnuya ssvagEm ni - mal__ a an _____ Gon-na_ hunt you like tl ey ch ier a Taviind it Hy ll +H) aavogaAlsy TW avlind I ty my gp ii at | Bil Ali I idl EI rl : GN ery ssv@ swnag 110 B? Dm7 c | o— CT - Gon-na take your love ’n'run [: “fl | ! one | i Taviind Cu“ | Tl i | P Hee, QavOgasy ea T] avLind aN rie r BN ssva swnad111 (( Tl TT z yl . ‘rl i nm ct ll i 1 il ih | lll Qu ME t WE id Ml) (th eT Aa US Fd We “tt rh Ell it Will all | It Hed i i th a +k ah SUI i < tI HI TT , ‘ . 5 | ms il " ill aed | g\t I wy oT) | ary i rn) ot OF HHT 4. t Bit |) Bd me a Cull CU) I MT Wh | Au Ul Mt (LCA , oll et «(lh ! a mn Ui rl : TO) Us | (| : L A SS c Dm7 Cc i eeeTake ___ me __ And I lust__ and I need _ f i re a ZL Tavlind IPavLINO auvogaan ll ik i ih [| HH | Hi: el Tl I ATI WY TL, TA cb LUT I LE er UA no (iia i) | | | [i eT ht, C—O I Soe = Ee pA -— yf Bh swnagd ssvq 112 erA and I need__ ni-mal A lust And I me __ Show__ ni- mal __ your Make _— me ___ —~ ee ie SS Taviino Mh We i it IT aviind er qdavogaan ill tf Lt (ih lt lll ll 7 ET qe eh inal re We HT alll LE | : [ | Al crt nh ssv6 swnuaAnd I want _ A - ni-mal B And | lust BM pet TS + — — aes 5 ’ a ba + - ni-mal__ a me be your Let me stroke __ el ae) Per! TavLinod ome +e i ane ayavogaay + a--6—-§—-8- £ rT ni- malo. A A lust And yeah ... malo. Whi A OU vec T want... (va) I avLino IL aviind tig. auvOga3an128 VOCAL GUITAR IT GUITAR I BASS DRUMS ARMAGEDOW IT OHpI= We by Stephen Clark/Philip Collen/Joseph Elliott/Peter Willis/Richard Savage/Robert John “Mutt” Lange (HEA) hae See. a = a eee eee 4 3 ta aa “[Intro}> ChpHl' -E-a-s-c-o-F* > | H+] 2°] FS Bolded, tees }7}eoe WAshe a ru HTT (Repeat & Fade out) $e AG. AS ASHES THY A Ce dea Eo (OhBaH Ad) OEM] 2.0]C}, MHS 32 aq9] DSS We BOs Ayr $ AZT 228 ¢]c} out ESo] A PH] oA Qugyoe | ola] Sr Ge gow aEgs yz We. FuS HABA Helsp7] pete, TELA UES o~1ptae ASHS FEY A ons EWS BoE FEMS Ho] $S RG YS Ade | HIE So. Bos~ PAs ASS FEAT AVG] F ABAY BE YHNBL Iga) YA) YOu, Avs 74 | SS alalel 7he Bo] SS WH Avg, olve 7ley Was Fe AMV YS F god Ba VS elt}, 2 Bl 9~ 101A} 11~ AE SS SBol7]z 234 woe LE ASA SHE SAA WAs, ode | Dols wpe AOS B77} Wap] We ade ys AF PHS AMZ les Aolth WA AS] AES 7g | sb} wbetch. [Ay7} 71} SENG a~TM AE HESPE AAA 49 22 84 Be Alu, see BF 2] QO Poze | Halal 74 Ag DANA A. Bl s~ Phas Se SHold, SLE AFS Ff} I (Cs De SS BA BA Yat ws] age FAS & HolE o-LO] HAT (T] 17~2" +e ahs wh Bole AFA AYA] 4ho]S B toyz} Z)A] FES Sh, J=120 < Distortion > -—— ——w [A < Distortion > s — ans = = = = ———— = ——————— == SS eS == === | _— LS — — LAU Oe ee es ; le eS = SS == t+ —+—.Qo _ ill t Nit NL Hie in HT Mt 1 avVLIND he rr xi #1 TI Th 33 ————————— oo er an ee aera ee Q . WAIVING it f i Ht |! | toh J a fry) WZ a > Pot 1 UT swnaa 129 D A(onc#) A - ter bet Y Taviind My iP fag | nil = “Ld DL | MAL Dae A | UT qT Hi Il avLINDS I | i’ Te ALT We TT my ny Ef tll | | i | ssva fol) swnad130 VOCAL GUITAR II GUITAR I DRUMS BASS VOCAL GUITAR I GUITAR IT BASS DRUMS ne [I ee TS | jd rf = SS aS ~— come in side __ when you’re rea- dy to But no___ chance if you don’t wan- na dance__ co min’ on when you need some But then you don’t ’cos you al- rea- dy did__ ( Le Td ry — Hh