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sau persoanele care fac reconstituire istoric, aa cum exist n alte limbi1.
Activitatea de reenactment/reconstitution este de fapt o pasiune n care
participanii caut s reproduc, ct mai veridic, mbrcminte, armament,
obiecte, meteuguri, comportament sau relaii specifice unei anumite
secvene istorice. Terminologic, n ultimii ani s-a impus varianta renactor,
acceptat sau tolerat ca atare n toate mediile, inclusiv cele academice,
atunci cnd sporadic fenomenul a intrat n atenia specialitilor. Dei a
debutat ca activitate recreativ a unor amatori de istorie, tot mai des
reenactment-ul folosete arheologia experimental, iar n rndurile sale
activeaz uneori i istorici2. Aceste spectacole sau experimente, depinde
cum i de unde sunt privite, nu sunt subiectul acestui excurs, ci pretextul.
Avnd aproape un deceniu de experien n acest tip de activitate am putut
observa i consemna evoluia i, mai ales, impactul produs de astfel de
reprezentri care, cum am spus, sunt din ce n ce mai populare. i,
plecnd de la aceast realitate, i pericolul unor derapaje sau stagnarea n
zona clieelor, cu efecte nocive sau cel puin neplcute asupra socialului.
ntrebarea fundamental care rezid din aceast introducere este
dac spectacolele de reconstituire istoric pot prezenta o lecie de istorie
autentic, evident dependent de nivelul de competen i profesionalism
ale renactorilor ori a grupurilor din care ei fac parte sau ele merg, pur i
simplu, n siajul stereotipurilor create de istoriografie ori, mai ru, de
cinematografia secolului trecut?
Spaiul nu permite analiza ntregului echipament i nici a tuturor
tipurilor de personaje recreate, cu toate c acestea trebuie la un moment
dat discutate n ansamblu i n detaliu. Executarea de replici ale
echipamentelor de calitate, ntre care i coifuri, i purtarea lor n cadrul
acestor spectacole, ar trebui s fie o regul, nu o excepie. Desigur c
exist momente istorice asupra crora, cel puin la nivel de detaliu, nu
avem suficiente date, dar n ce privete armamentul, n special al
structurilor militare superioare dacice, acesta este relativ bine cunoscut.
1
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Ctlin Borangic
Pentru vecinii dacilor situaia pare cel puin identic n lumea germanic, celtic (Rustoiu
1996, p. 146) i sarmat (Brc 2006, p. 205-206).
4
Borangic 2014, p. 47.
421
economice, practici funerare care exclud depunerea lor etc. Nici n Gallia,
Iberia, Germania, Armenia sau Gruzia antic lucrurile nu stau foarte
diferit, descoperirile de coifuri n fiecare din aceste zone n parte sunt
rarisime.
Pentru mediul dacic explicaiile penuriei de astfel de piese au fost
cantonate, parial, n sfera concepiilor de ordin religios ale dacilor5.
Valeriu Srbu sintetizeaz acest impas, pe care l pune pe seama
metodologiei ineficiente6. Modificrile practicilor funerare, vizibile n
discreia mormintelor aristocratice ncepnd din sec. I p.Chr., trebuie i
ea pus n relaie cu raritatea coifurilor n spaiul i epoca discutate7.
Puinele coifuri pstrate ale rzboinicilor geto-daci8, precum i
datele extrase din iconografie, relev c acestea se subsumau unor tipuri
diverse cu diferite grade de dificultate de execuie. Evoluia morfologice
este ns vizibil, cci plecnd de la modele mai simple spre exemplu
cele asemntoare cu modelele de tip Port, coifuri care fac legtura ntre
tipurile de coifuri celtice i cele romane timpurii9, cum este cel descoperit
la Cugir10 se ajunge la tipuri elaborate, decorate, cu o morfologie
specific, unele derivate probabil din modele sud-tracice, vizibile ntre
trofeele capturate de romani, ilustrate pe Columna Traian. Opinia
specialitilor este c majoritatea, chiar dac se inspir din modele sud-
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Ctlin Borangic
11
423
fost prinse ntre ele cu mici bare de fier, casca suferind probabil reparaii
n Antichitate14.
