Daniel Libeskind
Curtis, William J R
The Architectural Review; Oct 2011; 230, 1376; ProQuest SciTech Collection
pe. 116
REPUTATIONS
Daniel Libeskind |
WILLIAMJRCURTIS
Tt isa curious experience to go back
toHerlinafteranabsence ofsome |
1®years, Daniel Labeskind’s Jewish |
‘Museum was under onstruction
‘when Iwas lt there in 1006 but 1
id snatch a glimpse of the building
| with ts zigzag plan and diagonal
sashes of light. The themes of
‘Walter Benjamin's One-Way Street,
and of the central void lft bythe
Holocaust, were clear enough in the
drawings and models bat not yet
‘peroeptble in the construct
| Only days ago, I went back and
cexperienood tho fnishod building |
forthe frst time. It snow an
established landmark nthe: |
"The reaotion waa mixed. The leuning
| exterior i more subdued than many
Imagined and makes a dynamic fol
to the old masoum building of which
itisan annexe. The theme ofthe
street, with ts three diagonal
crossing points one to annihilation,
ono tothe diaspora and one to the
future, is clearly spelt ot. The void
af the centre of the building, the
dark tower chamber atthe end of the
Holocaust Street, and the tilting grid
‘ofstele in the Garden of Eile are
strong spatial experiences as is the
central stair ending in a blank wall,
‘Bat the route through the upstairs
slleries is a muddle and the matter
‘snot improved bythe confusod
presentation, which isnot worthy
ofits tragic subject matter.
‘Not evervono approves of
LLibeskind'stheatricaP rendition
ofa trocbled past but the Jewish
‘Museum in Berin stands as a ork
fall of promise, designed by an
architect who waa in hie fort
‘when he conceived the idea. This was
‘ota matter of Deconstractivist
‘mannerisms that were so fashionable
atthe timo, bt ofa narrative
‘translated into abstract form, light
tnd space through the medium of |
srchitecture. There was another
Libeskind project ofthe early 1980s
te vel pot othe
Titel Souarcioc nancy in
Teams Garden a aes
Feat Aimee in tb Sen
ora fom aero pal
nndaeateo nag baci the_|
talon open een ate
antigen dot owed
| groat deal to Richard Serra's
sculptures using sce blades and
tats; batt showed bow Libeskind |
‘ras capable of ung abstrustion to
{ouch upon subiminal emotions, to
irmemories anderen to coeourage |
anediation, Although small, the
projet possessed restrained |
‘monumental. Thee wo works of
{he 1090s continoed investigations |
Inunched a decade eater in the
sletches ofthe Choral Works which
‘explored a sort of veal equialence
{omen scores of w kind The
Berlin and Almere acherte eal to
nnd Witigenstlns observation:
‘Remember the inpresion one gots
trom good architecture, that it
expresses a thought. Tt makes one
‘rant to repond witha geste”
So what went wrongt Fast
forward to this year's Bun ton Shaw
Creative Media Centre forthe City
University of Hong Kong, a pile-up of
Libeskindlan clichés without sense,
form or meaning ~ a reduction to
carleatreofal thatthe Jewish
Msoum stout to achive, Or take
the project for Gazprom City in St
Peusrsbury of 2000, 00m al
“tower that resembles high heel
shoe OF the Tangent facade for
Hyundai Development Corporation
Feadquarere in Sou! of 2009, with
its ering round mask, Ike cartoon
an. poster, but rendered ina visa!
Jnguage devaluing B Listy
cana iin totines tet |
tnd poiky corporate message acrous
the mes of an Bast Asan city. Talk
aout an anevn trajectory. This was
‘irtoally a betrayal fall that
Libecind tal stood for.
Maybe the trouble started with
the famous Freedom Tower’ fiasco
in Now York, the skyscraper which
from a certain angle mimicked the
‘He lost his
architectural
soul, like
s0 many other
architects of
orn
oe
auction
Cooper Union
‘aoc University
‘TheMetneriands (1882)
ey bunes
‘Osnabruck, Corman (1888)
‘owen Musou Bertin
| stay
tor Reno
‘Manchestr Ux (2002)
Masterplan forthe
‘Wor Pade Comers,
[AIAMew York an the Conter
ferArennocur Foundation
Presiden Amar (2008)
praised arm of the Statue of Liberty
and announced its all-American
‘redentials by being 1,778 tall
(the date of American Independence
177 and all thath, Suddenty, the
| Dan had boon labo
centting through the tangled
‘suppressions of diffeult European
‘war memories seemed to let his
architecture serve the dubious
Neo-Con redefinition of 9/11 asan
attack upon the reodoms' ofthe US,
Ifmot the "Western World’ in general
'A8 it turns oat, these freedoms”
Included the right” to invade
countries illegally, to setup prison
‘camps and to muzale the freedom of
the press and the fre expression of
publi opinion with the Patriot Act.
