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    46 views13 pages

    Butterfly Lovers

    Uploaded by

    baxterinathetroll

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 13
    We onl, wok on ther [s+ meverecl. Zhankts/ [S¥Ba) ARORA Re | SRE mR AS CRU TRIE) ORM, CLARKE | mT RON EMH SAREE RTM RED | mR A RAOKOGE, KARAM, AF RAH =O — AR, TE ke | SARE TREO, AERAB, DHEA. MR TRABGKS, TIKIOMR. | RRA —BRM RM, BEE RANT, CURE HOR | BROKER ARR LICR AMON, | UNI M EMULATE RIO. AUTRE TAR ROEM, AK | ALS AT RL AOR 4 CRA. ROM, SUL | REMOTE, RHCOMATRR S. ARRMERNT, WEARER | MARE. CUMS RUR UAT ORMER, MANKREM | ONZE, CREAM, AKER &, ERI RAL | AE, SMD Ea, BO Ee =A 3} A VAT IRR OLIEM, SRO | RAAT MM, mTOR HER, WERRMATR, KRY | HRURMEM, AATARMBAME FHER, 26. RARE, ATMA | @— RRO, OMAR. ATK AFI HT sas KOR. $= — RM MEAD R wareET, ARF, ANOR MIRTH MER, emma, STAN TORNHRE Hem, mi FRIRKDT, FAME RG ORI OMA RUMARE. “ct, aT ra Butezene Notes on the Music Concerto fr the vol Llang Shanbo ‘and Zhu Yingtl, known outside China ‘a the Buttrly Lovers, 1s programmatic rmusie none movement, based on the story of the love of @ young man end a young git, The music draws on Shaox- Ing opera tunes. Its three sections re count tee epleodes characteristic of he story —love, protest and tansfigure- ton. ‘Tho oxpostion begins wit 8 fute ole againet a background of of tremolo fon the stings, followed by @ beautful ‘melody on the oboe. With R unfolds 8 plete of @ peaceful sunny spring day. ‘Accompanied by the harp, the solo vioko singe out a simple and racetul love ‘home and enters into dialogue wit the colo, which translates ino musi the rst ‘encounter of Liang Shanbo with the git Zhu Yinglal in a boy's dlogulc at a way- fide aor and their avowal 1o become ‘wom brothers, A ee cadenza leads to ‘a Bvaly rondo, In which the solo von al tematee wih the orchestra. Three happy ‘year of close afrity passed quickly and the two students had 10 retum to thelr homes. An adaglo utes thelr reluctance to par. “The development opens with om nous foreshadows on the gong, cols land bassoone, Brasses break In with a fierce and malicious theme, the theme of feudal foroee. The violin poure out fst the anxieties of Zhu Vingai in free ‘yh and then her protest in powertu! ‘syncopated chords. Tho two themes — the protest theme decved trom the ada lo and the feudal forces theme devel: ‘ped from the introduction —woave ito clmax of conft, Yingtars protest genet an undesired mariage. In the ‘adagio that fallowe the viotn and cello. ‘duot brings outa confession of Shanbo's land Yinglafe longings for each other when Shanbo vists Yingia at her pastor. ‘The musle shits abruptly ino san - ban (hoe rym) and kual~ ban (fast te Gis Sati Boon 0). Yngtal pours out her grat to the heavens at Shanbo's tomb ater his for- |omn death, The dovice ofr la ~ man — ‘hang (singing freely upon rushing ac- fompaniment) borrowed trom Shaking {nd Boling operas ushers in another c- ax. After the violin fishes 1s last Flainve phrase, the whole orchestra tursts into a powertu fut, The tomb pons and in plunges Yingtal. The music ‘ell tothe most important climax ofthe concert. ‘The flo and the harp imbue the ro- capitulation with @ cdestal bigs. The love theme reappears on the violin con

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