Rerrrrr... 1 RACCONTANDO 2 RAUSCHPEELFEN J REIDOVAK 4 REGISTER 5 REJOUISSANCE 6 REPRISEN Brook 1: Six pieces for Winds, Double Basses and Peveusion REVEILLE ( RETREAT RHINELANDER RITORNELLOT Boul 2: Five pieces for Winds, Double Basses and Pereussion RITORNEL LO RHAPSODY Rooks Lard H may be performed on the same program, but not one after the otber Scoring 3 Flutes (or APicalos) 2 Frenh Horns 2Obwe5 2 Thumpers in Bb (2: any Book I) 1 Buglish Horn 2 Tombs ES Clarinet (also Clarinet I) Vibe F Clarinet in is 1 Dovdele Bases 1 Bass Clarinet by Bi TAlto Saxophone in Ea 4 Pedal Tompant 2 Bassons 2 Percassionits 1 Domble Bassoon Percussion instruments Cin onder of appearante) Player t Player 2 Prise Drum IT) idur tt B Glutenpict BL 5 fan-tams I Vibraphone D imbourine Be Xphpiome Be 2Cstanets DB tiume Denn O Baw Drum c= 2Gninas © sweigh nes @ ever Dron Q Lior ynBook F 1 raceontando (1i.): bra narvative manner 2 Rauschpleife (Aiddle High German: rusche = ree}: [. {wind instrament] Double reed ine strsment of the I6th=I7th century wth a straight cylindrical bore, lightly flared bell anda cap ‘over the reed; 2. non-vepeating mixture stop on the organ sebich imitates the sound of the early wind instrament and is composed of several ranks in fifths (513), 2/53) and octaves (P, -oul tern for reed instruments 3 rejdovik: Czech fll dance in Ye meter, followed by a reidowatha in? 4 Register (Gir) 1. Organ stops 2. Mechanical devices found primarily bagpipesand seringed keyboard instruments wehich make it posible to change the timbre, valime and response ofthe ‘arions octave registers (c.g. 8", #, 16?) and to combine these registers ‘meas of mechanical stops, pedals and levers activated by the hand, knee ar foot; 3, Vocid ranges whieh have a smnilar timbre in all ypes of voice: chest tone, head tone and voix mite 5. réjouissance Pr: merriment) Fast, suherto-tike movement in the [Btb-century suite 6 reprise (Fr repetition; It ripresa} German tenn for recapitulation, ie. the section ofa so- naa-form movement that repeat allo” pas of the exposition following the development see- tion, wth the thematic materiel nots appearing inthe tonic keys also an innmediate repetition af the exposition, nsnally wich ornaments; 2 Ube repeation ofthe opening section of avondo oF three-part song form; 3. Onigouly a repetition ofa ection called for by the mares; the ‘seh century diveded into reprise rane (repeat of entire section) and reprise petite (repeat uf «fete measur). Book I 1 revelle (r= ré ning Miltary bugle call ko avcompanied by a slow grenaaiers ‘march iv pas ornare nthe ease of te grand revel retreat: traditional military bugle cll ra the evening, associated with « solemi military band parade in the case of the grand rerveat Rheinlinder (Ger: Rhenic or Bavarum polka) A German couple dance in moderate /smeter which arose in the mid-19th century (probably from the polka anu the éeussuse) and included polka elements and steps; a social dance known throughout Kuvope in many variants during the 19th and 20%h centuries,54 ritornello (ft: vitormare = return): 1. Refrain dn Tealtan voeal foros; 2. bn the (7th-18th cen wer, «term forthe recurring instrumental intertude in vocal compositions of all eypes: 3. The atti I8eb-cemtury nstrumental concertos: 4. Originally at self-contained secrin follurcing each stanza in the Hh-contury Italian madrigal 5 rhapsody (Cr) 1 A free form of voeal and instrumental music of «fragmentary mpro‘isas tory ebaracien bases! on models from Antiquity and frequesny including folksong melodies: it ‘wis prevalent from te end of the t8th century and x related tothe fantasy aon the ballad: also «string oftanes in the manmer of aporpourn: 2. In Greek Antiquity, the necication of fayrnen ‘ary (Homeric) ep verse by travelling singers (rbapsodes) Approsinnate dunstion of the pieces: Book f 1 Racontando ' 2 Reanschpfeifen 24s" J Rejdoval 2 4 Register #30" 5 Rejonissence r © Repriven 10" 130" Book 11 1 Reveille/Reteat 2 2 Rhemlider 135 3 Ritorellol 30” 4 Ritorvello rp" 5 Rhapsody 2 30"Reerrrr... 