David Danford

Celtic Loops
for Orchestra

Instrumentation
2 Flutes (2nd doubling Piccolo)
2 Oboes (2nd doubling Cor Anglais)
2 Clarinets in Bb
Bassoon
Contrabassoon
4 Horns in F
3 Trumpets in Bb
2 Tenor Trombones
Bass Trombone
Tuba
Timpani
Percussion (3)

1: Snare Drum
2: Bass Drum, Low Tom, Triangle
3: Vibraphone, Glockenspiel, Tam-tam

Harp
Piano
Strings

Duration
7 minutes

Programme Notes
Celtic Loops draws on influences from many different genres of music that I have
been involved with as a composer and performer in recent years.
First and foremost the Loops element of the title refers to the short looped
phrases that are present throughout the work, undoubtedly inspired by the
American composer Steve Reich, whose music I regularly perform with fellow
percussionist Sarah Mason under the name Crossfire Percussion Duo. This
element of the piece has also been inspired by the Scottish percussionist
Cameron Sinclair, whose 1984 composition Funk Loops 1 has become a standard
item of percussion ensemble repertoire.
The melodies in Celtic Loops are influenced by a number of traditional Welsh folk
tunes that I have encountered through performing with the band Taran, a
collective of Welsh folk musicians presenting traditional tunes combined with
contemporary electronic music beats.
David Danford
November 2012

David Danford
David Danford is a professional musician working throughout the UK and
abroad. His work as a percussionist has included recording sessions with Dru
Masters (composer for The Apprentice, BBC), former BBC Radio 1 DJ Judge
Jules and international music producer Darren Tate, and live performances with
Bryn Terfel, Evelyn Glennie and Karl Jenkins. He has performed solo recitals at
a number of the UK's music conservatoires and universities, and given
orchestral concerto performances in many of the UK's leading concert halls.
David's work as a composer, arranger and music producer covers many
different genres. He writes accessible contemporary classical music (including
Gweddi performed by Tranquillo Duo at the Welsh Proms in 2012), modernised
traditional music (including arranging and directing the music for the opening
ceremony of the Llangollen International Musical Eisteddfod in 2012) and
works as a record producer for an array of bands and artists.
In 2008 David launched Alto Publications, a music publishing company
specialising in music for percussion.

Celtic Loops
for Orchestra

4
& 4

Prestissimo q = 180

Clarinet in Bb 1

mf

Clarinet in Bb 2

Trumpet in Bb 1

Trombone 1

Trombone 2

Bass Trombone

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b
&
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Percussion 3

Piano

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Snare Drum

Low Tom

(3)

Vibraphone

(2)

(4)

(6)

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(6)

(2)

(3)

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David Danford

>

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div.

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unis.

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Copyright Alto Publications 2012 - www.altopublications.com

HIRE MATERIAL - PLEASE RETURN

q=q

b
&
9

Ob. 2

Cl. 1

Cl. 2

Tpt.1

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

Cor Anglais

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Vln. II

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 b
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15

Ob. 2

Cl. 1

Cl. 2

Tba.

Perc. 1

Vln. I

Vln. II

Vla.

Vc.

Db.

Ob. 2

Cl. 1

Cl. 2

Tba.

Perc. 1

Perc. 2

Perc. 3

/
/

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& b

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Vc.

Db.

(6)

b
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(5)

(7)

(8)

(6)

(7)

(9)

(10)

(12)

(8)

(10)

(11)

(12)

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(5)

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b
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(6)

(7)

(8)

(9)

(10)

(9)

(11)

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(12)

23

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(13)

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(2)

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b
&
31

Ob. 2

Cl. 1

Cl. 2

Tba.

Perc. 1

Hp.

Vln. II

Vla.

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j
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(6)

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Perc. 2

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(8)

(6)

(7)

(9)

(10)

(8)

(9)

(11)

(12)

(10)

(11)

B bb

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b

(5)

(6)

(7)

(8)

(9)

(10)

(12)

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 b w
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39

Ob. 2

Cl. 1

&

D
w

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Cl. 2

Hn. 1

Hn. 2

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Hn. 4

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Perc. 1

Perc. 2

Perc. 3

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b

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(14)

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b
&
47

Ob. 2

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j
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w
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w
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Hn. 1 & b w
Cl. 1

&

Hn. 2

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Hn. 4

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

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b
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/

b
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Vln. II

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(5)

b
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(6)

(7)

b
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(8)

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(9)

(10)

(11)

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b

(6)

(7)

(8)

(9)

(10)

(11)

(12)

(5)

(12)

B bb

(11)

bb
&
b
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(10)