ay F fa CSV | H chy. ile = a LH =—4 Db o . ‘ — | TT E— tE 4 sa 56 e o eG @ ——9-— mai Ze x i Lo . H *—-G-_$_§ —-§- ----9-_6-—--6- 6-6 a i = E SS You like four let - ter words when you’re” read Yeah you jan-gle your jewels __ while y’ - sha- kin’ ya SF LL SSS SS But then you And drive the ea ——— —F 8 a. Zz. Zz NS = ————— ae x =f. ait, it, you got can cos you know that you ’ won't You got outa their heads boys pretty rcixtacet —~> TI Taviino PS ILYvLINS BT swnad 13 You it? > are you gettin you but but say that You flash your it? gettin are (1xtacet yH Arm Arm Arm Arar Tavilnd Ff LJ cs | | wu A Th T1avlind lf: | pT Cd td — 8- 6 “9-96 = 5 5—5—_5 eee eb swnadgun back the trig- ger pat fin- ger won’t But then your Then play it some get when you like won... is love the on a with. pret- ty > Jack jum - pin a eyes ___ bed- room __. 1avlino TWavLind o—8— 2 f fre 132 Po ‘ rs fi usa IWD0A it Y’ know you got rock it So don’t stop it can’t Y’ know you Pf Pt 94“ 9g TF = oe a9 9G q 2g == J 9—9—4—"9 WH Bhs N ne Lu Lhe a Tavlino Ir avlind el swnagE G A Oh_ ? it tind get - L Rea ? it but are you get-tin’ Hey!_ (Tr ac NL 4 | : | | iy SN bh ET) RE “fete? 1avlind IavLlinsS ol ad + | 0 Hk ° \ a 3b swnad ~” your lo of - Vin Gim-me ll ry éve - it from me get come co 8a > (tn TavLino < Natural Tone > IT avLinoOD D(onE) G(onB) Cadd9 G(onA) G Gim-me all that you got Cadd9 of your lo- vin’ it ga a4 Eve-ry bit : - —————— - on and Cc Oh, bit of it ry eve - -tle bit hit Taviino _— Il avL1ino Cadd9 Ar-ma- stop to ver want it Ne - $ oH W2OA it ? get - tin are you but Hey!__ a bit live TayvLind ¢ Distortion> Haviind 1it! ged-don Ar-ma - Yes - ged-don c’-mon doit it?__ tin get ly Real - Tavlind Nn oe II ¥vLINS 8—_8—8 Tf = swnag 135 AL U1 WS30A Da Do Do Yeah Tavlind Tr aviine aN swnadA A(onc#) try You oh Ou - i TavLINS TW avLlino tj ssv@ > > ly swnagd 36 ] - ged-don it! ged-don it steve c’-mon Tavlind ch i IT avLind rf Th Ch tT lh nal _ ee pe Y RN sswnada137 Tl I (hie LT a I ) HI l real || rT D | | D> | | eC i | WI, (get i q li A tt et - Me l| fi pe all i < mM Wy e MU AT a nH) i ih i Hi | i ih l | I : t i tT Tl “| | iM i | ¢ r mJ qm 4 “| il UT ogi) a4 i || c(qimiy =e TI ik Tl Loh - i iH ! | vy | ut i it op || (ihm Mt We OL i q o { MI vin UE tie OG ui Wee 6G A mt it I] Ik ip IE my So mn 7 i mr lh ll TT 5 s Hi @ Kt All it te oR i | eo mM itl He i OM ar OG PPE UT y i rs TT ie ne mL i iat Wt i iN [Ihe NO Ath | ! id rl } - . Nf} ile Wt : $ Ui " mh IL Mi HR) HI nm’ gr " mf ne ne CUP : Ml gilts HW | | I ny i Po He rn nH bial GN Ae the she ai A re BN Lavlino ssvq swnya IWDO0A Tavlindo IEAVLIND ssv@ swnad sn the utins ybtceinsg spel PeDiMeyig oo ik pt oe ek aG from it take it- chy fin- ger an got. 5 @ tH tH 4 Th TavLINo € Natural Tone > ITavLino | ) ny ) » HD a Ui az al ts ssv@ 7 eh swnag 38 1 x trig- ger the gun__ + gt t de it, pull it, c’mon <= | d= ee errr Pull best is __ ’Cos the fol -low-ing me__ at IT] rT] | rt HLL heen IT UL ThA VF ik re OT 1TavLlind | Tavuno aN “‘swnaa139 Ty rH mM Ti m™ I | mT TT TW. Tee | ton) oO I} 6 moe t ih | it tn Ir Wt) 6 To Ir IT | Pa RR Ra EIR | h ru ll / | . ir fh =o mM fit) «6 AP > Kh Cr ~ a ro:!UOUe