Professional Documents
Culture Documents
OVER THE LAST TWENTY YEARS, there has been a substantial amount
of research on South Asian immigrant women's attempts to build a sense of
community in an alien (and often hostile) culture and their experiences
of both everyday and systemic racism in terms of education, jobs, housing,
The author would like to thank the CRSA reviewers for their very helpful comments on earlier versions
of the paper, Simone Taylor for translating the abstract, and Tarun Gandhi for his assistance during
the final editing process. This research was made possible by a doctoral fellowship from the Social
Sciences and Humanities Research Council of Canada. This manuscript was first submitted in
September 2004 and accepted in January 2006. Contact: mythili.rajiva@'smu.ca.
166 CRSA/RCSA, 43.2 2006
1. It must be noted that these countries have their own politics of exclusion, couched in different dis-
courses of Othering, often related to ethnic, religious, regional andfor classlcaste differences.
Brown Girls, White Worlds 167
Methodology
The excerpts that I use throughout this paper are drawn from unstruc-
tured qualitative interviews3 that I conducted with 10 second-generation
South Asian girls and women in Ontario between 2001 and 2004.4 1 chose
a small sample in order to get an in-depth, biographical account from each
subject about growing up as a minority and the specific experiences that
shaped her sense of racialized self. Subjects were found through a network
of friends, family and acquaintances and, also, by asking interviewees to
provide me with contacts. While I sacrificed regional differences (all my
subjects were of Pakistani or Indian origin), I was able to find religious
diversity (Hindu, Muslim, Sikh, Jain and Christian), and a fairly even
spread in terms of class (upper-middle, middle, lower-middle and working
class). My primary concern was getting a diversity of age: subjects' ages
ranged from 16 to 34, with three adolescent girls, four women in their early,
mid or late twenties, and three women in their early thirties.
My method of analysis combines poststructuralist, feminist and nar-
rative conceptions of the discursive and "storied" nature of everyday life.
According to poststructuralists, it is through language that we become
embedded in social relations: cultures create shared meanings, which
become private through what poststructuralists call processes of subjectifi-
cation (Davies, 1993). Discourses are created through language and symbol,
and contain a myriad of stories or narratives. Using the term "narrative"
alongside discourse highlights the subjective and even "fictional" quality of
both individual and group accounts of self and society (Smith, 1987). As Liz
Stanley (1993) points out, our lives have beginnings, middles and endings;
they are characterized by major events, turning points and so on. Subjects
understand the world and their place in it by drawing upon a variety of
2. Events in which a rupture occurs between a subject's prior unracialized identity in childhood and her
realization at puberty that she is different (Twine, 1996: 211-17).
3. The interviews were guided by a general topic (adolescence and racism), with a set ofprompts (general ques-
tions) about the role played by a subject's family,friends, community and peer culture during adolescence.
4. Researchers commonly use the category "South Asian" (which includes India, Pakistan, Bangladesh
and Sri Lanka), but this grouping was not used by the subjects-that I interviewed. They chose, instead,
to identify through country of origin, region andfor religion.
168 CRSA/RCSA, 43.2 2006
familial, community and cultn-al narratives that shape how they perceive
themselves and how they are perceived. However, dominant or hegemonic
narratives construct ideals that are not attainable for certain subjects.
The discrepancy between these stories, images or devices and the realities
of everyday existence produces a particular form of reflexivity, where the
subject recognizes her exclusion from these narratives while at the same
time tries to accommodate them.
Unlike Britain (oi; to a lesser extent, the United States), work on
generation and the South Asian diaspora is still relatively new in Canada.
In addition, the complex colonial history of this diaspora and its multiple
internal differences (of religion, country, region, class and caste), offer an
exciting terrain for sociologists interested in questions concerning race,
belonging and identity. Finally, there has been little work done specifically
on second-generation girls. Voice is a central issue in feminist theory,
method and practice; as such, one of my aims in this paper is to clear a
space for subjects to speak about their experiences of growing up as Other
in Canadian society.