(12)

 b
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55

Ob. 2

Cl. 1

&

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Cl. 2

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

&

j
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10

b
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63

Ob. 2

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w
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Cl. 1

&

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Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

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b
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/

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(5)

b
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(5)

(6)

(7)

b
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(6)

(7)

(9)

(8)

(8)

(9)

(10)

(11)

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b

(6)

(7)

(8)

(9)

(10)

(11)

(12)

(5)

(12)

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(11)

bb
&
b
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(10)

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71

Fl. 1

F Half Tempo (q = 90)

solo
4 . . j
4

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4
4

Cl. 1

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j
j
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Cl. 2

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4
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Ob. 2

b
& w

4
4

Hn. 2

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4
4

Hn. 3

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4
4

Hn. 4

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4
4

4
4

F Half Tempo (q = 90)

4

4
4

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Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

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b
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Vln. II

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(13)

(15)

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b
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(14)

b
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Triangle

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(13)

4
4

(16)

mp

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F Half Tempo (q = 90)

4

b
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4

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Db.

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12

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78

Fl. 1

Fl. 2

Perc. 2

Perc. 3

Hp.

Pno.

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(4)

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(6)

(7)

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(6)

(7)

(8)

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Db.

=
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Fl. 2

Perc. 3

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Vln. II

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(6)

(7)

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Perc. 3

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Perc. 3

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105

b
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J
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Hn. 3

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nw

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div.

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Allegretto q = 100

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w
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Cl. 1 &
113

Cl. 2

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Perc. 1

Perc. 2

Perc. 3

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Vln. II

Vla.

Vc.

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div.

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#
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117

Cl. 1

Cl. 2

Bsn.

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Hn. 2

Hn. 3

Hn. 4

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/

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(6)

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(6)

(7)

(7)

Db.

(10)

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(9)

b
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123

Cl. 1

Cl. 2

Bsn.

Hn. 1

#
& J

?
b

& w

Hn. 2

& w

Hn. 3

& w

Hn. 4

& w

Tpt.1

Tpt. 2

Tpt. 3

&
&
&

#
#

?b

Tbn. 2

?b

B. Tbn.

?b

Tbn. 1

Tba.

Timp.

Perc. 1

Perc. 3

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(11)

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(14)

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(12)

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b
&

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{

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j

-

-
J

-
J

-
J

-
J

-
J

-
J

j
-

-
J

-
J

-
J

j
-

j
-

j
-

17

18

b
&

&b

&b

127

Fl. 1

Fl. 2

Ob. 1

Cl. 1

Cl. 2

Bsn.

Hn. 1

&

#
& J

?
b

& w

Hn. 4

& w

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1

w
w

w
w

? w

Perc. 3

& b

(15)

(16)

Vln. II

Vla.

Vc.

Db.

(15)

(16)

mf

Pno. & b
{

Vln. I

/
/

?
bw

Perc. 2

?b w
?b

mf

. .

. .

&b

.
.

.
.

?b

? b -
J
? j
b
-

. . . .
-
J
j

-

-
J
j

-

-
J
j

-

-
J
j

-

b
&

Bb

.
.
-
J
j

-

-
-
-
J
j

-

-
J
j

-

mf

#
& w
w
?b

& w

Tpt. 3

mf

#w

Hn. 3

&

#w

mf

Tpt. 2

& w

&

Hn. 2

Tpt.1

(2)

 b
&

19

&b

&b

Oboe

&b

mf
#

&

131

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

&

Cl. 2

Bsn.

Perc. 3

?
b
b
&

mf

(3)

(4)

mf

(5)

mf

(6)

Pno. & b
{

b
&
135

Fl. 1

&b

&b

Fl. 2

Ob. 1

&b

Ob. 2

&

Cl. 1

&

Bsn.

Tba.

Timp.

Perc. 3

Pno.

#
#

?b

Cl. 2

Cbsn.

?b

?
b
?

b
&

mf

mf

mf

mf

mf

mf

>

>

(7)

(8)

{& b

Vc.

Db.

?b

>

>
>

mf

>

>

>

j j

j j

(2)

div.

mf

?
b

j j

j j

20

b
&

&b

&b

&b

&

&

?b

139

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn.

Cbsn.

Tba.

Timp.

Perc. 3

?
b
>
?
b
>
?

b
&

>
>

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn.

Cbsn.

Tba.

Timp.

Perc. 2

Perc. 3

Db.

?
b >
?
b>
?

>
>

>
?b

& b
>
?
b

>

>

>

(7)

(8)

>

>

j j

j j

j j

>

(10)

>

>

>

>

#
#
J
#
#
J

(9)

>

>

Bass Drum

>

>

>

j
j
#

>

j
j
#

(6)

j j

j j

>

j j

(5)

>

>
>

>
>

&b

&b

&b

&

&

?b

Pno. & b
{
Vc.

