Muse - Black Holes Revelations Guitar Tab

6
TAKE A BOW

Words and Music by Matthew Bellomy

J = '30

BP;:tllg g~3fr

Synth. 8as.s arr. Gtr. (2.) opool

U·

®

open, U· @

Synth. arr. Gtr.

3 2---2 .2 -3---3 3 -2 2 2 -) 3 3---1

1~-~4t---4-4-4-4-4-4- 4-4-4-4-4-4- 4-4-4-4-4-4 -4-4-4-4-4-4

M-----""------S 5 5 5 5- 5- 5 5 5 5 5 5

II. 112.
D GmfBl> D GmfW
';ttflfr xx mm'" dlfr
113fr
ccen I Iii-I open I Ifr
I I
g. g. u________.g· g.
® @ ® ®
5 1+---2--2.--2.-- l~]--3 2--2--2 -2--2--2 3--3--3---1+--

<----4-4-4-4-4-4 5-5-5-5-5-5 -4-4-4-4-4-4 4-4-4-4-4-4- -5-5-5-5-5-

1--H----5--5--5---5--5--5 --$--5--5 --5--5--5-· --5--5--5

6=*=1:1 6Yd 6b:d::d ~ bYd 6d::6d ~ bYd 6d:::6d
G iii G Ebau~
ooax " 0 iii iii
mil
Synth. Bass an. Gtr.
~fr I Ifr I 3fr , Ifr I
g. g. g. U·
® ® ® ®
10 Synth. arr, Gtr. ---0 0 -0 0 0 00 0 0 0 0---1

I-+----O~o-O-o-o-o -O-O-O-O-O-O--'O-O-O-O-O-O~ 0-0-0-0-0-0-

~---o 0 0 --I I 1- 0 0 --I I L-

! II! I I I I I ! ! I

1 ! I I I ! I ! I ! I I

© 2005 Loosechord Limited Worner/Chappell MUSIC Ltd, london W6 BSS

7
G CmfEb G CmfEP
II Iii oocx xx "0 x
Ii m
3fr I Ifr 3fr l'li-
I I I
U· u· u· U·
14 ® @ ® @ .u. ~
1'1-"1-
, *
COT -
~...;.u. ,_ - - - - - ~
+-t-,j-f
, . • . • • •
0 0 0 1 1 1 0 0 0 1 1 1

A 0-0-0-0-0-0 --0-0-0-0-0-0- -0-0--0-0-0-0 1--0-0-0-0-0-0- r-
-,..,- 0 0 0 1 1 1- --0 0 0- f---I 1 1- -
-
I I I I I I I ! I I I I I I I I I I I I 1 I I I 1 I I I I I I I I I I I I I I I I I I I I I I 1 C Aba~~ C Abau¥
liM m g d
31i- 41i- 3fr ~fr
I I I I
U· U· U· U·
18 @ ® @ ® "J
" *"
- rupt, you COT - rupt and bring cor -
Hold, you'll be - hold and be -

~ -. - - - - -
.
, ,
-T- --,,--1 1 I I I 1 1 I 1 1 1 1
--A ,":___o-o-o-o-o-o- 1--1-1--1-1-1-1 -0-0-0-0-0-0- -1-1-1-1-1-1-
,.,. . 2 2 2- -----2 2 2 2 2 2 2 2 2-
-
I I I I I I I I I I I ! ! I I I I I I I I I I I I I I I I I I I I I I r I I I I I I I I I I I I C FmfAb C FmfN
m wi mr mm
II. 112.
31i- I 4fr 3fr ~Ir
j I I I
u· g. u _______ u- U·
Z2 @ ® @ ® "J
.
"-'
') .._
-rup - don_ to all that.; you: touch. And
-hoI - den__ for all that., you've done.

fl ~ I:!!!!!o-. I:!!!!!o-. ===~~ ~ ~ I:!!!!!o-. ~ ~ ~ ~~===
. -itP-
t)
1----1---1 1---1--1 1--1--1 1---1--1 1---1---1----- I-

A 0-0- 0-0--0 1--1-1-1--1-,1-1 c--o-o-o-o-o-o- -0-0-0-0-0-0"":' 1--1-1-1-1-1-1- l-
'e 2--2---2- r----3--3---3- ~2--2--2- -2--2--2 3-----3--3- I-
-
... I fl
8
Iii F
II 1m
Ifr I
g.
27 ®
fl
u
spell,
II
,
II
1

2-2
-.~- 3
-
... I I I I

F
&J1
Ifr I
g.
3/ ®
.
..
spell
~
,)
I
1

~ 2-2
c 3
-
... I I I I
1
I s~
I 1m
Irr I
g.
35 ®
'1 I I
..
l risk,
,
3

A 3--]
-,.; 3
-
... I I I I
D!>au~ F :ii
II mm
4fr Iii" I 4fr
I I
g. g. g.
® ® ® cast

a___ spell.L

cast

a

-I 1----1-2 2 2-~ ---f-- ----I 1----1-2 2 2~~--I

--2-2-2-2- 2-2-2-2-2--2 2-2--2--2-2-2 2-2--2--2-2-2-

--3 ] 33 3 1 3 1 3 3 3

I

I I I ! I I I I I I I

SbmfDb F BbmJDb
iii m Ii
4fr Iii" 4fr
I I I
g. g- g-
® ® ® on_ the

coun

try_ you run.

And

-I 1 -2---2 2 1 1 1----1-2 2 2.----tl--

-2-2--2-2 3-]-J-]-3-3 --2-2-2-2-2--2 3-]-3-3-]-3

--3 3 ] 3 3 3 3 1 1 1 3--+1--

I ! ! ! 6:::6:::6d

I I I ~ 6:::6:::6d

G~aU$ Bb 9:au~
D m 1m
2fr I IIr I 2fr
I
g- g. g.
@ @ ® you

will

risk,

you

will

-3 3---+-3 3 3---+-:3 3 ]---+-3 3 ]---1

--J-]-3-3 3-3-]-3-3--3 ]-3--3--3--3--3 ]-3-3-3-3-3

---3 3 <4 <4 <4 J ] 3 4 <4 <4-

I !

I I

9

21c I g@

Ifr I g®

21r

I g-

@

39

fl I I to.. ,......... I to.. r---"I r---"I I I I
.
I)
risk all_ their lives and.L, their_ souls __ And
"l I
•
t.
3 3 3 4 4 4 ] 3 1 4 4 4
,
A J-l~]~--3-1-3 --]-3~1-3~3-3 r--]-]~3-J~1~3 -3-3-3-3-3-]- I-
-n 3 .3 ]- -4 4 4 3 1 ] 4 4 4
-
.... bbI::::I bbbd ~ I I I I ~ bbbd bbbd ~ bbI::::I b:bb:J bbId bb:b:l ED CDaug EP CPaug
x " )( x .3fr lm2fr
1Im31r W2fi-
Ifr I 2fT- Ifr lfr
I I I
g. g- g. ff·
43 @ ® @ ® "I I I I I I I
•
bum, you will burn, you will
----iJ- I
t
-r 4 4 4 4 4 4 4 4 4 4 4 4

A 3-3-]--3-]-3 --4-4-4-4-4-4 r-----1-3-3--3-3-3 --4-4-4--4-4-4-
-n 5 5 S 5 5 5 5 5 5 S 5 5-
-
.... I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I 1 I I I I I I I EP ADmlCD ED ADmlCD
.31r mm~fi- mm3fi- d4fr
Ifr if, Ifr 2fi-
1 1 1 'I
g. ff· g. ff·
47 @ ® @ ® r I I _.... - ,__ 1 • _.... -
t. ...._ »> ~ - --- »> ...,__
burn in hell,~_ yeah.L you'll burn in hell, __ you'll

'I I
t
4 4 4 4 4 4 4 4 4 4 4 4

'A 3-3-3-]-]-3 i---4--4-4-4~4-4- -]-3-]--]-]-]- -4-4-4--4-4-4
t> S 5 5 6 6 6 S 5 S 6 6 6-
I'"
, I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I 10
ED ADm ED ADm
11m}3fi- m x x .41r
4fc e3fr
If. 4fc If I' ~r.
I I I I
g. g. g. g.
51 @ @ @ ® bum _

in

hell,

yeah- you'll bum _

in

hell

for all your_

I
It.. ,
-T 4 . 4 4 4 4 4 444 44 4

3-3-3--3--3-3+~4-4-4-4-4-4- ~3-3-3-3-3-3- r---4-. -4--4-4-4-4-
b 5 5 5, 6~ _ 6 6 555 6 . 6 6-
....
I I I I I I I I I I· I I I I I I I I: I I : I I I I ! I I I I I I I I I I I I I I I I I I I I I I I ED

Inttl3fr

55

II I
It..!
- sins,

,f'.
,
It..! +-+-+
i 4 4 4 4 4 4 4 4 4 4 4 4

A J-3--3-3-3_3 -3-3-3-3-3-];- r---3-l-J-3-]-]- ~3-3-3-,3-3-3-
"0 5 5 .5 5 5 5- --5 5 5- ~S 5 5-
....
... ! I I I I I I I I I I ! ! I I I I I I I I I I I I I I I ,I I I I I I I I ! I I I I I I I I I I ! ED iwf6fr

Bb7 1m7fi-

Synth. arr. Gtr. ad lib. arpeggio over chords

I I I I

:/ :/ :/ :/

I :/

I

:/ cant sim.

59

fI I .----n/ --- ~.-..~ 19-.----- -,
It..!
011, our
Synth. Bass arr, Gtr.
II I ,......., 1"""""'1 1"""""'1 .--! _ , _ _ _ _ _...., _..., _...,
•
It..! ~ ..... ..... ..... -; -M .J. -; -; -;

8 8 8
.0.
'D '1 9 9 B 8 ·8- --8 8 8-
I .... 6 6, 6
.... 7 7 7 6 6 6 6 6 6 w

LJ

LJ

LJ

t.,

LJ

LJ

LJ

LJ

LJ

LJ

LJ

11

63

c~ mm7fr

I _rt". «<. ~ L
~
free - dom's.L can - Sll - m:ing_ it - self. But
, I ,...-, 1"""'""""1 1"""'""""1 - - - I
-1--,'
~ 1'''' ... ... J j j j j j

8 8 8
.d
B 9 9 9 6 6 6 6 6 6
6 6 6
7 7 7 4 4 4 4 4 4
, LJ LJ LJ

u u u

LJ LJ LJ

LJ LJ LJ

'67

I -------
I.
what we've be- come is
fI I ~ ~ ~
~"'- ~
tJ -J ... -J . b~ ~ ~ 3 3 j 3 3 3
I H-, 1 d
3 3 3
.d
'0 4 4 4 1 3 1
... I I I
:2 2 2 I I I I I LJ W W

LJ LJ LJ

LJ LJ LJ

LJ LJ LJ

71

I ",.---, _!'"'l;'. • • ~...,- r.. -----
..!:.
•
con - tra - ry to_ what we want. Take
I I ~ ~ __.. ,........, 1"""'""""1 ~ ~ ,...-, ,........,
.z;
I. ~. -J. -J b~ ~ :i
I I 8~~
3 1 3 8 8 8 8 B
A
-0 4 4 4
1 I I 6 6 6 6 6 6
... 2 2 2 LJ LJ LJ

LJ LJ LJ

LJ LJ LJ

LJ LJ LJ

75

"l - -----
•
- a bow.
fl __..- __..- ~
f} ~ ~ :;J: -j ---- .. .. ~ ~ ~~

I 5 5 5 10 10 lO-
A
-0 1 3 1 7 7 7
- .... 3 3 3 8 8 8
, I I I 5 5 5 LJ LJ LJ

LJ LJ LJ

LJ LJ LJ

LJ LJ LJ

12

f (:;01

r-

eJ

13 13 1.3 17 17 1.7-
i 1.0 10 10- --13 13 13
-~7 10 10 10 14 14 14
7 7 10 10 10
.....
... LJ LJ LJ LJ LJ LJ LJ LJ LJ LJ LJ LJ
F Dbau~ F filii
mm IW 1m
Syntl1. arr-, Gtr.ad lib. arpeggio over chords
I I I I I I I I I 1 1 I
/ / / / / /, / / / / / / 83

~ _fl -j(-

Electric Guitar (Z')

r---1r---1 ~~~. ~ .j"""j j"""j

-I

P.M.- - - - - _ - - - - - - - - - - - - - - - - - - - - -~~-.---"'_ - -::: - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - -._ - _ - - - - - - - - - - - - - - - --l

overdrive

~I------------------r---------------~-----------------I------------------I

hI.~_.--J+-IO-IO-IO-JO-IO-IO-~II-n-II.-J I-II-II-~IO-IO-IO-IO-IO-IO-f--II-I,I-If-ll-II-nH~~--JoI--B-8-a-8-B--8--B-8-8-8--B-8--B.--B-B-8-8-8-l-a-a-a-· -a-II-8--

LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

~M~--------------------------------------------------------------------------------------------1

Synth.Ba.ss arr. Gtr.

"... ..

-T-- 10 10 10 10 1·0 10
A II II II II 11 11-
'0
, ..... 8 8 8 8 8 8
" LJ LJ LJ LJ LJ LJ LJ U LJ LJ i I j___j II.
;F sl>mlDb F
m lim 1m
1 I I I I I , I 1 1 I
/ / / / / / / / / / I /

112.
BbmlDP
1m
1 I I I
/ / / / 87 ~fl.

z f3 'iltam ~::£

Elec. Gtr. (20)\:

~IO-IO-IO-IO-IO-IO--+-II-II-II-II-II-t I--IO-IO-IO-IO-IO-IO--+--"--~--'---~---x.-X- -11-11-11-11----1·--B---o-a-a-a-a-au-j-o-o-o-a-a-o- -0.-8-8-8-8-8 X-X_: -8-8-0-8----1t--

L~~LJ~_~U~~LJ~~LJ~.~LJ~~LJ~~LJ~~LJ~.~LJ~.~------~~~, ~LJ~~LJ~~-~

fl -~. ,......., ,......., ....,..., ,......., .,......, I
~~ -F -I- -F -I- -F ~I~:
.'
u ~ I,...,..J I,...,..J V" .. .. I,...,..J I,...,..J I,...,..J I,...,..J I,...,..J I,...,..J V" .. ..
r
'IO~-I 0---10 10--10---10- --IO--Io--m .-
.0.
'0 11--11--11 , 11--11--11- r-
. .., 0----8---8 8----0----8-- -o---o----a
,---,---, 9----'---'
... ULJU

uuu

LJLJU

ULJLJ

ULJU

13
Bb rh;if Bb 9:au~ Bf>
mm '1m x x
Ii mm
Bass arr. Gtr.
Ifr 2fr Ifr !fr Ifr
I I I I I
g. g. g. g. g.
® ® @ ® @ 92 Elec. Gtr.

'" ~ I
I - -z:J" ~~. _..+. b=d----

Synth. ad lib. arpeggios over chords
or>
.... 6. 2 6. 2_ X 13 II 13- Ebm/Gb Bb EPm/Gb ED Cbaug
lW x x Ii ImJfr .2Fe
,m
2fi" Iii" 2ii" I 6fr ?Fr I
I I I
g. g. g. g. g.
97 ® @ ® @ ® '" 1'1 I -. ' .. _l
,
, '-..../-------- q~ <:> q~ q-d.
I~ ~ .... .,,"''''-
-1 " ..
"
.0. / /
1'''''- / ./ 6 1
I'" 13- 13 II '-I] 13 X-L..13- X
... L.....J

L.....J

Me I g. @

Mr

I g.

®

7fr

I g.

@

7fr

I g.

®

102 oj-
~ , I ............... I li=
.
--
t.. --q-d- "-.../ "-'""......, '-" "-/~
n on
'j;,
<,
Ii /
0"; 6- 1-'2 ___ -=X- -10--8---8-10- HO ..... --IO----10.-..10-8- 1-10 10..... =--=-X-X
...
... I' I I I' V LJ L b..J LJ I' ~ LJ Ab f;;td Af> f;;rrf
mm4fr m11r
4fr open I 4fr openl
I I
g. g. g. g.
108 ® ® ® ® fI I
,
'U
Death, you bring death and deli -
fl I
U £to b~' £to b~'

n
... 4, O. 4. 0,
... 14
AD D~mIFb AD
mlt1f< _Sir mm~fr
41r 7rr 4fr
I I I I
ff· ff· ff....___..ff·
® @ ® 112
":l I ~
.
. .
V I ,... ~ r I r ~ I
. true . tion __ to all __ that- you touch.
fI I »<: _....---....... -br--
u I r --- --- I '---- ~
.I~
"-
'\
A .-- -.....
·c IS 13"-"13--15- 1-15- 15-15--13- r-15- -... 15_ -X~x-
~
.... I' ~ L..J ~ ~ L..J I' I L..J
~ AD Fbau§
mlt4fr m
116
.
,
Pay, you must pay, you must
. ,
Elec. Gtr.
'l I
, 4' ~~, 4' ~~,

A
.....
- i' r' i' r
r-
"'- Bass arr, Gtr,
_L _L
U ~ ~ ~~__j _, ~ ~j-----+

A .-- <, /' <,
c 6~11--11 "-7 6~1--11 1-7-
~
4 LJ 1 0""-"'0 I 4 L..J 1 0""-"'0
... I 'I L....J, I I L....J I I t""'1:'- ...-. II It 01
,-..
"'"
. 0
, I r I__,I ~ '--! I__,I I
pay fOf_. _ your crimes., a- gainst.; the Earth, Yeah,

f'l I k_~ r- ~~s- .iI ~ u
-...
~ ! ~
~ )l l'
...- <,
A 13 11----11 13 -If 13--13' 11- -13 13 x- 14 13 14-1 )-14-13-14 13 14 X
',,;
- x X
I' ~ LJ ~ ~ LJ I U , 1 , , ! I I , U

Of +t
• ~ <c.:> b~ ~ ~ -..._/ b~ j
~
A /' -.., ._ <, e
Ie 67""1 ,--, , 1-1 67""11'-" II
1-
4 (}--o 4 0 0
" I'j 101 +I
0
t)
hex, feed the hex, feed the
. .10 !i.
I 4-' q:;st. -a: q:;sE'
-1
A
U:i 4 0 4 0
-
I' I' I" I'
f II ~. __., .........,.
t. .... ~ '-.....qV' __.~ "'-qV'

.Il - 11"'-"'11 7- -- 11-11- _7
IS , , -0_ - -4=-- ~B r-o_
- 4=-- ~B
" /20

LJ

124

LJ

15

LJ

LJ

Aaug

b

Aaug

1m

L.....J

16

F~m/A

lim

/28

fl.£! It ,,-...._ r=> .10 tt
~
u I V L-J V I V ~. I
hex on_ the co un - ITy- you love. And_
""""""-- - ""---""""----
.10 fI u »<>">; r- "~~-..v--. .r- u ti J1.
.. ~ \;
""-
I~ ~-
"'¥\I~~
"-
/
15 13~13-15- -If'" 15'-'15-13- 1-15-- -IS-X- 1-16 X
"IS X
~ U L1
'" ~ LJ ~ ~ LJ I I
fl .10 +! " ...... - ...... u ti. 1.1
U -~ ~~-;J-_./ ~ ~q~ -

1!. - 11---11--= 7 - 11--11"- __ 7
B 4~8 0=---== 4~8 1-0

.... , LJ I I I I LJ I I ,
F~ Daug F~ Daug
fE ]1m II 1m
/31
't" It " .
~
-II! "
beg, you will beg, you will
. ,
'l .10 It tL
• :j~ ~ .. .. .. ~~ ~ _:;C Ii" .. ..
~

A
D /' ----., 5--5-"-5- ,/ <, S--5--5;::;=--
~ 2- -2~4 -2- --"'2~4
I L....,j I I I I L.......J I I I
"l .. +t JJ.
1-1:1
.) 0 ,~. ~ - ~.'

A 12 _12
b" - - 9--9=- -- - 9--9~
.... 5 _5_
.... i=-=L.J I I I 2=-=L.J I I I
I ' 17

136

BmlD

1m

Bm/D

xli

fl .If +I u -- ".--..._ .--.. ---- .--. _.If +I
.._
_ .. I V ~ ,., I ,..- L..--J i-I I
beg fOI_ their hves_ and.L their_ souls, And
"I .If +I ,,~. ~-fL ~,(" ~r (~ JI 11
. -. _, ( .. )- ~ .
• ~ 12~ 1 ~~
If 112 -,;
_t ~ If". I~ It
i
15 13=1.3-IS- I-IS~ 15-IS-I.]- -IS---- -----15-- 15-15::::____IS~X
A X X
'"
.... x X
L.J x-a
I· ~ Ll ~ LJ j I I ~ U

f\ .If Ii u, ... +t
.. ,0 -~ ... - ~~ -Ij.-
r

b .-. 9--'- _1"2- »r: ---.. .9-9-- 12
~ 2~9 _5_ 2:=----=9 _5~
, LJ

LJ

Gaug

Ii

Gaug

d

140

burn,

you ,wiI]__ burn,

YOLl

will_

q .

q .

~------------_r--------_r2---------T_--------1

I·

18

B

nitrfr

144, _____

flllll: -: <,

Em/G

d

Em/G

mill

r ............

I

I

r I

in nell,_

in

hell, __

you'll

yeah_ you'll burn~~~~_

burn .. _~~~_

8"" - - - ~ ~ - - - - - - - - ~ ~ - - ~ - - ~- e - - - - - -- - -- - - - - - - - - - - - -- - -- - - - - - -- - - - - -,- - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --

flll+t »<:«>: ~~

. .