Tot unui coif pare s-i fi aparinut i o bordur de bronz, rest al
unui posibil obrzar, descoperit ntr-un mormnt tumular de la Piscul
Crsani15. Fragmentul este ornamentat cu protuberane, iar pe margini cu
cercuri incizate, similare cu cele de pe coiful de la Popeti. Pe baza
inventarului funerar, complexul a fost datat n secolul I a.Chr. Din pcate
alte detalii sau imagini ale fragmentului nu au mai fost publicate.
La fel de incert este i cazul unui fragment dintr-o plac de bronz
descoperit ntr-un mic tumul de incineraie, acum nalt doar de 1,30 m,
de la Poiana-Rovinari16. Inventarul acestui mormnt coninea, pe lng
oasele calcinate ale defunctului, resturile unei cmi de zale i o bucat
de tabl de bronz, posibil parte a unui obrzar.
Un element de bronz asemntor, a fost descoperit ntr-un
mormnt (C10M.21) din necropola de la Zimnicea, punct Cmpul
Morilor, datat ctre sfritul sec. I a.Chr. Fragmentul de tabl poate s fi
fcut parte din obrzarul unui coif, fiind decorat, n tehnica au rpouss,
cu protuberane, iar pe margini cu cerculee i linii n zig-zag incizate17
(Pl. III/2).
Morfologia exact a acestor cti de lupt nu poate fi reconstituit
la un nivel indubitabil, n lipsa unui exemplar ntreg. Uneori chiar
apartenena fragmentelor la coifuri este discutabil, singura constant
fiind materialul de baz i, mai ales, decorurile identificate. Plecnd de la
modelul Popeti, pe care s-a fondat gruparea celorlalte piese de la sud de
Carpai, s-a conturat posibilitatea ca toate aceste fragmente s fi fost
componente (majoritar obrzare pars pro toto?) ale unor coifuri
aparinnd aceluiai tip, specific zonei dunrene, corupte din modele
elenistice mai timpurii18.
Nici n cazul coifului descoperit la Cugir (jud. Alba), realizat din
fier de aceast dat, originea piesei nu este una bine determinat. Dup
cum observa A. Rustoiu, caracteristicile ctii o calific drept un produs
14
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Ctlin Borangic
local, fabricat n decursul sec. I a.Chr. 19, chiar dac pare influenat de
modele nord-italice20 (Pl. III/3). Inventarul funerar asociat era compus, pe
lng coif, din trei zbale de tip tracic, pinteni, elemente de la roile unui
car ceremonial, o situla de bronz, un vas ceramic de tip fructier, o
cma de zale, o spad lung de tip celtic, mpreun cu teaca sa, un scut,
de la care s-au pstrat marginile, niturile i umbo-ul de fier, un posibil
pumnal curb sica i o lance cu vrful puternic alungit i clciul acesteia,
ambele de fier, precum i diverse piese de port i elemente de
harnaament.
O alt component din fier, fragmentar, descoperit la
Hunedoara, a fost interpretat pe baza unei balamale, drept un posibil
element de legtur dintre calota i obrzarul unui coif21.
Este de remarcat diferena dintre tehnologia coifurilor descoperite
ntre Dunre i Carpaii meridionali, care sunt toate, invariabil, din bronz
i au un decor specific i cele din spaiul intra-carpatic, ce sunt realizate
din fier. Tabla de bronz este i mai subire i mai puin rezistent dect
cea de fier, ceea ce sugereaz o modificare a tehnologiei de fabricaie, n
direct legtur cu cerinele proprietarului. O alt ipotez ar fi c cele de
bronz erau coifuri de parad, iar cele de fier erau de lupt propriu-zis.
Trebuie remarcat, ns, c nu avem documentat echipament militar de
parad n epoca dacic, spre deosebire de epocile anterioare, unde astfel
de piese erau folosite n ceremonii sau, posibil, doar pentru nmormntri.
Este vizibil discrepana descoperirilor datate ncepnd cu secolul
II a.Chr. i cele din perioada anterioar, cnd sunt documentate peste 25
de diverse cti de lupt22 sau parad i cele apte puncte de descoperiri
de epoc dacic (Pl. IV/1). Desigur, efervescena militar a arealului,
ncepnd cu secolele V-IV a.Chr. explic aceast abunden, asigurnd nu
doar modele comportamentale, ci i surse de import. Proveniena pieselor
este fie mediteranean (coifuri de tip atic, chalcidic, greco-ilir), fie celtic,
zone unde astfel de echipamente erau intens folosite i mai bine
documentate, arat direciile de interes i aprovizionare ale liderilor
19
425
23
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Ctlin Borangic
25
427
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Ctlin Borangic
redea vzut din fa, culcat lateral, astfel c forma lui n ansamblu poate fi
doar bnuit ca fiind alungit i aplecat spre fa, la fel ca unele coifuri
de pe baza monumentului (Pl. V/4a-b).
