.=: ~~ C.FISCHE~~ EDITION. F-=(~ ===:: .

.... ,'

masttrpit(tS for UioHn and piano.

~

Accolay, J. B., Concerto No.1. A minor 150 I Mosin, Ovide, Op. 11. No.3. Mazurka romantique .

Alard, D., Op, 37. 11 Trovatore (Verdi), Fantasia (revised , -- Op, 14. Mazurka de Bravoura No.2 .....

and fingered) ...............•................................ 1 25 1 hODle, F., Favorite pieces, Op. 1. La Me lanco lie. Op. 2. No.6.

Op.42. L'Aragonesa, Valse de Concert l 00 Le petit Savoyard. Rev. and fing. by A. Gruenwald ..

Op.47. Faust, Fantaisie de Concert (rev. and ting.) 1 25 Ita«, J., Op.85. No.3. Cavatina .

Op.49. Morceaux de Salon. Rle., F .... ns, Op.lI6. Suite I. No.5. Introduction and Gavotte.

No.4. La Sevillana (rev. and fing.) T5 Op.34. Suite III. In G major....... .. ..

No.8. Berceuse and Tyrolienne (rev. and fing.) om No.1. Moderato ..

No. 10. Brindisi Walts (rev. aud fing.) 75 No. 2. Bourree ..

Artot, J., Op. 4. Souvenir de Bellini, Fantaisie brillante...... Til No.3. Adagio .

Bach, Joh. Seb., Celebrated Air, arr. by A. Wilhelmj .ao No.4. Gondoliera .

Baaalnl, A., Op. 25. La Ronde des Lutins (The Round of the

Goblins), Scherzo fantastique. (rev. and fing.) 126

Bertot, Ch. de, Airs varies.

No. 1. D minor Op. 1. No.2. D major Op. 2. (gj 50

No.3. E major Op. 3. No.4. B major Op. Ii. @ 50

No.5. E major Op. 7. No.6. A major Op. 12 @ 50

No.7. E major Op. 15. No.8. D major Op. 42 ;.@ 50

No.9. D major Op. 52. No. IO.D major Op. b7 @ 50

No. II. A major Op. 79. No. 12.G major Op, 88 @ 50

No. 13. Bb major. Op.121. No. H.G major @ 50

The same complete in 2 Volumes @net2oo

Concertos No. I. D major Op. 16....................... 100

No.2. B minor Op, 32. 1 50

No.7. G major Op. 76. 100

No.9. A minor Op. 1<»...................... 1 00

Op. 80. Le Tremolo, Caprice sur un theme de Beethoven 1 25- Op. 32. Andante & Rondo Russe from the 2d Concerto.

(rev. and fing.)................... 100

Op. 100 Fantaisie, Scene de Ballet. (rev. and fing.)....... 100

Brahms, Job., Hungarian Dances, arr, by F. HermaDll.

Book 1. & II. @ 1 00

75 «l

Brnch, Max, Op, 47. Kol Nidrei, Adagio ..

Chopin, Fr., Op.9. No .•. Notturno, Arr. by A. Wilhelmj .

David, Ferd., Op. 5. Iutroduction et Variations sur Ie Theme

"Je suis Ie petit Tambour." (rev. and fing.) .

DeUbes, Leo, 'iLe Pas des Fleurs," Valse (Intermezzo) from the Ballet "Naila." Transcription by E. Sanret. (rev. and

fing.) · .

Ernst, H. W., Op. 10. Elegie with Introdnction by L. Spohr .

Godard, Benj., Op. 35. Canzonetta from Concerto romantique

Op. 128. No.3. Adagio pathetique, (rev. and fing.) .

_ Op. 128. No.5. Serenade Andaleuse, (rev. and fing.) .

__ Berceuse from Jocelyn ..............•.....................

Grleg, Edvard, Op.8. Sonata in F .

__ Op, 46. Peer Gynt Suite .

Hauser, Miska, Op. 34. "Birdie in the Tree" (Das Voeglein

im Baum.) Caprice Burlesque, (rev. and fing.) .

__ Op. 39. No.3. Reverie. No.4. Nocturne, (rev. and fing.) .

_ Op.43. Hungarian Rhapsody (rev. and fing.} , ..

Hubay, Jenoe, Op.32. Czardas Scene "Hejre Kati" .

Leona.rd, H., Op. 2. Souvenir de Haydn, Fam:aisie .

Op.30. Souvenir de Bade, Fantaisie .

_ Op.57. No. S. MeJancoJie .

125 125

W ,j()

100

No.5. Perpetuum Mobile .

Rode, P., Op. 10. Andante with variations in G, rev. by David. Saint-Lubin, L. de, Op. 44. Adagio religioso (rev. and fing.). 8alnt-Sa.ens, C., Op. 28. Introduction and Rondo capriccioso

(rev. and fing.) .