The choice of both subjects and excerpts reflects the arbitrary decisions
that researchers are always forced to make during the interpretive phase of
their research (Reay, 1996).' But I do not use the excerpts as "proof" of
what all subjects with similar identity positions feel or experience. Instead,
I offer these fragments as starting points for further reflection on the
under-theorized links among race, gender, generation and age.
As both Ralston and Dua point out, the history of South Asians in Canada
is a Tacialized narrative that is also distinctly gendered (Dua, 2000;
Ralston, 1999). This history is located within a broader framework of
nation building that, during the first half of the 20th century, defined all
non-European foreigners as undesirable subjects (Stasiulis and Yuval-Davis,
1995). During the period from 1850 to 1920, South Asians (along with
Chinese and Japanese workers) were only allowed entrance as temporary
workers; they were unable to vote, denied naturalization and legally for-
bidden to own certain kinds of property (Dua, 2000: 110). Furthermore,
Asian men were not allowed to bring wives and children into the country,
for fear that they would settle down in Canada and create an ethnic com-
munity whose existence would undermine the building of a (White)
Canadian nation (Dua, 2000; Ralston, 1999).
Both the political mobilizing of South Asian men and Canada's changing
economic needs led to significant changes to immigration policy in the
1960s (Buchignani, Indra and Srivastava, 1985). This altered the face of the
6. Similarly, Waters (1996), in her study of immigrant and second-generation Caribbean American girls,
points out that the former are proud of their cultural backgrounds; many planned to return home after
high school, whereas those born and/or raised in the United States are more ambivalent because they
are more aware of what it means to be Black in the context of American race relations.
170 CRSA/RCSA, 43.2 2006
Ritu: I'm not Canadian. I love hockey, I can drink beer... I love actually
the clean cold winter ... but I'm an Indian. Because people here will
never accept what I am (Ritu, 24, Hindu Indian, born/raised in
Afississauga, Ont.).
When I state that adolescence was raced, I mean that it carried ideas of
proper and mature human beings that stemmed directly from middle
class white perspectives. Thus adolescence was a technology of whiteness
that supported white boys and white men as superior... [and] today con-
tinues to be defined by the.., tensions of its history (Lesko, 2001: 46, 50).
South Asian girls are both seen and come to see themselves as members of
a racial and cultural minority group in Canadian society. But beyond
phenotypical criteria, it is not clear how this difference making actually
happens. As a starting point, we should consider how "growing up" different
shapes girls' identities. How is age a salient factor in girls' experiences of
racialization? In the following section, I will analyse subjects' narratives
of adolescence in order to identify racializing "turning points," moments or
processes implicated in Othering, and the family/community work of
difference making, even when girls have not been racialized by their
peer group.
Boundary Events
One of the underlying assumptions of narrative theory and methodology is
the importance of retrospection in subjects' accounts; that is, the retelling
and reinterpreting of past events or experiences. As Sarup points out, the
172 CRSA/RCSA, 43.2 2006
past does not exist in some tangible way: we interpret past events and in
the process create histories (1996: 46). It is through both the making and
telling of these histories/nairatives that we (re)produce the self (1996: 46).
For racialized subjects, both recent and distant memories are often reference
points for their experiences of cultural alienation. Furthermore, because
adolescence is a crucial site of complex and sometimes failed negotiations
with belonging, subjects often distinctly remember "boundary events":
experiences where subjects were "named" by their peers and went from
seeing themselves as unracialized to an awareness of their difference
(Twine, 1996).
Autobiographical accounts of South Asian girlhood 7 contain such
boundary events where girls were "spoken into difference." Such experi-
ences are what narrative theorists call "transformations": reversals,
changes and/or actions and events that fundamentally alter the storyline
(Ricceur, 1991: 106; Franzosi, 1998: 521). The vivid description given by
Handa below would qualify as a boundary event:
I walk through the hallway in school ... people walk by me, crowding the
corridors. I am one of them. I dress like them, I talk like them, I even
swear to be tough with them. I am involved in the scene, caught up in the
gesticulations of a twelve year old. "P-A-K-I," someone screams .... For
me the scene has stopped... I move through white people, only following
motions. I feel as if someone has blown my cover. All eyes are on me now.
The intruder has been identified (Handa, 1990: 41).
