Philip Pocock, A DESCRIPTION OF THE EQUATOR AND SOME ØTHERLANDS - 100 DAYS 100 GUESTS DOCUMENTA X lecture ,Kassel 1997 published and illustrated in this history of interactive and media art in Germany, edited by Dr. Rudolph Freiling, currently Curator Media at San Fransisco Museum of Modern Art and Prof. Dieter Daniels, Director, Ludwig Boltzmann Institute for Media, Art and Research, Linz.
Original Title
MEDIA ART INTERACTION::The 1980s and 1990s in Germany book 2000
Philip Pocock, A DESCRIPTION OF THE EQUATOR AND SOME ØTHERLANDS - 100 DAYS 100 GUESTS DOCUMENTA X lecture ,Kassel 1997 published and illustrated in this history of interactive and media art in Germany, edited by Dr. Rudolph Freiling, currently Curator Media at San Fransisco Museum of Modern Art and Prof. Dieter Daniels, Director, Ludwig Boltzmann Institute for Media, Art and Research, Linz.
Philip Pocock, A DESCRIPTION OF THE EQUATOR AND SOME ØTHERLANDS - 100 DAYS 100 GUESTS DOCUMENTA X lecture ,Kassel 1997 published and illustrated in this history of interactive and media art in Germany, edited by Dr. Rudolph Freiling, currently Curator Media at San Fransisco Museum of Modern Art and Prof. Dieter Daniels, Director, Ludwig Boltzmann Institute for Media, Art and Research, Linz.
Rudolf Frieling Dieter Daniels
‘Art Intera
BOs and 1990s in Germany
M | Zentrum fir Kunst und Medientechnologie Karl
cD-ROM
Deutsch -
Francais
Springer’Medien Kunst Inter
Die 80er und 90er Jahre in Deutschla
Media Art Interacti
The 1980s and 1990s in Germany
Goethe-Institut
ZKM | Zentrum fir Kunst und Medientechnologie Karlsruhe
* SpringerWienNewYork“Contents
Foreword 7
Media Art Interaction ~ 8 Conceptual
Iniroduction 10
Rudolf Frieling: Context Video Art 35
Wuteo/Concepts
Marcel Odenbach: Diverse, Confusing. and
Giddy ~ the 1980s 63
Gabor Boil, Asi Heibach, Georg Pister,
Josef Rebrakomshi:Infermental ~
‘an Intemational Cinematographieal Periodical
‘on Video Cassettes 69
‘Nam Juve Paik: Lat Vie, Satellites ~
One Meeting, One Life 74
Pever Weibel: Staremem Videonale 1985 78
Gerd Conradt: The Video Pioneer 82
Media Centres and Video Groups in the FRG:
Abernaiive Video 88
Regina Wyrwoll: KUNSTKANAL ~
Anists Make Television 93
Michael Klier: Video
Interview with Brigite Kramer 97
Obscene Gesture
Pipiloni Rist: Everyone wants to be used by
everybody els, and that’s fine 100
Georg Winter: Media Interface ~ Inverview with
‘Kai Baver and Michael Stephan 105
Action/Musie/Crosseulure
Wolfgang Miller: Howto Make a Record 10
‘Lu: Deambeck: °.. alone into the battle with the
beast!"~ Notes on the Developmeat of the
Hercules’ Media-collage, 1981-87 11S
Cartfriedrich Clans: Sound Process Space and
Aurora Experimental Space 1993 ~
‘Imerviews with Kiaus Schoning.
Ganar Barthel, Tobias Tetoner 122
Carsten Nicolai: Iwan to remain, x0 1 speak:
within the esience of sound ~
Inerviss with Martin Pesch 129
Klaus vom Bruch and Daniel Pfam:
Jn One Exe, Out the Other ~
Conversation moderated by Tilman Baumgittel 137
Dieter Daniels: Strategies of tuteractivity 170
Interactionsart
Richard Kriesche: Artificial bnelligence
jn the Ans 200
Valie Export: Differences in the Contradictions ~
Interview with femme totale 208
eter Weibel: Virtual Reality: the Endo-apprsach to
Electronics 217
Knowbotie Research: ....slamming 222
Peter Diner: Managing Things
(The Wer Nurse’) 228
Philip Pocock: A Description of The Equator and
Some Otherlands' 237
Neworking/Strategy
Joochin Blank, Karthein: Jero
Information Recycling 244
Ingo Ginter: The Arist as Informant 252
Ponton: European Mobile Art Project ~
The New Eloquence in the Public Sphere 262
Heiko Idensen, Matthias Krobn:
Pool. Processing 268
Weipa Stachte: The Thing —
Imerview with Jan Avgikos 273
Diana MeCany, Pit Schulte: Net Criticism —
Interview wiih Tjoss May: 281
Clristoph Schlingensief ot als Deer Fiend
(Chance 2000) 287
Bibliography 289
Credits 293