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 already been subsumed by intellectuals
and hacks into America's dream loop,
which at the moment of her emergence
was equaring muscles with corporate
feminism, muscles with retooled patrio-
tism, muscles with everything desir-
able. N7orse, other female icons (Jane
Fonda) began calling up, asking for
marketing advice on their lutn "exer-
cise" projects; physical movie stars
(Richard Gere) began sniffing around,
going on about "women warriors" ("I
was the last stop for a lot of guys who
were-uh-f nding themselves"X burnt-
out gurus looking for a pit stop (Tim
Leary, Allen Ginsberg) drafted her as
leader of "the Next \Vave of American
\7omen"; and her couplings and uncou-
plings with pop culture's great and
fiear-great (Dennis Hopper, Map-
plethorpe, Huey Newton and finally Dr.
John Lilly, a ndical scientist whose
Richard Gere began sniffing ar0und. "l was the last stop for a lot of guys who we
Uh-f indrng themselVeS," SayS LiSa. ingly, somerimes in binses, for the next nine years.
ideas on drug use made Leary and Ken
Kesey look like Disney guides) only
complicated matters. Lisa was afraid
that her higher aspirations were being
ignored just because she was easily
bored, that she was beginning to be
seen as some kind of RoboSlut-part
Hecate, the Hebrew Demiurge; part
Brigitte Nielsen, the Vampire of Holm-
by Hills.
OVIE DIRECTOR BOB RAPTTSON
met Lisa Lyon at a Hollywood
party thrown by Bert Schneider,
then key man in the ultraliberal
social network that moved the town in
the late I97Os. He remembers her
"dancing on the level above me," and
glancing up to feel a jolt like a stun
gun-"This knockout girl, she must
have been l), gave me the longest wink
I'd ever seen! I mean, I'd never been
utinked at like that before." "He told me
I was the greatest white fuck he'd ever
had," Lyon says now, dryly.
Lisa pursued the men who interested
her, always smart hitters, in the classic
Hollywood manner: Harry Dean Stan-
ton, whom she picked up on Santa
Monica Pier and nursed through nu-
merous drinking jags; Jack Nicholson
44 sPY OCTOBER 1991
(through Stanton), who was so smimen that he used to send his limo to
to pick her up after class; Rafelson, through Nicholson; Schwa
through Rafelson (though she claims they were "just friends," people
knew them both laugh at that description: "Schwarzenegger's a borse,"
fellow actor. "She used to call him Trigger").
"Arnold was an incredibly straight guy then, taking business courses
UCLA, wearing awful sport shirts and Sperry Top-Siders," Lisa purrs rx
"He'd just done Stay Hungry with Bob, and though I'd danced and
kendo fJapanese bamboo-sword fightingJ, I was premy weak and unsure
myself. After we met, I watched him work out at the STorld Gym, saw
you could do with force of will, and bingo."
Actually, Lisa had been working out at the UCLA gym with Richard
ing, a music-ethnology teacher whom she briefly wed. But Roz felt
daughter had married beneath her, and when Richard was busted for selli
singer Tim Buckley the bag of heroin that killed him in 1975,Lisaldc
went into [the marriage] for the sense of dange! sort of knowing he'd get
into trouble, but I couldo't stay withhim."
By now she'd discovered PCP, an animal tranquilizer popular in a
form called angel dust in south-central L.A., where the Crips and Bloods
it to fire up their fighting spirit. Lisa claimed it had the opposite effect
her: "I'd been diagnosed as manic when I was 16, so PCP would calm
down. Everyone's biochemistry is different." Lisa used PCP, sometimes
"\fhat's fabulous," says Gregory Poe, "is that all during this
od when she was winning the bodybuilding championship and represem
California sunshine and vitamins on TV, she was absolutely wbackd orr
acid, or cocainel And she was stunningly beautiful anyway! The network
ple and the judges had no idea!"
