Professional Documents
Culture Documents
by
Charles Klamut
CHAPTER SUMMARIES
Chapter One: Intrusion/Awakening
An intruder is common in popular and effective literature and movies. A character is
intruded upon unexpectedly by an outsider, usually from the wider world. The intruder
offers a proposal of adventure entailing suffering, excitement, and ultimately growth and
destiny. Gandalf is Bilbos intruder in The Hobbit. The Christian Gospel is perhaps an
especially prominent and influential intruder story, from which Tolkien may well have
drawn. Pertinent examples from The Hobbit demonstrate the theme.
Chapter Two and Three: Grace: Unlooked-for Friends
Grace as a beneficent gift of help offered in timely fashion is portrayed in a unique way
by Tolkien. Particularly, his use of the unlooked-for friend (a term used by Elrond
during his Council) characterizes Tolkiens chief literary portrayal of grace. At key
moments in the story, when the situation appears most dire, friends emerge unlooked-for,
offering just the help needed at the right time. This chapter and the next discuss eight
examples from the text: Gildor and the wood-elves; Farmer Maggot; Tom Bombadil;
Strider (Chapter Two); Galadriel, Eomer, Treebeard, and Faramir (Chapter Three).
Chapter Four: Sacramentality
The logic, though not the explicit form or doctrine, of sacraments forms the basis in
Tolkien for a distinctive world-view whereby the material is routinely and without
scandal viewed as the vehicle for the spiritual. Grace through nature; divine through
human; invisible through visible: this is the pattern. The material realm is thus never just
material, but rather always holds at least the potential for transmitting something more. A
careful look is taken at Tolkiens attempts to reconcile the divine claims of the church
with its very fallen human traits, mainly through his personal letters. Then, examples
from this fiction are discussed, including the elvish cloaks, lembas bread, the Phial of
Galadriel; horns; the healing Athelas plant ; and the Ring of power, proposed as an antisacrament. One reader, writing a letter to Tolkien, said that his work seems to present
light from an invisible lamp. Exploration of this theme is a basis of this chapter.