Mt TU) om mt 6 : tl Mt r mM: I ir HU | : } He aia ih & MP Ge sl ee Tt) be he iti t lit i Wy : leah i “ir i tN i ' SD hy db 4 wid Pm = on = MS 1 AN r oO | | ih Wit 5 . te «all . L Ty a | £m mf I ik_7 ui Ih tt _TTTh il | s R TT | a it : ° I | _ | : T ° 8 4 : 1 YA r it [ . i {ln 1 a , : tI f I i | : i it “tt WP UH alll HIN ? " al & TT Hl th Hh l i | SiR cs | it JI i tie S j Hl = iy ln” i‘ mo eit - Pe Ht ALN i | | a SU dil Ut tit : | 1 d Ql lia d q Mg tL t | ill u ir ith TW eT i it, IL it C me i | r me m : ra lt : | } WU Wt UL , Torn g 7co>oom ea ! tH | tH iH | | | in he Se Tre ie rr fT ia BN rv He ray she ia fl oF gh WS0A Taviino LTaviind TavLingd ssv@ swnada — a it from me get come Oh,__ -tin’ it? get ly Real Tavlind TT avLiino ssva@ t =r ar Bh swnua Cadd9 D(onE) Cadd9 that Gim-me all vin of your lo all Gim-me you got _—_—__en 33 bit tle it live E lit - ry by s Eve hoba +2 £ = 6 = J — 2 — a VR SR s ! | nh fi ri WT 2 0) TIE en Pl) ho a ane ob Le ob a esa A Bh CO Tavline ILavlind ssva > a er FJ Il el swnad14] G D Ne-ver want it to stop__ z22Ee aaa | oS 222) eee ft errr Fe Cadd9 G D Gim-me all that you got ih heal S v s Se ay iu . me 3 | = 2 | 3 3 ~ SS s dil oe: | ib us “Tt 2% if | ¢ Ss ¢ ¢ % & l a : 3 . ie - an ae re ! n° — wD t 2 2M 8 1 “ih a | O° a SS ry ~ A " | >) . (t) 5 MM Uh TT li “It 0 3 ; (i 2 ral | S 3 = S Gim-meall of your lo - vin 3 p) wo —_ © ig 27 ‘ o LY® > an a ‘dl x wo 3 l 2 ‘ag oe ee — — bit -monand_ give it +4 G(onA) G(onB) : Eve- ry i c +2 44 ale chi & Wt M Ler Ler WSD0A Tavlino IT yvLindS ssv9a swnua IWD0A Taviind TEavVLAD 2 = D G(onA) —_ G(onB) : - St s Oh are you get Oh__ are you get Oi pe eS — Se ee PS fa) Sa 7 a eee oi SeCadd9 D D(onE) G(onA) G(onB) Cadd9 D all that you got_ Gim-me - vin lo Gim-me all of you bit __ live __ Oh it?__ get - tin are you are you get bit __ a live __ Oh tin’? it? 4>) ———— | 4a) _ y XZ (44) Co _——— er i tr Taviins tA a py & Tee L t & ri 42 “YF “of Fels — fot swnad 142 G(onB) C G(onA) D LT ety Pay Syl WD0A You got to live a bit Wo-ah Wo-ah (8va yy i) Taviind Hf TIavlind Repeat & FO,32 VOCAL GUITAR I GUITAR IT KEYBOARD BASS : : DRUMS BRINGIN' ON THE HEARTBREAK Ba4 2 se yaola by Steve Clark/Pete Willis/Joe Elliott (AREA) BEA, MWEZE YARNS AojAl 3Ee SwErpo]z yo} Intro} Al BRP Bef? 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Am F Cc Dm E ar = = Gy > 3 Ft < Distortion > a 7 - —= ee = Se heneien] ths SE aan AD 2 oO ee er te — eo 88 e051 8 55 a —— ; == SS = B H eed teed] < Distortion > rf —n z = a —— Pt = 0-— e Se E.@.z | TT oo os 5 Ln ee eT aS 4 4 i Tt [ Ht ll ti " | [| il eh fs me eee ed hea Li ___f rd P ¢ Synth. > | rT ee , ———— ee SE OE ee eo EE ee OT? ee or Cs ee EO sO ed CS ee eee eee OO ees. ft es OD Ello pA = eT ET oo ae Eee ern ee 3S ee ee TS SS OT I ~ > V —— v > hy —s?