- Op. 45. Prelude du Deluge, with Harmon. ad lib .

s.. te, Pablo de, Op. 9. Lei Adieux, Melodie .

-- Op.ln. Zigeunerweisen (Gipsy Airs) .

-- Op.23. Spanish Dances. No.5. Playera. No.6. Zapateado ..

Scharwenka, Xaver, Op. 3. No. 1. Polish National Dance,

arr. by G. Hollaender .

Sltt, Hans, Op, 31. Concertino in E minor .

Spohr,Loa18, Barcarolle .

Svendsen, Joh. S., Op.26. Romance (rev. and fing.) .

T.chaikowSky, P., Op. 2. No. 3. Chant sans Parole. (Song

without words) .

Op. 11. Andante cantabile from the Qnartet. .

Op . .ao. No.2. Chan.on trilte for Violin and Plano or Organ Op . .ao. No.6. 2d Song without worda for Violin and Piano

or Organ , .

Op.42. No. S. Melodie .

Vieuxtempol, Henl'J', Op. 11. Fantai.ie Caprice .

Op. 22. No. 2. Air varie 0 minor ..

No. S. Reverie (Adagio) (rev. fing.) .

- Op. 38. Ballade and Polonaise (rev. and fing) .

Wagner, Richard, AlbumIeaf (Romance), transcr. by AIIII.

Wilhelmj (rev. and fing.) .

-- The same simplified ..

-- Dream •.............•......................................

Wlenta ..... Ilt, H.. Op. 3. Souvenir de Posen. I. Mazurka

caracteristique (rev. and fing.) ..

- Op. 17. Legende (rev. and Iing.) .

-- Op. 19. Two characteristic Mazurkas "Obertass" and

"Du<hiarz"(Le Menetrier Mazurka)rev. and fing.by Potlitser

Op.22. Second Concert in D minor (rev. and fing.) .

__ Romance from the same (rev. and fing.) .

110 -- Ala Zingara from the same (rev. and fiDII·)· ·

00 Kuiawiak, Second Mazurka .

110 WlIhelm,J, August, Op. 10. Romance .

85 Paraphrase on Walther'S Prize Song trom "The Master·

100 singers" '

100 Swedish Melody. .. .. . . .. .. .. .. .. .. . .

50 Zar.yckl, Alex., Op. 26. Mazur ..

~

IW 75 00 75

100

100

00 IW 00 75

100 50 eo

711

100 50 00 90

.~ -

"ZIGEUNERWEISEN."

Es is! nicht gilt 1II;;glich, die Art und H'idsl-' til I' Ausfiihnoir di«: ses Sl iick e« gel1al{ Vuyzl(schrd1Hn.D{(ssdb" sol! ganzfrri roiedergeg,,_ hen rorrdrn, 11111 dem Fh aracter ein-r improoisirten ZIGEUNERJfUSIK mDglichst nuhe stc konunen,

11 est impossihled'indiquer exactement l'interpretation de ce morceau. Il doit etre execute tres librement presque ad iibitton, selon l'Individualite de chacun, en se rapprochant t outefo is .le

plus possible de l a marriere des"ZIGEUNER:' .

Pablo de Sarasate, Op. 20.

Moderato.

PIANO.

II

-~

-

~--

=---

---~ ~------

-~

Lento.

p

tHOR -II

Published 1895 by Carl Fischer New York.

rii. 1'1'

". It, ~~~'th .•.• _~ ;.111_
rj :t~t1",._ fr~ > ~ ~» ~1IlII
I, I t-' _,:;,j,..... ..;. .. -f'+.'.~~ L
-
"if- j' ri(. espr esmoo, dim. - :ii. -
ri{. 1'1'
(jl e: ~ q (9- .~ presses. I
I
j --.
.
J fI fit rprest! . l) '--' 111 ..
< ~ t b-l- 1-6- (2- ~ 1":\ ~
·
·
[Z::..k': ii 11 • r II II

II

en gliseu ni,

~o

8va ................... ; ~,_ ~ _~M~·. • ~/-t +~
" I!I!I»-"~ . ~ ~
..
if - - - -~ .. - r ~ ~ --... '~+·~Tf
rii, fa ienip o , g:jPP rit . f ~ q:j + +
~ I 1":\ I
fa - • - 1 1 ~~~.
pp
~ 1":\ ~
·
---..
I ~ .. :e: -=
11 'lOO~-1I

fn peu plus lento ,

avec Sourdine.