III

1-'I'----16---1"=::'14-16-r--1l,-~---16.-.16-1"--16~~-1I"--14-16- -16-~~--16-...--~--1

-

I'

I'

t II -it, .-o"!I - _..., ~
... -:-~ = ~~/ l' -t::./ =t ~;t/ ~.
11

A - 9'---9 ~__.....- ...... , 9'='9
':c 2=---=9 _10 2~9 10
- LJ--1- 0 LJ--j=- -- ()-
" LJ ___ I I' ~ LJ I' ~ B mm7fr

Em/G

d

_d

Em/G

Utlii

148

~ ~ ~ ~
bum in hell, you'll bu in hell.
(Bt!m in. hell, yo-u,'ZI burn In hell, you'll (8),- -- - - - -.- - - - - - --- - - - - - - - - -- - -- - - - - - - - ~-- - - -- - -- - ~ - - - - - - - - - -- - - - - - - - --- - - -- - - -- -- - - ---,-- -,--- --- - - -- --- --,-- --,-

fl II iI:~.~ --.. -/I;-.~

If.! If.!

1-----14---12=12-1"-,-1~--1,4~12-r_14---12...-..12-14-,___14~----.....,

I'

HB~---2=-- ==9-----+-IO----7==-~=I::::,_2=_ -----9,-----I-IO----·1=~-~d

I' [.

I'

I' I' I' I'

,

19

I~

r ...........

Burn. _

bwn 'In lteIl, you'l1. b'/!m_____ in hell_

for all your

(8)" - ,- - -- ,- -, -- - - - - - - - - -, - - - - - -- - -- -, - - - - - - - -- - - - - - - - - - - - -- - -- - - - - - - - --- - - - -, - - - - - - -- - - - - - -, - - - - - - _,_ - - - - - - - - - - - - - - --

, ~,~ ,~ ~

-fLo ~ -fL -fL P. ~~---~ ~I"- (q~~~ (~) ~~ f!"- ~~

hold bend·-- -- - - -- - - --l

112 112 112 III

_--' i ~ --'

1----19---19-19-,19-,-19-------22'----0'21: n,- ---'--11--21------------"

A

i.

"IS

-

I"

I

,

-----7

, A
,"8 14 9 10 7_ '14 9 10
I" I" I' I" I" I· I"
B
tWrfr 156

I .10 f!

I"

C/B

m

. 2.:~ ~:::::::======:::f2:::::::=========:a.:::::::======:::GL:::::::======:::f2:

~ '. .. . ~

t • I • ..

sins. _

sins.) _

(8) - - - - - - -, - - - - -- - - - - - -- - - ,- - - - - - - - .,-' - - -- - - - -, - - - - - - - - - - - - -. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --1

fl .10 f! />: • ....----... ,.....--...._ • • • ____

c:;. (feedback)

t2
I{-~ -19-- ---19- -19"'- -c-, :19"'- -c-, 1:9
A
'",'
...
I" I" i" I' 0
i I
0
I'" I
2
I'
I.;)
r;-.,
-d. -+ -7

i
A I'"
'" _2 2 2 -1:--4-5-2 1: 1 1 1: 1:
....
1 1 1 l....6d I 1: 1: 1: 1:
I I I I I I I I·
I.;) 20

STARLIGHT

Words and Music by Matthew Bellamy

B

1m

J = 121
(B)
f' fl 110 ij Synth. Bass arr. for Guitar
"4 --,J ~' .,; ~_
._; - -,J ..,,- ..". - •. -,I. ~ -,j ..". -,j 7i __ • --,J •• • T -,i __ - .T-,J

. ,..
.tl ;:
b. "to 1-1-2,~1-2-2-2-2- t-1-2-2-2-2-1-2-1- ,--2-2-2-2-2-1-2-1- r-2-2-2-2-2-2-1-2-
....
, I I I I ! I I I I I I I ! I I I I I I I ! ! I I I I I t t ! I !

B dm G#m E
Piano arr, for Gtr.
5 ~ :~ t=---~ .~. ~ ~~ ~ ~ r~ 'f'- .'-'. ~ t f!=
r'_ ~ 4t -fL- - •
-I- .fl
.'
Fig. 1·- - -- - ---- --- --- -- - -- - - --- - - - - - - -- - - --- -- - - - - ------- -- - - - ----- - -- - - - ---- -- - - - - - _- -- -- --l
Synth. Bass art. for Gtr. Fig. 2 (be/ow)
II 11-12=12 12-11 II 11-12=12 12-11

12 .14 14- --12 12 14--;
II 13""'13 13 13=13
c
...
, I I I LJ ~ I ~ I I I I I I I LJ V I ~ I I I I

. ,
9 B C~m G#m E
~ 11
• I r I ._",. I I r I r I
1. Far a-way, this ship has tak -en me far a-way, far a - way from the
~ 11 Synth. Bass arr. for Gtr.
• • -,I' -,I' • -.f.-- #--- •.• #_'# • •
R,2-------------------------------------------------------------------------------------------1

A 6-6-6-6-6-6-6-2- -1-2-2-2-2-1-2-4~
B 2-2-2-2-2-2-2-4- -4-4-4-4-4-2-4-6

, I I I I I I I I ! I I I I I I I I I I I I I I I ! I I I I J I I

© 2005 lccsethnrd llmlted
Warner/Chappell Music ltd, london W6 8BS 21

/3

B

dm

E

me

mo-ries

of

the peo-ple who care

if I live or_ die. _

A

2-2-2-2-2-1-2-4-

1~·---------------I------------I-6-6-6-6-6-6-6-2 4-4-4-4-4-2-4-6-1------------1-------------1

1-ti----2-2-2-2-2-2-2-4

17

B

dm

E

star

light,

1 will ho chas-ing a

star

light,

un - til the end of my_

2-2-2-.2-2-1-2--4-

1..t;---------------f------------~-6-6-6-6-6-6-6-2 4-4-4-4-4-2-4-6-1------------+------------4

21

B

dm

E

1 don'tknow if it's worth jt_. _ an -y ~ more. _

~--------------I·-----------+-6-6-6--6--6--6-6-2-- 2--2--2--2-2-1--2--4

1-tr---2-2-2-2---2--2-2--4- 4--4--4-4-4--2-4--6____.------------I------------lj

E

25

Hold you

in _

my _

arms;

just want - ed to __

~-------------__j-----------+_6-6-6--6--6--6--6--2--2-2-2-2-1-1-2--4

4-4-4-4-4-2--4--6__j------------1------------1

22

29 B dm G#m E
f'l .u. ~ 1"'\ ,..----....._,_ 1't~ / ~
. ...--....
. ~. -'--' .
._;
- hold you i'n_ my arms, To Coda.

.u

. ._;

H,~"I.-------------+-----------+-6~6~6~6-6~6~6-2--2~2.~2-2-1-1~1-~~ H~~---2'-2-2-2~2-1-2-4--4-4-4-4-4-2-4-6

I-------------r---------,I---------_,---------~

33

B

dm

E

fl loll!: - ,..------.~ - -
. .
.. r I r r I I r
2.My ____ _life, you elee . tri . fy- my life. Let's con-spire to ig -

Ele.c.Gtr. I
fl 101 ll: -f'-- ~ ~t!:_ -f'---f'-- -f'-- f'--- -(lI- »<; -f'--/' A -f'-- f'-/' ,_
, ~H=I
u
overdrive. let ri 118 hold. bend- ---- - - - - --- - - -- - -- -- ----I
;' 1/2 1/2 112
7 7 7 7-7 7 1.. 7,~ 7 t t 7-7_:t--r-

7 1-1--S~~5 .5 5--5-5-. --5-4-4--4 ~-4 .0-
.4
'0
....
... I I I I I I ~ I ~ I I I I I I I I I I I I I I I I 37

B

dm

E

'1101 ll: ,/ - ,-------- 3 ------,
.
It. • I
- nite all the souls that would die just to feel a . live __ .

fl IoItt .,.. -(II- f'- -f"-- -(II- -f'-- :r"- -f'-- ~- .fL- r-. L::::- -f-J!:-_,6 I"-
--t<oi
u hold bend- - - - - - - - ---- - - - - - - ---l
1/2 In 1/2 III
7 7 7 1-7 111 ) 1 t t 7-7----t--7-
7-7--5e::::::~s 5-- -1--4-4-- -·4-4-4--4-
7 5 4-. 4
A
-0
~
[ I ! I I I ~. I ~ ! I [ I I I I I I I I I I ! ! I

Gt,r.2
fllol tt 1=
- .
._; -l' -l'
distortion

) 7' x-x-
A (- X-X-
-c- x-~~
~ 23

G~5

41

c#s

I'll _

ne

ver let_ you go _

if you

pro

mise

nct.L, to

6-6-6-6-6-6-lt- 6-6-6-6-6-6-6 4-4-4-4-4-4-4

I I 1 I LJ .1

45 A5 E5 AS D#s
~
fade a - way,_ ne-ver 'fade_ a- way._ ;::~A:'-=--=--=--------7--- ----7===--7--7----7-=--=; II~B----7--7--7-7-7--7-l'-----~5---S---S--s--s~0

1 1 1 1 1 I

8--8--8--8-8--8--8-8 8-8--8--8-8-8--8--8 -6-6--6-6-6-6-6--6

9--9--9---9-9-9---r---------8

9--9--9---9--9-9 7---7--7-7--7--8

7--7-7---7--7--7 7--7--7--7--7-6

0-0-0-0-0--0--0-0 5---S---5--S--5---;--'--:-----:----:--:-----:----:--:--:----:--:--_il

1 1 1 1 1 1 1 1 1 1 I 1 I

49

E

B

And our

hopes_

and ex - pee - ta

nons, _

wfe;::ho, let rjng
brae keted note (2· only)
7 7 6 6 7 7 7
9 9 9 8 --9 9 7 7 7
8)--8 8-- B B 9 9 9
U U U U U U U LJ 24

L E

B

53 em sus
fJ lot il: .>: ~
'.
~ ,
...,
black holes.L, and re- ve - la - - c c tionS._
fJ j.f ~t -f'l- a -~- a ~ a ~ _,._ a f'- __'c I'-
.'
~
7 7 Ii Ii 7 7 7

9 9 9 8 9 9 7 7 7 9~'
A 8--8 8 8 8 9 9 9
-0.
-
.... LJ

LJ

LJ

LJ

LJ

LJ

LJ

LJ

2.

E

B

57

t j.f It
'.
~
- - - - tions.L;
j.f * f'l- I'- ~ ~ ~ :~ Synth. Bass arr. for Gtr.
t a a .-
-~
~ T -"I. T -"I. T T ~;
7 7 9 9 9 9-· -9

-, 9 9 7 7
A 9 9
[.,: 2-2-2-'2-2-2-2-2-
' .....
.... LJ

LJ

LJ

60

D.~ 01 Coda

f' 'I j.f +I
1-(.
~ tl- T T -Ii -Ii -Ii -"I- T -Ii T -,J T 7T -.J. -,J -"I. 71 y. W· -.J- 71 tl- T -.J.

A
,D 2-2-2-2-2-2--2-2- -}-2-2-2-2-2-}-2- c-2-}-2-2-2-2-2-2-
- -$-Coda

6.3 B

f Of il:

dm

E

-,.- +.

Far

r I a- way,

"...._,., I I I

this ship has tak - en me far

r I

a ~ way,

I r

far a-way from the.,

Elec. Gtr. I +

let ring

I-T-----O-O--O-O 0-0--0--0-0-1---0-0--0 0 0--0-

hAK-----4 " 4-3+3 3--3 I-I 1--1---11.--4,....--

~o~-----------j----------+--------2--2 2----~

....

25

me

mo-ries

of

care

if I live or_ die._

the peo-pte who

1-1TF------O-0--O-O---l--O-O 0 0--0--0---+----0---

14 --4 4 4-3 3 ]-3 3-- 1--1--1--1--+--- ----

Ie --------------+------------~---------2 2---2-----~ I~

71 cis
If
,
I'll
Elec. Gtr. 2
If
, let_ you go _

if you

pro . mise 110t_ to

ne

ver

75

D#S

A5

.~~~~~~~~~~~~~~~~

,

Fade _

ne-ver

fade, a- way._

a - way,_

And our

and

ex-pee - ta

tions, __

hopes.L,

1H----It.:...._-----------1-B-8-8-B-8-8~8-B- 9-9-9-9-9-9-9-9-1------------1 I.A --~1-6-6-6-6-6-6-6~ 8-8-8-8-8-8-8-8 9-9-9-9-9-9-9-9--9-9-9-9-9-9-9-9- 1 [] ----I-I-'-·-6-6~-6-6-6-6-6 -6-6-6-6-6-6-6-6 7-7-7-7-7-7-7-7 9-9-9-9-9-9-9-9-

1 u ---'-'--4-4-4-4-4-4-4-4-_L_-,---,--,.-,....--:----:-----:--.,.....--L......,--,----;----,--,---,---,----,---'--7-7-7 -7-7-7-7-7

I ! I I ! I ! I I ! ! I I ! ! !

....
26
II. I
83 G#S D~5 ES B5
rO-~, tt ~ ~
.
, "
u'
black holes_ and Ie - ve - Ia - - - - noes, _ yeah.
'I ~ ,tt L t L j
, ~ :; -"" .. _. _. =: ~ ... . ... - - • - . ---
111' -.- "iI- -. ~~--------------~

8-8-8-8-8-8-8-8- -9-9-9-9-9-9-9-9
A 6-6-6-6-6-6-6-6- -8-8-8-8-8-8-8-8- -9-9-9-9-9-9-9-9
IS 6-6-6-6-6-6-6-6- -6-6-6-6-6-6-6-6- -7-7-7-7-7-7-7-7
- 4-4-4-4-4-4-4-4 X
.... I I I I I I I I I I I I I I I I I I I I I I I I ~

12.
87 E5 F#s . B dm -~~
'I .. ij --------
,
- - - tions._ Hold yoo In __ my_
r. J,I It j j j Synth. Bass arr. fo.r Gtr.
-I-
~ -,j -,j -,,1- -.f -.f -.f .-.f#- • -MI· #- -#- #- -.f #- •
Plono orr; for Gtr. ploys Fig, [

9-9-9-9-9-9-9-9- H 1-11-11-11-11-11-11-11
A 9-9-9-9-9-9-9-!-- H 1-11-11-11-11-11-11-11
0 7-7-7-7-7-7-7-7- -9-9-9-9-9-9-9-9- b-2-2-2-2-2-2-2-4- -4-4-4-4-4-2-4-6-
...
.... 1 1 I I 1 1 1 I 1 I I 1 1 I 1 I 1 1 I I I I I 1 1 1 I 1 I I I I

G#m E B dm
9f 3---1
I 101 It rr-; r=>. r ~ ...---..._
~. .---...
f-.r
~
- arms, __ 1 just want - ed to hold
fl 101 +to
... - .; -:,J- -,j -.f -.J T -.J ·11
,

1
A 6-6-6-6-6-6-6-2- -2-2-2-2-2-1-2-4
-0 2-2-2-2-2-2-2-4-
~
1 1 I I I I I ! I I 1 1 1 1 1 ! 1 1 1 ! 1 1 I 1

94 G#m E ____________, B N.C.
I'.t .. ll: ~ ~~ ~ .--3 ~ • _____ f.'I
-
~
- you in __ my arms, I just want - ed to hold ... _
fl 101 It f.'I
U #--#7#-#-.f.· • -.1'--.

)
A 6-6-6--6--6-6--6 t"-
o 4-4-4-4-4-2-4-6 7- r---7--7--7-7-7-6-7-9
... 7-
... I 1 ! 1 I 1 1 1 1 1 I I 1 ! 1 1 1 1 1 ! 1 1 1 I -
I \.;.J
- ~~# FJ~@ J#¥ln-4=nm g 919 ~. d I

=i-g
'-----" ~ . - -: -: . . :
d istortlon
I~
-T
- . -
5--7-'-7-5-7-5 5 5
ri
.... 7 7-7-5-
0 X 0-0 0-0-3-3-3-'-0-0 0-0-5-5-3-
, I I I U .....J

j

28

SUPERMASSIVE BLACK HOLE


J = 120

Eoct

II.

Electric Guitar I

2.

N.C.

5

I.

2.

8

G5 E5 G5 E5 G5 E5 AS B'5 E5 G5 ES N.C. 3

j ffl J J W J g 2 i 3-, ~. J1fft

© 2005 loosethord Limited Worner/Chappell Music Ltd, london W6 80S

'I,.......
/1
~
tJ
fl
I-\_~·
tJ

A
D
...
,
14
-9·
t
..

4-
:6
...
,
17
..
..
~T

4-
b·
...
,
20
t
~
..

4-
·0
... 29

1. 00_ ba - by don't you 2.1 __ thought I was a

know., I suf fool_ for no

fer,_ one.L,

00__ ba· by can't you

00_ ba· by I'm a

w/crunch

Fig. I--T~~e~ -2: ~ === == = = = .:: = = = = ====== .: .. == = = = = = .: = .: .: = = = = == = = === ~ - - - - - - - Ta~~t-2: ~::::::::::::: :::::: :::

-"'--il-0--,--0-0-3--3-3

I I I I I I I

5 5
7--7-5
0-0 0--0-5-5-3 0-0 0-0--]-3-3
I I I I l I I I I 1 I 1 I I
E5 GS GS ES AS G5 -fl-----5-------------I-----

hear L, fool_

You _ caught me

You're the queen,

ces,_

cial.L,

false_ su

Ull - der of the

me moan?_ for you. __

pre- ten per - fi

Fig. 1- - - -- -- - - - - - - ---- - - - - -- -- - - - - - - - - - - - - - - - - - - - - - - -- -- - - - - - - - - - - - -- - - - - - - - - - - - - - -- - -- - - - - - - - - - - - --

Ta:cet 2" . --- -- -- -- - -- - -- -- - - - ----_I

------------7---7-9-4--------------------~---------------7--7---S

-0-0---,--0-0--5--5-7 0---0----;---'0--0--3--3-3 O---O'---;---iJ 0--5--5--3

1 I I! I I I ! I I I I II!! !!! I

--------5--------------r-----s--------------r-----s---------------1

how_ long be - fore you how _. long be - fore you

ler_ rell_

me gO?--1 the truth? __

00 _

R~l----------------------------------------I

'--'

. Tacet 2° - - - - - - - - - - - -_I

III

--0-0---,--0-0-3-3-3

I! !!! I I

0-0----,---0--')'------;----;----;----,.--;---','-5-5----,--5-5--:----;---;---'

III I!! ... 1 _..._....__

--------5-------------------r-------

----1+----7-------7-7-6-

you set my

soul___ a - light,

------5---------------------_,--------9--------------------4---2-2---------------~

--3-3---,--J---J---5---5-6--_L_7-7---:--7-7-6-5-]

! I 1 I I ! I I 1 I II I !

0----,----,---2-2-3-3--4

I ! 1 1 I I

-f
30
AS G~ B5
13 ....---:::::: ----. -----;--_.
"I ~ fr::.--------,_ ~,_ 0.-- .-
II ob set soul
you my
"I ~
II ~ ~ ~ ~ - i :; =J -:;t ~ #~ -. -. -. ...,~~ ~
..

d 7 7-7-6 5 9
0
.... 5-5 5-5 3-3 ]-]-5-5-6 7-7 7-7-6-5~3-
'" I I I I I I I I I I I I I I I I I I I I I I I I

N.C. E5 AS GS ~
26 J.~..m d-------J n
"I ~~.
II) , a - light. 00
-
(GIn - ci:ers melt -ing in the dead oj night, and the
"101-
e ~' ~ ~--'~ =J :;t #=J ~ ~ ~ ~- :::; :; - ~~ ~ #~
-.

...
A 7 7-1-6 5
-0
- 0-0-2""·-2-3-3-4-'---5-5 5-5 ]-3 3-3-5-5-6-
... V L..J I I I I I I I I I I I I I I I I I I I I

BS ES AS

29 J~ ~ 11 L 1- .r--, I J.--------JD
flo!- • )
-
II) set soul_ a .. light, 00
- you my
51.1. .. pe r .. stars sucked ion, .. to the SUo - per .. mas - 5117e. ci. .. ciers lilelt - -ing in the
'\ .u
, II -. -. -.J- 11"" q ~ = ~ ~ ~ ..:J #~ ~ =4 ~ =-
til

d 9 2-2 7 7-7-6-
-0
.... 7-7 7-7-6-5-3-'---0 2-2-3-3-4--5-5 5-5
'" I I ! I I I I I I I I I I I I I I I I I I I I I

G5 85 N.C.

32 J J. )) L
'\.u ___________ .I n_ ~ I
II) set souL __
you my
dead of night, and the SlJ - per - stars slicked in .. to the .. _)
('j ..
It) i i i :;t ~ ~ #~ -. II III -.I- ~ ... ~ :;t q~ '-.I-~-.I- :i i

..
d 5 5-4--;
-0
- 3-3 J-3-5-5-6 7-7 7-7~6-5-3 7-7-6-5-3
'" I I I I I I I I I , I I I I I I V LJ I I I I
31

35 Eoct

1 t' s a su -per - mas - sive black

hole,_

a

su-per- mas - sive black hole,_

Elec. Gtr. I

1------;-~ -j---

--""p -----:-LJ-'O--~

r-------,I;----O-I--~-r

39

N.C.

Fine

a

su -per - mas-sive black hole,_

you su-per- mas-sive black hole.

r------;I-r--~-I

r'~-7Tp----:-, -r--~

,'---~I-i------~

ES G5 ES G5

E5 G5 E5 G5

In w

1f--.,..=-----------=~-_}____,,_------,_21~---_._----22---" ...-....24-------~

32
51 A5 GS BS
flu
u t
(Cia - ciers milt -ing in the dead oj night, ItM the s~J. - per - stars ;'ucked in - to the
fI '"
u 4 4 4 4 - - - .;L :.t ~ #~ til .. .. -.r~-.' ~~ ~
.. .. ..

