(Ancient Greek music)

3,000

1,000

330 (330 B.C;)
2
1 (Alexander the Great) 2 ()

1. Mythical Period 1,000 (1,000 B.C.)

(Apollo)

(Lyre)

2. Homeric Period 1,000 700 (B.C) (Homer)

(Lyra)
( Bards)



(Folk songs) Panpipes
( )
( Chorus)


(Kithara)

3.

Archaic

Period

700-550

B.C.

(Lyric)

(Music
expressing
sentiments)

(Lyric)

(Dithyramb)

 12 Arion 50
1

4. Classical Period 550-440 B.C. (Choeriles)

(Phrynichus) (Pratinas)
(Thespis) (Dithyramb)

(Drama)

(Orchestra)

5. Hellinistic Period 440-330

B.C.



(Pythagoras)
-
8


(Mode)

(Doctrine of ethos)











Poetics (Aristotle)


Aristoxenus

 (Tetrachord) 3 Diatonic, Chromatic, Enharmonic

4 Shade

(Dorian) (Phrygian)

(Ethos)


(Monophonic music)



(Microtones)

 (Roman)
146


(Monophony) (Plain Song) (Chant)


(Plotinus 205-270 A.D.)
(Porphyry 233-304 A.D.) (Neo-Platonic)




(Monter concert) (Carinus 284 A.D.)
100 (Horn)100
200
7



(Menecrates)



(Acoustic)




(Church Mode)

Grout Palisca

(Church Mode) ( ,2542:50)

1. (Authentic Church Mode)

(Finalis) (Key Note)

4
1.1 (Protus Authenticus) (Dorian) DE-F-G-A-B-C-D -

1.2 (Deuterus Authenticus) (Phrygian)

E-F-G-A-B-C-D-E -

1.3 (Tritus Authenticus) (Lydian) F

G A B C D E F

1.4 (Tetardus Authenticus) (Mixolydian)

G A B C D E F G

2. (Plagal Church Mode)

4
(Finalis) 4
2.1 (Protus Plagalis) (Hypo Dorian Mode)
A B C D E F G A
D (Finalis)

2.2 (Deuterus Plagalis) (Hypo - Phrygian)

B C D E - F G A B
E (Finalis)

2.3 (Tritus Plagalis) (Hypo Lydian)

C D E F G A B C G
(Finalis)

2.4 (Tetrardus Plagalis) (Hypo - Mixolydian)

D-E-F-G-A-B-C-D
G (Finalis)

(.) (-)


(Ecphonetic Notation)

 (The Middle Ages)

( 11-13)


.. 500 (The Dark Ages)
(Vandals, Huns) (Visigoths)
10
5 14 (..450-1450)
12-13



(Secular music)
(Church music)


Neumatic
notation
3/4


.. 1100-1400

300 12-14
9
(Gregorian Chant)
(Polyphony)
13 (Organum)



( ) 1 ( ) 5-10

(Ars Antiqua) (Ars Nova)


Renaissance (Re-birth)





The Birth of Venus







15 16
( ,2535:89)

1. 15
(Feudalism) (Humanism)

 3

4

4




(Polyphonic chanson)
1 (Imitative style)
(Homophony)

2. 16






(Fugue)


(Chorale)









(Middle Ages) (Secular Music)
(Secular Music)
(Sacred Music) 1.
(Polyphony) 3-4 16 The Golden
Age of Polyphony2. Rhythm Duple time Triple time 3.

3

Baroque Barroco
(Irregularly
shaped
pearl)
Jacob
Burckhardt
17
( ,2535:96)

17 18
150

 . .
18
(Polyphony)

(Monody)
(Basso Continuo)


(Fugue) (Organchorale)

(Toccata) (Counterpoint)

(Church Cantata)
. . The Messiah


(Contrasting)
(Trio Sonata)
(Concerto Grosso) (Simphonia) (Cantata)


(Improvisation) (Ornamentation)

5
(G Clef) (F Clef)
(C Clef)

5


( , . . . :56)

1.

2. Basso Continuo
Figured bass
3. Homophony

4. (Major) (Minor) (Mode)

5. (Counterpoint)
(Homophony)
6. adagio, andante
allegro
7. Improvisation
8. (Form)
9.
10. (Opera)


18 19


. . 1879 ( .
.1756-1763)

1776
. . 1814
Age of Reason ( ,2535:102)
. . (J. S. Bach) 1750
(Baroque style)
The (high) Classical era 1780 . . (J. S.
Bach1730-1780) The early classical period (Texture)
(Structure)


(Counterpoint)

(Improvisation)

Johann Stamitz Concert The Mannheim

orchestra (Composition)
(Orchestration) The sonata principle in 1st
movement of symphonies, second theme of Stamitz 1st theme Dramatic,
striking Incisive ( )

- (Dynamic) Manheim orchestra
Movement scheme of symphony - - minuet
(minuet 3 ) GM Monn
(String quartet )






-

(Rococo Period )
Lightly accompanied
pleasing music Phrasing (JC Bach, Sammartini, Hasse, Pergolesi ) Galant
(Rococo Period ) Heavy ornamentation


19
CPE Bach WF Bach

(Classicism)

 (Classical)
Apollonian




18
(Ars
Antiqua) 20
(Classicism)
(J.S. Bach) (Handel)
2
18 18
(Viennese Classical Period)



(Objective)







(Formality)(Content)

(Rationalism)
(Emotionalism)
(Objectivity)

(Subjectivity)

-

- Classicism


19 18
20

 ( ,2535 :111)
1.




2.
3. (Nationalism)
4. (Germanism)
5.
5.1

(Phrase)
5.2
7 9
(Chromatic Modulation)
5.3 (Tonality)


Chromatic Modulation
5.4
5.5 (Dynamics)

20 -

20

20
1
(Polytonality)
12 (Atonality)

20

(Globalization) (Internet)




(Electronic)
(Acoustic)
4