(4)

Vc.
b
>
>
?

Db.
b
>
= 143 >

Fl. 1 & b

j j

(3)

Pno. & b
{

j j

 b
&
147

Fl. 1

&b

Fl. 2

&b

Ob. 1

Ob. 2

Cl. 1

Cbsn.

&

#
#

?
b

?b

Bsn.

&b

&

Cl. 2

&

&

&

&

Tpt.1

Timp.

Perc. 1

?
b

(12)

Perc. 3

& b

(11)

{& b

Db.

{& b

>

&b

?b

mf

-
J

-
J

mf

>

>

Low Tom

f Bass Drum

>

>

>

-
J
-
J
j

j j

j j

(2)

(2)

-
J

j
-

j
-

J

>

>

r r

mf

mf

mf

?b

b
&

Vc.

mf

Vln. II

Vln. I

21

mf

Pno.

Perc. 2

Hp.

>

?b

Tbn. 1

Tba.

Hn. 4

Hn. 3

Hn. 1 &
Hn. 2

j j

j j

22

b
&

151

Fl. 1

&b

Fl. 2

&b

Ob. 1

&b

Ob. 2

Cl. 1

&

Cl. 2

&

Hn. 1

#
#

?b

Bsn.

Cbsn.

?b

>

&

>

j j

>

>

Hn. 2

&

Hn. 3

&

Hn. 4

&

Tpt.1

Tbn. 1

Tba.

Timp.

Perc. 1

-
J
-
J

?
b
>

&

?b

>

Perc. 2

Perc. 3

& b

Vc.

Db.

j j

>

-
J
-
J

-
J
-
J

(5)

(6)

b
&

-
J

-
J

-
J

j
-

&b

j
-

j
-

J

?b
>
?
b
>

>

>

j j

j j

>

>

j
j
#

(6)

(5)

>

j
j
#

>

>

(4)

>

(3)

>

(4)

Pno. & b
{

Vln. II

(3)

Hp. & b
{

Vln. I

-
J
-
J

#
#
J
#
#
J

 b
&
155

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn.

Cbsn.

&b

&b

Hn. 3

Hn. 4

Tpt.1

Tbn. 1

Tba.

Timp.

Perc. 1

&

&

#
#

?b

?
b >

>

&

&
&

?b

?
b >

>

-
J

-
J

-
J

-
J

&b
>
?b

>
?b

>

>

>

-
J

j j

>

>

>

-
J

-
J

-
J

r r

>

>

>

>

j j

j j

(2)

(2)

-
J

j
-

j
-

J

-
J

j j

j j

mf

j
-

mf

-
J

mf

mf

mf

(8)

>

mf

(8)

23

j j

{& b

b
&

(7)

(7)

>

Hp. & b
{

Db.

&

Perc. 3

Vc.

& b

Vln. II

Vln. I

Perc. 2

Pno.

&b

Hn. 1 &
Hn. 2

j j

j j

24

b
&

159

Fl. 1

&b

Fl. 2

&b

Ob. 1

&b

Ob. 2

Cl. 1

&

Cl. 2

&

Hn. 1

#
#

?b

Bsn.

Cbsn.

?b

>

&

>

j j

>

>

Hn. 2

&

Hn. 3

&

Hn. 4

&

Tpt.1

Tbn. 1

Tba.

Timp.

Perc. 1

-
J
-
J

?
b
>

&

?b

>

Perc. 2

Perc. 3

& b

Vc.

Db.

j j

>

-
J
-
J

-
J
-
J

(5)

(6)

b
&

-
J

-
J

-
J

j
-

&b

j
-

j
-

J

?b
>
?
b
>

>

>

j j

j j

>

>

j
j
#

(6)

(5)

>

j
j
#

>

>

(4)

>

(3)

>

(4)

Pno. & b
{

Vln. II

(3)

Hp. & b
{

Vln. I

-
J
-
J

#
#
J
#
#
J

P Double Tempo (h = 100)

b

2
Fl. 1 &

2

2

Fl. 2 & b

2
Ob. 1 & b

22
Ob. 2 & b

#

2

Cl. 1 &

25

163

Cl. 2

Bsn.

2


2

? b

22
&

?
b >
>

Hn. 1 &

Cbsn.

Hn. 2

&

Hn. 3

&

Hn. 4

&

Tpt.1

Tbn. 1

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

&

?b

?
b >
>
?

/
/

J

J

& b

Vln. II

Vla.

Vc.

Db.

