Wolfgang Lendle Collected Works for guitar 2 La Campanella D* DYUNRS Ly bL-¥9—thEse fee tre ASIC CD [ABORT (ARS MUSICI AM 1305-2) (HSN TOE TS These works are recorded on CD "Variations capricieuses* (ARS MUSICI AM 1305-2) by the composer. GG341 (R) BUR SH GENDAI GUITAR CO.,LTD. 1-16-14 Chihaya, Toshima-ku, Tokyo, JapanMHBEDUT 5 NYRR UG: [9s WY AAT] OL BCRLAR EHTS, BD 7 AY NEED HOD.TORIIEE, 1) % PT FRYURER, PIAAIAA ABUT I, EPMEET I ETA EY vote OwHE LTHMENTOB. OYE: FIO ORBAN OLE ORR HY ee Bh. HEDUAV IF MECHSE EI CUREFAD ED, BAN OR te LOMO ENA LC Lo TET ORE BABUCHEML TS. ommam2e (70177-) MENT POLI TGR ECOI TA £Y PROBE SREB OIG LET I-WETHA, VIII, KAT. = Ree ROWAN E ISLIET 9 Y AON I REARBOOE) Chote, ROAMUTLEBEEMOU TOS EPMA THON, TONKOMY HOMERED te MEE LMENS(AGNS, LO MABE) 127047 THONG TAF) YORDOND EH 2 PERNT 2) PGCHAM, GEALCOMENSMMMIE Eo TE we. BAMBI, TTY MBE ATS, HD EMD ES LI GAMRACSL AES FOTO, COMRIIEE TOF PIES ILS. 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HORELAOM BS BEBVIITHD £5 BMGEBT SAG LAE PAW IHL VPbY Notes La Campanella (N.Paganini) ‘After arrangements fr piano or violin and piano by List, Kochansky and resi here fs now a version for solo guia ofthe famous and popular third movement "La Campanella” from the 2nd violin concerto op. 7 by Nicolo Paganini The adaption for guitar is, of course, mot a 1:1 transcription of the ‘original, ut an arrangement whose determined aim isto underline the Specific character of the guitar by taking into Consideration its special {onal and technical possibilities, thus conveying the impression of an ‘original composition tide Ne28 (RKeeutzen) Like Alard, Mazas, Dancl, Ballot and Rode, Redofphe Kreutzer also belongs tothe imporant old guard of Fench violinists and pedagogucs of the earlier 15th century who had so much influence on the development (of viatin-playing for so many Iater generations. Although they are afen Scorned a5 the producers of ddactc works, many a gem may be found in their quite extensive range of etudes, The 26th study here is from Kreuzer’ famous collection *42 Flues ou Caprices pour le volon” and 's, of course, much more than a*study" The transcription for guitar suits this piece particularly well, in my ‘opinion at Teast. bringing oUt especially wel Its Solemn and payer ike ‘Allemande character. Los colbrs fortwo guitars (.S.Sagreras) Colibri: who is not familia with this twirling, bilant and so popular litle piece which ss olen heard as an encore afer succesful concerts! Nowadays more and more guitar duos are emerging and these gular «duos are also becoming beter and beter sa why nt make 1 coli into 2 colibis! Two guitarists wan! to have thee fon togeter, too! The rather "spicy" nd vore her forms together with the orginal pine in eminot (fst voice) an almost "modern" new ite piece. The listener sometimes ge the impression that one colibri s hunting the other one! March 2003 ‘Wolfgang Lendle (9 Ae SRD) CRUBEDSER) ch, FBLC NCD Pa ‘0tym246H Variations capricieuses| (ARS MUSICI AM 1305-2) HEN. La Campanella, Eide Ne28 are recorded by the composer on CD. “Variations apricleuses" ARS MUSICI AM 1305-2).MAIERMBE Playing @5 © HYNKS La Campanella #1 #2 *3 #4 5 1D thumb ofthe left hand PCIE S high notes (atleast almost exact pitch!) close 10 the sound hole POY PR Me LACE ERE ET Pome TET ‘note, produced only by left hen rroweur damp is string with 4 Oakeatsom< Recommendation : playing the bass note with thumb of the let hand like the cei do! RT OMIC BENT (F< OR ROMO EDI)La Campanella FT AvBRaRD Niccolo Paganini art. by Wolfgang Lendle Allegretto moderato Harm. 12 a Sagi" 9 121 a4 ‘© Copyright 2002 by GENDAI GUITAR Ca, Lid-Tokyo International Copyright Secured. Al rights reserved, Printed in Japan9 i i roo = ee. fy tes sa SS5 === a TH ter URL EEr Cir tirtrr sal Cor ter eer certer ter cer th tog jm jE Te Rtrtir err’ fF trHel] Rie © et a a i, AP ca or oe Pe 7D Poco meno mosso._,, ” i. i i 1 ; * g ™ a E fp stot | Pe PF | ot q Trlr? — Ler F Rass = ie ig Haman ---5 ‘ vy ghee dG a) . aoa ow @ = = Te te 7 oe lo oa oo f at mam Harmar, --+++-----00-+--00-2-0eteeec eee eee renee, et bie 18912900, |(simile) ° crese.il iy a AepamipamiMERBEENIE Playing indication @ LF a — KM 20% Etiide Nr.28 #1 While ath finger s placed, strech the 15 finger tothe Y position inorder to keep the sound, orto keep the ‘musical ine! AOHCMMEL CHM, BONE EIA MeenRE COMES HET a7 ECMET 42 ‘ecommendation fora more refined execution FM ORR fe jane ee.19 Ettide Nr.28 ea 28a Rudolphe Kreutzer art. by Wolfgang Lendle my Biaris te ttt Grave coe + ; wee Tee aimp . x ‘ osisate © Copyright 2002 by GENDAI GUITAR Co.,Ltd -Tokyo International Copyright Secured. Al ighs reserved Printed in Japan20 ‘ agate “ ssEstto 1s ‘3 % eres. OF Pam r pt tt tm 1 FT ona staat * oie Bas 7 ~ aresree ei ies a8 peat 240 OO 803408 60° = 3623 Los Colibris for two guitars He Julio S. Sagreras 2nd guitar by Wolfgang Lendle eet a4 ate sett On SEE x = = ¥ a MF Peer cer ‘© Copyright 2002 by GENDAI GUITAR Co., Lid -Tokyo Intemational Copyright Secured, All rights reserved. Printed in Japan24PAL a0S2 40 rit. eT con delicatezza ossia2. Rasgueado