,
-I' .~
b-
... r 5 1 1-3-S-S-6-L-r- 1-6-5
... T 1 I T 1 I I I 1 1 ! 1 1 1 Iii I i 1 1 1 l

..
e
-
II. 112. A5 G5
54 ES E5 N.C. J--------JPc J- -J"'jj~
t ''''
t-
Oo
su,-peT - mas - sive,) (C/a - ciers 1nelt-ing in th.e dead of 11.ight, and the
'"
,
: , = =i ~ :;[ :;[#:;[ ~' ~ ~'-'~~:;[ :;[ #:;): • 4 • :;I - - - :;[ ~ ~#:i
II .. II II

A -~. ·7 ,5,
t:i
... 0 2-2-3-] 0-2=2-1-1-4- 3~1--3 l -l-t-
... 1 I I 1 1 1 I 1 ~ LJ I 1 ! 1 i I i T I ! ! I 1 1

.
II. '11.
B5 ES N.C. D.% al Fine
58 rr-. _h_ _r--,
fl '" J. .~ 1'1 1 1 ), .-...
I

u
- you set .my soul_ a - light. -
su ~ per - stars sucked in - to the SIi - per - mas - 51,1:1e ___ )
fI .u.
u' til til "111 711" I1-.r ~~ :;[ - ~ ~ :;[ :;[ #:;[ -.r' .. ,,_, ~ -
-:; II

..,
A. -2- -2 -~.
I:> I
... .. .. .. r l ~ -l-l
... 1 I T T 1 I I T T I: V T I I
III! ,.....
3
,0"
t.
t
-~

...
I
r
A
-8

,
©20
Warne 33

MAP OF THE PROBLEMATIQUE


Ab Fm

m;4fF ImSfr

J = 130

Coct

Electric Guitar I (wlstep fl_ange)

(_IJ- I
, -#-' -#- ___ # . .. ___ ' ",-,. ..-
distortion, step-flange at 16 beats per bar
F~ I --------------------------------------------------------------------------------------

,.
I-&-i
3----"'3 3----"'3
B 3 3 J 3
1- ~ I 1 I' ~ 1 I
Electric Guitar I (alternative method)
~i±d~--'f¥m M J .m - Jitd J fE~
J
,
dlstornon
A. I --------------------------------------------------------------------------------------
T
4 5--5 5--5 5 5--5 5--5 s-
A 4
B 3-3--3--3-]-3--)--3-3-3--3- -1~1--3--3-3-3--3--3-3-3--3-

, 1 1 1 I 1 1 1 I 1 I 1 1 1 1 1 1 1 I 1 1 1 1 I 1 1 I 1 I I I 1 1 Piano

w/delay

-'

A.l -------------------------------------------------------------------------------------------~

--3--------3~3-----3-----[,--------3~3-----:3-----I

I' P I

JJ~MJJtl~~

Fig. I - - - - --- - - --- - - - - -- - - - - - -- - - - - - - - - --- -- - - - - - - - - - -- -- - -- - - - - - - - - -- -- - -- - - - -- - -- - - - - - - - - - - - - - -- ~

--3-3--3--3-3-3--3--)-3-3--3

-----5--5-----::s--5-----5--1----5--5-----5:--5------5--

3-3--3--3-3-3--3--3-3-3--3

1 1 ' ! I , 1 1 ' 1 ! 1 -I 1

1 ' 1 II!! 1 II! 1 ' 1 1

05 Loosechord Umiled

r{Chappell Music ltd, london W6 aBS

34

em

Synth. Chorus alT. Gtr.

_) i )~-/""J

i

/

)

'!

/

i

i

5

11 .t --

/

cont 51m.

«>

I

Elec. Gtr. I (w/step flange)

.... #'-/. --- -

R.2-------------------------------------------------------------------------------------------

-- -... ----
I' ~ 1 I I' ~ I I ~
Elec. Gtr. I (alt. method) -
- ....

1

-.; ... '" '" .. #_._ '" - ..........

Fig._ 2 - -- - - -- - - - - - - - -- - -- - - - - - --- -- - - - - - - - - --- -- - - - - - - - - --- -- - - - - - --- -- - - - - -- --- - - - - - --- - - - - - - ------

. .

I !

1 I

=1 =!=:I::1 :::II ! I ! ! L I I J

H8+----3·--3_-----3-----1--3--3----~-----:J--l~---3l-----3--~·6--6------6-----~,--·6--6------6----6,--·6--6-----6-

~&~----!;-----5·-----r5-----!·i------5·-----5·----S·;-----5---~-5·-----5·,-----r----5-----S"----~_;-----5------5~-_4.

! II! 1 I 1 I II! I I 1 1

~. ~~,.t:.,t ~. ~,~~

F~2.------------------ ------------;------------- --------------- --------

~

--------{

fl'

..

LI- .... --.4T-:-· ------4~'~"'--~:::::,T4-----·T4------'-I-::-· -----~~I----il----II

Ii I

Bass arr. Guitar

:;:; :; :;j~ :; :;:;:; ;;;; ~_; ~ ;~j ~ -_;~~

Fig. 2 -- - - - - - - ---- - - - - ---- - -- --- - --- --- - - - - - - - - -- -- - - - - - - ---- - - - - - - - - --- - -- - - - - - - - - - - - ---- ----i

heavy reverb

D

...

I

I

I

1

I

I

I

I

I

Fm

..

fl I

I

A

A .
_-ci v
... 1--1---1--1-1--1--1--1--1--1
I I I I I i L I I I ! I I I ! I II! II . I j
Ii !
-.;

.. ..
A
D
...
"- 1 I I I I I I I I I I I I """!!!I III""
9
~
,
'J
I

Ill.
1~B'
I'"
13
I
I
~i

7l
"'0.
I'"
17
t
t

I-!
I"
I'"
, 35

em

E~

Fm

ei«. Gtr. I plays Fig. 2

----8--8--8--8--8--8--8--8

8--8--8--8--8--8--8--8 8--8--8--8--8--8--8--8 8--8--8--8--8--

em

Elec. Gu. I plays Fig 2

---8--8--8--8-8,..-7-7-5

~ 1

5--5-5--5-5-3--1

7-7--7--7·--7--5--5--3

I--I--I--I--I--O--O:=-

em

Fm

EJec. Gu. I plays Fig. 2

----8--8---8--8--8--7---5

7--7-7-7--7-5--3

5--5--5--5--5--3--1-1 -1-1 --1--1--1--0--0--0

V I

~ 1

3

-
6
21 em E~ AP Fm
rl ~. _L _0..---- -........... ....
,
Elec. Gtr. 2
~ ~ ,!: ,~ ~ ~ ~ '~ ~ ~ S: I ,- J S: ~ ~ ,~ ~ ~
.
- -
, distortion - - - -
r IJ-11~1)-13~11- -13-13--13-13--1.3- --I )-13--13-13--13- -I )--13-.13--13--13-
.,- .. .. ... .. 13-13~I)-13--,!--13- -I O--'!--I 0- I 0--0/-- I O--'!--I 0-
A I 10-10--10-10--10- _!__I 0-10--1 O-IO.......!..._ 10- _!__IO-IO--IO-IO--IO- -10--10-10--10--10-
-ri
1-
~ ~ U ~ ~ ~ U ~ ~ ~ U ~ ~ U ~ ~
Bass arr. Gtr. .I!
.10
, d ?'
Fig. 3 .----- - -;---- - - - - - - ---- ---------- ---- -- -- -------- - ------- - - - -- --- - -- - - ------ ---------- -- -----1
Elec, Gu. J ad-Jib Fig. 2 - cant sim.

A
-,., 3 3 6 6_ -II II S 8
~ -
'" , , , , , , , ,
Cm E~ AI> Fm
.15 ! !! ! ~ ! ! ! ! ! if If f ~ ~ ~ ~ ~
" "I I l-r- l-r-
. -
I) - -
Bass orr. Gu. picrrs Fig .. 3
11--11-11--11--11-,-11-11--11-11--11-,----11-11--11-11--11--13--13-13--13-13-

13--13-13--13--13- ~13-ll--ll-IJ--13- 1--13-13--13-13--13- -13--13-13--13-13-
,Q. 12-+-12-1 2--'!--12-+-1 2- t-r-~2-12-+-12-12-+-12- -7-13-13--7-13-13--7'-13- -I 0-+-1 0-1 0-+-1.0-1 O--,!--
-,., 10--10-10--10--10- 1-'--10-10--10-10--10
~
.... ~ U ~ ~ ~ ~ U ~ ~ ~ U ~ ~ U ~ ~
~
29 Cm ep AI> Fm
"I I
') --..! ,. r
1, Fear and pan - ic in_ the air. I want to
2, Life wiU flash be - fore., my eyes, __ so scat - rered

,.. I ~ ~ i!: .~ ~ ~ .~ e: ~ ~ ~ !: ~ ~ ~ ~ ~.~ ,,_ ~
F- -
.. - - - -
Bass arr, Gu. plays Fig. 3
r 13-1l~13-J3~13- -13-13--13-13--13- ----;:--13-13---;:-13-13~IJ- -13--13-13--15--15-

,Q. 777 ~IO-IO--IO-IO--IO- ~ ..
'6 10-10--10-10--10 10-10--10-10--10- -10--10-IO--12~ll-
~
... ~ ~ U ~ ~ ~ U ~ ~ ~ U ~ ~ LJ ~ ~ -""'I ....
3

J 37

em

Fro

3

be and

free _

lost _

from de . so 1 want., to

la ~ lion touch the

and des oth -er

pair._ stde.L,

Aod !

And no-

16-16--16-16-- ---16-

j' "j' I--'l----=f---------=r-----+-----T---------''f--------=;----j

13-13--13-13--13

u

- -~

u

Cm

Fm

feel _

one ~

Iike

ev - 'ry-rlung., I thinks they are.,.. to

sow., __ "

blame. _

.is be-ing Whr

swept can't.,

'1'----13-13--13-13--13 1.)- 1],--13-13--1) #r---_____;-IO-IO--IO-10-7-IO--7-IO-IO-7-IO~10_7_10

t,

u

u

Cm

Fm

41

a - way, _

we see _

well 1 __ " re when we

fuse., to let__ YOll go. _

bleed we bleed, the same .. _

can't

get

38

em

Fm

u

em

since 1 __ . met

u

em

E~

Light Synth. arr. Gtr.

8~·----------------------------------·---·---------------------------------------------------------------.

Fig. 4, - - - - - - ---,-- -- - ----- - -- - - --- --- --,- -- -- ----- - - - - - - - - - - - - - - - - - - - -- - - - - - - -- - --- - - -- -- - - -------

flee Gu, I plays .Fig, 2 Bass atr. G u, plqys Fig, 3

~ ~
55
.. 'fl I
t)

A
"1:1
~
...
57
I
,
.b: _I.
t)
-

1.11.
1'0'
I~
62
~~b
66 I
I
,
I
•

,D-
ID
I~ 39

AP Fm

(8)"-- --- --- - - -- ---- - - - ---- --- -- ----- -- - ---- ------ ---- ----~ ---.- --~ - -_.- --.- - -~ --_.- --.-- --- - --------- - -- -- ---- ----1

R.4-------------------------------------------------------------------------------------------~

-------------------IS-IS-15-IS

-------1 ]-1 ]-13-13-16-16-16-16-------1-------------------16-16-16-16

16-16-16-16-16-16-16-16-15-IS-15-15-------,..

-12-12-12-12-------------------1--------------------------it

II.

Fm

112_

Fm

Lone

li - ness be 0

ver? __

When will this

Synth. ChorLl$ arr. Gtr.

EJee. GU. I plays Fig. 2 Bass arr. GU. plays Fig.]

Light Synth. arr, Gtr. plays Fig. 4

Coct

Piano

-

t.---"t---=p-( :J II

w/delay

Bee. GU. I plays Fig. I

em

Fm

Elec. Gtr. 2

Distortion

Boss orr, Gtr. plays Fig., J

u

13--13-13--13--13 10---r-IO-I0---7'-I0-r-IO 10--10-10--10--10

~
40
Cm ED AD Pm 0.% 01 Cod
70 ~_.-.,~~----------~
fl 1 o------------or- --...... -~
•
- +-
~. ~ ~ ~ ~ ~
fl 1 .~ of_: ~ -~ ! ,~ -~ !f ! I_I If f
fI' IIJ- -- -- fI' fI' l-r-
"'i- -

It) - -
Boss a rr, Grr. playS Fig. :3
I
11--11-11--1 [--11-,---11-11--11-11--11-,---11'-11--11-11--11--13--11-1.3--13-13-
.---1 3--1l-1 3-- --13--1)- f---13--13--1-3-ll--13- f---13-13--[3-ll--ll- t-rl--I.l-I.3--B-ll-
A 12---7--12-12---7--i2-i--12- -"!-12- (2---7-12-12---7--12- r,,!-ll-ll---7-- i 3-13---7--13- ;---10---7--1 0-i'0---7--1 0-1 Ii-+-
_", '10--10-10--10--10- f---IO-IO--IO-iO---IO
....
~ U ~ ~ ~ V U ~ ~ ~ U ~ ~ U ~ P
.- Coda
74 Cm E~ A~ Fm
I
,
I ~ I
--
Synth. Chorus arr.Gtr.
fl 1 ~ r'\ " " ~ ~ I- I- ~ ~ ~ ,~ ~
-.
I, -1----7'- -1:.
I ,... ,... L.....I 'r V 1/
It) ~ ~ ~ ~ ~ .......
8aseS arr. Grr. plays Fig. 3
6-6--6-6--6 4--4-4--4--)
,4-4-4 4-.-4 8-8-,-----8-8-- -. -8 -""- 4-4--4-4--1=Ff--6-6--6---!-
ll. 5-5-5 7- 'f 5 -----T--- 5 8~8_____T______8-8-7-B S-5----7-5-~_____T______5- -5-i--5-5-----T---5---T-~
5-5-5 5--5 6-6--6-6--6 ]---]-]-- --]--)
I B 3-3-3 3--)
.... U P P V P P u ~ ~ ~ U ~ ~ U ~ V
,. .-
Cm Eb A~ Fm
78 ~ , "- 'S- .c.
'" t 1 r\ !\ "' .' ; ; ~ ;. ,~
-.; -:-+
~ ~. ~ ~ "'! ~ r r 1......1 r I - ,
Bass Q rr, Gtr. p lays Fig. 3
3 6-6--6-6--6 4--4-4--4-4-
4---4-4--4--4 8-8--8-8---8 4-4--4-4--4--6--6-6-- --6-6-
ll. 5-----T-- 5- 5 -----T--5-----T--5 8-8-----T--8-a---7-8-r---"l---5-5-7-5-5-7-S--5-T-S-5~"l---5-5-:c__
-0 5--5-5--5--5 ' , 6-6--6-6--6--3--3-3--]-]-
.... 3--3-3--J--]
... ~ U P P P P u P ~ ~ U ~- P u VP
Cm Eb AD Fm
82 ~ r._ ._ ~---::::;-;.
fl r-r- • ~ ..--r;
., -r- :r- -r1
If
~ ......I I._.j 1 -
Lone c li - ness be 0 - ver? __ When will tbis
Synth. Chorus arr. Gtr.
-,.., r\ - 'r'\ '\ G- • • i • ~ ~ !-
"
.'
~ ~ ~ ~ ~ ~ y r 1......1 r V - 1/
20 only flee. Gu. I plays Fig, 2
Boss err, Grr. plays fig. 3
Ugh! Synth. art: Grr. plays Fig. 4 6-6-- --6-6--6 4--4-4--]--)

4--4-4--4--4 ., 8-8---8-8--8- r-----4-4--4-4--4- -6--6-6--6.--1
. 5-+-5-5-----7:--5-+-5 8-1I-----T--8-8---r--a. ., 5-5-+-5-5-----¥--5- r-5 -----T--5-5-----T--5-----T------c5
B '-5-·-5-5-- --5--5 6-6--6-6--6- r-3--]-3--]--)
'_:____3--3-3--1--3
... ~ U ~ ~ V ~ u p V p u V V u p ~
'" r!!II ,.....
86
/lid
•
•

IlL
I ~r>
~
'"
90
;'
I

loll
Ie
'. ~
92

'A
_i:i_
- 41

lone

u

ness

be 0

ver? __

10 only Elee. Gtr~ I ploys Fig. 2 Bass Off. Gtr. ploys Fig. 3

Ughl Synth. orr. Gtr~ ploys Fig. 4

Coct

Bass arr. Gtr.

Bee. Gtr. I plays Fig. I

5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5

--,5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5

All Gtrs.

'~!1 j j j J-j j j j 1--44 j J j j j G j 1 j 1 j j2j j 11 j ft--Jd j 11

>-

11

! I I I!!! I ! I !!!

Dsus2fA

iii

G

x "

[fgIOIi-

42

SOLDIER'S POEM


o

1m

G/D

lIm

GmfD F#7 feB Bm

1m e2fr lim

... _ :~ I .. F 1 11
- - ." F J
r" r-~r
(Drums. snare w/brushes) .~ r· r· r r"
n rn n rn n rn n rr;

~i a '1 ]--3 ~2 3--3 1-'-2 3--3 -'-2 3--3-
X 2 2- 2- 2- 2-
D .;J 0___ ::::;?O--o 0 0 o......_......o--o 0 0
...
... I· I ~ I· i" I" I ~ I" I· Play x4

pFTI~

Keyboards arr, for Acoustic Guitar

s~~

J = 100

D

D

(Sing 2' only)

N

fl jf
11lr r" It· t" !
1-(-
~
(WoaJ~, woah, woC/.h, woah, woah; woah, woah, woah,
Ii jf EN ~ ____ l,-- W·
1-(: • t ~I

~ - _____ ~ ~
1. Throw it alI a -
2.How could.,. you send us

.II - rl -
i'j jJ. _...., i _...., J I ., - 1 _ __..., J I .J
II'. . =1==1
u r==> p - - r . r
r· r t------r V
n J I I n i I I n i I I n I
i I
1 3 3
" ~- 3 3 -"/.-2 3 3 -"1----2 2 2 "1 1 2
2 2- 2- 2 2 2-
f-8-- 1:-0 0 0 2 2

B- 0 0 0 ........ ___ 0 a
... I" I ~ I" I" I" I ~ I" I" © 2005 Loosechord limited Womer/Chappell Music Ltd, London W6 8BS

43

GID

Gm/D

D

ll1Gah, (So

woah, _

far _

woah, _

a - way

from

way. _

w _

Let's far

a

lose way

our selves _

&om_ home? __

'Gause there's When you L,

woah,

woah,

woah,

woah. _

Know

damn

wen

this

is

00

know __

one _

damn _

left _

well _

for us

that this

to

G/D

J would sun

rny__ life- for 1011..) _

It's a _

[ would still

shame.Lu., we're 311__ dy

lay down., my__ Iife.; fOI

ing. __ ]

you._

And do ,.,

n

44
A
j,I
._ - <, ./ '---"
- you think you de - serve __ your free - dam?

! j,I __., - __., - __., - ~__.., ,-
.., ..., ..., I ....,
... - - - r " r " - - - r " r "
r"---r V r"---r v·
n 1 I I n ! I I n ! I I n ! I I
-2 -,2 ~
"f ~, "I . "I' -" z-
A " -2 -£'
D
..... '<; _.- '<, --
... I" I ~ I" I" I" I ~ I" I"
"
0 Bm Dsus2/A A
j. J.
'l 01- J~J" I _h J~
•
-\:
I; '-.___./
(No, I don't think
(No, r don't thj~lk YOH

fl 01- ~ ".-------..._ ~
I;.!
No, r don'r.L, think
fl 01- ,........, - r---1 - ,........, ,_ r
.J r ..., .J r ..., 1 T ...., __., --.
.'
tJ r-----r p r r" - - - r r "
r----r .~
n j I I n j I I n j I I n i I I
2 2 II II
i~--2- 3 J ~4 3 3 "I 3 3 "1 2 2-
2- 4 2_ 2 2 2-
b:--II_ _.-II II 2 2
~ 2 2 a, _..II 11-
... I" I ~ I" i" I" I ~ I' I"
Bm Film G
.
1""'\
flj,l _,.J J l-.J.
I;.! 0 -
- you do,_
~ do __ There's no jus - . - tsee
fl j,I rr-. ~
- - -
.
I;.!
- you do There's no jus - tice,
r .. -
1LII_ ,- r-:l J --, n J I n _J 1"1
I 1 "i
-I
. .
I;) r·----r ~ I I I I V' r" r'
n I I I' n I I I n I I I n I I I
02
"1 3 3 "1 10 "f 12 "1 12
A 4 4 II II 12 12 12 12-
,B 1,1 11 12 12- -12 11-
2 ___ __ 2 2- ,.9 9 111--- _.. 10 10
'" I" I ~ I' I' I- I V T- I'll
I· 45

Gm

D*

II I 1 .--::::=::=:--.1 il J _____ ~j,
t I -------- I -- I I>' .1 I
in the world.

"';:-- b~.~,._ "fIf'--"'~ .,.~,."-----~
,
in thec., _ world, there's no

r-1 - r-:J - -
_J ~. l bJ ~. l .........., - r-:l ; J--'
II J r "i
-
1f-i " "
I ~ I I ~ r"----r p I I
-
n I I I n I I I n I I I n I I I
1.2 II 7 1,0
"I "I "I "I
A 12 12 12 12 7 1 II II
12, 12 12 12- 1-7 7 II 11-
8--10,- ...... 10 .10- >-10 10 10- -5 __ ...... 5 5- -9
I" I V I" I V I" I ~ I" I' G

A

tice

in

the world_)_

b "

jus

tice

in

the world __

and there.; ne

j'-----j n _j

~----~--~~--~~--~--~--~~--~~~----~---O--------r_---------I-~~-~

n n
'12 II
Ii 12 10 10

.1_2 12 13
:1.0 10- -10 10
~ I" I" -.-------1-------=------22-----+-=----

D

-.... ,-----"

- ver was. _

t r" r: j'
r1 I n I n I
2 I 2 5
)-- )--3 3 a )--)-- 7
1 1: 2 2 2- T
0- 0 0 7
0 0 0 5
~ I" I" I' 1" I" 1'-
I.;) 47

INVINCIBLE


Csus2

.3fr

G

xX

1i13fr

Coct ili3!r

Crnai?