Doi rzboinici poart coifuri, daci n mod cert, de vreme ce unul
dintre ei mnuiete o falx dacica, n scena CLI, tot de o form conic, dar
nu au obrzare, ctile fiind legate simplu sub brbie doar cu o curelu
(Pl. V/3). Momentul este important pentru c ilustreaz un aspect care
vizeaz nu aristocraia rzboinic, ci acei comati, etaj social32 constituit
ntr-o clas specializat de rzboinici, subordonat aristocraiei militare i
autoritii regale, n special33. Putem interpreta scena ca o dovad a
democratizrii portului/posesiei unor anumite elemente de echipament
militar. Dac alte arme (pumnale curbe, spade, cmi de zale) rmn n
uzul exclusiv al aristocraei, cele defensive scut, coif, anumite tipuri de
armuri se regsesc i la alte categorii socio-militare34. Pragmatismul
militar a surclasat orice opreliti socio-religioase sau economice. Prezena
acestor coifuri pe Column ar trebui s modifice atribuirea exclusiv a
acestor echipamente aliailor sarmai, care chiar dac au participat la
prima parte a conflictului, nu apar n documentele oficiale ca nvini35,
caz n care prezentarea unor arme sarmatice n condiiile n care dacii erau
dumanul nfrnt, este cel puin atipic. Cu att mai mult cu ct coifurile
folosite de cavaleria sarmat, ilustrat n scenele de lupt (XXXI;
32
429
Vorbind despre coifurile sarmailor, Strabon spune c erau fcute din piele de bou
crud (Geografia, VII, 3, 17), cu referire la masa lupttorilor, unele cpetenii avnd ns
acces la coifuri de metal, niciodat ns de producie proprie ori n numr prea mare. O
analiz recent a coifurilor metalice din mediul sarmatic (sec. III a.Chr.-sec. IV p.Chr.)
la Symonenko 2014. Analiza relev majoritar piese de import, singurele astfel de piese
ce pot fi asociate cu ilustraia Columnei Traiane, fiind cele de realizate din cadre (p. 274275) ce puteau fi i produse pe plan local.
37
i care n mediul sarmatic sunt mai rare spre deosebire de cel dacic. Cf. Brc,
Symonenko 2009, p. 205-206.
430
Ctlin Borangic
Waurick 1988, p. 163-168. Numele i implicit forma fac trimitere la celebra bonet
frigian.
39
Vogt 2006, passim.
431
40
432
Ctlin Borangic
433
Borangic 2011, p. 172-193, plana XXXII. Probabil acestea avnd o mai puternic
amprent apotropaic.
434
Ctlin Borangic
www.paperlined.org/dev/oss/high_energy_slings (03.08.2015).
Pe lng experiena i rezultatele personale, obinute cu ocazia a numeroase exerciii
de arheologie experimental i activiti de reconstituire istoric, am operat cu estimrile
rezultate din experienele practice obinute prin aceleai metode de Dumitru Rotariu,
45
435
436
Ctlin Borangic
438
Ctlin Borangic
protection against all types of projectile, and against the offensive weapons of
the opponents.
The helmets could not have missed from the endowment of professional
warriors, as it is the sketched image of Decebal's Army. Therefore, there is no
reason for which they might have missed from the amateur's equipment of living
history, not only from the desire to respect the historical reality, but also from
practical considerations, based on the frequency of accidents during these
events. Therefore, the historians and archaeologists are those who are left to
offer morphological and ornamental details for these pieces of equipment.
439
area, despite the fact that these simulations are far from the fierceness of
real battles.
The manifestations sketched above represent a distinct direction of
historical experiments with more and more powerful social implications,
having a recent and fast evolution. There is no convenient and
consecrated term yet, in Romanian language to call the phenomenon or
the persons that re-enact history, like there is in other languages1. The reenactment/reconstitution activity is actually a passion in which the
participants seek to reproduce, as closely as possible, clothes, weapons,
objects, craftsmanship, behaviours or relations of a specific historical
sequence. Terminologically, in the last years, raised the alternative reenactor, accepted at all levels, including the academic ones, when
sporadically the phenomenon reached the attention of the specialists.