>-> »

avec bmucoup d'expression,

dl ~ t· ~ > » t
• .,_~. ;-1'-. 0 t ~ > »
• "_'. ~ .
u -
pp ====- pp
IJ I
- ~
rm: -v y- o
0 0
tt l 1 i "! ~ 1_r,.., .:~t!
~ ~l 1 ~ , 1 :
0 ... .M-!
r "'. 0
\ 0
I • I 1 ....
... I r, L n • fi ~. ~ > >;? I I II 2
.-...." ....-::: ~
f) :
ppp r il .
e; I pp IIIIIiJ ... ~
"T 0 &i 0
tt_ io~~U- 0
~ ; ~ :: qr;o • '.e- f ~f' ~~ :
r.'\ .. __n-, ~"i -
1- "" 0 - 141 0 -
•• 0 TT.
7 • 0
I ... 0
... • r 1 ff~ r ii,

a tempo.

~i

Allegro molto vivace.

400'"'-11

6

{fW~~~~
(~f:t -it-.... . ,___ I .. ;t.,.,,;,,,
..
I.. ..
: r
f) p ". .~ ---
~
~~ CliO.
·
· V !) v v
p~ .... ... ~ ... .- -i
1\ 1\ 1\ i\
f --; : ·
· J ... ~ ... ... '-
= -:i" ... ... l
= =
.. .. .. plZZ

przz ,

Ii l'ti~izz . arco.
t.;,.~ .. · I 1 2 ~p ~ -----------
~
l~ P ~ -
Itl'-
~ .~ J: • ".. rJ 1\ -
·
I~ · lJ
v l) LJ -
.. LJ r f p
~ . ~ .
• •
· ·
· ·
~- = .. = = = =
[) l) .. .. ." 'ill 'ill c\va. .......•.......................•...........••••.... , + .. D a~
. ·Iit:~i.~t i-;:~t=( .. ;,.;..~ tj.~t;..;,.fl.;"';" -1'"~. ..~ 0 it. -~
,---~
f-iY :i P ~
(J r1 - ,. ~ • r- i\
( 1\
~ _. -i V V -
~ -i ,. .. -i '.,
.. ' . 'f p
< -
-~
·
l:! •
-, .. I J = .. = =
i = = .. "'i ..
:f~ .. .. .. .. ... plZZ

. 81'11 ...•••....••...•..••.•••..••.....•.••...•.•...•••••••••••••• ~

_~ :it;. t. 1:. _;. t~ f_'. ;. .. .it- ;f:_;.', .;,. .. ..:.. it;,;" .. lot. ~--,
,- r. /""'--
I::::L::_-
.' -
~ 1\ r"\ 1\ -
\ . ~
• -i ... • • .. _ . -i _. ..
V
( -
·
, ·
\ = = 1i i ::: = "'ill 'ill ... .. i I
.'iiI 'ill .. .. \O())Hl

I

[2

" ioI ~ ~ .. :t ~.;_ .;. t: it ~_ .;.~;. i- ~t" . :;.~ ., .~._.;.~ .. " ... ~. .... ~~.;. . . . . ;. ......• i-:r:
iT poco pii«. P J'
~U~ - - -
· ·
· ·
.. .. ~ ~ ~ ~ ~ ~ "i "i i -j .... ~:: .. j ~>:j
poco piu. pp "~TT'"
It ~- ,..._,. ,..., ~ ~ ~ ,......
·
· ·
· ·
.. i- ... .... = i .. r -. r
~ r. • ~ .. ~- • + ++ ++ ~!:t.+ ~ • ~+ ..I.
: :
tT ~ ...... ~--- - + + ..._~
~ ~ • ~ ;,-. .. . r-- r-.,
I · ·
~ · ·
til V ..... ~ ~ '.- I~"
~ f\ ,......-- 1\ r--I ,...., - l\
·
· · ·
· . ·
• ~ ~ . '-._./. ~ ~ 1! = "i ... I
111 J-+

+

+

\OO~-It

s

- -
"
: .r » + ~., - .- + t·- ;I- ~., -# - .. ~
.,. t. + .. __________________________________
fJ . ~~--t--:,;:------r:--~---~-:;------~--~--~--;;------~-~--;--~-----~--;-----~---- ~ ~ ~,..,.. ~
\~ ·
· - - -
- - - - -
pp
< ",,_~~~ ~..,..~ ~ ~ ~ ~~ ~,,_+ ~
--- . ·
z · ...... ..... ~
\ ;7 ~ - - - - - + + + +

. r"""'l. . ~ .. ) ft~izz. .. D arco . n' .••• 1;-,
~,
4---- - -
·
u ~ .... - .~- ~ :i D :i ---
(1 ~-i--~-~--.:----r;---;--_;-1 .!Oo .. t! - ,,_ 1'\ 1'\ 1\ ~
·
\~ · ..
l) l) V' '. -i
... ... ... .1' p
< fJ t\
.
. .
-u ·
\~ ... liiiIiiiI ~ lJ .... = = = .~ ~ i = =
~ .. .. i .. .. pizz pizzo