rl HE scENE AT Goro's Gvlt, THpN LocATED ar 2No AND BRoADvrrr
I Sunru Monica, was arcane, a formalization of the open-air road show d
had been playing on Muscle Beach since \fodd \Var II, but supplerr
I
I ed with steroids and other postmodern condiments. Ken Sprague, a ha
some bodybuilder and sometime gay-porn star, managed the place ambici
ly, however, determined to lift it out of the gay gheno the way Beae
had lifted camp cabaret singing out of the bathhouses. In addition to
anonymous beef queens pumping up, oiling and admiring one another,
boasted Lou Ferrigno and Arnold himself, both Mr. Universe title
destined for greater things. But Lisa was the 6rst woman in the place.
she appeared in I9l7 , the men dismissed her as a groupie or a fag hag,
Lisa quickly developed an aesthetic ofthe body that left ChiefJay S
Don "Ripper Savage" Ross and other ordinary musclemen standing
with their towels flapping. Lisa wasn't just a bodybuildel-shs was, she
"creating a new standard ofbeauty," an "evolution ofthe concept offemini
ty." \fhy, she demanded, "should muscles be considered masculine? If
a tiget bounding through the forest, you don't think of it as male or
Moreover, why shouldn't the body mirror the spirit?
Ken Sprague watched Lisa's progress as avidly as Fagin watched
Twist's. After months of obsessive work she could dead-lift 261 pounds
squat 285, nearly a record and definitely box office. Although never ri
even ridged like subsequent bodybuilders Rachel Mclish and Gladys
tugues, she did possess wonderful trapezius muscles and quadriceps and
jected a feline sexiness just scary enough to be provocative. Sprague
bodybuilder Tony Pearson to let Lisa make a "guest appearance" with hr
rhe Mr. Los Angeles contest of 1978. Other appeatances around town
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Gaiiin A-go-go:
Above, Lisa flexes on
the cover of a
Japanese department-
store brochure; /eff,
the gold-painted,
nude performance art
that hit Japan harder
than baseball
yake had fallen in love with a Helmut
Newton shot of Lisa hanging from a
trapeze in her loft. Shozo Tsurumoto, a
successful magazine publisher who had
a loose arrangement with Miyake, saw
her in a Susan Kaiser Vogel "living in-
stallation," nude but for a layer of
graphite, and immediately offered to be
her "manager for Japan " Soon Lisa
found herself in a series of art events
produced with the Laforet shopping
center called "The Next \Vave of
American \fomen." She preceded
Molissa Fenley, Cindy Sherman and
Laurie Anderson; before long she was
earning $10,000 a day.
Lisa was nervous going in, so in
dition to Ouchi, who spoke fluent
Japanese, and Kaiser Vogel, who was
directing what would be Lisa's greatest
piece, she signed on a character who
used the name Frankie Desiderio.
Frankie was a Gold's veteran; a drill-
master for Drumrner, a gay-S&M porn
magazine; and a convicted felon (dope,
prostitution). "He was just what she
needed at the time," says Kaiser Vogel
wryly.
The Lyon troupe would bivbuac at
46 sPY OCTOBER 1991
rhe President Hotel, then proceed to live workouts by Lisa and Frankie, *'ifr
Mao-size portraits of Lisa as counterpoint. In the evenings, the Laforet per-
formance space would be converted into a minimally elegant set suggesrinfl
the tarot and the phases of the moon. The piece was called Contemporan
Alchemy: Euolution Ritual and was meant to evoke "the endless energy withrm,
woman." Staged over several hours in 22 poses that moved as imperceptibl-v asa
glacier while sounds of rain, flapping clothes and random speech wove a "fema-kr
mood, it attempted to surpass even the most advanced notions of art: "The I'hoh
physical world is in our bodies," Kaiser Vogel explains now, and what Lisa wu
doing, posing in gold paint, was "integrating" herself by becoming "reaill'-
before the audience's eyes, an image, a golden statue, confounding "realir.r"'
by mouing. The perfection of her body, her narcissism, were "traps" n'henue
most of the audience got "caught," but these were only "way stations'" m irr
journey to "clarity." "Lisa knew that to really see, you had to confront r
own darkness-sexual, emotional and intellectual- and in those days
was fearless. In fact, she's the only person I've ever met-and I was with Ti
Leary for five years-who could make darkness visible to everyone who
her. "
For the Japanese the point was moot. Shozo Tsurumoto had a hit on hu
hands. Lisa Lyon was ubiquity itself through 1984 and '85. She was
drafted by the Seibu department store as its symbol, appearing flexed
sensual in a series of ads with cute Japanese kids miming her muscles, and
a two-story billboard on the front of Laforet's main building. She had
own TV show. She became the muse and mistress of Tadanori Yokoo- a
mous painter who introduced her to serious artists while Tsurumoto
the popular press. She commuted from California regularly.