Wi

P/G#

b4fr

F/C

~d

Am MSfr

F

m

G/F

II

Dm

100

Gsus"

ie3rr

F*

x "

gsrr

E

Wi

G*

alOfr

F**

mffjlJ~

G** ffifjlsfr

.J = 110 C

Csus2 C Csus"

G7/C

Electric Guitar I

800-------------------------------- ----------------------------------------------------------------

{ .c. ;:::!
, I
slight distortion wlslide & reverb
r-.
[O~[4- =r ~r~ ~'I'- r~'I' ~
§ ~

1 1 1 I. I I
Organ al'r. Gtr.
~ M I ~c;:a 14E§Sls; ~
o""' _________ -o- --________--
Fig. I --------------------------------------------------------------------------------------~
=i=t=S:S: !-.s 3 5- -6- "",6 6::;;: !-.6
5.--- ~5 5--5- -5- 5 4 »>: _b4
5..-- _~~ 5--5- -5"--- 5 ~-== ~S
~ 3 3--)- -3"-- ) !-.3
... c

Csus- C Csust

G7/C

(sing 2" only)

-vin - ci-ble.

Elec. Gtr. I

(8t - - - - - - - - - - - - - -.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --1

Organ orr. Gtrpiays Fig. I

2""""3-1-3~3""""S-5-S~[3

13"'""'7-7-7~13""""7~8.:T"10

© 2005 locserherd limited

Womer/Chappell Music Ltd, london W6 8BS

48

Cmaj1

Organ arr. Gtr (!") I

L7

F/C C F/C Cmaj7 F GfF
I I I I I I
L7 L7 / / L7 L7
(lower chords 2." only) Dm7 Cmaj7/E 13 fl

t.J l.Fo! 2.00

~

low _

through,

--- ~
make YOUf_ dreams come
it makes no __ dif Ference to
- - - ~
• #--# -# -# -# •• -# -#-- #- --- jt on

your own,

Elec •. Gtr. I (2.") -

-

T""I+

tJ #-#- -# ligbt overdrive

r4F~;=======~-----5--------5-.--.~--~~~--5-.-------5-.---r-----5-.--.------5====~ . 5--5--5--5--5--5 5--$--5--5--5--5------3-----3--3---.3---3-] -B--3-J--3-3--3-J--)-----3-f-],-3---3-----3---3-3--3---3-_3-3--3--3--3-3-3--3-

... ,11111111.1111.1111 I"I"""""" I!Lllllllll1b:bd::d

F
[
L7
16
fl
t.J
true,
me,
r.
t.J -##- .(It G/F F Om
I [ I
/ / L7
FIE
- I Dm7lP

Dm'

G

Gsus4 G
! I
/ /
G/F ~ I L7

[ 0'

I

"

-

Don't what

the fight,_ be - runc,_

give up __

you_ leave

you what

-

-

-

-

-# "." "

... "

•

.. ..

.", '... ..

..

F~2·------------------------------------------------------_------------~-------- _

'f . 5 5 7," 7· 7---

a } . _._. 3--3--3---3-3- ---7---7--7---7--7--1 5----5--5-----5----,5-5

~3-.3-3---3--3-3--3---3-f-5-5--5--5--5-5--$---5--5-S--5---' -5--5-5--5--5-

... It 1 .. 1 II I I II I I I I II I I I 1.11 I III I 1.1 II 1 II I I I I I I 1.1.11 ~

ElG#
!
0'
19 E
,., ~ I Asus4 Am F
J I !
/ / L7
ArrifG
r - .,
'Cause there' 5 __ no
And what e
- FmaV

--

Fmaj7IE

"..--.._

'--------

be _

choose _

r I

ngbt. _

be. _

r -

one_ like_ ver_ they_

al

to _

-

-

~. T -1-_+

-

+- •.

R~2-------------------------------------------------------------------------------- _

a 9 9 9 . 9 5 . 5----l

1-{:\----6----6--6--6--6--6 7--J--7--7--7--7 3-- -3--3----3--3-]

~7-7--7-· --7-7-7--7---7-f-7-1--1--7--7-7~1--7-~3-3--3--3--3-3-]--3.-----

... I I I I ,I I I I I I , I I I I I I! I , I I 1 ' .11 I 'I I I I I!! I I I I I L I I , bd::bd

49

G

C

I U

I L7

L7

L7

in _

your soul's __

the__ u - ni - verse, _

Ll D break - a - ble. _

Ancl

I Play section ,. only
Cmaj1 F/C C F/C Cma]? F G/F F G/F F
Organ arr, Gtr
) I I I I I I I I I
L7 L7 / / L7 L7 L7 / /
Dm7 Cmaj7/E FIE Don't.,

be

af - raid

what YOUI _

mind_ can

cieves,

you

should_

8w·---------------------------------------------------------_-----------------------------------------------------

Din

I ff

Dm7 I L7

G

I L7

Gsus" G

I I

/ /

G/F

E/G# I U

E

Am

I L7

ASUS4 Am

I I

/ /

Am/G

make_ a _

stand,

stand up for what.;

you _

be- neve.

And to-

~'------------------------------------------------------------------~----------------------------------------------

»<:

50

F

FmaV

G

Csus"

C

Gsus+

I u

I o

I o

L7

FmaV/E

night__ we can tru

Jy say

to-ge-ther we're in - yin - ci - ble, .

---~---------------------------------------------------------------------------------1

=

F*

Elec. Gtr. I (/0)

C*

G*

to contsim.

clean, wlslide & reverb

37

dLU

will_

pull _

ing_ the

strug - gle

they

Elec. Gtr. I (2° only)

And

us

~
51
F* Dm* G*
40 ~ ~
~ ~
. c
--.. 1
But please, please.L Jet's use.L, thi~ chance to

E:lec. Gtr. 2 (ZO)
-. ~ f:-~ ~~ ~ ~~ ,-.~ ~ ~-~ ~ -r1*- ~ •. (11-. :I!:.,.._ •. ~~.,.._ ~~
. -F- - .. --
l dean
2' Gu. I plays frg. 2 c9nt sim.
S . 8 . 10 10 10 10
E_-IO-. -10-10'-'10-10-' .--I'O-.-IO~P, 10-. 1 0-. -lo-rOO'I0-IO--IO-I,o-l-:---I:1----12-12=r2-11-1~
10-10--10---10-10--10 10-10--10--10-10--10-=.-++11-12-' -H--12-12~-12_
10
I'"
I I 1 1 I 1 I 1 I 1 1 I 1 1 I 1 I 1 1 ! 1 I I I 1 I 1 I 1 1 I 1 bb:l I 1 ! ! I 1 ! 1 b:LJ

EfG~* Am*
4~
~ ~ ~.
iJ,-
tUll1_._ things __ a. - round. And to -
:i'. • .(11-- • ~1"- • -fL • • fl- • ~ .(11- .-fL~(L~~1*-F~1*-~~1*-~1*-F~1*-~
!-1
,
12 12 12 11
-il--I2= P,,12--1)
~ T 12 12--12 12 13--U=:I]--13 13--13-
rl.3-13--13 0--13-13--13 13 14--14 14 14--14 1.4-
b
I'"
1 1 1 1 I 1 I I .1 1 1 I 1 I 1 ! I I I 1 1 ! I I [ I I I I I I I
--
,
...
~
t** G**
i-5 ~
~ r-,..
~
:~~ -~
I' -
" night we: tru ly say to - ge ther we'te_ in
can.L . - -
~ ~ ~- r-:- .". t-: f:- ~ ~~ _,. ~ .". ~ ~ _,. ~~ ~~.,.._~~ ~F~-fL~-fL~ ~-fL~
~ li
13 I] 1..5 15
~
I] 13--13=.13--1] 13 ~16_16_IS_16 15--15=15--15 15--1:5--;:
ft---14:-14--14 14 14--14 ,14-14;7" 16 '16--16 16
l!i.
I~
! ! ! 1 I 1 I 1 I I I I ! I I ! 1 1 1 1 1 1 1 I ! I I I ! ! ! I
52
Coet
47
"I "..-...._ r">;
~ I
- vin - ei- bJe, to - ge - tber we're., in ~
Bass arr. Gtr.
f'j -
.,; ... ... -J ... ... ... .. ... .... ... ... ... ... ... ... ... ... ... •

A ·11
'0 I ,1' I ·1' II '1'
...
... T T I J T I i I r T I I T i I I i I I
49
"I ---
, - I
- Yin - ci - ble._
Elec. ce-. I
fl 1=
~ ~ ~ i>' 'J< • )< 'J< 'J< 'J< -'>< -l< -l< 'J< i>' -l< -l<'~ -) i>' -)< -x' -)0 -l<'J< -l<. i>' 'J< 'J< -l< i>' -,)0. -l< -'>< 4'-111 -- ... ..... ,., .. •
~M~-----_-------------------- __ ------------~
overdrive

.y. _yo _ .... _ .... _y·_y._y._y_y_v_.'" _V._v. ~ -X: ~ ·5
A ~ J .,
-0 ~ v v V _v ~ v " " .., v ... " .., ~. -~ -, ., -~ .. ~ , , ,
....
I I I I I I I I I I I J I I I I I I I ~ J I I I I I I I~~J I I I I 6:::b::!:d
~M~-------------_-------------------- ___ - __ ~
fl Bass arr. Gtr.
- -
U ..... ..... ..... .... ... #- ...... ...... ...... ..... .. ... ..... ..... •• •• 41-

A ,ft .. -. ·11. _ ..
.:a- li ' I 1--::-::-1' .... JI~I ... .0. 1---=--::-11
.... .... .
.... I i t I T I Iii I TIT I I I T I ITT I I TIT I I Til T T I TTl T i
,
52
... fl
u .... .. ' .. 4 .. .. 4 4 4 ---- ...... .... .. 4 .. .. .... .. ..
/_
I . .•. _ •. ..c"
A J ~ J
"rj' , , , ,. , , ~ , , , ., ~ -, -~ ,
....
I I I I I 1 I I I I I I I I I I I I I ~ J I I I I I ! I I I -I I I I

'I -
t .. . - . ' .. ........ ....... ... .. •• ........ ...... .... .. .. ...... .' ... -

A to
~II--=--=-'''' ... ·11 ·11. II ,11' ·lI '1' .0 .-
u 'f' -
..... I I I T_ I T J I T I T T i I T T I i I I I I I I T I r T I I I
53

C

Elec. Gtr. I

8""

(C/O)

(C/E)

F

800 +

8"" +

55

+

8"" +

overdrive and whammy pedal effect - use on bracketed notes to shift octave

Do Ip ----------------------------,_------------------------7-------+-8--B---8--8----8--8---B--8 ~ 8--8---8--8----8-8---8-8----'-8-8---8--8----1 0-1 0--1 O---;-------.J._c---,----,----;------;---;-----;----;---'

I- I d I I- I ..j 1 \- I -J 1 I- 1 -J b db' J

(F/E)

(Om/F)

G

(G/F)

Om

~!O)--2-" -5--(!2j-2-5-(14)_2-S I'e

I'"

16~7--12--(14~7-12_(16)_7-12-

I

j-----------------------------I·----------------------------r----------------------------I

IA

re-- 8-8-8-8--8-8--8-7------1----------------------,8-----+-10-10--1 0-1 0---1 0-1 0--1 O-B-------1

I, d 10-10--10-10---10-10--10--,--------'-.,.-1---;,----,----1-:----:0-[.."---;-1-----,----1-,------'

I::: I- I -J. 1 I- 1 -J 1:::., _,.,

(E/G#)

Am

(Am/G)

800

~.

+

+

+

+

+

9-----13---(14'l----9-13-~ 16)--9-13

n'l----9'----14------{ 16'l----9-14--(17)--9-14

Do -------------------------------,6-------1,-7-7---7-7--7--7-7-7-7-----------1 ~7-7---7-7---7-7-----7--------------+----------------------------------IO-I 0----1

6

LJ

b

oJ

b

d

...
54
F FIE G C
8"" 8"" 8w 81)0 8m---------------------------------------------l
+ + + + /I::. ?-r ----------- "'~
63 (~) ~~" (~) r~_ <:~) r,. (t) rfL"l~tt (~) (h-)(~(~ (~ ('"'~
,
..
III
+ + + + ,n full rap,d whammy over dowilward slide
---..,_ k F">:
IS""" (15}<15~IS'
---k-=i1 1)--10
14----(16r-IO' 14-E17t-IO-14 19r-12 16 ,Xr--.......,
-....- --
~ --
~ 1"51" V l5J ~ l!J ~ 1"551· ~ ~
'"
t) ------1 :i- :i ~ ~;til; :j~1=~ • -tJ -tJ. •• .... ... ...................

A
-s----s-S-S-s--S-S-8-7 3-3-3-3-3-3-3-3- -3-]-3-3-3-3-3-3-3-3-3-
-3-3-3-3--3-3-3-3-3-3-3-3
... b...J...:l I 6 I d I I:...L.:! I == ~ 6.L:l I 6 ! d I 6.L:l I L....6:I 66bl

F* G* C*
67 r.:>. _~ -r=>.
_.---..., - "-.,,
~
Om - - ing_ the __ strug - gle they will pull us ___

Elet. Gtr. 1
... .. ~ tY ~ tY .. ..- ~ ~- l- I- it it ~-~, l- I- ~ it == == ~ ~ ~ ~ -c: == ~ ~
K-
, ~ =- -- - ==-- - .. II'- )(- ~- i* -* II'- II'- 1* f
- =- --
overdrive
8 8-X-X-X-X-8-S-X-X§

j-IO--IO-X-X-X-X-IO-IO-X-X-t-12---12-X-X-X-X-12-12-X-)(-t--8 8-X-X-X-X-8-8-X-X
10--10-X-X-)(_-X-'0-IO-X-X-1-12---12-X-X-X-X-12-12-X-X-1--9 9-X-X-X-X-9-9-X-X
E1o--10-X-X-X-X-,0-tO-X-X-t-12---12-X-X-X-X-11-12-X-X-1-10---1 O-X-X-X-X-I 0-1 O-X-X-
S--8-X-X-X-X~1I-8-X-X-I-IO---IO-X-X-X-X-1 0-1 O-X-X- 1-10---1 O-X-X-X-X-I 0-1 O-X-)II
"- I ! ,W b...J I bd 1 I 6d b...J I bd i i-tj-W-~
. .
F* Dm* G*
70 ~
,-,_, ~ ~ ,..-.., .- };\ k\
~ - , --- r
- down. Please,_ please.L Jet's.,., use_ this chance to_

'l I I !t!t-~~ I ~ II .. .:. -~- ~ ~ ~ .. .. ~ lS- I t ~ ~ ~ ~ 1= I ~ t
~\}.
411 ...... = ..... - ~ "" ..... • ~ ...... =- ......
==- -

--8 8-X-X-X-X-S-X-8___:8 10--10-X-X-X-X-IO-IO-X-X-

i=!0 10-X-X-)(-X-1 0-)(-1 0-1 0- -IO-IO-X-X-X-X-IO-IO-X-X- -'2--1 2-X-X-X-X-1 2-12-X-X'--
'0 10-X-X-X-X-10-X-10-10- -IO-IO-X-X-X-X-IO-'O-X-X- -12---12-X-X-X-X-12-12-X-X-
-s----'sO 10-X-X-X-X-10-X-10-10- -12-12-X-X-X-X-12-'2-X-X- -'2---1 2-X-X-X-X-1 2-12-X-X-
8-X-X-X-X-S-X-S-S- -12-12-X-X-X-X-ll-'2-X-X- -'O--IO-X-X-X-X-IO-IO-X-X-
"- I I w 6LJ I W 10-IO-X-X-X-X-10-'0-X-X I I 6d bLJ Lb::I
I I H =-..J I 6d
~
73
I
I
~

75
_
I
I
~
'----
7B
,
II

fi-
rs-
, 55

Am*

tum _

things _

And to

a- round,

12-----12--X-X-X-X-1 2---1 2--X-X

12 12--X-X-X-X-12 12--X-X

13 1 3--X-X-X-X-13---I3--X-x

14 14--X-X-X-X-14 14--X-X

II 1 I--X-X-X-X-I 1 II--X-X

1 2-----1 2--X-X-X-X-12--12--X-X

13 13--X-X-X-X-13--IJ--X-X

14 1 4--X-X-X-X-14--14--X-X-

14 14--X-X-X-X-14--14-- -X-X

12 12--X-X-X-X-I2--12,--X-X

F**

G**

Cod

- night.,

we

tru

Iy

to - ge - ther we're; in - vm

ci - ble, _

can

say

13--IJ-X-X-X-X-13--I3-X-X~15-IS-IS-15-15-IS-15--15 13--1 3-X-X-X-X-1 3--1 3-X-X 15-15-15-15-15-15-IS--IS~--t~---------------1 14--1 4-X-X-X-X-1 4--1 4-X-X. 1.6-16-16 .. -16-16. -16-16--[6 '5-5--5--5--S-5-5-5-[S--15-X-X-)(-X-15--15-X-X 17-17-17-17-11-17--17--12 1+-------------------1·

-8--1 5--1 S-X-X-X-X-IS--IS-X-X 17-17-17-17-17-17-17 3-3--3-3--3-3-3-3--

1 3--13-X-X-X- X-Il--Il-X-X 15-1 5-1 5-15-15-1 5-IS--15--'-'---;----;----,--,.---:----;----;--.,---------'

I I I ! 6d........l I = I I L I I I I I b I ...J I b I ..! I

to - ge - ther we're in.

vrn

ci-ble.

b I ..!

5-5-5-5--5-5-5-5

5-5--5-S----S-5--S-5----+-S-5--5-5--S-5-5-S

3-3---)-3 3-3--3-3 3-3--3-3--3-3-3-3

3-3-]-]--3-3-3-3

b I

61

b I

...J

d

b I J

...J

bid

5

",.
6
ASSASSIN
Dropped D tuning: AS GS BP5 D5 CS F5
ml7", mm ...-... x.xx II mX3fr Marr
5"' marr
G) = E @ =D
® = B @ =A
®=G ® =D
J= 125
AS
,,11 Electric Guitar I
_' F'i=l
r-m- -liI- -is- -F -,.._,..._ -is" -is' ~~
-.J
overdrive .
~ 3-2-2-2-2-2-3-2-2-2-2-2-3-2-2-2- r-3~2-2-2-2-2-3-2-2-2-2-2-3-2-2-2-
-E--4-3-2-2-2-2-2-3-2-2-2-2-2-3-2-2-2- -3-2-2-2-2-2-3-2-2-2-2-2-J-2-2-2-
-0 ..
~
.... ! ! ! ! I ! I I I I I I ! ! ! I ! I ! ! ! ! ! ! I I I I !

,
GS II. 112.
3 N.C.
'~~~~~~~~~~~~~~ :11 I .•...........
l~ ~ ~ F ~ ~~fWf-~

4-3-3-3-3-3-4-3-3-)-3-3-4-3-)-3- -4-3-3-3-3-3-4-3-3-3-3-3-4-3-3-3- 1-4-)-3-J-3-3-4-3-3~3-3-)-J--
3~O-0-0-0-0-3-0-0-0-0-0-3-0-0-0- -J-O-O-O-O-O-l-O-O-O-O-O-l-O-O-O~ 1-3-0-0-0-0-0-3-0-0-0-0-0~O~

'0
~
, I I I I I ! ! ! ! I I I I I I I I I ! ! I I I I ! ! ! I ! ! ! ! I I I I I I 1 , I I I I ~

AS 6

Elec Gtr 2 >-

" "l ~. ,._ ~ ,._ .- .-,.. ,._ ~ ,._ ,.
. '=:it
~
F~ ! ----------------------------------------------------------------------------------------------
overdrive
10 II 1,0 11--10 W II 10 I I ----z-I 0,-
-k- 'I' T ~ 'l T 8~7 .,' T 8-7-1 7 ..
7 1 1 I 8 7-11
b- 8 7
~
l :t l :t ~ :t :t t ~ £
::> >-
Elec. Gtr. I
~ ~::
tJ -.J--:J,~~~~_'~~~ ~ -, 'it _,~~~~~ ~~~~~-.f~
overdrive & palm muting
!i~.-7-7-7-7-7-8--7-1-7-7-7--8--7 7-1 1
'J

,-r-r-r--j--r-j-r-r-r-r--r-t='
' Ti iii ilj I! I! 6:::::d © 2005 locsedierd Limited Warner/Chappell Music LId, London W6 BBS

~,..
8
I
Fig

~

I'"'

I

:A
11:1
~I
1I
I

LA.
10·
I ....

