Jeuxd eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme. Inspired by Liszt s Les jeuxd eau a la Villa d Este. Preempted Stravinsky s use of the Petrushkachord; Petrushkanot composed until 1917.
Jeuxd eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme. Inspired by Liszt s Les jeuxd eau a la Villa d Este. Preempted Stravinsky s use of the Petrushkachord; Petrushkanot composed until 1917.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
Jeuxd eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme. Inspired by Liszt s Les jeuxd eau a la Villa d Este. Preempted Stravinsky s use of the Petrushkachord; Petrushkanot composed until 1917.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
Title: ͞Water Games͟, ͞Fountains͟, or ͞Playing Water͟
Dedicated to Faure, and published with an inscription of a
poem by Henri de Regnier: ͞The river god is laughing from the water which is tickling him.͟
Inspired by Liszt͛s [
]ignificance of c
͞Inspired by the noise of water, cascades, springs, the
jeuxd͛eau is based on two motives, in the manner of first-movement sonata form without, however, conforming to the classic tonal scheme.͟ (Ravel)
Preempted ]travinsky͛s use of the ͞Petrushka͟ Chord; not composed until 1917.
muote from Nikolai Andreyevich, after hearing
c in 1907: ͞As far as the principle of using dissonances with all the rights of consonances is concerned, it͛s not my cup of tea, although͙I should hurry right home lest I get used to it, and, God forbid, begin to like it.͟ ͞Petrushka͟ Chords in c
·xample 1a, Formation of a ͞Petrushka͟
Chord: Mse of ͞Petrushka͟ Chords in c
·xample 1b, mm. 70 ʹ 71*:
*]teven Baur, ͞Ravel͛s ͚Russian͚ Period: Octatonicism in his ·arly Works_c
Vol. 52, No. 3 (Autumn, 1999), pp. 531-592 Atonality?
·xample 2*: Mse of all twelve tones of the
chromatic scale within three measures:
*]teven Baur, ͞Ravel͛s ͚Russian͚ Period: Octatonicism in his ·arly Works_c
Vol. 52, No. 3 (Autumn, 1999), pp. 531-592 Mse of Pentatonic ]cale in Major Themes
·xample 3: Theme 1, m. 1 (G#, B, D#, C#, ·)
· position, mm. 1 - 23
Theme 1, m. 1 Theme 2, m. 19
Development, mm. 24 - 61 Recapitulation: Theme 1 Theme 2