Even if it started as a recreational activity of some history amateurs, more
and more often, the re-enactment uses experimental archaeology, and
among them, sometimes joined historians2. These shows or experiments,
depend on how and from what angle they are looked upon, are not the
subject of this trip but its pretext. Having almost 10 years of experience in
this type of activity, I could observe and record the evolution and impact
produced by such representations that, as I said, are more and more
popular. And leaving from this reality, the danger of some slippages or
stagnation in the area of clichs is imminent, with adverse or at least
unpleasant effects over the social.
The fundamental question that resides in this introduction is if the
shows of historical reconstructions can represent a lesson of authentic
history, obviously depending on the level of competence and
professionalism of the re-enactor or the groups they belong to or they
simply go in the wake of stereotypes created by historiography or, worse,
by cinematography of the past century.
The space does not allow the analysis of the entire equipment, of
all types of recreated characters, even if they should sometime be
discussed as a hole and in detail. The recreation of quality equipment
1
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Ctlin Borangic
replicas, among them the helmets, and wearing them in these shows
should be a rule. Of course there are historical moments on which, at least
on a detailed level, we don't have enough data, but concerning the
weaponry, especially of the superior Dacian military structures, this is
relatively well-known. As in other articles and studies I presented aspects
related to the curved weapons, shields or armours from the panoply of
Dacian warriors, it is suitable to talk about helmets, category of weapons
less known and especially less used in the mentioned events of historical
reconstructions. Especially because, based on the apparition in these
groups of re-enactment of characters from public space, that draw their
inspiration more from the heroic-fantasy stories then from historical
documentation, it is necessary to renew the image of the Dacian warrior,
even at a preliminary level, for now.
The two aspects, the re-enactment and the scientific discourse,
shouldn't evolve separately, as long as a better historical quality of these
manifestations is wanted more and more in the public space. Or, no less
frequent, the lack of accessible and coherent information about the Dacian
period, doubled by mercantile interests, led to the apparition of superficial
and inexcusable problems and, worse, to the proliferation of inexactities
ideologically exploited by currents with profound pseudo-historical
character. In all these cases, the refuse or univolvement of historians can
only be regrettable.
*
Most of them originating in archaeological discoveries with
funerary character, the helmets have been constantly associated with the
aristocracy, the only beneficiary of complex funerary services, even this
piece of equipment has always been a defensive component extremely
useful to all categories of warriors. Despite this fact, the number of
discoveries is very small (but an identical situation all over Europe, with
various explanations3), compared to its important defensive function.
Surely, this situation must be related with the funerary discretion of the
elites, with the fact that they were appreciated trophies and probably,
some of them hereditarily transmitted, which modifies the perception over
Situation seems identical at least in the Germanic, Celtic (Rustoiu 1996, p. 146) and
Sarmatian world (Brc 2006, p. 205-206).
441
their density4. For the Dacian medium the explanations of these pieces'
penury have been stuck in the conceptions of religious order of the
Dacians5. Valeriu Srbu synthesizes this dilemma, which originates in the
inefficient methodology6. The modifications of the funerary practices,
visible in the reduction of the tombs' number of aristocracy in 1st c.BC,
must also be related to the rarity of helmets in the discussed region and
period7.
The few helmets that the Geto-Dacian warriors left for us and also
the data extracted from iconography show that they belonged to diverse
types, with different degrees of difficulty in execution, starting with
simpler models - like the ones resembling the Port type, helmets that
bridge between Celtic helmets and the early Roman types 8, like the one
discovered at Cugir9, in Alba county, all the way to the complex models,
with rich ornamentation, with specific morphology, derived probably
from south-Thracian models, visible among the trophies captured by the
Romans and illustrated on the Trajan's Column.
Even the number of discovered helmets is small, the identified
remains, often fragmented to the limit of uncertainty of their identification
as they are and morphology atypical enough, permitted some
classification attempts10, so the specialists`opinion is that the majority,
even they are inspired from south-European models, seem to be creations
or local adaptations, specific to the north-Danube area11.