/?7!a. __ •• _ .•. ___ • _______ . __ •• _ .••• _______ .•• __ •• ____ ._. __ • ____ ., ..., r1- ~~ .-----
-it-f:t~· .-t.-i- -;:i--f.~;'~~;,.i- .it- ~t±.~! ~.
_.il
~L(' ~ ":l_/ - ",,_,,_.
OfT ("lInimezlof '
~ - . .. . .. 1\ ')
\ :J "
• .. " -i ,. -i lJ v ~
• .1' aniuies.
·
I =;. -=
\7 11 11 ~ .. I- ~ l) .. = = = i
1!1 ~ 11 , 8va ... -- -- - - ----. - -.-- _. .:- ... -- .. -- .. ---- -~ ---- -- -. --: ..... -- .. -- - - ... - _ .... _: __

arco. + 1t- ~ ;, .;.. i- :t i- f_ -j: 1- =r- i ~ . ;,.;.. i- ti-.;,.~~.;.-~;,_'_ ~ _,_ .;.- ~ ;, .;.-;,. .;,. ~
, +
"l' plu» animee .
~ ~ \
\ rT • ~ " -i ..
'j! .. ~ •
.- plus animes,
-
I' ·
·
'7 = 111 "'ill .. ... I) V'
~'" i =
.. .. 10 o I'! -II

-I

2

l~ Strings. II

I

Violin.

"ZI GEUNERWEISEN."

It is impossible to express, in. words the manner 'of performing this Composition. The interpretation is to be free and the Character of

Zingara (Gipsy) Music improvised as much as the ability of the per- Pablo de Sarasate,Op.20.

former will admit.

r

Moderato.

I

IV

IV

Lento. II

III

es passione -":"\ ~

~ ¢~, ~U£Ui ~hE~hhtff

rit. PP

f

j·rit. espressioo,

III .

~

rit.

f a tempo.

tOOR -II

Published 1895 lJY Carl Fischer New Yo",k.

Violin.

_, 0, fit qdff~4f;fltft$tfffrffduuurIiiijtt~ffrl

pp rii. rii, mollo rtf.

8- - - -- - i":'\- -- --- - - -- - - - - -- -- - - - - -- - --- --- - -- -- ------ ---- -------- -- --- - __ h __ ---- -- ----------- ------ - ---- - - --- -- - ----- -------------- -------- - ------------

~~ ~ 3 3 3~ 3 3 3 3 3 3

'~'& k ffrfft~f qPfr rEf I Ef f.f fTe fit InfO I

• P'P en gllssanf. t t

en re etlall . _

-

400b - II

3

,

.\ Violin. II

Un peu plus lent. ~ .::> ::>::>

.... di 2' > ~ ~. ff ~ ~.

aoec ~OU1' tn.e. n· 3~3» 1 r = = .. . Q:f r

4 ¢I~ II II r r I rn I (r ij·1 r I I· I· I II

'I:=- ===- pp 1

~ , .

avec beaucoup d expresswn'"l":\:t ::::>-

II /T"2 l 2. 3

'.

~ P pizz. pizz ,

arco .

....--._ ,

... f pizz.

4 t#cttUff,tfUUFfjtftfidrf;ik··'i If! #~"t/i

. 8va- .. ---- ---- - -- __ __ __ -:

4 :Wf Ie y p It#tttttttltftf"ttlttf£t#ttIE~r~1

\OO~ -II

Violin.

: 4 ~~ tutpttt dftttty , rtfitttrt I "wut lqw Qt ~f I

til ~ poco plU. pp

II. . .. 112. . . tj '-~~d~tt& ~~ffd~·

41# ~ ~ h ~ sur. tc -5 rc£;= Vb 55 I 2EI I

.. 2 ~ 2 1 ~

I

-J ~ IV . o. + +

i IJ)J5i] I ?;nJ3J] '!JlOA Ijl'~J3JlllVJj r ~ I

f 0 + . -.

, . o + IP1ZZ. p izz . P~lZZ. arco

-J ++. o~ # ~

i nJ i [ 1;ti2M,#J,JJj 1#3)#]3 6;=' ~ '1 Il'M1wr ,

. 8 v a .-- • - -- -- -- ---- ------------------------------.

'4 e' p It~titfttt ItEt!tttt Ifttttt~tt I

Plus animez

8 va_______________ Anim ez . '.

~ rtt~E'£ )tfu "ariWO lUTE ,t#ttPEtff,

. 8 v a ------- -. ---- -. - - -- --. -- -- ---------- -- --------------------- --- ------------- ----------------------- --- .--- -.---------- -----.-

4 tttf,cci IEttftt#¢t I(LEMPett If£tr£u#tt I

i ;tfE';iif;m;iifi;t"iit---,ifr~f~-;f' ~r; It, * II

cresco - -. -- - - - - - - - -.11

\0(1"1 - It