— ee or i or oaE7 Bmmaj7—) Fmaj7(13) Am G6 F(onA) Am t “The Tier) WD0A Taviind < Natural Tone > TLavLind agavogaAan ee = G6 Am F(onA) eyes ing laugh hold A bro -ken rose with pret - ty. sha - looking sit -tin Mis-ty sy Tet Gyp - key the how you dy dy La - eye and Tavilino I ) M1 f tk i | ul IP avlino auvOeAay Pit uh ssv@ swnaqdG6 F(onA) Am E7 Bm maj 7/9) WIO0A with - and a child sy come - ning out —_ Like wild ing run-ning ways 1l- Sear -ching for a feel Your playing soon be fa - a tray sear - ching dle as Run ea - Bur But it?s and ding Oh you light a can - Li Taviind On pile) 4 i hi Ul aviind SHH? SRY ee aavOgaay —s=e wn i) Pw Bl swnad E7 3. mi Bm maj #75) E7 rm Bmmaj7—9) Fmaj7(13) Pent: nad WS0A ways You’re al - home go a sy out but it’s sor-ry try-ing I’m Just Oh ea bur to say to you Can’t you see ning me nde) Ler 1 Taviind 4+-—— { — eal ? | | | nde | her | TE avLind a= om LU Te? ST ee auvogaIy Sssv@ swnadBm Dm TW30A Oh can’t you me for the __best Ta-king all__ ache Your brin-gin’on__ the heart true ne Let oh i Taviind < Distortion > telly d ‘ it || | SP? SR IL yvLiinod : ——_ $< eo ——a ee aavogAan ytd | 7 Gry PA ey ssva swnaG 35 TWDOA the heart_ on You're brin-g you see Can't Wow me of You got the best see nee Deri ¥ Lavlind 5 He 4 Ler Ul IL ¥vLlind ie auvOgAay ! Sore | ssv@ swnugAm W30A on the heart You’re brin- g’ the heart_ aches on Brin-gin’ _— breaks Pas) LS 3~ 3-3 53S i [I TavLind pe d Sr} Ci ILavlind + oa ———— 33-3 = a 3—3—_3— el we OS chr ri i auvOgaay = SS ; / ssva 1p a Se ee =3 on swnad to Ga. © F Am = Oh see—_ Can’t— you on theheart—. aches Brin-gin’ break 1H.0 1H.c AH.D 1H.C TavLInd © S= pip Z = IT avLlind =— TRH? SSH See cat ait aaa aavOgaay Lay ssvq swnadaBmmaj7—) €7 F maj 713) Am G6 F(onA) You're such a sec - mi Su : WW > | P Weel = WOT ul | il a Hie fee i LT Tl a TT HI | Hh iH WT Cl HH] eevee \tiH I { I , SH } | Hy | sal aii Lh) | =H eS i — tH a tH vo ot qs TT es TLL | Ml I onal 4 Hh omy] 4 qn | TR TT | n qT | lL ll Ih il oma) Oar || UN) HTT : Tl | | sky | d Li ° | off e r iil s ah. MUL aH atl él Te Se lei 1ayvLIND WavLind PE? SNH ee ayvOgalam WY No No —_ see Can’t you see —_— Ti db vie He “| l i off aig oO Fy Oat) Se Tt LY¥vLIND IL ¥VLIND a ee OOOO eee ——————x—rl0oeunquqd0dgaeae eee) — ———— auvOgaAlm | 1 | | | i ¢ a) 0 ie I Pee BN Me BN ssva swnaac G Am o Py 4] ny ee ee Taviino } auvOBAay | LENT Leta}. ood oo oe Py — Pg ————— TH ‘ IP avlino tl +1) a BN ssv@ swnag G c ( of You got the best on theheart— You’rebrin-g’ r- 8va — aches — @va ———_________._, —F zt th. 1 A TavLINS 1" WW ; iE i | | —Taviind IV LIND It Hl Hi TH Sis iPr] adavogdasn I ssva I: swnad =~ > Lo > > D.S.2.39 breaks a] 1 > AN he RS NS TTT Tn ert Pepe cn ! oct = ==— amae || ‘ | i | | i | rT ' i ! , - A § tl | 1H i il u I og edd | é rH . i | AT vt p Dad ‘“ H 4 | i i rit 7 i Allg | i te il | | OH ! 1 | TA oO . 3 th i | | : 3 | ni IM ! ah ll é | it Ll " Lt 1 aR u 4 if i | SS ll ; T 4 4 | { iH , II , Ht i | r § I , | il a AL Ua qc ae Ue Ts PH fl?

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TavunsS Hf i ® mt tt ihlike __ B no one plays — And E —— i __ E a good man —— a | man to play [a ——— a good wo - feline__ I. E B eS 5 i 2 flash Takes Pee i Tri | f “on ef I) | Tet [delta er To TT avlino TT ho hil HH att FE i MT iL yt mi HI | 2 | Hi A it ) |: (iT i it ll Tom == ao — TT 4 4 51.2. el. E(onB) 174 Call The tone the the sound of At the name. At name —___ said 1.2) leave your leave She can ven hea - tone sound of the your 3) WE TT i Wt nm Na i i r Lh Nl i a tit LC i tn