As I said, the archaeological file is thin, but the war helmets are
not missing. Helmets and remains interpreted as coming from helmets
were discovered at Popeti (Giurgiu County), Chirnogi (Clrai County),
Piscul Crsani (Crsanii de Jos commune, Ialomia County), Poiana-
442
Ctlin Borangic
443
the departed, the rests of a mail chain shirt and a piece of bronze sheet,
possibly part of a cheek protection.
A resembling bronze element was discovered in a tomb
(C10M.21) from Zimnicea necropolis, Cmpul Morilor point, dated
towards the end of the 1st c. BC (Pl. III/2). The sheet fragment may have
been part of a cheek protection, being decorated in au repousse, with
protuberances and on the edges with incised circles and zigzag lines16.
The exact morphology of these war helmets cannot be
reconstructed at an indubitable level, without an entire piece. Sometimes,
even the fragments' appurtenance to the helmets is questionable, the only
constant being the base material and, especially, the identified ornaments.
Starting with Popeti model, on which was based the others' group of
pieces from south of Carpathians, it was born the possibility that all these
fragments may be components (most of them cheek protections pars
pro toto?) of some helmets belonging to the same type, specific to the
Danube zone, corrupted from early Greek models17.
Also, not in the case of the helmet discovered at Cugir (Alba
county), made of iron this time, the origin of the piece is not a well
determined one. As A. Rustoiu noted, the characteristics of this helmet,
qualifies it as a local product, made during the 1st c. BC18, even if it
seems to be influenced by north-Italic models19. The associated funerary
inventory was composed, besides the helmet, from three Thracian horse
bits, spurs, elements from a ceremonial cart, o bronze situla, a fruit
bowl type ceramic bowl, a chainmail shirt, a Celtic long sword, together
with its sheath, a shield from which the edges were preserved, the rivets
and the iron umbo and a spear with a strong tip and its heel, both from
iron, and also various costume pieces and harness elements.
Another fragmentary iron component, discovered at Hunedoara,
was interpreted based on a hinge, as a possible connecting element
between the top and the cheek protection20.
16
444
Ctlin Borangic
Including the ones from Republic Moldova, from Olneti and Bubueci.
445
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Ctlin Borangic
Identification of these kometai with the Dacian peasantry started from the forced
interpretation offered by Dio Cassius (LXVIII, 9, 1. Cf. Petros Patricius, 5), reused later
by Iordanes (Getica, 71). In fact, this image of dual structure of Dacian society was a
projection in the past of the Romanian peasant's image (participant to different military
conflicts, especially during the general mobilisation), used as subliminal information to
create a stronger bond between Dacians and Romanians, but also to conveniently level
the stratification of Dacian social classes, summarized by the historiography from before
1989 to the antonymy nobles-peasants.
27
Petre 2004, p. 256-260.
447
Concerning the Sarmatic helmets, Strabon tells us that they were made from raw ox
leather (Geography, VII, 3, 17), in reference to the warriors' mass, some chieftains
having access to metal helmets, but never of own production or in a too great number.
448
Ctlin Borangic
the dracons and the specific curved swords next to them. The goddess
Victoria steps on another helmet, while she records the result of the
conflict on a shield (Pl. V/2).
The conquest of Dacia also meant the end of all hostilities - at
least for the moment - therefore the Romans could savour the victory,
displaying the captured weapons from the Dacians. The base of the
Column is plentiful with important spoils, among them no less than 29
helmets - rising the number to a total of 39 pieces, talking only about the
Dacian ones (Pl. V/1; Pl. VI). It is less important for the economy of this
study the morphology and ornaments of each piece - aspect that deserves
a separate research - but is noted the big number of displayed helmets
and, as a separate title, the fact that most of them are, morphologically
speaking, Dacian. Without discussing pretentious details now - but
necessary at some point - the displayed helmets can be grouped in a few
main types. Our attention is retained by the helmets that seem to have a
local evolution of Thracian models of Phrygian29 type, that keep the
suggestion of a schematic pileus, richly ornamented, with high top and
tendencies of taper slightly bent forward (Pl. VII). Differently from this
type, without a doubt specific to Dacian aristocracy, other types are
resembling in structure and morphology with the Spangenhelme type
helmets, which, thanks to their more accessible creation manner, had a
significant spread over space and time30. And these are also represented
having ornaments that makes them individual.