Not Libesking’s falt, of course, but
he took a risk in playing along with
‘narrative embedded in halttraths
snd in a refisal to look crtially at
international political reality. You
‘can wear love New York’ buttons
and appear on T¥ chat shows but it
turns out that NY does not love
architecture. Inthe end, everything
{reduced to the level ofthe real
estate developer's calealations. A
skyscraper is Justa skysoraper, er
all, a banal stack of offices whaterer
cartoons, national mys, or twists
and turns one may apply to it.
80 Libescing hit the big time
‘and became asuocest story’ and an
{international brand inthe global star
‘system. But perhaps he lost his
architectaral sool inthe process,
like so many other architects of
‘his goneration once trumpeted.
as being part ofthe supposedly
‘critical avant-garde’. One thinks
(of Coop Himmelbhan, the Rolling
‘Stones of Vienna with thelr Blue
“Angel creeping orera rooftop,
‘then the monstrosity ofits recent
skyscraper for Shenzhen; of Peter
‘Bisonman's theorising snatched from
Derrida, then the catastrophic reality
ofthe City of Catare in Galicta; of
‘Zaha Hadid with her neo-Lissitzky
paintings ofthe Hong Kong Peak
Droject, then the jumble of
computer generated formalism
wry rTr~ Tc”
m™m™
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.being dumped all around the world,
Reproduced with permission of the copyright owner. Further reproduction prohibited without permissionesl lens former olor of The Ariel!
Journal Now the design director of Hb Housing,
‘whic has eat completed its rt sheme she
Writs on new housing typologes in Berlin
ler Vitro Aare the City aa Projet PADD
rogram at th Berlage Institute and teaches
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tradition of depicting bling ws stati ~ never
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Martew Bares our new Pedagogy correspondent,
‘Lento lecturer at London fost Bask
‘avert his PhD from Cumbre University
‘won the WIR Preeidents Award for Research
Peter andl dene profesor ofarciectane
athe Univesity of Sheed, waking him the
[deal oe ecrrezpondont to revit the city’s
redoreloped Park Il housing where
Petertachaans a former depsty editor of the AR,
‘Apintemmatonaly renowned erftle and author, this
‘month be expiains the meat ear forthe
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evidCota moved to Madd in 1088 after studing
froiteohre at Columbia and Yale Te hor of
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ent cotle trained atthe Royal Collegeof Art and
bora hiv earoer with British Tepue. Our oot e
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Pater Cok sown as columalst to our readers,
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8d now his sta, Crab. He returas from Japan
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Wotan amcurte is a regula: conteIbovor to these
pages Hei the author af the seminal texts
Modern Arehiaetire Since 1000 ant be Corbusier:
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ere be rfectson the ARs Townseape camp
danas Danet vas bor n Bulgaria, studied
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‘ho writes in those pages or sodaist moderalam
Mark yttam o sounded Tokso-baned practice
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Af loose Awards eo he coald met and peat Ue
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Mark cables his report fom Senda!
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of ties ost recent te highly regarded
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Jonathan inca nas underiaen numerous travels
Utroudh Afghanistan ence th 10705, and wrtes
inthis nue sot new school a lara A former
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arehitette erie Fie ater book In agntand
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Mark Lamar — so vist the Word Trade Center
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Farha Moose 20 to fo as one half of Foreign
Office Architects. She has just lanched her own
exeting new practi, Farshid Mousa
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Declan Wels tis month's Hxplorine so
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Aistance to explore his relationship with the
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Oveliceman i 1 practising architec ving and
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PMlondhropy and Ligh CarngieLibraien
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Seis cofounder of the London haved practice
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Anthony Vier sed urhlioture at Cambridge
(with Colin Howe and Sandy Wilson). Ho now
Deda af ts rin 8 Chanin Schoo of Architect,
at Now York's Cooper Unio. prolife author om
[rohtectae from the 18th century to ee present,
hb is earetly working oma history of arehifectare
since 1085. He writes Part Io i elony om The
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