at |i al a oan rk my H ti rt el i i a TT avlind We TT] ii ia TT TE TTT] UIT HU MT HP oT "when We’re When we’re out out watch watch Cadd9 ter’ ter Bet Bet home —_ dy home got - bo - I some When there's. back But you right out lights are 175 HL ll aN a MD I) pe sire rane MN th " | g ii] i AL I § i | | iN 4 3 | 3 If Hl } TH 8 TAD I HE i ll © | 3 I t tl fl ‘i mt) th ! mW tN H ! HN HT MDT IO - +H 4 = b d | TA LAL Hl) he fl er a et YL ml I? i il dN h APT tht ‘K 3 HM Te mt | a? | Hh eth I i Tg NE Ie at . chip A ih im TTT : i (ll | my Perr ite UL : Hn, | nn Hh _ AL Hd + Hee HHH) oF [x D 0 j A) TET oun ti : Hf i) if f ly My PL WE OIE TT PM each Ete rec En Unt ie : Ia Th a Hin qo ed oi tp | | II 3s 1 ae a a (UI) WOW Ul am pa Aa TER | iy iit ih ih) mo EMU i ih t [ine 1] | q sii 1 ~ | i i Il ‘|B ETI po im al || | I i 3 fl i litt s ] | | ili lh i ATT t li I i if t = I A WU gat oD it at TTL Ir fi Ml es Ht t © _— | | | ee RL Al te rH yy; a Ah it : rt pe i * : “| 4H melt Hl HL) TT BN Bh her rer 4 hea Tavlind TW aVLINS ssva swnuad IWD0A Tavuns . Il aviino(And) She makes She said —F one have to real wild got I’ve girl that Cadd9 a bad ven feelin’ Hea to @) when I’m - ter hell bet Cadd9 feel like me feel 76 ] He elon Ler = Tavlindthe pa ’ no | -——— She got true 7 come dreams ll Tl tt i Hi YT l 0 | | + yO i) =, AG) EAT TL ll il) ° Th fh i I Mt t L 4 0 i ll My i hh ht HN fh Uh MTA VE a ae it i | | | | He UH < ame hs mr PPT “TH | in ( || || [ai “4 eT) ll he HH WE A) | ta ey Rt | 4 YU at (IE ID WD [ HVE BE i i ll | | MUL re hn no do,__. - ven ven a pons 7 hea Cadd9 G is a girl that makes |} + f 9 |} —_ fr) er ved eee eee nasal SS > Oooo EEOE>*EoOOD OO [ CS a |__| 7} PT OOS OO? — Q [J =e ess 3S rd ee rd a = eh ve nrerend td A AS TS | Coto ad 1 4 ) Hea G like bad good —__. —_ Cadd9 one does it a ae a Et — D feelin’ lls l Hl He tr I Wu Th dE a J nth) * tesa Dy en Tavlind Tavlind ssvq swnaa it wi it iH it Fa ul | Ul HE i . Tavlins T avlind ssv@a swnad _--———— TT ee _ sn 0 | © JDM it itgot the rhy -thm of love ee ee ee a She - zy cra me rhy -thm to drive___ TavLlind > oT ee > Fsus4 i 1 i iy Tavlino ap II mins | | | | TT : el ssv@ swnad179 if 4 i ut eo i IL rr i AT | Il na it oo | tt bite mM it Wr a ih ‘i Tm Mt nt tt) Si eT i {it mu It IL A SF Hk rie | ill HT (“I in t i i | 4 , rr, Ht cll Ik ff i | , I 5 : ill iil tt il ee A Pi a tit tf @ A mt i ie i | i WU Wt OE | Il TT TT Hl Hil I th tt It [ I H Il MT iI i t J i | mM ri ei a 4h oe ll re 4 i Al if “Te Bh wae GN Sr ~The “Tt ' FAL de Gh Ler Wiaza IW3O0OA Tavlind TTayvlind ssva swnaa Taviino II aWLINS ssv@ swnaa iii Rl, 2 col if B She said E(onB) yy — B E(onB) eeeae . ck AAD ut A LEE ety eee 0 |true dreams come makes Cadd9 a girl ‘that is ven M5 Hea bad feelin’ > TI ri Th WN iil) Mm Ul HUI MT UT > > FF — She makes— 0 have__ to 4 got a girl that I’ve Cadd9 is ven Yeah do —_ - ven hea G Y good like__ Cadd9 —— one does it ee +—-—_—_—t — a | [eg [a Lj _____ Cd 4 Le Td A Ls = De Rx 7 3 fee — > = pe ET ee Ee aa fet) ssv@ swnagd 180 Ih (ip it i re) IE on ssv@ ~ swnaddreams come true And a girl she makes ven is D hell like feel good when I Cadd9 —— me feel lé > aa — 7 ee ty hh