The helmets displayed on the Column remained almost
unexplored by the speciality literature, which was satisfied to consider
almost invariably that the pieces are Sarmatic, even with the lack of
historical and technical arguments that should justify this attribution. On
the other plane, of their affiliation to the Dacian logistics, they bridge
between the defensive pieces of equipment from archaeological
discoveries and the general scene of army supply during Decebal's reign,
when it is possible we can talk about an abundance of this type of
equipment, at least among the professional warriors31. The morphological
29
449
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Ctlin Borangic
installation of Roman power in the area. For the northern parts of Danube,
the first and main effect was the exhaustion of military capacities, and not
only, of Getic royalty, left now without traditional sources of income,
occupied or cut by the new populations arrived or by the politico-military
structures created at the south of the Danube.
The battle from Kynoscephalea (197 BC) meant not only the
arrival of a new pretender for the domination in the area, both in the
detriment of the Greek state-cities, the Hellenistic kingdoms, and also of
resident barbarians. The modification of war became obvious. Whether
the Celtic remains, disoriented after the destruction of Tylis kingdom of
king Kavaros, or the Thracian tribes, Dacian or Illyrian, they all felt the
power of the new player, given by the military discipline, the weapons but
more than this, its determination. On this considerations, very probable,
the initial hatred among barbarians have been quickly replaced with
mixed alliances, military but not only, between diverse clans, tribes and
ethnicities, the most important being the ones among Celtic and Thracian
communities. The mosaic of warriors, identities, beliefs, weapons,
techniques, strategies ended up by being levelled, at least at the level of
the elite and the transformations sedimented and finalized in specific
identity manifestation33.
The common weaponry adopted by these warriors reflect the new
ways in which the war must be carried. The elite warriors used a long
Celtic sword replacing the former various types of mahairas, protected
their bodies with armours and helmets and the oval shield permitted the
detachment from the group during the fight, which now became a
personal initiative, with heroic accents. They had temperamental horses,
trained, who they controlled with a special horse bit and spurs, pieces of
equipment that made sudden direction turns and long, fast rides possible.
They used curved daggers, with engraved blade, weapon that
accompanied them everywhere, in military expeditions as in graves.
33
These manifestations, over which I will not insist, are condensed in speciality
literature under the name of group/facies/horizon Padea-Panaghiurski Kolonii, after the
name of two representative archaeological sites from Romania and Bulgaria,
conventional name by which is identified, in this area, several associations of artefacts
and funerary practices from this area. Even this name does not explain sufficiently the
ethno-cultural implications, historical and of civilisation of the phenomenon, it remained
in use, being utilised to avoid some terminology confusions.
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Ctlin Borangic
www.paperlined.org/dev/oss/high_energy_slings (03.08.2015).
Besides the experience and personal results, obtained with the occasion of different
experimental archaeology exercises and activities of historical reconstruction, we
operated with estimations resulted from practical experiences obtained from the same
methods by Dumitru Rotariu (Free archers Association, Trgu Mure) and Mateffy
Tamas, slinger re-enactor (Hasta Sarmatorum Association, Miercurea Ciuc).
35
453
them. The lack of armour and helmet made the warrior extremely
vulnerable.
In guard position, the protected zone by an oval shield covers the
body from maxillary to the knee, protecting all the vital organs, except for
the head. An important element was the cheek protection. Because the
forearm was turned in an horizontal axis of the shield, when it was close
to the body, the powerful hits in its superior half were swinging the
shield, which could pivot in the interior, tendency that could hardly be
attenuated especially if the handle was not made of wood of metal.
Testing many times the shield in simulated battles it was quickly observed
that only supporting the shield with the shoulder and positioning the
cheek protection on the shield's metallic edge, the injuries at face level
done by the warrior's own shield can be avoided.
Enumerating the vulnerabilities emphasised by the lack of
adequate protection for the head and admitting the degree of experience
and military instruction of Dacians warriors, the number of helmets
captured and sculpted on the Column doesn't seem improbable anymore.
Contrarily, the roman sculptors reproduced only a fraction from what the
legions encountered in Dacia, but still, not to modify too much the
Empire's force message. The fact that on the Column appear armours,
helmets, siege and artillery machines, shows the sum of concessions made
by the imperial propaganda, interested in minimizing the enemy's
qualities.
