The battle of san romano, is a great master piece of a Florentine painter Paolo Uccello. It was completed in year 1483 and believed to be a commission from Lionardo bartolini Salimbeni, a wealthy banker. The panels represents the great war between the army of Siena and the Florentine army. If we look closely at the first panel of the painting we can see there Niccolo Mauruzi da Tolentino with bits
The battle of san romano, is a great master piece of a Florentine painter Paolo Uccello. It was completed in year 1483 and believed to be a commission from Lionardo bartolini Salimbeni, a wealthy banker. The panels represents the great war between the army of Siena and the Florentine army. If we look closely at the first panel of the painting we can see there Niccolo Mauruzi da Tolentino with bits
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The battle of san romano, is a great master piece of a Florentine painter Paolo Uccello. It was completed in year 1483 and believed to be a commission from Lionardo bartolini Salimbeni, a wealthy banker. The panels represents the great war between the army of Siena and the Florentine army. If we look closely at the first panel of the painting we can see there Niccolo Mauruzi da Tolentino with bits
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOCX, PDF, TXT or read online from Scribd
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The Battle of San Romano, is a great master piece of a Florentine painter Paolo Uccello. This painting of Paolo Uccello was composed of three panels each panel is 10 feet wide and 6 feet tall. t was completed in year 1483 and believed to be a commission from Lionardo Bartolini Salimbeni, a wealthy banker. The panels represents the great war between the army of Siena and the Florentine army. Currently, all three panels have been separated, each housed in a museum in a different country , the first panel is in The National Gallery of London,the second is in the Uffizi Gallery and the last is in Louvre (Paris). This painting was interesting because of its massive scale. f we look closely at the first panel of the painting we can see there Niccolo Mauruzi da Tolentino with bits of the broken shafts on the ground. At the center panel Niccol Mauruzi da Tolentino unseats Bernardino della Ciarda and in the last panel we can see The Counterattack of Michelotto da Cotignola. n the story, they said that the top part of the painting is cut off and there was evidence showing that the commissioned work was meant to be fitted onto the walls of Bartolinis house. They said that the original version would have shown valleys in the distance and skies in the background.