fie i “ih SUB SI [ 3 IK ; | +H Z | Wilk it | : it : ' H | it tt | cor ec ey amt) ae l II Tt OU He i rm en Uh t ne Cit ) | A IE $ Hl oO io a a ; PT PY Tt ITEP as it Ht mt Uh IL i \ TL il i MIL © HN LIL? HTT . MET Lal | i tr | t | TL Po tit) (GH ) “it Fit I Ht ~ & 1: yl Te ta 4 |e | ee | i I fu og wil Taviine I1avlino ssva swnaa TWDOA 1yvLlind ID avLINS ssva swnad114 VOCAL GUITAR II GUITAR I GUITAR III BASS DRUMS HYSTERIA 3|A8 2) OF by Stephen Clark/Philip Collen/Joseph Elliott/Robert John “Mutt” Lange (AERA) Intro | [A]? [Bl [C} oft +(DI— [Al [Bl [€ »f? +[E] + {FJ D.S. § BC) to@ > @ Coda (Gl - Hi (Fade out) copa) ay golSo7j= et Pere Folch, EMS Se Solas QE AF Fo|SEA, O] EfO] ZO Be EAE oh A Baek Se Bo MHA BAW) = aro] AIS B43] + F YE So]BH Foj7} WM set. Wo]Ae Ao] geSH ASeold, SHE Az7IE AAE BA alu] 47)7} A oath Ach} PSS SAA SF WA SOs gte]a] Agel Ao] Be set, JJEKE 37H, AP] Wee 2 OS ESA obec Y JABS UST Ich, Mes] EMIS 3HS GSS WE EOE $ ofe yz] Qo] z|t SAS OME FAA) FED 2. oO} of Hal ALO (Al ou} A2Ey IEF S] DAE le ASHANTI Ye Boo? FES, Es 7+ grtcjas] ZEW 48t GY HES] DF W4E FEM, 23D Aas) we#eee FEHo)ze olAS a Asp] FEM Ao] G WAS AMVAS BF YS ARolG. BY 71 Bue 2 $9} ZAoAzela] A SEO} ths Hq 2 2a} Sa Zo] YE AGES BST Veh. Fe} 71 Me UAEA AGES Wot, ASAS WEA] FES AL -SAlq JZS HIF S22E FQ. 7 SHE Hs] Meroay HES 914449) Lalo] Zo)d, SESuQ~117})) 4 SEH Fo] UST} TABS) wet Sawa oS = VA AS 1EFE QAe 49] SS BH AAA AS Bol, o]q 2 7] Sol} 3 oso] SURF Ze 945 FEW FE A) SQA. SS FST WY Be 27}, BE FHT ME S79 oS SS AAA US We £¢ Zz] SES Beh. ry wi _ — - —————— PE A Q a SS aay oe115 Te Monn mM on tam won im | - il 39 nm H - i é g3 ie | k Ar ip) Lh { tt ny (Lt Hit HH IA - HU | Va ; ) ‘ mM [ty it : 1 i Vf ot 7 S wT fr a tit, tt bs I 2 e H © ! qi A Y r | i i rp iam ! LO WHR 3 th ae is tf 4 ‘ » Be P ] J oT [pe 6 Fr I | i It uy? ) lap | | | | iN HN I a rT | rl II a | TH it (yr Hi) THe a ‘ 4 i ip iit fh hth tH i Dy He 4) x HH rf well “il I ERE fhe SEE | i nae Hid I {ih ) | t Hi} sit) Fn i I I rer Fm or) |i te a) Ve EH) IE le Stir (7 ee my art tan) tee Gil | i cht teste. 2 dl, Tn Mok (<] Be Lis j__}j°| {*1 | Ls} __}_{*} {2} | ts} }__}*4 12) HH : ml eA oe TH ‘a PH PR PN rap GN deh BN phe Pe ee He ‘ahae EN | Hee ON WDIO0A 1 avLino II avLino III YWLING ssva swnaa WDOA II ¥vLIND TI aviind ssva swnaa116 Sip Ta Se SSS = 5 to get clo - ser to me I’m in luck—. it’s just a one way__. street Oh_I_ be-Heve_ GUITAR I GUITAR II GUITAR III BASS = ae 3 oe SS D G x - eee ee — —_o ee ee SE = rf I’m in deep . yeah Hyp no [’m in you yeah ——YE.G4> O - pen ce = 2] oO = = 2 Oo = 2 oO 3 a 3-3 3 3 3-3 3 3 eee ae ee ee ee SS DRUMSVOCAL GUITAR III GUITAR II GUITAR I BASS DRUMS VOCAL GUITAR III GUITAR II GUITAR I BASS DRUMS Em G D Dsus4 oH = x —__ — = or Se = ————— : tized __ Tmsha-kin’ to my knees wide that’s right dream me off my feet Oh believe in me ({Axtacet -——y ey = —_—_ 2 tA fT J =a rT B 8-8-0800 —-8—_ 8-6 533-3 SSS ley > f x [B], D Dsus4 G6(onB) D Dsus4 f) ee wees Hs t £ E f = j——_—= = I got-ta know to - night —_ Tf you’re a - lone to - night. WWOh. Is get: -Hys- stop__._ this—_fire Can’t this feelin’, stop Can’t I avLinNg II avlind avLiNdS BNI ets ssv@a