&b
Bb

2
2

2
2

2
2

2
2

2
2

2
2

-
J
-
J

-
J
-
J

j j j j

P Double Tempo (h = 100)

2

2
2

2
2

(8)

mf

Bass Drum

mf

(7)

(8)

2
2

2
2

2
2

-
J

P Double Tempo (h = 100)

2
2

j
-

2
2

(2)

(3)

(4)

(5)

(6)

(2)

(3)

(4)

(5)

(6)

-
J

j
-

>
? b >

2
2

>
? b >

?b

Pno. & b
{

b
&

2
2

(7)

>

b
Hp. &
{

Vln. I

j j j j

j
j j


J

j
j j


J

mf

2
2

2
2

(2)

(3)

2
2

mf
div.

mf

2
2

mf

mf

(2)

(4)

mf

(2)

(2)


Hn. 1 &

&

&

&

26

171

Hn. 2

Hn. 3

Hn. 4

&

Tpt.1

&

Tpt. 2

&

Tpt. 3

B. Tbn.

Perc. 2

Pno.

Vln. II

Vla.

Vc.

Db.

?b

Tbn. 2

Perc. 1

?b

Tbn. 1

Tba.

?b
?b

f
j

f
j

f
j

#w

#w

>

#w

#w

#>

bw

n>

(7)

(8)

Bb

(7)

(3)

(4)

mf

(3)

(4)

mf

?b

(4)

(8)

mf

mf

mf

mf

mf

b
&

(3)

w
>

f
j

f
j

f
j

#w

#w

#w

w
>
w
>
w
>
w
>

#>
#>

#w

>
>

>

#w

>

bw

n>

#w

(2)

(3)

(4)

(5)

(6)

(7)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

(2)

(3)

(4)

(5)

(6)

(7)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

mf

w
>

#
>
#>

#>

w
>
w
>

#>

#w

?b

?b

?b

#w

/
/

(8)

(8)


&

&

&

&

27

181

Hn. 1

Hn. 2

Hn. 3

Hn. 4

&

Tpt.1

Tbn. 1

? b #w

Tbn. 2

B. Tbn.

Perc. 2

Pno.

Vln. II

Vla.

Vc.

Db.

?b
?b

/
/

?b

b
&
Bb
?b
?b

<n>w

#
& w
?b#w

Tpt. 3

Perc. 1

#
& #w

Tpt. 2

Tba.

# #w

f
j

f
j

f
j

>

#w

#w

>

>
>

>

w
>

#w

w
>

w
>

#w

w
w

w
>

>

>

>

w
>
w
>
w
>

>
>

>

>

>

w
>

>

(9)

(10)

(11)

(12)

(13)

(14)

(15)

(16)

(17)

(18)

(19)

(20)

(9)

(10)

(11)

(12)

(13)

(14)

(15)

(16)

(17)

(18)

(19)

(20)

(9)

(10)

(11)

(12)

(13)

(14)

(15)

(16)

(17)

(18)

(19)

(20)

(9)

(10)

(11)

(12)

(13)

(14)

(15)

(16)

(17)

(18)

(19)

(20)

(9)

(10)

(11)

(12)

(13)

(14)

(15)

(16)

(17)

(18)

(19)

(20)

?b

28

b
&

&

193

Fl. 1

Cl. 1

Cl. 2

Perc. 1

Perc. 2

&
/

#
#

mf

mf

(2)

Vln. II

Vla.

Vc.

&b
Bb

mf

mf

?b
mf

mf

?b

?b

mf

Db.

mf

(2)

. .

(3)

(4)

(6)

. . #

mf

(8)

(5)

(7)

(7)

mf

mf

(8)

(2)

(3)

(4)

(5)

(6)

(7)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

mf

(2)

(3)

(4)

(5)

(6)

(7)

(8)

mf

mf

(8)

mf

mf

S
^^^^^^^^ ^^^^
n #

(6)

mf

mf

(5)

(4)

(3)

mf

R
b
& #

?b
Pno.
{
Vln. I

mf

mf

 b
& #
202

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Tba.

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

mf

&b

&b

mf

#w
mf

#w
mf

mf

j
j
j
j
j
j
j

?
b

?
b

mf

mf

?b

(3)

. .

. .

(6)

(5)

(4)

(2)

b
& #

(7)

Bb

(2)

(3)

(4)

(5)

(6)

(7)

?b

(2)

(3)

(4)

(5)

(6)

(7)

(8)

?b

?b

(6)

(7)

(8)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

mf

mf

mf

mf

(8)

(5)

mf

(4)

T
^^^^ ^^^^ ^^^^
#w
n

(3)

mf

&b

(2)

(8)

mf

mf

Piccolo

#w

j
j
j
j
j
j
j

?b

Bsn.