When I went to high school, it was tangible, the racism.... I was walking
down the hallway one day and I was a little geeky girl, so I wasn't both-
ering anyone, and there was this group of skinheads... in my grade...
the guy saw me, he took a sip of water... and then whoosh, spat it all in
my face .... Once we were in the car, me, my mom and my grandmoth-
er and a group of drunk white guys pulled up to us at the stoplight and
they were like "Heh Paki dot! Heh Paki! Can I have your dot?" . . . that
was horrible. And at school, sure, um, some people didn't want to sit next
to me in class, because I smelled, like curry, they said .... Every single day
there'd be this one guy named Dan... "Ooh you stink! Go back to
...
your country! Ooh what's that smell!" . . . that was really bad for me
because I was really shy already so that just made it worse . . I: As a
child, did you experience racism? Was it more in adolescence?8 As a child,
I probably wasn't aware that it was racism, and the kids did not know to
be racist either, it was more after the whole, I guess, I don't know, puber-
ty stage? That the White people went into their White group? Yeah, high
school's always like that, right? People get into their groups right? Like
the boys, the White guys .... I'd known these kids from grade two to
grade six . . . but once they hit puberty (Ritu, 24, Hindu Indian,
bornlraised in Nlississauga, Ont.).
Boundary Moments
Alongside direct and event-driven experiences of boundary making (e.g.,
racial epithets, laughter, ridicule or indirect comments), there may also be
more open-ended and subtle processes of difference making. Making a dis-
tinction between events and moments entails recognizing when a subject
does not focus on one particular experience or action taken, but references
several connected events, actions or choices where a major shift in identi-
fication (an identifying moment), was in the process of taking place.
This might also include pointing out something that does not happen, thus
closing down the subject's chances of belonging (hence, the word "event"
is a misnomer).
For instance, although the boundary moments in Sarah's account are
ostensibly about friendship, rather than race, difference is still an underlying
theme. In sharp contrast to Ritu's narrative, race, in Sarah's story, plays a
much different part, positioning her at various points as both antagonist
and protagonist in the drama of difference. Rather than any specific event,
there is a conflicted process of making certain choices that are then read
through Sarah's own subsequent interpretation of these choices. I would
like to link together the following three moments of boundary-making in
Sarah's story:
When I was at elementary school, there was a big group of us ... really
good friends ... Then we got into high school ... me and my best friend
moved away from that group, and made new friends and I guess now
when I look back on it I try and underst.and why I did that... wanting
to belong to the popular group and never having ever experienced that
.... when I had the chance... it seemed like the best thing.... I don't
know why it's such a big issue. I think for myself... the fact that I'm
like an Indian girl and in my school, there's a very small number of
Indian people .... When it got to the point like in Grade 11, and some
guys liked you ... you're like "Oh my god, like white guys actually like
me? Like what?
... one night... we'd gone to a pary... a week after we found out about
him [her father] drinking again .... I told them "Just please don't like,
please don't get drunk" . . . especially at this time in our lives . . . it
wouldn't be respectful and my best friend came back drunk and my mum
totally knew .... I remember talking to my friends that night and I just
totally broke down and I told them everything... that was a real step-
ping stone for me, to let it out, 'cause it had always be6n hidden. And
then it also kind of helped me realize who were my true friends. I: What
about your best friend?. . . after that night, it changed our whole friend-
ship .... We don't talk anymore... eventually I like went back to the
friends I'd had before... those are the girls that I'm still friends with
now .... They're actually like real love friendships ... not just about
superficial things .... like popularity anymore.
Brown Girls, White Worlds 175
There are times when I feel slightly different, like in my whole group of
friends, there's me ... another Indian girl. . . 10 of us girls and the rest
are all White .... The guys we hang around with, like they're all White...
not that I don't feel comfortable around all these White people, but
sometimes I will notice that like I'm different .... I: Do you feel accept-
ed? Yeah, like I feel accepted ... but I know that there's a difference...
but I don't think it's a negative thing, I just think it's something that
they know I know (Sarah, 17, Hindu/Sikh Indian, bornlraised in Ottawa,
Ont.).