GN swnaa do you be-live it Oh can you feel it Cc — 5 — |? rr tt Em — Pe WDO0OA [o@) — It’s such a lieve it do you be feel it Oh can you a te-ri - Hys cal -te -ri I LS LI I avlind < Distortion > ry) | th Hil I | pO = {fe III avlind —“ssva swnaaWI el YE MM 2 3 ' Me ou ie | ey 5 feelin +t == 40. ——_—— il yal) fe E He | i A | 3 ant s 3 to Di a °° rill | MW a ve co rt = Ue lll SU TT ie I i SS SS 5——-S 5-5 5 > > > SS =e say you will ooh babe AS [eye _—— terre i i ° n) 3 Hl ll a 9) vie | ie hg Z - cle {+ <—— —— — — SEE? —— & as z - ra a -———J ri ph 5 F Bot — }——_;_—_}-___ ] loll tt LT Lol Vy 1 TT 7 123 345 |} ee ee ee ee mi — - te - i cal — 8 -vin gi { as Em - he fan Ney, a ——— 4 L— — g—9 §—-6- D bet-ter start be c =— A mys ————— oo }__{—__|~_] —————— —— — + Lt 6—e-—9—3 vin’ =. == ——_— "Cos it’s a | | a . il Ae ae anh Ue eet ted of ue) chiled ah Ls d 4 ple g g S g Fs g inse ie Th fase ae os TA eh ere Gh CH fase rae Pee at BN eee Sh W3O0A I ¥VLIND Il avlind HI avlind ssv@ swnad TWSOA IT avlind Tl avLino III ¥vLino ssvaq swnaa120 Se GUITAR I GUITAR II GUITAR III oe = = os = € f E 3 p= oa eS aapeb 5-5- 5-55-55 EE GUITAR II Ly? GUITAR IIIN.C. ul rH IWD0A Come on! wh ied anh US T aviind th iL AOD It avlind E E j << | Be HE up y ih fl i lM} moat | tr me on f i TL i if tH He ian EH ae a. 4ch| Rf I avLing iI avLiInNS IH ¥viinod ssva@ swnad WDOA —Tavino avlinds II ¥VLIND Travia avVLINS ssva swnua oe atk asagal padndadd Tkbld Cat LAL126 VOCAL GUITAR II GUITAR I GUITAR III DRUMS BASS Fy VOCAL GUITAR I . GUITAR II GUITAR ITI a ——— rN ee He Hest PSY127 ad | x CH | =CT ul oli “| is : | x(a xd i | rUy xd [Tl (t sail AYP ] HE Vt HHHIGAUPAPSEL TT . ON ll ll | | fs attaep sy OT } i Ty | all Ht Hl A TINT | LY | 9 a | LN ° IL. “i (tC s il 1 | Hl | | ci th (Hl (er dill Je] EN | ip | Hh a iol | nT) WM Gh | l Wm TLS IT | WY TR Lu | a ( i HI [TT] a I 1 Gh ae ee [ede | So |aiae| Fae [idee rl re GN Pi Yi MU Nl pig Ae mee pe Bete OF eri Ur UI Liv LY WD0A I avLino II ¥vLIAND III av Lind ssva@ swnaaq IWD0A I —Tavinma —“Tavins avLiNDS “Trevina evLlins ssve swnuyaVOCAL GUITAR I GUITAR II BASS GUITAR III PERC.DRUMS LET’S GET ROCKED Hz A eaS by Philip Collen/Joseph Elliott/Robert John “Mutt” Lange/Richard Savage (ABSA) Intro|D—([Intro|\@-A-B-O-D-E- Feds s0-p- | Ge 2Ha7ES YD 901 oe ae & Bet gqove to@—-@ Coda Gi HM) Ke A7) 4Rle BAA ACS AS] BA ted! ta <2+2eHal> s~a AS BH MAA Cae Loa] dea] oF eae FA Fo} UE AA weer Exo|us se AS Wz] | ARM eolyo) Saar] ePoleeE Yojua Ade ya g es sz}. Foe BSS AVES ec. B) 5~sttcae SQ owe SUL Ao} weSH7 SAA. 6] AOe WAS RE | Se|ES Ae Bao|zcp} WEA ay spurs Ho a Aap] ve} BAO ZA Bao] cpyYsjo} ge a Bou | Fe] wh Bas S ga) AD sys Ao] Srl ase JRE AA} SL sola} Ba Yor} eol= yA] soe | So} ho} Heya SS ye Syolch Heoy o}apay 7p] 16S AFAE FS Role, AYA HAT + ous ae 7a) 9)Yah w7] veh wol2e BE’ So] 4.20} 5g wolaz Atabyet 4s wlolAs} | DE Ade] Sesh] wb. Gel le} 12 use Eg MSS DROS ES HYS AFIS FA] PE] PAS | ofzswz] old. aeyAY Qajo] SS abgayy AS dehy E9718 8 = ow Su. Hac. = A dE BS Alt Me aes adele gelaeg 7lEh= 32 MSI} NOU 7BAO se Ve OKelt. of: | sx, BOR RAO! apply AEGA7} Bag & Do you wan-na get rocked ? Let’s get, let’s get, let’s