Meanwhile, Frankie was feeling neglected. "He was a nice guy," sap fu
"but he was really dumb." After he learned of Lisa's involvement with Y
he'd bang on her hotel door, wearing only iockey shorts, screaming that
was "a nigger-lover." High on coke, he exposed himself in an elevator
mild little Tsurumoto assistant, boasting, "You Japs may have I'on
peace, but we still have the biggest dicks!" After he was caught
cash, Mr. Tsuromoto had him escorted to the airport and deported.
His replacement was Carlos Soto, a blond Puerto Rican hairdresser
looked like Billy Idol. \7hen they were in the States, Carlos lived in
Venice loft and gradually became her assistant, secretary and male nr@
"She had unrealistic expectations about what was happening to her in
about Tadanori Yokoo,", says Cados. "He was married, an established figxtdrcil
Japanese culture-he wasn't going to leave all that {ot a gaijin [foreign
barianl." "She was seen as sexy, Iike Alain Delon or Marilyn Monroe.
she was so foreign," explains Rande Ouchi. "I don't think the in
stuffcounted." "Once you're overexposed in Japan," says Kaiser Vogel-'1
market-loyalty factor virtually disappears."
Lisa had been careful in the beginning to go easy on her drug
Japanese narcotics laws are Draconian, even for mariiuana, but as her
ad- multiplied-"I was in a fight-or-flight state for weeks at a time"---she
cumbed. She had a pharmacy of prescription upPers and downers, plun
caine and PCP, which she crushed into granules and smuggled in wiffi
blue eyeliner. "She'd smoke it before going to bed," remembers Carlos-
and sticky dust-she didn't seem to care.
"She wasn't looking good," says Carlos. "She was bloated." Some c-
pictures taken in Japan at the time show a matronly Lisa bravels
among her Asian fans, but with big dewlaps of flesh spoiling the grcm
line. "She was missing meetings, I was speaking for her, signing
But, you know, I couldn't do it for het"
Things collapsed in 1986 during the shooting of a Sony-sponsorcd
building TV special in Hawaii. "Lisa was geting incoherent," Carlos
sadly. "Nobody wanted to go on."
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in 1974, after three weeks of hourly ke-
tamine injections, Lilly flew to the East
Coast to warn President Ford and media
leaders of an imminent "danger to the
human race involving atomic energy
and computers." The \7hite House aide
who answered his phone call from a
New York hotel suite politely stiffed the
doctog so he flew to Dartmouth, his old
medical school, to try to explain matters
to more sentient listeners. They put him
in the Mary Hitchcock Hospital. Lilly
subsequently "grounded" himself, but
not without reluctance, a sense that he
was squeezing himself down into a "lim-
ited vehicle too small to contain the pas-
senger." But with Lisa Lyon he'd
glimpsed another chance at expansion.
"The mind is infinite," he liked to say.
"It keeps growing dendrites as you keep
learning."
The problem was the body.
ARLOS CAME HOME ONE NIGHT IN
1987 to find the Venice loft dark.
He called to Lisa, but there was no
answer. She'd been to New York,
to Beth Israel Hospital, to see Robert
Mapplethorpe, who'd been diagnosed
with AIDS. She'd gone to his room,
blasted, looked at him, sick "but trying
to deny it," and gone into the bathroom
to smoke PCP. She'd come out loaded,
lipstick smeared all over her face, insist-
ing she hadn't done anything. "She was
acting like an absurd child," says Lynn
"Sexual violence is iust w0rking things 0ut in
Davis, who was there, "and it became
clear to Robert that whatever he was in
for, this woman wasn't capable of offer-
ing him anything." "Robert was affract-
ed to glamour and liked to see his
friends do well," says Rande Ouchi,
who was also there. "Lisa was obviously
falling She'd slumped against
^part."