At least the warriors around the king were experienced militaries,
well trained and disciplined. The duration of conflicts, the involved
effectives, the partial results and the historical documents do not
reconstruct the image of conflicts between legions and disorganized and
under-equipped barbarian hordes. In the endowment at least of the
professional soldiers, tarabostes and comati, the helmets were a necessary
and visible presence. We could generally say, that the Decebal's warriors
were wearing helmets and that they had specific shapes, especially the
noble ones.
Noting these aspects, but returning to modern times, can we admit
the reconstruction of some of the Dacian warriors without taking into
account the listed aspects? If the historical and experimental sources of
living history proves the use and the efficiency of the helmets, we can
admit that Decebal's warriors and, subsequently, the modern re-enactors
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Ctlin Borangic
were fighting and fight bare-headed and with hair in the wind? Probably
not and shouldn't historical reconstructions take distance from the image
of the simple barbarian in antithesis with the evolved roman soldier? The
historical reconstruction should be exactly what its definition says, even if
this thing puts it further from the romantic and popular image that itself
cultivated it. Now it no longer has the excuse that it doesn't know!
Without helmets in battles, even simulated ones, the re-enacted military
characters, look just like running with the hair in the wind during rain. In
which case the re-enactor is nothing but a romantic soul, and pneumonia
is nothing but heart-breaking poetry. The historical truth remains, as
always, nothing but a trifle.
translated by Marcu Marius and Toma Bembea
Ctlin Borangic
Muzeul Naional al Unirii, Alba Iulia
e-mail: dada@enciclopedia-dacica.ro
Bibliografie/Bibliography
Alexandrescu 1980 Alexandrina D. Alexandrescu, La ncropole gte de
Zimnicea, Dacia, N.S., XXIV, 1980, p. 19-126.
Brc 2006 Vitalie Brc, Istorie i civilizaie. Sarmaii n spatiul estcarpatic. Sec. I a.Chr.-nceputul sec. II p.Chr., 2006.
Brc, Symonenko 2009 Vitalie Brc, Olexandr Symonenko, Clreii
stepelor. Sarmaii n spaiul nord-pontic, Editura Mega, Cluj-Napoca,
2009.
Berciu 1934 Dumitru Berciu, Materiale pentru preistoria Olteniei, n
Memoriile Institutului de Arheologie a Olteniei, 22, 1934.
Borangic 2011 Ctlin Borangic, Rzboinici nord-dunreni n armuri de zale
(sec. II a.Chr.-sec. II p.Chr.) partea I, Terra Sebus, 3, 2011, p. 171227.
Borangic 2014 C. Borangic, Valoarea economic teoretic a echipamentului
unui senior al rzboiului din lumea dacic, n BCS, 20, 2014, p. 39-70.
Borangic et alii 2015 C. Borangic, Marius Marcu,Marius Barbu,
Reconstrucia unui scut din epoca dacic. Consideraii de ordin istoric,
tactic i structural, AMP, XXXVII, 2015, sub tipar.
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457
Pies cert
Pies incert
Plana I. Distribuia geografic a coifurilor din sec. II-I a.Chr. / The geographical
distribution of the helmets, 2nd-1st c.BC.
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Plana II. Coiful de la Popeti. Fragmente i propuneri de reconstituire / The helmet from
Popeti. Archaeological fragments and reconstruction proposals.
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460
Plana IV. Cronologia coifurilor din spaiul nord-dunrean / The chronology of the
helmets from the north-danubian area.
461
1. Coifuri de pe soclul Columnei / Helmets on the Column pedestal. Foto / Photo R. DAmato;
2. Coifuri ale nvinilor mpodobesc trofeele romane la sfritul primului rzboi dacic / Helmets of the
defeated decorate the Roman trophies at the end of the first Dacian war (LXXVIII);
3. Rzboinici daci purtnd coifuri / Dacian warriors wearing helmets (CLI);
4. Columna lui Traian / Trajans Comumn, scena/scene LXXV. Solii Dacilor i arunc armele la
picioarele mpratului / Dacian messengers throwing their weapons at the Emperors feet (a), printre care
se afl i un coif / among them, there is also a helmet (b). Dup / After Cichorius 1896-1900.
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Plana VI. Coifuri de la baza Columnei lui Traian / Helmets from the basis of Trajans
Column.
463
Plana VII. Modele de coifuri dacice i reconstituirile lor / Models of Dacian helmets
and their recomposition.