6 Stiicke fiir Blaser, Kontrabasse und Schlagzeug 1. RACCONTANDO. Mauricio Kagel, 1981/82 Andantino (2372-80) 2 Hen nv ee 0 SSS SS SS pate = = SSS SS = 2 Fagowe pele ” eae ee ee ee ee SS pede » Trompe Ps dole ™ 142 com wl > ——— 2 Posaunen| Komtcahans Si + aa: m2 Kontranaven nesetzen a 8 play wt Dye Parties ok HC wot Fn the sore al mimauets are mute Leste2, RAUSCHPFEIFEN Adagio (2-48-52) Tune Abelian je Ton soe ‘ede nl i ah one gE 3 Post ‘cinondape ~ 2 Oven : . ngs Horn 2 Kuriaeuen 0 Karine I 2 Fugoue Keotratagst 2 Hiner ee a i = A ise inet eee oon[5] ; subito: Adagio (‘Tempo 1) ake sine"? rall, ~ = - Adagio oa co gis Fst oe bos 4 = = wo. ee ee a on ~ i LS +. eae “ER ab = bo = Cee Se Sans pe Mh be >is ‘ a ee pe Vatu: sues fangsemes dann seiner aad Trl fat dow hon fst higamds3. REIDOVAK ssa 2 Hen 2 Oban Erlich Man 2 Kernen Puttin 2 me Keaaigo 2 g Allegretto (4 =88-96) 1 ———— = 2 Retief pr wi . 4 Se <= == f a z Sate SSS Ss foe Seer Googe 4 {+ po 4 | * Ad Uv: Brumnuopf duh Lovengsbal ersten Ad li sabe lon oa for fet dare f,, . ca SSS SS a gw = 5 Es = 5 tg rn einer Sa keg SSS — ——= = _ ——" ° Ss SS SS anal ” w r o wssea ite Vice = ana vi nokte snice Kfe ke. 2 Kt bok 2 Fe Ke. ° & Lal sis4. REGISTER 2 Phiten Feng Hew t 2 Karine | Bl -Klarinete 2 Vogowe Largo (#=44-48), 2 Miner 2 Moeassen 2 Keowee Glogkenspiel Db Vibe Ronan} 1 8 5 Tattn lasts soten, Ki ane ue 2 Pow, titlesBi Kite 2a Za. Hittite aisGy ——— de ” —— Bn, 2kI De Kt. 2 21s Teh 3 kb. Lateran5, REJOUISSANCE Allegro (4=108) 7 2 Fapotte 4. Kontramie Linsinen 1Pree. 2 on, ar 4 ke, 142] Potter isnoe iF — sKoontrabtes 143.4 ateo: 2042 pe tees as6. REPRISEN Precolo 2 Fitten 2 Obcen 2 English Horn Es Klurinete Klarhete Bab-Klarinte Att-Saxophon a 2 Fogowe Komiatagot 2 Mirser 2 Pesaunen| Tuba, ai be] 4 Konraiee neal > vlophon Tambor ” Kastaneten sn8 Ler K Ki fece. Ki 2 Fe Kee 2 » tlspw ff mi pamper win mate vasPee Ki BRL Asa Khe 4 kpHt[a cedendo poco a poco = = = = = - ee ee 2. Ke Fp ah Tut ae 4p,BM - - Loe Pice, Ki Qe tu Tacoany (pao wn Tyo vs pa paw ibd Tpoen iid oe a aRoerrrrr... 5 Stiicke fiir Blaser, Kontrabasse und Schlagzeug Mauricio Kagel, 1981/82 1, REVEILLE / RETRAITE meee ce. Moderato (J+ 54) 3 Ph 2 Ohwen ngs Horn 2 Klarneuen ul Klaine 2 tape Kontrtigot 1. Trompete Hrompate* 2 Héenee hates at ss 9 Hon ios ag[Moderato (dss Allegretto (4 +96) boku ie Lite sepier nneenineneer tT fm i Ee ‘hone jen between a aie of Wad el — ih n a |Moderato (J 84) He oy — an & Sr SSS == = $ —_ 2 Bwa wy non rallentare! Bes 2h Kt ub ao su Fipgenge etn oe en “atl or a wth Jager i ee a2. RHEINLANDER Andantino (6 +72) J rte RES 2 Ober 2 Foote Komtraqn Spent rome — 3 sR ES tas: ins eH Simca = AW Spe 2 thee 2 Frempeien 2 Pinamen aha 2 Gis Rohnatoornel @ Rolin@ Moderato (10) SeAllegretto (+96) —- SP i ee me 7 . . + ae. =s. [eo aae =p = cortege} —-—-+- ~ beget = et SS se ees eb a ceric3. RITORNELL 1 Largo (d=44-46 has = = = === =a f wy cree oerp eee He Kiarnte =p ———— sa It Rlarncte = SSS 5 i —= = At Savon PSF +: connie be How = SS ————— ett snd Cd Leompse == = — comrsand. Pau = = onthe ————— t “tt th “Ht tosemnetvatt E Loser stsempre a tempo! oO Ee Leekkt te obs — nase, the.a ts Fy-BU kl. Asa me, os 2b,4, RITORNELL IL Andante (J.:5s.02 Andantino 284.92) Sede Nredeehang sl i shaeeer Tempo erolgen Os sets ccc. vom Armenia be Boe Moderato (J:-84-92) jeri tt ne jong Dam since tm btn en Trompeie 3 Peel, ucinttte 1 os. bk x Zonta: wn rd. 3 2h tne eevee 6 ee) . 2h = a kb SSw acca5. RHAPSODIE, Allegretto (J:96) SSL rl = teficod 3 tiven 2 2 Os. vpich Hoy Fs Rianne Kasi ut Karine AIC Ssseph 2 Fagote Kenta 2 tenes 2 Srompeten 2 Psnnen ut46 [IM Adagio (ds56) a ERS 33 3 é ofa fp Allegretto come prima a 2 Ob Beka7 a Andantino (J + 63) Kr, 4 ko Lottie ws” Grave (4+40.42) Kh eK ALS KeLon, Box a 2h ke 2 in 21 2 Pos nstew =" 1 aeletsiona Aide Pekin) Se =? 4B,