II
I-J.
,
r.-
•

IA
10
I" 57

N.C

Snare drum, Toms

>-

3

3

3

3

• 1 ---------------------------------------------------------~

-----8-----8-----8-----8---8-+-------8-----a-----8-----8---8--~--------------------------------------4 "1_' --s_2__s=i::t::s_l___s±s -'1' s.2__s;!L!L__s_1____s±S-----:1I1-----------------H

------------------------~~-------------------------_T--~---7----~----------------------fl

------------------------~~~------------------------~--~x--~--~~------"--------------~

------------------------------+---------------------------------·~X------------------------------------H

B-5-5-5-5-S-8-5-S-S-5-5-a-s----a_xr---------------------------------~ I ! I ! 1 J I II I I I ==

8-5-5-5-5-5-8-5-5-5-5-5-8-5 ! I I I I I II I I I I ==

(D)

Elec. Gtr. I

overdrive

--8-0-0-0-0-0-8-0-0-0-0-0-8-0-0-0 I ! I I I I : I I I I I I I I I

0~-0-0-0-0-8-0-0-0-0-0-8-0-0-0 : I I I I I ! I I I I I ! ! ! I

0-0-0-0-0-0-8-0-0-0-0-0-0-0-0-0 I ! ! ! I ! I ! I ! I I I I I I

2. (D)

(2° only)

Op

The

time _

has

""""l

~

l-X

---

..

-

.,
i

-,

.,
'7.
't
58

16

Play 1° only D5

LWar _

is

o

ver - due. _

Elec. Gtr. I

J-O-O-O-O-X-X-X

3-2-2-2-X-X-3-2-2-2-X-X-J-l-

Bass arr. Gtr.

A~2---------------------------------------------------------------------------------------------

20

(tirne,)_

(tirne,) _

(time,} _

(til1ie,} _

3-5-5-S-X-X-3-5-5-5-X-X-3-5~5-X -3-5-5-5-X-X-3-S-5-S-X-X-3-5-X-X

! I I I I I I I I ! I I I I II

I I I I I I I I I I ! I I I I I

1IIIIIIIIIIIb:bbI

~--3-3-3-3----3-3-3-]---3-3-3-1

0-10-10-10--10·10-10-10--10·10

10-10-10·10--10-10-10-10--10-10-

I I I I 6d 6d I I I I

IIII 6l6d 6d

IIII 6d61 6d

59

23

'I
-I-
t
te« ha, ha, b«, ha, ba, ha, ha, ba, ba" ha, ha, ba, ba, ba, haJ
----- ,...-.
41 1 r
come L, fol' ___ you to

"J '_
,
.
i
.. ,.
4 '7 3-S-S-S-S-S-X- ~S-7-7-7-X-X-5-7-7-7-X-X-S-7-7-X- -S-7-7-7-X-X-5-7-7-7-7-7-7-7-X---
-~ ":II:

, , , ! 6LJ ! , ! I ! ! ! ! ! ! ! ! I ! 1 ! ! ! ! ! \ ! ! I ! I I , b:LJ

'I
:1:1
, -~ ~ .. .. .. .... .. .. . . .. .. . .. .. .. .. :;;1:' ........
Fig. 2 - - - - - - - - - - - -- - - - - - - - - - - - - - -- - - -- - - -- - - - - - - - - - -'~ - - - -- - -- - - - - - - - - - - - - - -- -- - - - - - - - - - -- - - - -- - - - - --I

9' ... '" ., .. ., ~ .,
.II. 7' ,f 7'
. 'r> '::I; 10-10---10- :!_s-s-s-s S-S-5-S S-5 5-S-5-5 5-5-5-5---0-5-5-3-3-
1-
, 6d I I I I I 6d 6d ~ I I I I 6d 6d ~ I I I I DB

cs

26 :-: ~
f
.. (Ah)

. ....--.... ....-----.-._ k'~
, L____3--I
(1.) shoot your lead - - ers down.
(2.) - pose antl dis - - ag - ree.

Elee. Gtr. I
'- ••• AX ... "'''' .... ....... ... "''' ."'''' •• 111'."'''''
Bess art. Glr. plays fig. 2

.. '"
.I!. 3-0-0-0-X-X-3-0-0-0-X-X-3-0-0-Q- t-l-O-0-O-X-X-3-0-0-0-X-X-3-0-X-X 4--1-0-0-0-0-X-X-X !-l-2-2-2-X-X-1-2-2-1-X-X-1-2-2-X-
h-
;-
, 60

( J ./2.) (forldes ( 1 .12.) (fori des

cesl - tray') cas/ - troy,) ces! - tray,)

( 1 ./2.) (fori des

Join _

Des

for

ttoy _

de

05

33

ha, ha, ha, ha, ba, ba, ba,

ba, ba, ba, ha, ba, ha, ba,

cler

ground. _

cy. _

un - oc

ra

Bass afro Gtr. lrr

1=1 i=. ////7

F:;

/ / 7 cant sim.

////7 @

trol,

sing_

con

Lose _

trol, _

creas

in

at

con

Elec. Gtr. I

7-3-3-3-3-3-7-3-3-3 ==~=I I I I I I I I I

-3-3~7-3-3-3-3-J-7-3-3--3-~7-J-3-]-:J-3-7-l-3-3-3-l-~~-]~.

=:==lllll!lll l!I!!1!

~ "
39
f\
tJ
~
,
i

J:I.
IS
~
,
42
I
n_
t.
'l
v
I
-

A
liS
1-

45
'l
J
, ~
!
''''
•

J:I.
IS
...
, 61

CS GS
36- Sf,
~ ~ ~ ~ ~ ~
////7 / ///7 / /7 ////7 ////7 / / 7 cant sim,
@ @
'.._..,
in cress ing warped and-_ be
1'""\ ~
pace, warped and be witched, in 10-10-10-10-10-10-10-10-10-10-10-10-1 0-10-10-10 S-5-5-5-5-5-S-5-5-5-5-5-S-5-5-5 ! I I ! ! I I ! I I ! ! ! ! !! !!!!! I. I. ! ! ! ! ! ! ! ! !

8-5-5-5-5-5-8-5-5-5-5-5-8-5-5-5 I I ! ! ! ! ! ! ! ! ! ! ! ! ! !

P:=; / /7

P:=; P:=;

////'/

r=. //,

cant sim,

////7 @

r r r r» @

_ .

time to __ e rase, wh.at
. ..---...... ~
time_ to e rase what - ev e( they __ ---8-5-5-5~5-5-8-5-S-5-S-5-8-5-5-5 8-0-0-0-0-0-8~-O-0-0-0-S-O-O-O

I ! ! ! ! ! I I ! ! ! ! ! ! !! !!!!!!! I ! ! ! ! ! I I I

7-3-3-3-3-3-7-3-3-3-3-3-7-3-3-3 ! ! ! ! ! ! ! ! ! ! ! ! I ! ! !

cs

lfr i=P:=;i==i

~ P:=;

////7

P:=; / /7

////"1 @

-ev

they

peo

~

yw_

are

er __

say, _

these pea

are _

torn, _

ple _

-7-3-3-3-3-]-7-3-)-)-3-3-7-3-3-3 ! ! I ! ! ! I ! I ! ! ! I ! ! !

ru-re- "., ,-, e- ,,- ,,-, ,-, e- , .. , .. , ,-, ... ,. , e- ,.l

7-3-3-3-3-3-7-3-3-3-)-3-7-3-3-3 ! ! ! I I ! I ! ! ! [ I ! ! I !

! I ! I ! ! ! ! ! ! I I 1 I ! !

I I I I '" I I
.
. .
.
..
- raft· As - $IlS - sin_ is horn.}
r'-fL ~ ~ ,~.
I ~ . . ....-. . .....-----._
..
- as - sin_ is born, yeah.
Elec. Gtr. 2
:0.- ~ :0.- >- .>-
I ,. • ._ ~
•.
.. T-:~~~ ~T ~~ ~:;t:;tT:;t~ ~ -w-~ ~ ~~~ T~~ ~~~T ~~~
10--1.1-;;-10-;--11---;;-10-
~.
A 7--8 "f "1 7--8--+-T-
',s
- 8-5-5-5-5-5-8-5-5-5-5-5-S-5-"5-5 -8-0-0-0-0-0-8-0-0-0-0-0-8-0-0-0
.... ! I I I I I I I I 1 I I I I I I ! i I I I I I I I I 1 I I ! I I -~ -~ -~ .~ y >- >-

62

1---1 0=1 /.///'f

F=I

/ / i cO/it sim.

48

///./'1 ®

I I I ."'. I I
I
.
..
torn, wild and. __ be -
.....--.-~ ~~ .~
, -* '.
.
..
wild __ , and be - - (eft, ass -
II
T~~:;t~~T~:;t~:;t:;t~~~~ I
._; -.I. ~ ~ -:;t ~ :;t -.I ~ :;t :;t~7I:;t:;t~

A
-0
_. B.-5-5-5-.S-S-B-5-5-5-5-5-S-5-5-5-L-8-5-5-5-5-5-8-S-5-5-5-5-8-5-5-5-
.... T IT T ! I 1 I .' '.'.. ' ..!! I l' . T , ' . , I PI'ay r only AS

5fr

50

FI F=I FI

////'1 ////'f //'1 @

53

AS

B k' at W 'J

I aC'Jl1gv(>c s any
.. -
bow.
I Vocals (I' only) r=: r--- •.. R... I.i.~
r:»: .
. .
i
..
Woah, woah.i, woah, woah.
_6 EIe<:.Gtr. I
"
,
, .. -,J ::J. ~ -:J_ -:J_;j: -.I. -:J_ -:J_ ::J. ~ ~ -,J-:J_ -.1- ;j: -:J_ -:J_ ~: -:J_ T -:J_ 4l ;j: -:J_ -:J_ -.I. ~ -.i- ~: :;t :;t:;t:;t -.I. :;t :;t :;t =it :;t -.I. :;t
Elec. Gu. 2 plays Fig. 2
, 'f
T- r- _"
,4
b
; ... S--1~7-7~7-7-a-1-1-7-1-7-a-7-L-S-1-7-1-7-1-S-7-1--'.7-'7-7-8-7 8-5-5-5-5-5-S-5-5-5-5-5-a-5-
... 1!!!IIIIIIII6d [I[!III!IIII~ rIIITTTTTTTT_ 63

56

(Ah) _

~-------------------

~-----~

Ah _

EJee Gu . .2 plays Fig . .2

8-S-S-S~-5-8-5-S-S-S-S-8-S !!!!:::::::: ==

8-7-7-7-7-7-8-7-7-7-7-7-8-7 : J ! : ! , ! ! ! , : : ==

8-7-7-7-7-7-8-7-7-7-7-7-8-7 ::!:::!:::!! ..

I.

GS ~c.
59 -e:
.
"

..... ~ 1"---------.p..~ ..
t!
Snare drum, Toms
rJ .1==1 >- :> >- ~ :> ;> >- == :> :> ::- :> :> :> ~
.
t) ... ~~~~~-.~~~~~-~~ :> :> 7 >- >- ==== :> >- ==== ==== :>
3 3 3
EJee. Glr . .2 Fig. 2. ends

.,
LA
10
~8-S-S-S-5-5-8-S-5-5-S-S-8-S
!!::TiiiiT Id 2.

Snare drum, Toms

N.C

D5

61

>- >>- >-»> >->->-

3

1~·---------------------~-H-------------------~rO-~~L--~---_H

I~~~~~~~~~~~~~==~=:X=~~~~==========:=~~O-------------H

It- 8-S-5-S-S-S-8-S-S-S-S-S-8-S---_"_-X ?)

! ! ! ! ! : ! : === r

65

EXO-POLITICS

Words and Music by Matthew Bell(]my

Om

IIIsfr

F

Ii

Bf> ~6fr

t=m±:J

C '!E'3fr

J = 124 N.C.

(Om)

(F)

(Om)

(F)

Electric Guitar I

overdrive

~4------~---1---~'I----~'-lr-----------I-----~-~--+-----------~----~-~-41

---0---4 x-x-x- - 2--3-3-2~2 2--3-3-2~2 --

H~-S---=-------I----X-x-x-r--S-S-5-3-5 3- -5-5-5-3-S 3-

'f\

Dm F Om F BI>
=~" t •
LO pen the skies ov er me. am wait 112 In

1-1"1---------2 -)--3-.2--2--- 2--3--3-2--2--1---------1

-B-S-5-5-3-5-- 1 -5--5-5-]-5 3--1-1-1-0-1-3-

12

F

A

Om

F

@Ir"?-

-~-

-ing

pa

tient - Iy.

I'll

waiL- __

for _

a

f-M----------1-------3--5-5-3-5-3- 1-1-1-0-1-3- =1 .. ~-1-1-1-0-1-3 -5-5-5-3-5----,,------'----:----:-----:--:---,-------'----:----:---:-----,-------.,------:--1.-1-1-1-0-1-3=:1

I I 1 I II I I 1 I 1 U I I I I I I

© 2005loosechord limited Womer/Chappell Music ltd, london W6 BBS

I

66

17 II

A

Om

F

Om

____ ----"_

-

sign. _

Y ,I

12. As <;on spir - a - cies,,----- un - wind, _

\ 3. Ca[ ned through the cent u - ries, _

-

II

-I

~ ........ '

1~---------_I_--------__tl'----------"2--3-3--2--'-2. 2-

H~'i----------------I--------3- f-5-' -5-5-3-5 3--5---5-5-3-----,-5--

L .... L--5-5-S:--1-5-6--5-5-6-5-1-5-------c-.LL_.,------------,----,-------;------;------;-____L_---;--.,--------;-----,-------;----'--;------:---,-----__,_______;_----:--'

I I I I I r I L..l II I I I

22 F B~ F A Om
fl I ..- -.......
-I
tJ 1 -- I I I
will you slam shut or free your .mind, Of
sec rets locked up and load - ed on my baek,_ and it /

l-l-o--3-3-'2,--'-21--+---------t-------------l---------+---------I H ... ~--------1-r_I-I-I,-O-I'-3_1·--------_I_-------l-r_5-S-1-5-,3- L,·-----;---;--________:----,--------.----L.---,-----,------------,------,:---.-----___;_---'-I' -1-I-O-I-3-~5-5-5-1-5-.,----------'--;--________:-___:_-__,_______;_-"

I I I111 1'1 IIIW

,27 B~
l'l »: --..
tJ
stay
-wejghs.
,r. F

A

(Om)

-

hyp no, - tized" _

me down. _

:i -:+-}< -}< ->t--~. -+-}<

rk---------I-------I-------I--------+-x-X-X-X-x-X--X-X-X-x-x-x-x:f-,1A"\.---------f--------I---------I--------+--,:x-x--:x-x-x-x -X-)(-x-)(-x-x;-x-

L,_-2_---,-I_-,---I_I_----,-O_-_I-_lj_':_-I:--I-.---O---I---]-----l--s-, -5----5---3-'--5---6-,,- +-_-!5--5_-6_-S_-3-_-S-,1--5-X-X-X-x-x-x--x-x-x-x-x-x-x,.-

I I I I I I 1111 I I 111I I W I II U II I I I II I U I

33 Om

'i

.---.

c

~

'When the

Ze

tas

:Bll_, the

skies, _

Gtr~.1 & 1 (composite part) r.

,

overdrivec

.----6-6-6 ' 6-, -6-f-6-6-6-6--6-, ,-6--5-5-5-5---5--5,-1--5-5-5-5-- --5--5- -x-----7-7-7-7------T---l,~7-r-7-1-7-7------T--7-----T-7- -5-~-5-5---- -5~S- -5-5-5-5,--5--5- _ ' '1-7-'1-'1---7--7-1-7-'1-'1-7-7--'1--5-5-5-5-r-5~5-r-5--5-5-5------T--5------T--5- 8---5-5-5-5---5--5-,-5-5-5-5--5--5-'--,3-3-3-3-' -3--3-1--3-]-3-3--3--]-

67

Om

~

37

F

1(2.) Will OUT (3.)lt's just our

lead lead

ers ers

tell.,., us in,_ dis -

why? }

guise" .

r-----------------~6-6--6---6---6---6-_.------------------._-----------,

6--6-6--6-----6----6gt ~

7--7--7-7--r--7--7--7 I-----------~~------------------~

8--8-8-8---8---8 3--r-----------_, 8--8-8--8----8---8 S--S--5--1--5---'_S--$-· -44

L.l__-,--;-----;---.--------,~,-----------;----L__j--j-j-j--v__v I I I I I U j-j-j d

10-10-10-10---10----10 10-10-10-10--r-10--T-10 10-10-10-10--10---1 D 8-8--6-8---8---8

4/

Om

c

Ful-Iy

load

ed

sat

el-Iites

---6-6--6--6---·-6---6 7-7-7 --7 ----7'---7----7'---7 1-1-7-7---7---7 5--5--5--$---5---5

6-6-6-6---6-----6 7-1--1-1----7'---7 ----7'---7 -7--7--7~7----7---7 5-5-5--5-----5----5

6--6-6--~6---6 5--5--5-5----7'---5---5 5-5-5--5-----5-7--5 -]--]--3-]---3---]

5-5-5-5-----5-----5 5-5-5-5---5---5 5-5-5-5 ---¥---5---¥---5 3--3--3--3---3---]

45

F

Om

~

will con-qua-

no - thing

but..; our

minds. _

am

1---------------,~6--6--6--6-----6---6

6-6-6-6-, ----6-----6==l= ===J' =Il

iii :----7'---:----7'---==+5 __ 5_· -5-3-5~-5---5-3--S-1-S-3d

LL__-,.---,,...---,,----,-------;~-,----------,-.-'--j-i-j--j--v__~II I I I I I LJ I I I I

10-10-10-10---10---10 10-10-10-10---7'-10--7'-10 10-10-10-10---10---10 8-8-8-8---8---8

19

F

A

Om

wait

ing

pa

tient - 1y"

And 111

~--------------~-------------------r---------------+-6-6--6--6--6--6--6--6 7-7--7-7--7--7--7--7 7-"7-T-7-7-7-1-7 5--5--5-$-5-5-5-5

2-2-2-2--2-2--2--2 3-]-3-)-3-3-]-3 3-]-1--1-J--1-3--1 1--1--1-1--1--1-1--1

I I I I I I I I

-6-6-6--6--6-6-6-6 7-7-7--7-7-7-1-1 7-1--7-7-7-7--7--7 5-5-5-5-5--5-5-5~1~--~~--~~--~-.-~~

I r I I I I I I

L.J bLJ

6B

53

To Codo_.

F A

.----------

, wait

for _

the sjgn, _

~--7-7-7-7-7-7-7-7--2-2-2-2-2-1-1-2 . 8-8-8-8-8-8-8-8 3-3-3-3-3-3-3-3 -B-8-8-8-8-8-B-B-8 3-3-3-3-3-3-3-3'-

l'-----6-6-6-6-6-6-6-6 1-1-1-1-1-1-1-1

! ! ! ! ! ! ! ! I ! ! ! ! ! ! !

6-6-6-6-6-6-6-6- 7-7-7-7-7-7-7-7 7-7-7-7-1-7-7-7 5-5-5-5-5-5-5-5

! ! ! ! ! ! ! I

6-6-6-6-6-6-6-6- 7-7-7-7-7-7-7-7~ 7-7-7-7-7-7-7-7- 5-5-5-5-5--5-5-5-

I I I I I! ! !

Om

F

57 Elec. Gtr. 1

----------+----7------7-5-1-

F

A

112

1/2

(ull

LJ

L6

L6: U

DJs 01 Coda

F

65

-

112

full

f~11

full

full

-

L.J

L.b

I

'-'

~..-
69
.- Coda
Elec. Gtrs. I & 2
A Bb F A
)))))))) )/// i i i i i i i i ))))///) i 1 I i i i i j
// // //////// ////////
69 ~
I'j ~ :l.
.
,) - i --
sign, Yeah, and I'm wait - - ing pa - neat-
h Elec. Gtr. 3
~ ~
tJ .....
overdrive

) 5-7 ) 5 ) 6
~ e 8--8-7-8 ~ 7-8--1~5-7 f' 7-8--8-5-1-
-0'
~
, LJ ! ! ! ! U I ! ! ! LJ ! ! ! !

Dm BI> F A
i i i i i i i i i i i i i i i i )))))))) i I I i i 1 I i i i I i i i i i
////// // //////// //////// ////////
74 " ~~-t.
'i ~! o~,..,"
~a IF .
.
II 1......1 i
- Iy,_ and I'll wait for the sign,
L _, -.~. ....,
• • • I0-oI
5-6-5
7 7-5 ) 5-7 ) 5 ) 6 , 6
.!l. e 8 8-1-8 f' 7-8--7-5-7 e 7-8--8-5-7 to 7-8--8-5-7-
8-5-5

! ! ! I ! I ! I U I I ! I U I I I I U I ! I I U ! I I !

Dm
19 Elec. Gtr. I
'i
+---J -r-I- , a
-
, "'!" "'!" ., -. ., <r>:> --- "'!" "'!" ., --- .. <r>:» --- ., ___
I~ 11\
\
/ )
.!l. 2- -3-3-2-~-2 2- -3-3-2-~-2 e
ID 5-5-5-3-$ 3- r-5-5-S-3-5 3- f-S- ~
I~
1 I I I I I I j I I 1 1 I ! I 1 1 1 1 1 ! I 1

Gtr_ 2
----=========== ....---:---._ ~...,~ ---
41 IU ___________ ' :;..o....._.- ,",' • • IU ___________ p.__..... ,",' .. '"' .-
= =
~r~ 6----6 6 6- r-6- ...-----.. 6 6- -6 .-
r-6 ____ 6
7"'-- 7----7 7 7 7"'----- -- 7...--.....7 7 7- 7 .-
7- - 7"'--""'7 7 7- f-7- 7...--.....7 7 7- 1-7 ___ t-
s---- 5-----5 5-5- r-s---- 5 5 5-S- r-S/
.. 1 I" bd I [. bd I ~-"_-I--I-I-I-I-O-O-O-O-O-O-O:-O~O-~l--r-I=I-I-O':::=::'O-O-0-0-0-0-0-0- 1-T---fl--J--3-3-3-l-1-1-1-1-1-1-1-1--1- -1--1-l"'--'_l-J-2-2-2-2-2-2-2-1-2- I-A~~---H-:--2--2-2"'--'_1-2-2-2-1-1-2-1-2-1-2- -2.--2-2--2-2-2"'-';:2.-2-2-2-2-2-:1:-2- ~.ri,,\-----4~O--O-O=O-O-O'::::=::::'O-O-O-O-O-O-O-O--O--O-O=O-O-O'::::=::::'O-O-O-0-0-0-0-0-

....

