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    Chromatic modulation and the german lied. Exercise: Realize the figured bass in four voices. Provide a roman numeral analysis. Focus on the manner in which each new key is secured (pivot chord, common tone, etc.)

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    Chromatic modulation and the german lied. Exercise: Realize the figured bass in four voices. Provide a roman numeral analysis. Focus on the manner in which each new key is secured (pivot chord, common tone, etc.)

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    23 views4 pages

    Chapter22Q PDF

    Uploaded by

    Manolo Barea
    Chromatic modulation and the german lied. Exercise: Realize the figured bass in four voices. Provide a roman numeral analysis. Focus on the manner in which each new key is secured (pivot chord, common tone, etc.)

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    Website Exercises

    Chapter 22: Website Exercises

    Chapter 22 Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German
    Lied
    Exercise 1: Writing: Harmonizing Soprano Fragments: Review.

    Exercise 2: Writing: Figured bass. Realize the figured bass in four voices. Provide a roman numeral analysis. Clearly
    mark the pivot chord.

    Chapter 22: Website Exercises


    Exercise 3: Writing: Melody Harmonization.

    Exercise 4: Analysis. Analyze the following excerpts, each of which contains a chromatic modulation. Focus on the
    manner in which each new key is secured (pivot chord, common tone, etc.).
    A. Brahms, Die Mainacht

    Chapter 22: Website Exercises


    B. Kozeluch, String Quartet in C major, op. 33, no. 1

    Chapter 22: Website Exercises

    C. Chopin, Mazurka in Ab major, op. 17, no. 3.

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