Sarah's initial choice to break with her old friends and be part of a
popular crowd is indirectly connected to being different: wanting to be pop-
ular for her was about overcoming her own sense of being a racialized subject.
Despite the fact that she has never encountered direct racism, she herself
suggests that her concern with difference was the motivating factor; at
another point, she also talks about female competition within this popular
group specifically through the language of race:
There was always that thing that I felt ... I'm an Indian girl ... they're
White guys ... There was this one girl, Lindsey ... the guys would go
crazy over her and I'd be like... "She's not that pretty, she's not a very
nice person.. .. Why do all these guys like her?" .. . she looks like a typi-
cal beautiful White girl .... I didn't wanna think about it that way but
it was at the back of my mind. Maybe it was just like being popular that
I was able to overcome that. And it actually doesn't matter if I was Indian
or not, like I could still be popular, guys will still like me.
9. Puar argues that in order to belong, British South Asian girls and women often adopt dominant codes
of behaviour, dress and manner, as well as drawing on eroticized notions of female Otherness (the sen-
suous, seductive or licentious South Asian woman) (1995: 28-35). The other end of this continuum is
what Bannerji (1993: 147) describes as the stereotype of the "dirty, ugly and smelly" South Asian
woman.
176 CRSA/RCSA, 43.2 2006
Boundary Work
The third form of difference making that I would like to explore is located
outside both the peer group and the subject's own understanding of herself
as different. Parents, siblings and the community gaze often participate in
what I will call boundary work: the active positioning and "management"
of second-generation girls as outside the parameters of North American
adolescence:"°
When I turned sixteen, oh this was traumatic... it was like the turning
point of my friggin life! ... there was this guy... we ended up going to
the mall... Some 'Auntie" saw me, some lady in our community... me
and my parents get carted off to this Auntie's house, who decides she's
going to help me and tell my parents that apparently I'd been dating
some guy and I'd been caught with him .... That's when I realized how
retarded our culture was (Aleena, 25, Muslim Pakistani, born/raised in
Ottawa, Ont.).
I don't think I went through... that whole dating stuff and kissing, you
know,your first boy and all that stuff that my friends went through when
they were probably what, like 16?... I was resentful, I mean, I, it's not
like I didn't like boys.., there were boys that liked me ... Mom is over-
ly concerned with maintaining a proper Indian girl's reputation and that
means no dating. Because my mom still believes in arranged marriages...
if the community gets wind of the fact that you've dated... that can ruin
your chances along those lines (Asha, 29, Hindu Indian, born/raised in
Ottawa, Ont.).
10. I am drawingupon Proweller's (1998) discussion of boundary making between White and minority girls
at a private school and what she describes as people's active "patrolling" of race borders in identity.
Brown Girls, White Worlds 177
her of her difference. Similarly, Asha's comment suggests that her peers
were willing to "recognize" and include her in their space, but her mother
prevented Asha's participation in Western adolescent practices.'1
In immigrant families, power struggles between parents and daughters
are often generated by pressures from peer groups, whose criteria for
belonging is sometimes in complete opposition to family codes of conduct."i
Despite diverse religious practices, most South Asian communities have
social customs that are not compatible with Western notions of "normal"
female adolescent behaviour-working, dating, going out to parties, and so
on (Dwyer, 1999; Puar, 1995; Hennink, Diamond and Cooper, 1999; Handa,
2003). South Asian girls are regularly pressured by family/community to
maintain gendered cultural traditions that do not mesh with dominant nar-
ratives of girlhood. As symbols of the diaspora's future, they are expected
to maintain standards derived from potentially outmoded notions of South
Asian girlhood. The "museumizing" of culture (Das Gupta, 1997) that
takes place within immigrant communities creates a paradox where second-
generation girls must eschew the norms of Western adolescence to adhere
to norms that may not be at all relevant in their day-to-day lives. If the gaze
of the particular social context in which we find ourselves is, in large part,
what shapes us, how can girls be expected to successfully reproduce the
experiences of girlhood that are literally from another place and, some-
times, another time?