70

CITY OF DELUSION


Dm

1m

AJD

moi

Gm/D

~Ii

Gm/D* 'I::'i':h:i::t ~6fr

aPIA

rr"tlI6fr

A7*

1mIfSfr

Tune Guitar 2,

®=D

AId 1ei2rr

G5

t1nfpfr

F5

II

AlE

Ii

ep/D bfin. tl:H!l

J"" 115

Acoustic Guitar' N.C.

Dm AiD

~F=_ .F:r"""'"

Dm AJD

-= =r"""'" !-

-II:·

;- ~ ~ ;- ~ ?c ~ ~- • •• ~.. ..._.. • • • • • •• • • .~.. • __ • • • ••• • •

i----------------n--I-I' -1--1-1-0,.. ...... 0-0-0-0-0-0-0-0-,-1-1,-1--1-1-0,..--.0-0-0-0'-0-0-0-0- -9TF-~~---x-.x-.x-.x-.x-x-x-x- ,-)-1-1~)-1-i-1-2-1-1-2-1-1-2--1-3-3,.....,3-)-2-2-1-2-2-2-2-2-1----:<- __ 41':.' ----.x-.x-.x-.x~x-x-x-x- '!_,1-2-202-1-1o,.2-2-2-1-2-1-2-2- -2-2-1=1,-2-2,=2-,1-1-2-2-2-1.-2-": ~',,-:"------cx-x-x-x-x-x-x-x- -0-0-0=0-0-0-0-0-0-0-0-0-0-0--0-0-0"""'0-0-0-0-0-0-.0-0-0-0-0- -·::!x-?C-?C-x-x-x-x-x- . .

'" , , ! I: ' ! ,,' L.....bd b:L.J ' , ,,' L.....bd 6LJ I I " ,

<I-

(j

Dm

ND

Dm

AID

~

I Stay

(2.) - lieve,

a - way when I

from., clon'L

fl·

+

. '. ._. . . . . . ... .. .

I_I I_I

6 Dm AID Dm ND
{j
...,
"me,
trust?

Ii ,_.. - - -
--- .--.,
- -I -I -I
~-
..., • • . ._- . • . ...__., .. - .. .. .. • .. • • .. . _ .. .. , .. .._,.- -- .. - .. - .. .. ~--I--I-I..-....l-I-O,-O-O-O-O-O-O-O-O--l--I-I-I-I-O-0-0-0-0-0-0-0-0-

j---3--1-3-3-3-1-1-1-1-2-1-2-1.-1--)--1-1-1.-1-1-2-2-2-2-2-2-2-2- 1-}---2--1-1=2-1.-2'::::=::::'2-2-2-2-2-2~2-2--2--2-:l:=2-2-:i"'-"'1-1,-2-2-2-2-2-2- ~~ o--o-o=o-o-oe:::::::::::,o-o-o-o-O-o-o-o--O--0-0=0-0-0'::::=::::'0-0-0-0-0-0-0-0-

, ......

---'---' '-'

" ! ,

I_I '--I

, " 't='::j::' ======='

©20116 LOQsechord LImited Womer/Choppell MUSIC Ud, London: W6BBS

71

8

Dm

Gm/D

Dm*

Gm/D*

'I I »: -.....
'-
build a fort - - ress and __
All your theo - - ries
II .--. . ..-.. . • • • • • • • "I!I:- ~ __ ~If- ~ 11-=1- l- I- Il S. I· I- -1-
.--.
'--' ~
I_) -- I"" • I""..._..-. I"" • I"" • I"" • I"'" ._ • I"" I""..._.... I"" • I"" • I"" I"'"
-- -- - -
-1--I-I=I-I-3"==:::'3-3-1-3-3-3-1-1-.-S--S-S-S-S-6"==:::'6-6-6-6-6-6-6-6-
¥=i--1-3--3-J-1-1-1-3-3-3-1-3-3--6--6-6-"6-6-8-8-8-8-8-8-8-8-8-
2-· -2-2'-'2-2-3-1-3-3-3-3-3-3-3--7--7-7--7-7-7-7-7-7-7-7-7-7-7-
0--0-0=0-0-0"==:::'0-0-0-0-0-0-0-0-1-0--0-0=0-0-0-0-0-0-0-0-0-0-0-
....
, I ~ ~ ! 1 I I 1 i I I I I ~ ~ ! I I I I I I I ! 10

Dm*

GmJD

Dm

ND

'I ..- ~ I
, - 1 I
- shield ___ your be - liefs Touch the __
- turn in - to dust. I choose.;
-- ~ If-::::::~ If- .---. • • • • • • • ~ -
-...
--
--
::.-.:::
'- .. I"" "--I"" .. I"""'_'" I'" • I'" I"'" I'" • • . ,-,- • . ..._... . • • • • • • •
-- --
-s--S-S"-5-S-3~J-1-1-3-]-]-3-3-,-I--I-I·--'I-I-O~0-O-0-0-0-0-0-0-
~6--6-6'-'6-6-3-3-3-1-3-1-3-3-1-1-3--3-3"-1-3-2~2-2-2-2-2-2-2-2-
~r---7--7-"i-7-3-3-3-3-3-3-3-3-1-~2---2-2'-'2-1-1-2-2-2-2-2-2-2--2-
'0 O--O-O=O-O-O~O-O-O-O-O-O-O-O-I-O--O-O=O--O-O~O-O-O-O-O-O-0-0-
~
, I ~ ~ I I I I ! I I I ! I H ~ I I I I I I I I I 12

A

aPIA Gm/A

A

B~/A Gm/A

A

f
~
t..
- di - vine, as we
-- to hide from the
t - - --- • • • r-- ~ -.. • • •
,...-..;;
t.. ~ ~ ~ ~ ~ ~..._..-~ ~ :;;iii ~ 4' ~ 4 ~ ~ =- ~_.::ti ~ ~..._...~ :;;iii 4 .. .... ~ :'4 ~
.--s--S-S-S--5-6~6-8-8-8-8-5-5-S- I-S--5-5=S-5-6-6-8-8-8-8-S-5-S-
6~-6-6-6-7~7--7-7-1-7-6-6-6- 1-6--6-6=6-6-7~7-7-7-7-7-6-6-6-
.0. 7--7-7-7-7-8-8-8-8-8-8-7-7-7- 1-7--7-7-7-7-8-8-8-8-8-8-7-1-1-
"8 0--0-0-0-0-0-0-0-0-0-0-0-0--0- -0--0-0-0-0-0-0-0-0-0-0-0-0-0-
, I ~ ~ I ! I I I I I I I ! ~ 1-1 I ! I ! I I I I I 14

Dm/A

t I
t..
faJl in
All - - - - - - - - - - see - ing
I - ~ ~ -
,.....,
.-... ,....., ----
--
t.. 4' 4 ~ .:» ~ ~ _4 :;;iii :;;iii :;;iii 4- :;;iii 4 =-- 4 4 ~ '-'~- :;;iii ~ ::=::~ 4 :;;iii :;;iii 4 :;;iii 4' ~
5--S-S=S-5-S~5-S-5-S-5-5-S-5- -J--l-J=1-J-1-2-2-2-2-2-2-2-2-
~ 6--6-6::=:6-6-0:::=::::0-0-0-0-0-0-0-0- -0--0-0::=::0-0-0:::=::::0-0-0-0-0-0-0-0-
--7--7-1-7-7-~5-5-5-S-5-5-5--5- -3--3-3--3-3-2--2-2-2-2-2-2-2-2-
~ 0--0--0=0-0-0-0-0-0-0-0-0-0-0- -0--0-0"'-"'0-0-0-0-0-0-0-0-0-0-0-
! ~ 1-1 I I I I I ! I I I I ~ 1-1 I I I I I I I I I "I
72
II.
16 Dm AID Dm AID
fl I
~ ---- ~.
line.
'I r-- r-- r-- r--
.-..
.-..
U • - . ,__..- • . ..._... . - • • • - • - - • - • - . ______ . .. • • • • • •
1--1-1---1-' I-O~O-O-o-o---o-o-O-O--I--I-I-I-I-O"'-"'O-O---o-o-o-o-o-o-
3--3-3---3-3-2~2-2-2-2-2-2-2-2--3--3-3-3-3-2~2-2-2-2-2-2-2-2-
2--2-2=2-2-2"'-""2-2-2-2-2-2-2-2--2--2-2-2-2-2"'-"'2-2-2-2-2-2-2-2-
I-~O--o-o..-..o-o-o...-...o-o-o-o-o-o-o-o- -o--o-o-o-O-O-O-{l-O-O-O-O-O-O-
.....
... I H H I I I I I I I I I I ~ H I I I I I I I I I
-
112.
Dm AID Dm AID Dm AID
18 (strings) J2
fl j.-------J
u 1 ;tr
2, Can I be -
Eye.
...... = I=~ -~ =~ ...... = r=~
fI ::: -- "'- -.1""111 ~
-. "'-
u • . -~ .... '-'- ........ - .. -~- . -'-'- - - - ... - . .. . -_,- . -.._.. - - ... -
1-1-1 = I-I~O=O-O-O-O-O-O-O-O-r-I-I-I = 1-1-0"-"0-0-0-0-0-0-0-0- r--I-I-I'-' 1-1-0"-"0-0-0-0-0-0-0-0
j--,3-3-3---3-3-2=2-2-1-2-1-2-2-2--1-3-1--'1-3-2-2-2-2-2-2-2-2-2--:- r--1-3-3=3-3-2=2-2-2-2-2-2-1-1-
2-2-2----2-2-2=2-2-2-2-2-2-2-2-f-2-2-2=Z-2-2"-"2-2-2-2-2-2-2-2""': r--1-2-2=2-2-2-2r-2-2-Z-2-2-2-2-
O-O-O=O-O-O=O-O-O-O-O-O-O-O-r--O-O-O=O-O-O"-"o-O-o-o-o-O-0-0--;: r--O-o-o""'o-o-o-o-o-o-o-o-o-o-o
'0'
...
, Ud bd..J I 1 1 I I I 1 I LbI bd..J ! ! I I I I I I L...Jd bd..J ! ! I I I I ! !

.
Dm AID ~m AID Dm N.C.
21 - ~ r=>;
fl .J------J ~ J ~ Ln .J J7 ~
-II
It.) .: f ~ I ,
Des-
- Elec. Gtr. 2
..... 1= =~ ..... = =~ ...... 1= F"'"
f -. -. =
-. ,...... -.
~ - . -_- • . .__. ... - . . . - - . -_- . -'-'- - . - . - - - ~ ~ ~ ~ ')0
1-1-1---- 1-1-0=0-0-0-0-0-0-0-0--1-1-1 '-""-1-0'-"0-0-0-0-0-0-0-0- -I-X-I--"X-I

3-3-3----3-3-2=2-2-2-2-2-2-2-2--3-3-3'-_3-3-2=2-2-"2-2-2-2-2-2--J-X-3--X-J -._ ..
2-2-2=2-1-2=2-1-2-2-2-2-2-2-~2-2-2=2-2-2"-"2-2-2-2-2-2-2-2- -2-X-2=t=X-2 x-x- "
0-0-0=0-0-0=0-0-0-0-0-0-0-0--0-0-0""'0-0-0=0-0-0-0-0-0-o-o-,-o-X-o--x-O e X-X-
'0' x-x-
._.
, L.6:d bLJ I I I I I I I I L.bd bLJ I I I I ! I I I L......6d bJ ~
>- >- >-
- 73

Aid

Dm A7
r--3~ .r:">
~ 0'\ /"": ,
ci ty of_ de iu sion and 24

- troy _

this

U I'

Ld U I'

Ld U ['

28

AlE

D

m
"l ;--- ~ ~.'
• I
break these walls down. r
r-:: ~ r= ~ ~ ~ :--= ,.......
"l • ' . ---- . • ----. , , '"""' --- - ---
--- -- , -I- . , ,-... -
---
-- -- . -I
-
t .. "":~"''"''::~'" ---'II ~ ~ ~. ::!~--:! 4 __,4' ~ ~ ~~' ~~:! :!~~ . ± ± ]I, ]I! ,_..]I ]II ,-,,11 • :;; ~
'II' '-" 'II ~ .. __-:.~ .~~. -.. -.;_"111 'II.._."jI, .,. .,. =-' ~,-,=-: .:'___.' :); ~
~ ~ __.." .- ,.--.., -.
- ~ -. -- -- __.." -3 3-
;; 0"'--"';; ;; -. .-.. ..-... ...-..
.11 -::=.._ 0 --~ - -.;; l:=: ;,..-...; ;;-..;; -~- ~-
·B 5 S"--"_S 5 S !!*- -- -. ,--., ~ I-I 0'-0 ~ ~
U--U i ' .-; --; ;,; ;. ~. -~.- -... ;. ;,; .- .-
bd L..J U r '6d' L..J U r ~ L_d U I' Y 32

wiD a - venge _

and

Irr~___+lil-----_i-·o_=io 10------10 10 10 ID-Hl--I-O--lfil--t&-+-------I--------l---------------l

I' J LJ

7

G5

36

fy_ my_

rea

sons

with

your

74

AlE

To Coda I. To Coda 2"

Dm* (A)

-
40 -:': 'I t
,.., ...-., --- ..... """"""'"
,
t) (Strings)
blood.
t ,... - ,. -(I#- .;.:- • --.(1#--,... ... (1#--(1#- (1#-. -(I#- >E-(I#-1'Y --(1#-----(1#-.(1#-(1#- ••••
.~ ~:!!: ........= 0-= '~:-'1__,j
.z ~ --
-u:- =6 ~
~ 0-10 '10 1010 10 10 10 HI-

A , , .. ..... .. .... ~ -. 'I 'I ~~-7-1-7-I~-----"1--K'-------7· _..._ 'I '1 '1 '1 '1----'1---'1----'1-
-IS
- i
.... r L.....bd U I I I ! I I I I L.....bd LJ ,I I I I I I I I , ,. 1'" • 'f!- .,_. .¥ r- .,.... .,.... ~ .,.... [-
If-
f). ,... ~ ,... >E- .---,.._ ~ ~~ • .- • '. .,. -)(- • -)<1- ,...---,... .. • -(I#- ,... (II' ,... ~
r--
t.J -! -

,I-I-O---}(-+O ><: 10-------10 _--.., -ll 10 10 10 10 I

A .... v- .. .. _...--...,_ ... ~ '1 '1 'I 'I '1 '1 _". ><: '1 ><: ?_...--...,_" '1 1 'I 'I '1 '1 'I
",,-
...
I ~ I I I I I I I I I I I .~. I I I I I I I I I ! (Om)

46 ~

j

-II

,

Bass synth_arr. for guitar

3., You will not

-~-+

-I-

If- .-

.'

•• 0

_o

L::I U b.J U

L::I U bJ- U

L::I U bJ- U

L::I U b.J U

50

,..,

rest,

set - de _

(itr_ 2 Bas,S symb. ,ont sim

~,.., ~

T--X--x-x---x-x---X-x--x--X-X-r-x--X-X.---x-x x-x--x--x-x-

I"""--X--X-X !1 x-x :; X-X--X--X-X-rX--X-X :J x-x . ~X-X--X--X-X-' ~X--X-X 7. x-x J_ X-. -X-' -X--)(-' _. X-r-X--x-X J_ X-X--J__x-x--x-· -'-x-x~ ~X--X-X X-X X-X.--X--X-X-r-X--X-X x-x )(-)(--X--O)(-X-

... I I-I b........J b...J I-I ~

6..J

b........J

75

52

1 1 1
~
,
- -for less, un - til you
'I c::- c::- c::- c::- c::- =-
V ~ ~ ~ :;: ;. ~ ~ ~ ~ ~ ~ ~ ~- ~ ~ ~ ~ ;. ~ ~ ~- :! ~ ~ ~ ~ ~ ~ ~ :!-
~r-x-x-. -x-x--x-x-x-x-x- -x-x-x--x-x--x-'x-x-x-x- -x-x-x--x-x--x-x-X-X-X-
x-x-x f=X-x~-X~X--X-X- ~x-x-x=f=X-X~X~x-x--x-x- -X-X-X~x-x~x-x--x-X-X-
_x-x-X x-x X-X-x-x-x- -x-X-x x-x X-X-X-x-X- -X-X-X x-x X-x--x-x-x-
-8--x-x-x--x-x--x-x-x--X-x- -x-x-x--X-x---X-X-X-X-X- -X-x-x--X-x--x-x--X-X-xc- b.J

b.J

b.J

hi

b.J

b.J L....bd

S5

'I - ~ 1 ~
-I
, - - .1 -
guz - - z1e and ____ squan - der __ what's i.L. left. Do not de -
'I c::- I!!!"'" c::- !!!""" c::- =-
l-.Ii H
V ;. ~~ ~ ~: ;.- ~ ;. ;. :! ~ ~ ~~ :!- :! ;. ~ ~ ;.- ~ ~ ~ :! ~ ~ ~ ~ ~ ~- ~- :!-
-~-
-r--x--x-x--x-x---x-x-x-x-x- r-X-X-X--X-X--X-X-X-X-X- r-X-X-X--X-X--X-X-X-X-X-
~~-x-xIx-x~x-x-x-x-x- r-x-x-x=t=x-x~x-x--x-x-x- f-X-X-x±x-x==2=x-x-x-x-x-
x-x-x- x-x x-x-x-x-x- -x-x-x x-x x-x-x-x-x- I-X-X-X x-x x-x-x~x-x-
-8--x--x-x--x-x--x-x-x-x-x- r-X-X-X--X-X--X-X-X-X-X- f-X-X-X--X-X--X-X-X--X-Xc-
, b.J

bJ L....6:d

bJ

bJ

58

'I 1
-
,
-ny that you live
'I ,.. ~ ,..~ .. .... i-, ,.. ~ .. ~ .. .... i-- ,.. )E- ,.. ~ .. ,..i-- i--
~ L.......I =- - =- - - =-
....... -
IO--X-IO-X-IO--IO-IO-IO-- HO-X-IO-X-IO~IO-IO-Io IO--X-IO.:....X-IO~IO-IO-IO-~-
., & ..
Ll._ 7-X-1-X-7-----4----7-7-7 7-X-7-X-7___:j_7-1-1 7-X-7-X-7----:t-7-7-7 I
-rS
-
, I 6d U b..J ~ I ~ U b..J P I 1-1 LJ b..J ~ 61

(Strings)

J-----J n

'I - - -
,) r- 1,----- ,- r'~r' 1
and then __ die,

'I -,.._ ~ ,.. IE- ,_ ,..,. ;,- ,.. * ,..~ ,.. ,..;,- .. ,.. )E- .. -IE" _..,.. ,... ..
..
, 1......1 =- - - =- _, =...i

!l-IO-X-I O-X-IO----;;-IO-I 0-10 10-X_-10-X-1 0----;;-10-1 0-1 0 10-X-IO-X-IO-----;--IO-10--IO
..
7-X-7-X-7-I-7-7-7 7-X-7-X-7-----4--7-7-7 7-X-7-X-7--7--7--7--7
I'"
1-
, I bJ LJ bJ P I bd LJ bJ P I bd LJ bJ ~ -...
76
D.% al Coda I
64 .p~ ~;. ~~
"l
-
I. ~ r
Des -
t'J ~ * ~ ,* ~ .. ;,- ;. ~ ?<- ~ ~ ~
~
It.. _........ -i =-- .._ ~ ~ ~
__"'----I O--X-I O-X--I 0 10-10 10 10--X-10-X--10
.. .. ,. ..
_A "f_ ~ "1_ x-x-x-
1--X-7-X--1 1-1 7 7--X-7-X--1 X-X-X-
I"S X-X-X-
I ....
.... I !~! L.J b...J ~ I I_I LJ I 1

-$- Coda 1 •
-
66 (A)
t'J _..... I t -
• -I
•
1::'-.,' ~
It.. - 1 --.::I - -
(Strings)
Elec. Gtr. 2 ~-."- ._
"I .. - IE- ~o<;- .. ... ...... ~ ~ 0<;- .. * .. ~.;. ... ~~ .. "IE-"~ !If-
.
It..) - =- ._= --i =..i -= - -..
·__,..----IO-X-IO-X-IO--IO-IO-I 0-1 0-10-10 -IO-X-IO-X-IG--I 0-1 O~IO-IO-IO-IO -IO-X-IO-X-I 1--11-1 I-II
~ 1--X-1-X--1--f=T-7--7-7-7-7- -7-X-7-X-7--'t:.7-7--7-7-7-1- ..
-7--X-7-X-S_____Y__S-S--S

....
" I W U bJ 1 I I I L..bJ U b.J I 1 1 ! L..6d U bJ ~

Dm AID Dm AID
69 ~ .,. • ~~ -~ .,. .,. t t
"I • • •
I;
Ac. Gtr. I
'I ..... 1= =~ ..... 1= ~ ~-
::: ~
-
- • ___ •• __._ • - •• - - _ • .J
.. - - .~ .... ~ ... - .... - .. - -
1-1-1 = 1-1-0'-'0-0-0-0-0-0-0-0- -1-1-1--- 1-1--0=0 -0-0-0-0-0-0-

I 3-3-3'""'3-3-2=2-2-2-2-2-2-2-2--3-3-3---3-3-2=2-2-2-2-2-2-2-2-
A 2-2-2---2-2-2'-'2-2-2-2-2-2-2-2- -2-2-2=2-2-2""'2-2-2-2-2-2-2-2-
_e- O-O-O=O--il-O---O-O-O-O-O-O-O-O- -O-O-O=O-O-O-O-O-O-G-O-O-G-O-
....
L.....6d bLJ I 1 I ! ! 1 I I L..bJ bU I I ! 1 1 1 I !

