Solo clarinet For Louisa


Clarinetics 1.THE FULL WORK-OUT
(*suggested breath marks.) By Stephen Davies.
Freely q = c69    
            
         
           
mf warm vib. 3


* 
3 3
   Pesante q = c40  
      
3
     6
       
     
     
       
       5  
  
f 
  
   rit.....
ff
A In Tempo q = 81
5
  lean heavily on the accents

     
                                 

          
  
           
mf mf f
8 
      
                                                  
   

11

          
                                                    
  

B Maestoso5 q = 69           
Hold back

     
  
5
   
                    
14

 
rit..... ff molto espres........

A Tempo q = 81
  3  C 
  
19

   
                
 
                 
3  mp snapped together!
rit.....
24

        
                                      


 
 
       
f

      
   
28

                               
        
 
  
                      
 ff

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 2 Clarinetics

           
 L                          
D
 L      
32

   
      
      f      

mp mf


Ossia 8va basso,but don't!

   
                   
          
   E  
35        

    
 
ff    

38
       
                    
 
       
     

  
  
      

      

mf  
40
    
           
   


         
  

   
f
   

 
          
20
41

        
 
    

42
F Like an 'echo' effect
 
9 9 9 9

                                             
       
mp ff

43
9 9 9 9
          
                   
       
mp ff

44
9 9 9 9

                                   
       
mp ff

45
9 9 9        
9 
    
             
            
        
  
 
       
mp mp ff rit..............................

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 3 Clarinetics

G A Tempo q = 81
            
47
              e=e

        
         
      
f
mf

  
           
wildly! sim. 6
 
50

 
6
       
            
 
 
  mf
  
 
ff  ff

                    
              
 
54

    
                    
                 
mf

     
Lots down the bottom, less up top!

   
59

                      
           
      
  
                      
  
   
  mp f
mp

     
                                          
H
    
63

   
             

 
 
 
ff

     

                                        
65

    
 
 
 


I              
  
67

     
                 
     
     
    f

mf

       
69

           
           
      

                         
mf

              
  
70

    
f

        

Long Loud Pause! hold back

     

71


    
      
ff
accell...................................
accell        

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 4 2. A WELL EARNED REST
Free & Easy q = c50
 3   
freely interpret tempo throughout....
74
   
 
    
3

            
    
                
mp molto espres...

vib.
    
  
77
     3   
         
    
   

    mf

5 f

        J 
      
           
81

    
    
       
mp espres. e vib.

            

  
85
            
        
mf f 5
         
mf
mp

        
                                
a little rushed    (A Tempo)
 
90

 
 

    
    
f espres. accell...................... mp

3 
 K A Tempo     
94
3
     
                      

     
mf
slight rit..

                
L
         
       rushed
  
 
98

     
            
sub. mf f

                 
       
(A Tempo)
103

   
        
molto espres.....     accell e cresc...................................
sub. mp

M Slower.
    
107

              
   
     
plainly

long, long pause slowly dying away to nothing.....

    
 
110

       
         
rit e molto dim........................................................................

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 5 3. THE DRIVE HOME
Vigorously q = c140   
       
 
114

                                         
 
            
f top gear throughout!!

             
117
             
              
 
            
3          ff
mf
 
                   


           
            
120

   
       

   ff sub. mp
mf
N            
       
       
123

  
         
         
    
f      ff
 mf
  
           3     3

         
   
  
126

      
        
     
     
mf ff

   
                
O  
  

        
129

                    
         
f  f 
sub. mp sub. mp
  
P Con Moto
                 

        
132


                 
      
ff  

     
       
    
135

 
         
    
mf accell................. .
               
(A Tempo)
   
      
137
     
      

intensely

ff

              

  
139

       
            


mp
  

  
141

                
                 
mp mp  accell.......

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 6 Clarinetics

143
                 
       
   
 
 
    

  Q A Tempo
       
                   
145


         
 rall........ ff

147
                  

                  
   
   f

 
mp
 
149
                              3
    
           
  f  
mp
6

6

       
151

   
                       
      mf     


7
   
 
7
   

6
                      
               
153 6
       
 

R A Tempo
                                  
7 7 7
155
          
      
molto rit........ ff Maintain volume & drive to the end...

157
 
              
3
  
     
                   


  
      
   
      

     
    
       
  

159

          
      
  ff


         mf
  
      

        
162

            
  
 
    ff  
mf
164
 
        


          


 
   


 
              

  


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