A couple of years ago, it was bad .... I: What did you fight about? ... the
usual stuff, like Indian parent expectations (laughs). I mean, I wanted
more freedom, right? And they were all "No way" and "You're being
influenced by Canadian culture" .. . which is so annoying because like,
yeah, I live here! Like, what do you want me to do?.. .I.: So do you think
there are stereotypes of South Asian girls? Oh yeah, for sure, like know
your culture, be good in school, don't make trouble, don't talk back ....
I love my parents ... but sometimes they get to me, because like they
have these ideas ... about... what kind of daughter I should be .... She
and my dad are always telling us ... we're not like Canadian girls, we're
Goan and that means something different. I: What does it mean? ... you
have to know how to cook vindaloo (laughs)... you have to stay within
the community, marriage-wise, go to church regularly, stuff like that
(Mary, 16, Christian Indian, born/raised in Mississauga, Ont.).
11. Here, I am assuming that Asha means White boys; both minority subjects and mainstream subjects
tend to assume whiteness as the invisible marker of "normal."
12. These struggles are similar across a number of racialized, ethnicized communities. According to Lee
and Chen, within the Chinese Canadian community the second generation often perceives parental
demands as overly traditional, while parents and community elders are angered by what they see as
disobedience and cultural disloyalty (Lee and Chen, 2000: 769). This conflict often leads to children and
adolescents feeling intense anxiety, insecurity, loneliness and self-hate (Lee and Chen, 2000: 769).
178 CRSA/RCSA, 43.2 2006
All through high school I've had the same friends, my Muslim friends...
I: Why is that? You have more in common... the same problems with
parents . . . I: You relate more to them? Exactly (Shazia, 18, Muslim
Pakistani, born/raised in Ottawa, Ont.).
It's a comfort level ... we have similar values and we can relate to each
other... there's just certain things that you don't have to explain ....
If you just say "My dad's doing this or my mom's doing this today,"...
they'll understand... "Oh yeah, my parents tried that on me, and that's
just them being you know," whereas I find sometimes with non-Indian
friends, they don't necessarily always understand that (Asha, 29, Hindu
Indian born/raised in Ottawa, Ont.).
In this final section, I return to the role of memory and retrospection in sec-
ond-generation accounts of (racializing) boundary events in adolescence.
Interestingly, while immigrants often reflect on the past with a rosy sense
of nostalgia, second-generation subjects talk about past experiences of
racism and exclusion that have shaped them as people. For instance, com-
pare the following accounts: in the first, an immigrant South Asian woman
talks about her life before coming to Canada; in the second, a second-gen-
eration South Asian woman looks back on her childhood and youth in
Canada:
When I was younger, I hated my brown skin .... I was ashamed and
embarrassed of my Indian heritage .... I developed creative strategies of
denial and pretense to cope with and survive in a racist environment
(Aujla, 2000: 44).
Brown Girls, White Worlds 179
I don't... have very many happy memories of high school .... I was a
very bitter person... I felt very ugly .... Why is it Westerners ... seemed
to have a better life? . . . 'Well, they're better looking and they're taller
and they're just more superior in physical form' . . . . I still have that
hang-up in my head that somehow, unn, I'm not good enough for a
Westerner .... If you open up my drawer, I probably have about 600 dol-
lars of unopened stuff [makeup] ... it's quite sad .... I think it's a secu-
rity blanket for me, making up for high school just feeling so ugly and
even to this day, there are times when I look at myself and I still... it's still
something I'm fighting I: So, in other words, do you feel that those expe-
riences as a teenager affected you as a adult? Absolutely. I: More so than
childhood? Absolutely. I: Why? Because it affected your sense of self?
Definitely. Yeah, self-worth. Dignity (Anjana, 30, Hindu Indian,
born/raised in Ottawa, Ont.).
I: Do you think that the experiences of racism have affected you or your
identity in a significant way? For sure .... I've got a note stuck up some-
where .. . it says "Stop feeling inferior" ... racism has affected my self-
esteem... really badly actually... I hate White people and I'm afraid of
the big White guy, because I always associate it with, like the big White
guy is going to do something (Ritu, 24, Hindu Indian, born/raised in
Mississauga, Ont.).
Conclusion
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