Cbsn.

. .

#
&

Cl. 2

. .

&b

&

Cl. 1

29

T
#w
n

mf

mf

mf

mf

30

b
&

&b

&b

&b

210

Fl. 1

Fl. 2

Ob. 1

Ob. 2

&

Cl. 1

#w

#w

w

#w

#w

U
#w

#w

mf

mf

#w

#w

mf

mf

j
j
j
j
j
j
j

mf

#
&

j
j
j
j
j
j
j

mf
. .
. .
. .
. .
. .
. .
. .
. .

?b

Cl. 2

Bsn.

mf

Cbsn.

?
b #

#
Tpt.1 &
Tba.

Timp.

Perc. 1

Pno.

Vln. I

Vln. II

Vla.

mf

mf

mf

mf

Glockenspiel

& b

?b

(2)

mf

n
w

?
b #

Perc. 2

Perc. 3

mf
(3)

b
&

(4)

(5)

(6)

(7)

#w

mf

(8)

&b

Bb

(2)

(3)

(4)

(5)

(6)

(7)

(8)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

mf

U
#w
mf

mf

mf

?b
Vc.

Db.

mf

? b #

? #
b #

n
n
n

#
#
#

n
n
n

mf

mf

 b
&

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bsn.

Cbsn.

Timp.

Perc. 1

&b

#w

>

&b

#w

>

j
j
j
j
j
j
j

.
. .
. .
. .
. .
. .
. .
? b .

?
b #

Vla.

(2)

(4)

(5)

(6)

>

(7)

(8)

>
V
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

Bb

(2)

(3)

(4)

(5)

(6)

(7)

(8)

(6)

mf

(5)

(4)

(3)

&b

(2)

#w

?b

(3)

mf

& b

b
&

mf

Perc. 3

Vln. II

Vln. I

?
b #

Perc. 2

Pno.

&b

>

#
Tpt.1 &
Tba.

#w

#
&

Cl. 2

31

#w

&

Cl. 1

>
V

218

(7)

(8)

?b
Vc.

Db.

? b #

? #
b #

n
n
n

#
#
#

n
n
n

32

#
&
226

Cl. 1

Cl. 2

&

Bsn.

?
b

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vc.

/
/

?b

b
&

(2)

(3)

(4)

div.

mf

j

. mf .

mf

mf

j

.
.

(5)

(6)

div.

& b # # #
Bb

?
b

(2)

(3)

(4)

(5)

(6)

33

#
&
231

Cl. 1

#
&

Cl. 2

?b

Bsn.

Cbsn.

Tbn. 1

j

.

?
b

?
b

?b

?b

Tbn. 2

B. Tbn.

W
j

mf

mf

mf

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

?
b

/
{

?b

B b
?b

(2)

(2)

(2)

(2)

W
b # #
&
& b #

(8)

(7)

div.

Vla.

Vc.

Db.

?b

?
b

mf

mf

mf

Tba.

34

b
&

&b

&b

235

Fl. 1

Fl. 2

&b

Ob. 1
Ob. 2

Cl. 1

&

Cl. 2

&

Bsn.

?b

bw

j
j
j
j
j
j

fw

j
j
j
j
j
j





fw
. .
. .
. .
. .
. .
. .

bw

Hn. 1 &

bw
f

>
w

ff

&

ff

&

ff

Hn. 4

Tpt.1

&

Hn. 3

&

Tpt. 2

&

Tpt. 3

Tbn. 2
B. Tbn.

Timp.

Perc. 1
Perc. 2
Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

#
#

?b w

Tbn. 1

Tba.

?b w

?b
?b

/
/

&

?b

b
&

w
w

(3)

(4)

(5)

(6)

(7)

(8)

(3)

(4)

(5)

(6)

(7)

(8)

(3)

(4)

(5)

(6)

(7)

(8)

&b

Bb

(3)

(4)

(5)

(6)

(7)

(8)

w
>

w
>
ff
w

>

>

>

>

bw
f

X
bw

j
>
ff

>

Tam-tam

X
bw
w
f

w
w

bw
w

w
w
w
w

bw
bw

w
w

damp

w
w

?b w
f


?b



bw
?
b

>

bw

nw

j
ff
>
j
>
ff

w
>
w

>

>

>

>

&

Hn. 2

>

?b

Cbsn.

X
bw

>

j
ff
>>

>
j
ff

ff
unis.

j
>

j
>
ff

unis.

j
>
ff

unis.

j
>
ff
j
ff
>
j
>
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unis.

j
>
ff