get let’s get > | | il — ——————— —————— ————————— ————————————————— rr ings Bass Low B> “~ ot a =. TT o N ‘ | Soy USEA AES Wal) wevbh lB Be se! 3S vee Fee Qe daz agg ame eas gg!B’ oc F a A i i Hy } t HL Ie ae F B? (Delay) rocked ~_ a Ol is Py | il \ TWS0A T avlind e ree ae IER 167 hs 8 al J e | | rt il ttt Mt TET | ti I ct itt ki D LallIKL i! cles if | cnt 4 Es TT, HA i ie Ih sp | i I) Ine ri I) ML B : ples STE eH ar BN lest eh B’ Cc F a5 i ll e Ww B’c F TH aviind ssv9@ swnad' aad TI yvuind TVDOA - rage or - gi - na -ry eve-ry-day kid ave Tm your lit ml i L Tt the il Ht Call | Rl nt 5 IP nt ei it it int al ial ee Aa UP TT ey HP LP Ut HI | me (the ON We TTT alll Ca me tr | a ‘f HI tT] rt i Pi aii i Ki mh tt I | Tee Lett Tt Hl a a> Bh q Pee i I a —“Taviino “Tr aviino aVLINO swnud ‘243d T avlind 4 eo Vib.But Got a mil-li-on ways to make_my day_. fact that’s what I did In - thin’ to... dono Hap-py va af Taviino Arm Ue} USF a Arm eeragan II ¥vVLIND —— ——— “1 III Yvlind ry ssv@ Ht . iy } i NT iH ath * b] my SWNUd'D43d «=1VDOA B he got plans for me. - way. He says get a to try. "Cos when I < Natural Tone > - gree dad- dy don’t a i bel Ie duledichy Lier TH IT avlino II avLino III YwLind vA obs fq i) ssv@ N Swnad ‘343dF Oo 159 IH : | C not my style, man! dog” U the Te) 1 2) | | ii Te : " Hl ! i tl tt iti | il i i hue lie ch : Ur q UC sins ‘ “Get up—— and move your slee - py head__” “walk le_| S. _ — eT a a | Pt who me? Wy on hal | ! alli", fF nT fT Mo | | oe oy Ab I yee | | i? J hs HH IE Re mr MENG IN N \ r iii ° | “Ht ut Ja. | OL 7)? BP Re At TS . || oO aN ° ||| “mes? || FAY na | ii | Il A If | — i i eH ai TG rr Hl RD > the lawn 3 7 re ey LC = ee | Stop bug-gin’ me__ eee eee “Mow said ” od He tree your butt right out of bed “Get wos is it FSI id Don’t shake my F Ta t 1 | i. HI rh The a ch ae an re a WDOA I vino TI aviino III avLIND ssva SWNYG'DYad WIOA T avLliND II avLind Ill avLIND ssve swnaa 243d| Lil I i | | A Tl nll, iH 3 '. 2 i} of “als rz | - r ti A m2 OU OU WH ll il : Ae ali Wie | wm : bey H 1 1 a mee “titel Ih Hn) Uh Lh “ fame k Yj 4 Seven day week - end = “Ti - dy your room” i Ul a Ty td eee = ih ———— of , 1! c -mon— get real!__ [| FJ Dp Ll Ee Te ee a bot) . | |i | Ht qi | th A rt | pte i i MN He, | kt awd It MUL 1 ; a . Ne ha r va} Mdm) (RS _ ee Yn l ia | : otf LT we | i ti ih) He re? okey ER re tt ou. J h ‘ a i | | ja. Hi | re) L 4 | Sy | Ww . U ae OD che bet OF cel le d ve tal ery ty | d | ae duet CY) ll ce sad er ae Th re ere Gh Ts A Tee re ae BNL Lets Sh WDOA T avlino II AVLIND III aviind —“ssva SWNAC'DYad ~=IWIOA I avLiND Il YvLIND- Ill ¥vLind ssva swnad ‘D4uad 8 _ o4 way! no Let’s get the rock out of here F “Take out the trash” aS — -_It won’t take long Won’t take a mi-nute tight___ Hang on In at the deep end a ———t pan ol sw md I nai I HL HI " | I avLIND i I. II avLINO a —Ssve A—4 swnad ‘243d TWDOA eel > ll am r | | f J | i He if K _ mil rT li Mm . alll il HL yl | get get, let’s get, let’s let’s Let’s get, Come-on,’c - mon,’c-mon__ it in So get on | 1. | | i I avVLIND | : IT ¥vLlind TT aviind mm ° NI 4 4 ly qf ‘a ii nf | . ; Wi f | A If i ll | A | All Wa ll BN a ssv@ swnag ‘383d