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  • Michael Snow, "Two Letters On Films," in Adams Sitney (New York: Anthology Film Archives, 1978), Pp. 184-189

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    Snow discusses experimental film and argues that avant-garde films should avoid traditional narratives and instead focus on form and the experience of viewing. He contends that experimental films allow the viewer to see familiar things in a new light by manipulating space, time, and motion. Snow believes avant-garde cinema can change perspectives and reveal new ways of seeing the world.

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    Snow discusses experimental film and argues that avant-garde films should avoid traditional narratives and instead focus on form and the experience of viewing. He contends that experimental films allow the viewer to see familiar things in a new light by manipulating space, time, and motion. Snow believes avant-garde cinema can change perspectives and reveal new ways of seeing the world.

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    17 views6 pages

    Michael Snow, "Two Letters On Films," in Adams Sitney (New York: Anthology Film Archives, 1978), Pp. 184-189

    Uploaded by

    IAteYourBees
    Snow discusses experimental film and argues that avant-garde films should avoid traditional narratives and instead focus on form and the experience of viewing. He contends that experimental films allow the viewer to see familiar things in a new light by manipulating space, time, and motion. Snow believes avant-garde cinema can change perspectives and reveal new ways of seeing the world.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
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    MIchael Snow, "Two Letters and Notes on Films," in The Avant-Garde Film: A Reader of Theory and Criticism, ed.

    P. Adams Sitney (New York: Anthology Film Archives, 1978), pp. 184-189.

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