'I ~~~ ~~~#~~.~~-~ ~~~:~~~ ~
I
-3-1-3 13 14 14 14 14-+4
,.
l!._ o 10 10 10 10 lo--t-l II II II II II IH++I-J- ~
I"S .
...
" ! I 1 I I I 1 ! ! I [ ! 1 ! I I I

- IIII~
"

; 77

Dm

AID

---I--I-I=::'I-I-O~O-O-O-O-O-O-O-O )--)-3--3--3-2~2--2--2-2-2-2-2-2 2--2-2--2-2-2-2-2-2-2-2-2-2-2- 0--0-0--0-0-0-0-0-0-0-0-0-0--0--

1--1-1=1-1-0-0-0-0-0-0-0-0-0 )--3-3---3-3-2~2--2-2--2-2-2-2-2 2--2-2~2-2-2-2-2-2-2-2-2-2-2 o -0--"0-0-0-0-0-0-0-0-0-0-0

74

Dm

AID

Dm

AID

r-----3--------~

.,.

(Trumpet)

1--1-1-1-1-0-0-0-0-0-0--0-0-0 3--3-3~3-3-2~2-2-2-2-2-2-2-2- 2--2--2-, -2--2--2---2-2-2-2-2-2-2-2 O--O-O'-O-O-O~O-O-O-O-O-O-O-O

76

Dm

AID

Dm

AID

1--I-I:=::'-I-O~O-0-0-O-0-!I-0-0 3---3-3--3-]-2--2--2-2-2-2-2-2-2 2---2-2=2--2-2~2--2-2-2-2-2-2-2 O---O-O'-O-O~-O--O--O-O-O-O--O-O

1--[-'-'-1-0-0-0-0-0-0-0-0--0 3--3-3=3-3-2-2--2-2-2-2-2-2--2 2--2-2-2--2-2~2-2--2--2-2-2-2-2 O--O-O-O-O-O-O~-O--O-O--O-O-O

bd

78

Dm

Gm/D

Dm*

Gm/D*

5--5-5-5-5-6-'-6-6-6-6-6-6-6 -6---6--6~6-6-8-8--8--8--B--8--8--8-B

-7--7-7=7-7-7-7-7-1--7-1--7-7--7

O---O--O~O-O--O-O--O--O-O-O-O-O--O

78

80 I

Dm*

~

GmlD

AID

Om _:---......

If;
'i l!- t !t;:::;t It . '--- . • • • • • • • !""'- -
,.-., .
.........,
If. ~ -~ ~-- ~ .. • . _ . • .. ..._.. . • • ' .. '. .. ' .. •
- - 1---5--5-5"-"5-5-3-]-3-3-3-3-' -]-3-]-,-1--1-1=1-1--,0"'-"',0-' -,0-,0-,0-,0-,0-,0-0- i--.6--6-6:::::6-6-3::=:3-.cl-l-]-1~)-)-3-r-1--3-1:::::3-3-2~-2-2-2-1-2-2-2- -A 7--7-7-7-7-3--]-3-3-]-· -3-1-3-1-1__2--2-2-·-2-2-2-2-, -2-2-2-2-2-2-2-

-0 ,o--,o-,o=,o-.-,o-,o~,o-,o-,o-,o-,o-,o-,o-,o-I__,o--,o-,o=,o-,o-,o~~,o-,o--,o--,o-,o--O-' -,o~

.~

'_I L..J L L_' I_I

82 A B~fA GmfA A BDfA GmfA A
I ~ .. ~ ~
If;
f1 ~ ~ --- • ~ • • - - --- .. • •
-I
If; ~ ;i ~_=i ;i .:'_'4 =- ~ 4 =- 4- • 4 • • 4_4 - -0 - 4" • =- :j' =- 4' 4"
... ·4~ .. j--5---5-5"-"5-S-6-6-8-8-8-B-5-5-5-r-5--.5-S"-"S-S-6----6-8-8-8-8-5-5-----,5- A 6---6-6:=:6-6-7;:::::::_7-7-7-7-7-6.-6.-6.-f--6--6-6:=:6.-6.-1:::=:::::7-1-7-'(-- -7-6-6-6- ~~-1---7-1-1-7-8---.8-8-8-B-8-1-1-1-f--7--7--7-7-1-8-· --8-8-8-8-8-7-7-7- ~e: ,o---,o-,o=,o-,o-,o~,o-,o-,o--O-,o-,o-,o-,o-r-O--,0-' -,o=,o-li-,o~,o-,o-O-,o-O-,o-,o-O-

.... I .~' I_! 'I 1'1, L_I'~ """

DtnaddJIIA

84 fl

--I

--r----S---5-5-S-5-S-S-5--5--5-5-S-5-5--1--3-1---3-l-2,-...2-2-2-,2-1-2--2-2- A 6---6-6:=:6-6-,0::=::,0-,0-' -,0-,0-',0-,0-0-0--0--,0-,0::=::0-0--,0::=':0-0-0-,9,-,0-0-9-0- 1~--7---7-7-7-7-5--S-- -5-5-5-5-· -5-S-5--3--3-3~'-'-' 3-3-2--2-2-2-2-2-2-2-2- -8--,0---0-,0=,0-,0-,0'::=::::',0-,0-,0-,0-,0-,0-,0-0--,,0--,0--,0=,0-' -O-,o~,o-, --0--0--0--,0-,0-0-,0-

.... 1_' 1_' ,I I I I 11'1 I_I I~ I I I I , I I!

Om
86
I £>'
If;
I Dm

AID

AJD

...-_== ,c::::!!!!!~_, =-

- - ..-.,

•

.. . .. . .. ..._..,. ... . . . . .. .

. ._.. . . ..._... . . . .. ...

---1--:1-1-1-1-,0'-"',0-,0--,0-,0--0--,0--,0-' -,0-,-1--1--1'-1--[--0-,0-,0-,0-,0--,0-,0-,0-0- 1--'T''------]--1--3--1-3-2::=:::2--'~,--1--1--2--2--2--1-l__l'--3--1---1--]-2:::=:::2--2--2-2-2-2-2-· -2- 1-T--2--Z--2-2-2-2--1--2-1-2--2-2--2--2-r-2--2-2-2-2--1--2-- -2--2-2-2-2-2--2- H~!':.'----,o--,o-,o=O-,o--O~,o-,o-,o-,o-,o--,o--,o--O-I--O--O-- ,0=,0-'-0-'-' 0-0--,0-,0-,0-,0--,0--0-0-,

....

I

,

,

,

,

,

,

,

,

I

I

I

I_I

I_I

...

88
,
~
,
~
...
,
92
•
I
9
~
-
" 79

D.g 01 Coda 2

Om

..... _

NO

NO

Om

Des -

Elec. Gtr. 2

~M~---------------------~

--1--1-1= 1-1-0""-"'0-0-0-0-0-0-0-0 ___ 3--3-3'-'3-3-2""-"'2-2-2-2-2-2-2-2 I 2--2-2,-.2-2-2~2-2-2-2-2-1-2-2 0--0-0=0-0-0-0-0-0-0-0-0-0-0

I---X-I-----X--I-----------------------------~ ]---X--3-----X-3------------------------------H -2---X-2-------.:t--X-l---X-X-x--x--x-x-x-x o--x--o--+--X-~x-x-x--x-· -X--x--x--x

r-------------------------------------------------+----------------------x--x~x--x--x--x-x--x-

! 6..J I ! ! I I ! ! !

>- ::- >-

P.M.- -- -- - - - ----- - - - -------1

.. Coda 2

(;.6.)

90

'\"'" I -.
') -
(Strings)
fl • ~ ,.. .;><- ~ • ;. .. f*- .~ f*- ¥- ~ • .._ 'f*- .. • ,..
.
U - =- ~

f-j--IO-X-IO-X----IO----IO-IO--IO 10-X--10--X----10--- .. -10-IO--10-IO-10-10-
..
A 7---X--7--X-----T "f 7-7-----7 7--X--7-X-----7 "f 7--7-----7--7--7-7-
_J:j
~
" I ~ I I b.J ~ I ~ I I b...J I I I I --10-'0-10-10-10-10-11-11-11-11-11-11-11-11-11-11 13-13-13-13-13-13-14-1·4-14-14-14-14-14-14-'4-14

7-7-7-7-7-7--8-8-8-8-8-8-8-8-8-8 10-10-10-10-10-10-11-11-11-11-11-11-11-11-11-11

81
HOODOO
Capo 3rd Fret Words and Music by Matthew Bellamy
G Abadd~II/G Cm Fm EP Gaug Cm/ED G/D G7 AD fm6/C G/B
(E) (Fadd~II/E) (Am) (Din) (Cl (Eaug) (Am Ie} (E/B) (E7) (F) (DmG/A) (E/G~
iii a fillfrsw fBi m ox 0 Wi m m Ii 1m "X'-
m lrr tmj4fr
s~ F/A E~/G D/F~ D D/C Gm/S!> DIA G7/F Cm/E~* G/D* Cm(maj7l
(G) (DfF~ (CfE) (BtD~ (B) (BfA) (Em/G) (B/Flt) (E7/D) (AmtC*) (EtB)* (Am(maj7l)
"'lr mIt fir ii .x~lr x x -~[, ceo II Iii mliSlr ml4fr mttr~~
Wi ii
J = c. 60 (freely)
N.C. ~~ I r-.
I~' -
u
Electric Guitar
~ ~r.... 3 ~ ~r.... ·1 ----""l +~ ~
t.l -:.:. ~ .. - .. -~: -Pl-
".,.
, ~ ~ .. <, ./
-
slight crunch w/reverb
r 3 ~ <, ~~ <, •
,- <,
0- 1--2-3-2-----2-
~- (l-2-3-2-----2-2-2-2 -2-3-5~3-2-0_ -2-3-2----2-2-2- 4-3-2"""° ]-2-3
-
.. bdl

I.;)

~6ddUUU

3

I I I

L._3 ___J

bdl

I

I.;)

bdl

I.;)

J = 160 G

6 ::~{E)~-==

rit.

G

,

II

O-O-O-O-O-O-O-O-O-O-O-OiO-O-O-O-O-O-O-O-O-O-O-OiO u .... ·;· .

T 0-0-0-0-0-0-0-0-0-0-0. -0--0-0-0-0-0-0-0-0-0-0-0-0- 0 I

Al---I-I-l-l-I-l-I-I-I-I-I-I- 2-2-2-2-2-2-2-2-2-2-1,-2 I--'l"!'--------jj.tt -·~._--2-2-2-2-'2-2-2~2-2-2-2-2- 3-3-3-3-3-3-3-3-3-3-3-3- 2--'-------1.0 I-tBs----'2-2-2-2-2-1-2-2-2-2-2-2- ]-3-3-3-3-3-]-3-3-3-3-3 2--------t=-

L'----O-O-O-O-O-O-O-O-O-O-O-O 0-0-0-0-0-0-0-0-0-0-0-0 0.__--°1 .

I III 'I'll I J' I III I'=-.J I I' ~

;>

© 2005loosechord Limited Womer/Chappell Music Lid, London W6 BSS

82

)= c. 120 (freely)

'em (Am)

I'm (Dm)

1.2

'\. I r-.
. - "
~ __..,
Come In - to my li'fe,_ re"
~/':\
Ii I .~. ~. »<:">
,
~ :J:J:J~--'; ~ :J ~ ~ -
Dip note & subsequent spread
.ch ords slign tly w/bar
'~' '~I
.5 O-1~-3 3
l! .. 5 ~ 1
.D. X 7
'.~ 7
, .... O-0-0-1-3-,I-O-~5
... ! I I I I I I I I I I I I' I' 6::d I I I I' 16

E~

(C)

Gaug (Eaug)

fl
"
"
.
~
- gress In - to a dream. We will hide and build a
fl I --.,.' ,.n.~ •• ..---.....I. I ••
. .
t'. ..
~ I I :> ~ .. ~ ~,
~I 'o~o"---""o 0
i 1--- ::::0,-----,--)( 3-,1. I I I
.~. 0'-- - o-----o--x I
A r' 1- 1~1 . 1
-ci~
-
I' I' I' I' I I ! I' I' 10

G (E)

Cm (Am)

Fm (Dm)

fl I , ~
,-
If) <c:
new re-a-Ji- ty.-- Draw an-oth-er pic - ture of the
______ f.\.
,1'1 ! •. -----=-------. •. ~' :r-' (.'I, ~.---------
If) I I ~---c...J=== -
.---. 'I' '~I
I 0___ ____.0 ELf¥; ~ 0-1~-3 ).
0____ ____.0
~e::::::: -~ 5, 7 ., 1
~, 7
....
, I' I I I I I' 1- I.:.J 6::d I I I I' Gaug (Eaug)

24

life you could - 've had.

Fol-Iow your in stincts_

and

l'l ! ~.,.'. ~"~
'no '.'~" .'
. ..
. - . .
~ I I >- .. ~ ~. I
'~'I ' --- -- .-----... °
0.e:::::: to,,~- -~ I I
~-- ,
). - 0- -o--x I
A ~ X
',s
- J-I_LcO .
... I' I' I" I" I ! I I I' 83

28

G (E)

Measured Tempo Frn

(Drn)

Crn/E!> (Arn/C)

"l I .~
· .~
I ~ --- ,./
choose the oth - er path.c.. _ you __ should_ rte-ver be II - fraid,

I n· - -
·
·
, I - _.
0
0 1 1 I
A I 1 2 2 :1. l 2-
-~' 3 3- --3 ] 2 2-
.... S 5 1 31

G/D (ElB)

Crn/E!> (Arnie)

1 1
.
~
, "-' '-"
- you're pro- teet - ed from_ trou-ble ana pain.
l I - - -
, - - - • - _
I 0 0 I

.s: 2 2 I I I I 2 1
2 2 2 1 2 2 1 2-
-B 1 2 1 3
... G (El

G7 (E7)

36 ~
'\ I ~ ~ '"' -----
.
~
~ .........
- Why, why
'11 - ~ .. L ... ~
, -.J-~ ~ . 7J. - ~ -
I 19-o I [i-I I~ I 3~
I
A 2 1 I I 2 2
2 2 2 2 3
b 3 2 2
~ J-I-~O 0 I
... ! I I I I I I I I I I I I I I I I I I I I I I I I I 40

Crn/ED (Arnie)

G (E)

'\ I r-; (.\,
. .,.-..
, -
- is this a eli - sis in your eyes.L, a - gain?
(.\,
1 I. - - -
.
. .
,) :i - - _... .-----========--~ .
?;;·.~c,
w/ba.r· - - - ----- - - - - -- ----I
I I -- --.0
v ~,,;;::::
A 2 2---2 2---2 I
-6 1 3 2 2- --2 2-~;:' - 2
~ 3 ]- 1-3 1 2_ 1:--,2
I O. O.
... I

I.:.J

~.L
f Gtr. & Piano
Come to be, how did it
arr, for Gtr. Piano arr, for Gtr.
>- >- >- >- 0- >-
"l L ~ ~ ~ >- >- ,._ ~ J~ J:: f' ::
• >-- 0- >- >-
..
f V V I-- U "! I "! I "! I .. I
let ring where possible sim.
-i--IO-5~8 I~ :=:=:-:-W:=!:J!=% F:±i=% I !i h=:=! I
7
~
7~-2~5
~ 5
" ~ I

LJLJ

> :>- >- >-

[ I

:> >- >-

>- >- >- >- >- >-
Fm6/C
(Dm6/A)
-~I
no love to set us free. Watch our
:: I I

I

84

rit.

.J = 88

Cm (Am)

45

Cm (Am)

>- >- >- >-
Fm6/C
51 (Dm6/A)
1
- .
f
come to be?
fl Cm (Am)

,.._

........

Tied to a rail - road,

I

I

I

....

I

... I

~----------------.-------------.----------5 5---.-------------r---------~

~~H·:·~-4--·=~--==-c-~====:3:---=-~--;==:=-~=--~=~~-=---~~i~~~~~:~-=-~=- -==-~=--::.--14l==~=--=~-=-~---II-~--~-l I ~_~-l~

5.7

G/B (EJG~

Bb (G)

F/A (D/F~

EblG (C/E)

.---------..
. f
souls fade a - way and our bod - ies crumb - lmg.,
j. I fL ~ ~ .~ I .. ._
:_, • ...
-it' ~

.. ~ . , '!J-. I ~ I q~ I ~~ =J I
7 I 3 I !==~-I 5 I 1 I ;=: I
-i 5-5 3---3 3---3 1---1
4-4 4-4 2---2 2---2
6 5---5-5 4 3--3---3
5---5 ]--]
... 4 1 2 2 1 0 D/RI (B/D~

D (8)

D/C (B/A)

Gm/BI> (Em/G)

D/A (Bf~

63
1 J. ~ -- :::-------
----- ...--.- . .
• I .....
don't be a - fraid,
i ~~ ~~ I w- w- I • I w-
-
II! I " I .. .. I -#- I I ... .. q:i
7 1 4 4 ~---i=!j 1-:j

A 4---4 4---4 4 4---4
. ri 4---4 4---4 4---4 4---4
LJ 6 6 2--2 0
2 85

69

Gm/Bb D/A

(Em/G) (B/F~

~

Cm

(Am)

,---.0

Cm/EI>* (Am/C*)

G7/F (E7/D)

G/D* (8B)*

'I I " ....---..... rr-. "...... ,...--..,_
~
. -
-
IV .... I
[ wilL take the., blow £Of_ you.~~_
. C; ~ . /":',...----.__
"I 1 • I ~ .- _" ~.
~.---======--..
.
, .. • I q~ 1 I • I .f9 .•
:~ ------
° I I ° I 5 t 4 Mnl~
I ° 4 0--0 5 5--5
0-·-0 4--4 1 5-5 4--4
.d 2--2 1 0 7-7 6
~ti
~ 2--2 7--7
... ] 2 8 5. 75

Freely, as before

Fm (Om)

n I r-. ......-! r.... ~
. -I' -I
IV
And I've had Ie - cur - ring night - mares, that I was loved for who I am,
r-.
,., -,~. 1":"\ 1":"\ ~ . ...------....-.~.
--b-.
1-.tI
'"'
IV _,i9-. -
~ dip n ores as before
~5 '~--r
~. 0-2$3 I
~5 ~ 3 ~.
.~ ~:::~ 2
~7
~ -5 ..
... 79

~

\;.)

E~ (C)

G (E)

Gaug (Eaug)

fi_J
-
IV __ I ~ <zz:
And missed the opp-or - tun - i - ty __ to be a bet-ter man._
~ a_~O:--::: ~E%F tg. hr: tllir: tli
J J
tc} I
0,...-- ------- ...----..., ! ? f!
b,0_ +-; 0 I~
~- I_.-- --....1
A ° 0 1
ri
~ ]-1-'-0 . ~
" . 83 N.C.

I 1

Cm(maj7) (Am (m aj7)) r-.

~r:"\ .A-P-·

I---,.;Ic------.i ... ;:i-O-:::---=-I_-O-e::::::::::::::-""' <, :-O~-=--O-_-+I----IO-_-I---]---I---O-~---I---O-':::--::=->I--~--""""".-o-=--_-o-_-il'_a .. --,--O-=--=--1-----,-=--=--0-=--=-=--,--=---=-~-1-=---~l-fu;~0-5~~5~~4:~_-:_-_-I__ll1

... bd I' Ld U U LJ b:I I· Ld I I I L.Jd 1

\;.) \;.) l._ 3 __j \;.)

86

iKNIGHTSOF CYDONIA

Words and Music by MOHhew Bellamy

E5

Ifim

B5fFli

iI

E~S tmi6fr

A~5 D#S Gb Em Bm A
xx:;.: 1Ii~6fr It+,ili4~ .71r mm7fr II SIc
'g4fr Freely ~ =138

Acoustic Guitar 2

I P=il P=i I

/. / / r / / LT··

n).

;::=:! I

/ / r

P=i I

/ / LT·'

Il .. r.t I I -,=lP - ~ ~.
* I

t.J ~ ~.... • -6..
~
All ah,
.i# r-. Electric Guitar I ~
- 1]1 I I I
~ 4 J Q: J.
-
""0""
So und FX, explosions ad lib. distortion & "tremolo
rr.

'"
A -;:
-8 ,':;I: 0 0 2. 14~

0 2. 3 E5 B5fF#

tTI j

G AS B5
td: t In: ~ 14- 1 ~
ah, ah, _

Il 01 Gu. 2. ront, Sim.

II

F~l ---------------------------------------------------------------------------~

-I I 1-, II

~ 0 2

() 2. ]
I I I © 2005 loosechord li mired Womer/Chappell Music Ud, london W6 aBS

87

BS/F~

G

(B)

10 ~ p_. #~. F ::::: f2-.
1':1 .10 - f2- r-
t) p'. ~. 11'-. ~ .5>- 17·
All, ab.

1':1 ~ Elec. Gtr. 3 r--3~ r----3 ---,
.
t) • ~ "----- .=_>'-' ::: ......._
Gtr. 1 plays fig. I (x2)

-- <, ..-- --
-B- ~7--S-77"'9--7-9"7' """10""--"10 9-10:? 1'-12""'=10~9~10""""9~7""- ..:::;6 14-
... . ::: I I I

l__3__j

I I I

l__3-

...

ES

Elec. Gtr. 4

~ i"""i==i i"""l==i i"""i==i i"""i==i i"""l==i J"""'Fi i"""i==i I"'Fi I"'Fi i"""i==i i"""i==i i"""l==i i"""i==i i"""i==i I'Fi

~ / /~ //~ //~ // ~ //~ //~ //~ // ~ r r »: //~ //~ // ~ //~ //~ //~ //

,

--0:

w/bar-----------------------------------------------------------------------~

- -O=------------~O~================~================~==~O.