"I'm
the wall: a little tired," she'd ad-
mined. "I just have to lie down." She
fell asleep for four hours, and Map-
plethorpe never spoke to her again.
She'd come home devastated but also
terrified of getting AIDS-"Robert
warned me never to say that we'd slept
together, but 1 knew"-and equally
upset that Robert might not get around
to signing 112 photos frcm Lady he'd
given her as part of their contractual
48 SPY OCTOBER 1991
il
agreement. Signed Mapplethorpes would get up to $55,000 at Christie's rl
three years later, but unsigned ones were problematic. (He eventually signed.) t'l
Since her return she'd been having seizures. At least once a month Carlos I
would find her having spasms, load her into her Mercedes, call Roz and tell {
her to meet him at Cedars-Sinai. But this time he found her in the bathroom, I
a
blue, her arm in the bowl. Carlos has a nursing certificate, and he got her into I
I
bed, put cold compresses on her head and talked her awake. He fed her tea. I
rl
He told her she was dying, that she'd been "raped by intelligence" and that I
I
he wouldn't allow Lilly to come to the loft anymore. "It's him or me," Carlos I
!
i
said, feeling dispensable. I
"But they had a weird thing going. I don't pretend to understand it- a
I
maybe it's some kind of banle for power. Maybe she's even winning. . . . " t
I
HE'S UP! TTTE TTOON CREAKS SLIGHTLY; THERE IS A TINY PADDING-..HEL-
looo" wafts down from the A-frame loft. "S7hat time is it?"
"After five. The sun's sinking."
"I don't like the sun," she purrs. "Besides the radiation, it does a
number on the pesticide they spray along the coast. It actually kills the chil-
dren. Put some music on, will you?"
For a famous beauty, she spends no time on her toilette. Some lipstick, an
artfully ripped T-shirt, which shows her areolae. Proud black tights, rocker
boots, a tail that she lashes like a dancer inCats.
She feeds D. D. Puss, her pampered kiny, bumping around in the semi-
dark-"I hate the light"-and makes tea. "Can you conceive of a trillion dol-
lars?" she says. "Do you know the war in the Gulf can generate that much in
defense-economy 'optimism'? I mean, it's like tricking! The big-time arms
manufacturers and aircraft people get stirnulated by the action! As corruption-
ists go, sweetie, Saddam Hussein is a litcle jerk compared with Bush!"
The plan is to go visit Lilly, whom Lisa calls Dad, up on his mountain, but
first she has to field some calls. Adam Trombly, a maverick scientist who spe-
cializes in seismography and messages from deep space, has checked in from
Spain; Roy Tuckman of KPFK Radio, with whom Lisa has been working, has
called from San Francisco; Marisela Nofte, the East L.A. Chicana poet, wants
to talk about a reading....
"I don't really plan it, but I'm up all night," Lisa says. "I seem to get more
done, you know? And at night, you pick up signals."
a c0nstructive w?y," Mapplethorpe told
"Signals?" Lisa. "Besides, the tll0unds heal fast."
"If you've been
sensitized like I have, you pick up radio and TV stuff."
"You mean-without turning on the set?"
She takes a baby bonle filled with "lemonade" from the fridge. "You'd bet-
ter not.write that, dear. Ready?"
HE NEGOTIATES THE BLACKOUT DARKNESS OF ROUTE 1 AEOVE TNRNCAS
in the European straight-arm racing style, her Saab 900 whipping right
on an unmarked roller coaster of a road without guardrails, into the !
Coast range; the rise and fall is breathless, and so is the velocity; fueled d-
by nips on the baby bottle, her talk soon matches her speed. Lisa is a big- -:
d'
time monologuist, in the awesome league of Neal Cassady and Robin 3i
\Tilliams. There is a Formula One quality to her sentences, as if she were D'
F,
afraid the phrase behind might skid and blow our its syntax if she paused: <i
-'
"Your comments are interesting and valuable," she says at one point, fending z
offan attempt to intrude, "but do let me go on." o
rVhat she's going on about at the moment is her Electromagnetic Theory
Z
of Psychodynamics, a "synthesis creation" that came out of countless night- rt
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