UNIT 2 | BODY ADORNMENT (TAt100§)CREATING SOMETHING COTEM PORARY sar Tinay & Use ON Pein on Conus S Planned asd iatted out He painting — eM gral of wrk Vo whet be Hin a AMR ett 4 glass. an A oe te boeing as ove gman (okie Lan pane pare awa wa reel [ast ports lov ab ua ae) pe ae fe PTR dues ond le Licane cole) Fo tw HE OMIT ek OLE wet. 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( foe fe Baws dace fe te yalet ba, pre dawn cee A we ee baileys ie ay te iy cee oar | i ces Mele oo 3] wine he bared, pdolem hie no Moh when t® eer ane nay Me Nise seen « eterna chon heme BIN ae Gani eaten, ke Thi) we pepanet pacer Beet . eo reer ein: aeeten Giwes tee AA irghe. om %Mee T—-the IES Vom very Mary ee we BS kent Mok ory ermhek 6 GER ee petty, BO . eek WATER tm tam sre, Git nee i We WYRE fame BO By titer oe PRE yee Bean Re ten aw fle sumetesr, SE Bry bakey ate aru rte Ange “a TR AP Gb FD catth on re eee of He thie pe hs : A” PP euipoimer Cereiven) ; | sf i placest duct tome on +e - s edger oC HR bullelngs to meee cies Ah ert re rgNe out thany PAGAL Coe mn 2 ad oe iedairntned ppl AS fa Oo We Retin Thar cantina TE Se cage MEL Be RR aS Te moe se Tpeebeeg CE parte. Glee ae bering cnet se pentyl STAR AS TR CM ae ate) poy) ea te ais omaha wert § ENDEDCRITERION D Year 11 Comparative journey 1) Take a photograph of your frst painting study ‘Take a photograph of your most recent project Explain the experience you had creating each plece, Describe your intention, } the challenges that you had, explain how you overcame challenges, describe the emotions that were present and may still be present. Explain the process | you undertooktto review and refine each artwork | 48) To what extent did the taking of photographs in your community influence your art making process 5) The learning journey that you have undertaken from one work to the other encompasses the following questions, Choose the questions and explain how ‘these relate to each particular artwork you have made, Conceptual Question: How challenging is it to maintain traditional culture ina modera, urban environment? How has the traditional That aesthetic been influenced by globalization? | | | Debatable Question: Has the peek of Thai aesthetic culture come and gone? Has Thaltand's tourism industry diminished the integrity of Thai art and culture? > sp reCriteris D~ Responding to the Comparative Journey the expertence you had creating each plece ‘When erecting he development slece, he process went very smooth shad eveything planned out in my book and was aware of what to do, However, at the end of he eating proces fet very tre of working onthe painting, ait ‘too much longer than expected and stressed as thought that | was notable tage fished on ne. The main intention of his printing wast take my knowledge that gain from criterion A, iestgating avout the Thal cuture ‘net history end the trip to Ayutthaya, and bring allogether. The main challenge that faced was te time taken to {rsh ast had spent toe long onthe small details. When working Incas, found It har to concencate, especialy \when working onthe smellerdetats, ond he progress that had made were very smal due tothe shortage of time, The ‘ime avalible to paint for arch case was only SO minutes as setting up and cleaning tack time, anc this resulted to "working at Rome forthe majority ofthe time. et very overwhelmed at the end ofthe creating process and wished ‘that could have worked anthe buling in the background, adding more detals onthe ferm, 251 was quite rushed to finen |When creating the fal large canvas pecs fait much more relaxed and enjoyed working onit because was able to use big brush moverents nd achieve # ot of progress during clas, My man intention was to combine the ‘contemaorery and traditional sides ofthe Thal culture and showing the difference between the wo. The procass want {quite smooth fr this panting alse a hve planned everything out by aractcing drawing every par-using ol pasts ‘The main challenge faces fr ths painting wast be successful in achieving the stylistic epproach | wanted take, which was exerssionist by using thick and rough brush movements. wish hat | had tried # aut with using atric paint tw practice how | wilde and how ft wil tur out. However, | =m very sasled how the skies turned out 25) was able to create movement fy layering the pain. Alco, | had used rough brushstrokes thet were not blended out and the Inshulstokes ean be seen inthe Beginning, | ums quite intimidated withthe size ofthe canvne arc how large it was, ‘ut inthe ene felt comfortable and alowed me tobe rougher with the painting | pla to come in during the break of fear school starts again toad a wider renge of tone and to complete the paling ‘Te what extant did the taking of photographe in your community influence your art making process? ‘The photos that | had taken of the community showee how traditional Tai culture was intergaded in our daly lives. When taoking anc observing the photos, | was able to reccgnze the small details and the ons of Thai culture These ‘photos helped me to see which icons could include, and plan ut and ereate my fine composition, as Iwas able lay ‘everthing out. Hse Thailand’ touriem industry diminizhed the integrity of That art and ule? ‘Alter vstirg Ayutthaya end sesig te ancient ele, tink that Thalan's tourism has incresed the sgifcance of the Tha act and pralse I. Ayuthaya s very famcus and peuple round the warld come vg the ste and se the ancient ‘Thal archicecture. Personally tthe site, It made me realize how complex the architecture was comasred tothe tal buldings inthe coneret jungle we ive in. How challenging ist to maintain traditional cure n a modern, urban environment. ‘Ate ving in Thailand for about three years, 1am more aware ofthe Tha culture and the specfc symbols thatthe “hal praise. think tis quite hard to alrtsin the tediiona ulsre especialy in Bangkok nit has developed majorly 52 concrete jungle, seing construction sites zouteveryuhere | go and new buildings opening quite often, Howeve ‘rom the photos | have taken ofthe community, stil was abe to see images that | defined as apart ofthe Thal culture. Thee items were often very small and in the background ae mst of them id not come ou from the scene signifearty.SAMOAN TATTOOS- TATAU paee “Seiten: ee Tata (TATTOS) : a re < ven Femme TTt8l + acd U (aM eaRN LANEUAGE S ApeRePRiAte BALANCED FITTING wn A Teaoronay TATTE® a verse FRO Aetist 6 Sen “yeh ete ACE ma BREAle, THE Fan TREE MA: a 1 BVO, GUT HY cate INDESTEVETARLGLIT AS aN CVERLAST, VO SEM AD TM With nave puto yourwacnisted and = MARE PIM THE S807 (PowpeR) = OF BURNT cAnoLEDUT SHELLS. - NEEDLE" - MADE FeeM A SHORT Plea Se BAmBOH OF = UgHT Good am B/NED TH fh piste OF RTE SEU INE END. O8 THE Lawee BROAD ERD EF THE SapTeeEsHeLL, 5 UTTEE GUE ome is sieo aR Tied on preass a fake deys te compleet. TH LARGER tae coms. 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