·1

19

E5

EI Gt 4

rI' ~ ec, r. I _I I
t ""' '-' +I""'
heavy distortion & tremole effect
Gu. 4 cont sim.
Gtf. 2 meet

I
A
--8---10--9-7- r---5--7-9- -10--9-7- -5 6--7-9- r---7--10-12- H3--II-13- 1-/4
... 27

cs

A~5

rI' ,., .u. I I. I
tJ I I I I r I

-ri 18--15-10- -17 18--17-IS- -13 17--15-1)- 1--15-- -13-11- -13 14"'-14-15-17
LI
... 88

35 C5

~ "I I

41

~~~---------------------------------------------------------------------~

IS

15)----------------11

1iH:·~s_--15 -

-I

A~5

Ebs

A~5

D#S

39

8va--------------------------------------------------------------------------------------------------------------

~ '\ I .If. l.L
i'J 'T .,. , 'I" 'T 'T .,. :::; , .,. 'T 'I"
heavy distortion, tremolo effect
mandolin-style tremolando
(Vocal doubles the guitar part)
11--10-8-,-6--8-10-,11--10-8-,-6 7--8-10-,-8--11-13-,-14--1]-14-,15

.lI.
.~
....
.... , , , , , , , , , a , , , , , , , , , ::
... 47

G#S D#S E5 B5 D#S ES Cbs D#S

(8)·---------------------------------------------------------------------------------------------------

q ~

f" '\ 1 1P---#. .. ~-e- 1¥ J,...fI .. If ~# _fl •. If flo If .u. If It
41 T
19--16-11-r-18 19--18-16-.-1.( IB--16-14-r-16--14-1l-,-IA 15

A
.~
-_
.. , , , e , , , :: , , , , , , ... ==
... == ... 55

G~5

(8)---------------------------------------------------------------------------------------1

------- ------- -------

f' "I.u. It C1I. - ...... 'C1I. -C1I
41
16-------1.6-------16-------16

-r
A
.~
-
" 89

G#S 85 ES 85
Elec. Gtr. 4
i F=i i r---1 i F=i i F=i cont sim.
~ / / ~ / / ~ / / / / /
59 tl ... ~ If i I 1 ~ I
.
'-'"
~ I I I I r r i
Come ride with me through the veins of_ his - tor - y. I'll.
Gtr.5 I--l:1.
"l_.If it ~ ,~ o~
-
II) ~ !u- ru-
clean
4 II I!
Ii I
I 4
4
_A 6
c 6
.... 4
... 63

D#S

E5

fl. 01 It I ,---3 ----,
u '" .I r
show you a god who falls a ~ sleep on tbe job. And
~_~ It I tOo bOo .n_
U 'L1' :,~ -u-
J W! I
I ( 8 9 3
8 9 4
_A 8 9 5
c 6 7 5
- 3
.... 6-7

"l0i Ii: nn I qn ~
-I
u I I .I
how caD we win when fools cart be lings?
~- ~t lb-R- .n_ b~:g= b .. £-:
u . I"u- ~-e- ~
7 7 b) 7
I I I
8 7 8--8
9 8 7
c 9 -9 9
7 9 10
.... 7
... LJ

I /.

G'

~ I I

// u_/·

~ I

/ / /.

~ I / / /.

i==I //

90

71

C5

"J j,j. 1{ ~ r+-; ,.---... h j,j.
:=q .
. .
, I I ...,_ I i.--I I I
Don't waste YOUf'_ time or tirne_ will waste
fI Il +I _o.. :Mq~ !~.-R- _o_ h. 11
- 'IF
t.i ""CJ" q.a- ""CJ"
7 Wi) I l II 7
I E
7 7
.!l. 8 8
'0' 9 9
... 9 9
7 7
... Ac. Gtr. 2 FI

7 //

~

.. I yOLI.

(Synth.)

79

fI j,j.

I

I

.... .

•

Ah, ___

all. _

j,j. Elec. Gtr. I

R~ t ----------------------------------------------------------------------~

~~~~~--------------------4------------------_+_0------O------_rl

l~l--~~O!------2-------~3-----------------~~--------~--------~--------------------a

I I

91

G

(B)

83 ~ 12-' ~~. !::- :~
f\ ~ I- FL -'-- i2_'
. ,
.
f) tJ· " .' i -!9- !:T.
Ah, abo

f\ ~ Elec. Gtr.l r--3----, r---3----,
"
f) "' .. ~ '--- ~~ ............_
Gtr. I plays Fig, I (x2)
,
.0. --- -- ~
:0 ' , 7--6-77"'9--7-9;;;>- ~IO 9-1,0;;;>- f<::-'12~10"""-<;-9~0"""-<;-9~7~ ",6
....
"- .. X I I I

l__3__j

I I I

L-3__j

88

Em

+- J == J-.

'" I ~
It - - -
- - - -
--0- __________ -0: - '~-u-'

14Q
'4 "R'
, ... 0
ILl 0--- 0- -0:
.... Em

Bm

92 ~' ,._' ~' ,._' _e:' .,._' ,._ ~ _o_.
f\ ~ .. , ~, ir, ~, er. - ;:: . ....----..- ;: .- - . .--- -
, , ,
, , .
-
._
(1,3,) No - one's gon - na take me a - live,
(2,4.)You and I must fight for OUI rights,

1\ ~ Bass Synth. arr. for Gtr. I"""""'!" I"""""'!" I"""""'!"
~ . -11~
... _, -,,). .... T' .. 7Ii .. .. -.J-
5 5
..
4 4--4 4--4 7
"0 5--5--5 5---5-5 9--9
7--7--7 7--7--7 5--5-9-5-9--9
... LLJ ~- I ! I 7 Ll.J 7-
Ll.J Ll.J P Ll.J Ll.J ~ ~ Ll.J Ll.J P ~
Elec. ce-, I (weet /0, 2°)
I ~ r--r-, .~ r-,-.., ~ ~ ~ ~ ~ ~ ~:I
._
~M~----------------------------------------------------------------------------------------------
Elec. Gtr. 1 (Wce! J., 2")

9 9 9 9-9-9- 1-9 9 9 9-9-9- r--7 7 7 7
4
-n , 9 9 9 9 9 9 9 9 9 9-
LI 7 7 7 7 7 7 9 9 9 9-
.... Ll.J Ll.J LLJ UJ

Ll.J LLJ LU Ll.J

LLJ UJ Ll.J Ll.J

~M~----------------------------------------------------------------------------------------------

92

_.

. ~

1-" !!_ •
I
come to
I must '.::::.

+

the time you

has and

make fight

things to

sur -

~

+ .•. +~.-F\" -7-.+

~ • -¥ •

7 6 . .,
... 9--9 7--7
, .... 5--5-9-5-9--9 4--4-7-4-7--7
Ll.J Ll.J Ll.J P 7 Ll.J LJ_J I __ I_I ~
~ ~~~---------------------6-f-~

--------;---------------"7--7'-----~

---------1·-4~-4-7-4-7--7--------1

! jl LLJ Ll.J ~ ~-

~M.-------------------------------------------------------------------------------------------------

7 7 7 7 {, 6 6 6 6 6 {, 6
9 9 9 9- --7 7 7 7-- --7 7 7 7~-
-B 9 9 9 9 8 8 8 8 8 8 8 8-
.... Ll.J LU LLJ LU Ll.J LLJ LU Ll.J LLJ LLJ LU Ll.J ~M.----~--~--~-----------------~--------------------------------------------------------------------

~M~-------------------------------------------------------------------------------------------~

H4[----~9 9---------9 9-9-9- -99 9 9-9-9____:

1~------9 ~-------9 9 9 9--------------~

148+----------7---------7 7 7 77------------'11

I

~M~-------------------------------------------------------------------------------------------~

Elec. Gtr. I

/00 Em

1'1,01.

"I'r •

8m

"1=-+=-'1' +--1"\- + +-.1. ;1- -I-

, H'4~_41-____._.._------__,_';__----____lf___,__.._------...,_..___7-$___7"_.,,_t___?_.._------__,_....__-----1__r_.._---_,._.,______,._,--1 ' -8' $-7-7-7-7-S-7-7-7-7-r---5-7-7-7-7-5-7----7-S-'--S-2-1-2,-2-$-2-2-2-2-f--$-2-2-2-2-$-2-7-,5-7-7-

WI ~WI'~ WI ~WW WI ~WI ~ WI ~WW

"

104 A

Em

93

Em

Bm

I'OB . ~' ~ . __ . __ . ~. .... ~~ ~ ss»
ri » ·r. ~. ;:. ;::. I>J-. ;::.-t;= Ii- -.-- ---
. · ·
. ·
.
It) .
No - one's gon - na take me a - Jive,
-
You and I must fight for ollr rights,
f'lJ.l
I~
It) ... ,__..., .. ,__..., .. -:» .. ..._; ~ "J T-¥ T'''~ T-¥ T'

A 7-5-,.-..,.--
'c 5-7-7-1-7-5-7-7-7-7- r-5-7-7-7-1-S-7 1-5- -cS-2-l-2-2-S-2-.2-2-2-
~
..... I I I I ~ I I I I ~ I I I I ~ u......J I I I LLJ I ~ I I I I ~ ~ ~:~ ~. . ~ ~ . ~. .... ~. ~~. r>-0
r.». l-r-, r- r- - r-
0 0 0
- . · .
· . ·
It)
the. time bas come to make things
you and I must fight to sur -

fl j.j
-FM +
It) "J --,J -.- -.' -J- -,__..., V ~:J_ ~ V~~ ~' V -:i. =:i- ~' ~ -'J~

A ~
b 5-2-2-2-2-5-2-1-5-7-7- -7-0_:_0-0-0-7-0-0-0-0- -7-0-0-0-0-1-0-0-2-0-
~
.. I I I I ~ I I I LLJ I I I I ~ i.i., I ~ I I I I ~ I I I u_]- III

A

# #

1/4

Em --------

Em

__ .

1l.u.,~: :Q_' - -j2-'
<:p.
- .
It) (Synrh.)
right,
- vive.
f\ J.I
-H- -I
It) :;tj~~ ~.:;tJ~~ ii' :;td~~ ~':;tj~~J~ "0 "0 "0 -0 ~

I
A 7-S~
.,. ; ':_S-7-1-7-7-5-7-7-7-1-
... r-5-7-7-7-7-S-7--7-5-
3-0-0-0-0-3-0-0-0-0- -3-0-0-0-0-3-0-0-5-7-0
.... L.LJ I L.LJ I L.LJ I L.LJ L.LJ W I ~W I ~ W I ~ W W 94

1/8

Bm _Q_.

'101-- - -
I!
0I-
l! -J ....... - II' .. J- -,I II -.J. .. ~ II -,I -,I' -~ --..__..I 'V- ~ ~ ~' ~~~ ~'
-r

A
~S-2-2-2-2-5-2-2-2-2- r-S-2-2-2-2-S-2-7-5-7-7- -7-0-0-0-0-7-0-0-0-0-
.. I I I I ~ I I I I ~ I I I I ~ I I I I I I I I I I ~ I I I I ~ :Q.:

A #-a-'

~--~~------~~---0-1-2~~~~-------+~------~~~--------~~-0-1-2

i 1 !-l--~-LJ..J LU Ll.J-l-~-i l_i-!-~ i 1 l-l--~-i 1 r LL.J

Em

I.

III

,... J.lo p: -pO 0 • ..---- ----0.
u
f J.lo
... \.:! ~ ~~' \....i- ~ --J - ~~~~ ~~J~~ ~' ~~~~ ~'~J~~J~

D 7-0-0-0-0-7-0-0-2-0 ..-... -- --. - --
~ 3--3-0-0-0-0-3-0-0-0-0-'-3-0-0-0--0-3-0-0-5-7-0-
.... I I I I ~ I I I Ll..J LLJ I I I I I L.LI I L.L.J L....L....J 2.

Em

124

117

.- Ij J.lo r.'\
II) ~J ~$ ~'~J ~ ~ ~' ~J -- ~ ~' -'-'" .,-", -
-
-0--
I .
.Il.
D .-.. ..- ............ 5--7-7--5--7--7
-
.. 3-0-0--0---0--3-0--0--0--0-~3-0-0--0--0 o • CLICKER DIES·STEEL RULE Drf5

ate that the B string should match the note at the 4th fret of the G string, whereas all the other strings match the note at the 5th fret of the string below.

Notation and Tablature explained

Understanding chord boxes

Chord boxes show the neck of your guitar as if viewed head on-the verticallines represent the strings (low E to high E, from left to right),

and the horizontal 'lines-represent the frets. .

An X above a string means 'don't play this string'.

An 0 above a string means 'play this open string'.

The black dots show you where to put your fingers,

E

A curved line joining two dots on the fretboard represents a 'barre', This means that you flatten one of your fingers (usually the first) so that you hold down all the strings between the twodots at the fret marked.

po. fret marking at the side of the chord box shows you where chords that are played higher' up the neck are located.

x--...

E7fr

Tuning your guitar

The best way to tune your guitar is to use an electronic tuner, Alternatively, you-can use relative tuning; this will ensure that your guitar is in tune with itself, but won't guarantee that you wil] be in tune with the original track (or any other musicians).

How to use relative tuning

Fret the low E string at the 5th fret and pluck; compare this with the sound of the open A string. The two notes should be in tune. If not, adjust the tuning of the A. string until the two notes match.

Repeat this process for the other strings according to this diagram:

As a final check, ensure that the bottom E string and top E string are in tune with each other.

Detuning and Capo use

If the song uses an unconventional tuning, it will say so clearly at the top of the 'music, e.g. '6 = D' (tune string 6 to D) or 'detune guitar down by a semitone'. [E a capo is used, it will tell you the fret number to which it must be attached. The standard notation will always be in the key at which thesong sounds, but the guitar tab will take tuning changes into account. Just detune/add the capo and follow the fret numbers. The chord symbols will show the sounding chord above and the chord you actually play below in brackets.

Use of figures

In order to make the layout of scores clearer, figures that occur several times in a song will be numbered, e.g. 'Fig. 1', ' ig. 2', etc.

A dotted line underneath shows the extent of the 'figure'. When a phrase .is to be played, it will be marked clearly in the score, along with the instrument that should play it.

Reading Guitar Tab

Guitar tablature illustrates the six strings of the guitar graphically, showing you where you put your fingers for each note or chord. It is always shown with a stave in standard musical notation above It, The guitar tablature stave has six lines, each of them representing a different string, The. top line is the high E string, the second line being the B string, and so on. Instead of using note heads, guitar tab uses numbers which show the fret number to be stopped by the. left band. The rhythm is indicated underneath the tab stave. Ex. 1 (below) shows four examples of single notes.

Ex 2 shows four different chords. The 3Id one (Asus4) should be played as a barre chord at the 5th fret. The 4th chord (C9) is a half, or jazz chord shape. You have to mute the string marked with an 'x' (the A string in this case) with a finger of your fretting hand in order to obtain the correct voicing.

11----:3

A

2

Ex. I "fl

.,

G C

I st "tri ng (EJ 2nd string (B)

lrd fret I st fret

-

P A

4th string (0) 3rd string (G)

open string 2nd fret

'" I ....

,

'0

Notation of other guitar techniques

Picking hand techniques:

I. Down and up strokes

These symbols show that the first and third notes are to be played with a down stroke of the pick and the others up strokes.

2. Palm m u te

Mute the notes with the palm of the picking hand by lightly touching the strings near the bridge.

3. Pick rake

Drag the pick across the indicated strings with a single swe~p. The extra pressure will often mute the notes slightly and accentuate the final note.

4. Arpeggiated chords

Strum across the indicated strings in-the direction of the arrow head of the wavy line.

I.

2.

5. Tremolo picking

Shown by the slashes on the stem of the note. Very fast alternate picking. Rapidly and continuously move the pick up and down. on each note.

6. Pick scrape

Drag the edge of the pick up or down the lower strings to create a scraping sound.

7. Right hand tapping

'Tap' onto the note indicated by a '+' with a finger of the picking hand. It is nearly always followed by a pull-off to sound the note fretted below.

8. Tap slide

As with tapping, but the tapped note is slid randomly up the fretboard, then pulled o·ff: to the following note.

3.

n V n V

V

V

! ! ! !

n V r1 V

V

V

s.

6.

..

rake------j rake-----j

7.

4.

~ fl
~ ~ ,~
§III
....
A
D_
-
... 8.

::::

...

6

-10-3-6-11-3-6-11-5-8-13-5-8-

6

6

1 0-3-6-11-3-6-11-5-~-13-5-8-

I I I I I I I I II II +/6+/ +/6+/

Fretting hand techniques:

I. Hammer-on and pun-off

These consist of two or more notes linked together by a slur. For hammer-cas, fret and play the Jowest note, then;hammer on' to the higher note witb another finger. For a pull-off, play the highest note then 'pull off' to a lower note fretted with another finger. ill both case's, only pick the nrst note.

2. Glissandi (slides)

Fret and pick the first note, then slide the finger up to the second. note. If they are slurred together, do not re-pick the second note.

3. Slow glissando

Play the notets) and slowly slide the- fingerts) in the drrection of the diagcnal Iinefs).

L

2.

r/"('l ~ ." I
I~ .
.:.r----3-5
4-2
A
.~
'-'
.... V I· V I· 4. Quick glissando

Play the notets) and immediately slide the finger(s.) in the direction of the diagonal linets).

5. Trills

Play the note and rapidly alternate between this note and the nearest one above in the key signature, If a note in brackets is shown before, begin with this note.

6. Fret hand muting

Mute the notes with cross noteheads with the fretting hand.

7. Left hand tapping

Sound the note by tapping OJ hammering on to the note indicated by a '0' with a finger of the fretting hand.

3.

4.

~('l I
tJ ~
-.,..~
~
-4-1 ~
B-11~

,-112~ r----------7~-----------.

w-.. .;2~4-~_;;~------------l

B ~-~~~---------l

LJ 1 ~11°··

5.

6.

~. Ii

tr·~ .. ,,·,,·

tr· ...... ·•·· .

7.

b> ....... ~.. tr··~···~· ....

6

7-T-X-X-X-X-7-7-X-X-X-X-7-7-X-X

-l--7-7-X-X-X-X-7-r-X-X-'X-X-7-.7-X-X -r--7-5.-0.___:8-7-0~10-7-0-12-7-0-

--7-7-X-X-X-X-7-7-X-X-X-X-7-7-X-X

11-';'- "

1 rg--12-----f14)--12----l

"

Tremolo arm (wammy bar) I. Vibrato with tremolo arm

Create vibrato using small, rapid inflections of the tremolo ann.

2. Tremolo arm dive and return

Play note and depress tremolo arm by degree shown Release arm to return to original note.

3. Tremolo arm scoop

Depress the ann just before picking the note and release.

4. Tremolo arm dip (or doop)

Pick the note, then lower the ann and quickly release.

5. Sustained note and dive bomb

Play Dote, hold for length of time shown and then depress arm to lower the pitch until the strings go slack

6. Gargle

Pick the note and flick the trem.olo arm rapidly with the same hand, making the pitch quiver.

~ fl
'"'""'
t.J I I
gargle
---
+-4"44~
-8

... w/bar _........_

,

wlbar

o

~7---l

....

...

Harmonics & Other techniques I. Natural harmonics

Instead of fretting properly, touch the string lightly with the fretting hand at the fret shown in the tab. Pick as normal. Diamond note heads show the resultant pitch.

2. Artificial harmonics

The first tab number is fretted and held with the fretting hand as normal. The picking hand then produces a harmonic by using a Finger to touch the string lightly at the fret shown by the bracketed number. Pick with another Bnger of the picking hand.

3. Pinched harmonics

Fret the note as shown, but create a harmonic by di.gging into the stri.ng with the side of the thumb as you pick it.

4. Tapped harmonics

Fret the note as shown, but create the harmonic through tapping lightly with the picking hand at the fret shown in brackets.

. !: #~ 8'" -,
~ fj t!= = F b:g:
~
t.J
Harm.- - - - - - - - - - - - - - -- - - - - - - - - - --I
I ... 7 ]!!~

A 5
D .
~ 12
4
... 2.

6.

gargle ---

5. Touch harmonics

Fret the first note, hold it, then touch the string light1y at the fret shown at the end of the slur with the picking hand.

6. Violining

Tum the volume control to zero, pick the notes and then tum the control to fade the note in smoothly.

7. Fingering (fretting hand)

Small numbers show the B~ger with which each note is to be fretted.

8. Fingerpicking notation (PIMA)

Notation that shows which finger should be used to pick each note when playing finger style. p "" thumb, i = index, 1n :: middle, a = ring.

3.

4.

~11 e--- ~
f-
U
A.H. -- - -- - - --I
'::k--2i+4t-2i8r-
I')
-
.. ~ fJ :.1
-I
... -
.....
-ls:----2-4-5-7-2--
D
-
... 7.

f'fj f- ,e-
._,
P.H- - - - - ---I
_...._
"i:---5-4-2--
_D..
-
... 8.

~ fj
t.J .. ... =-
0 0 0 1 ,~
I .....
1 1 1
A 0 0 2
-8--3 2
2 0
.... ! I I I I I I I ! I I I I I I I pm. apm apm apmia

Muse - Black Holes Revelations Guitar Tab

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Muse - Black Holes Revelations Guitar Tab

Uploaded by

Copyright:

Available Formats

6

You might also like

Muse - Black Holes Revelations Guitar Tab

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Muse - Black Holes Revelations Guitar Tab

Uploaded by

Copyright:

Available Formats

﻿6

You might also like

6