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ประวัติดนตรีตะวันตก
ประวัติดนตรีตะวันตก
3,000
1,000
330 (330 B.C;)
2
1 (Alexander the Great) 2 ()
3.
Archaic
Period
700-550
B.C.
(Lyric)
(Music
expressing
sentiments)
(Lyric)
(Dithyramb)
12 Arion 50
1
(Drama)
(Orchestra)
(Pythagoras)
-
8
(Mode)
(Doctrine of ethos)
Poetics (Aristotle)
Aristoxenus
(Dorian) (Phrygian)
(Ethos)
(Monophonic music)
(Microtones)
(Roman)
146
(Monophony) (Plain Song) (Chant)
(Plotinus 205-270 A.D.)
(Porphyry 233-304 A.D.) (Neo-Platonic)
(Monter concert) (Carinus 284 A.D.)
100 (Horn)100
200
7
(Menecrates)
(Acoustic)
(Church Mode)
Grout Palisca
(Church Mode) ( ,2542:50)
(.) (-)
(Ecphonetic Notation)
Neumatic
notation
3/4
.. 1100-1400
300 12-14
9
(Gregorian Chant)
(Polyphony)
13 (Organum)
( ) 1 ( ) 5-10
(Ars Antiqua) (Ars Nova)
Renaissance (Re-birth)
The Birth of Venus
15 16
( ,2535:89)
1. 15
(Feudalism) (Humanism)
3
4
4
(Polyphonic chanson)
1 (Imitative style)
(Homophony)
2. 16
(Fugue)
(Chorale)
(Middle Ages) (Secular Music)
(Secular Music)
(Sacred Music) 1.
(Polyphony) 3-4 16 The Golden
Age of Polyphony2. Rhythm Duple time Triple time 3.
3
Baroque Barroco
(Irregularly
shaped
pearl)
Jacob
Burckhardt
17
( ,2535:96)
17 18
150
. .
18
(Polyphony)
(Monody)
(Basso Continuo)
(Fugue) (Organchorale)
(Toccata) (Counterpoint)
(Church Cantata)
. . The Messiah
(Contrasting)
(Trio Sonata)
(Concerto Grosso) (Simphonia) (Cantata)
(Improvisation) (Ornamentation)
5
(G Clef) (F Clef)
(C Clef)
5
( , . . . :56)
1.
2. Basso Continuo
Figured bass
3. Homophony
18 19
. . 1879 ( .
.1756-1763)
1776
. . 1814
Age of Reason ( ,2535:102)
. . (J. S. Bach) 1750
(Baroque style)
The (high) Classical era 1780 . . (J. S.
Bach1730-1780) The early classical period (Texture)
(Structure)
(Counterpoint)
(Improvisation)
Johann Stamitz Concert The Mannheim
orchestra (Composition)
(Orchestration) The sonata principle in 1st
movement of symphonies, second theme of Stamitz 1st theme Dramatic,
striking Incisive ( )
- (Dynamic) Manheim orchestra
Movement scheme of symphony - - minuet
(minuet 3 ) GM Monn
(String quartet )
-
(Rococo Period )
Lightly accompanied
pleasing music Phrasing (JC Bach, Sammartini, Hasse, Pergolesi ) Galant
(Rococo Period ) Heavy ornamentation
19
CPE Bach WF Bach
(Classicism)
(Classical)
Apollonian
18
(Ars
Antiqua) 20
(Classicism)
(J.S. Bach) (Handel)
2
18 18
(Viennese Classical Period)
(Objective)
(Formality)(Content)
(Rationalism)
(Emotionalism)
(Objectivity)
(Subjectivity)
-
- Classicism
19 18
20
( ,2535 :111)
1.
2.
3. (Nationalism)
4. (Germanism)
5.
5.1
(Phrase)
5.2
7 9
(Chromatic Modulation)
5.3 (Tonality)
Chromatic Modulation
5.4
5.5 (Dynamics)
20 -
20
20
1
(Polytonality)
12 (Atonality)
20
(Globalization) (Internet)
(Electronic)
(Acoustic)
4