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PLANNI-'& ANIMATION

..

For inforllfllat~offOin IUIlCiOJwing ~Iil'ilm~tio~ lJt~i~lng w,orkbooks and ,sem:!'nar,$, '\!Iis,lt

~Jwv.Av~ilamm E-maill~''waunermama.m:i'e.Jeom - ., .", '= -----

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iMy' he:artf;el~t thanks; and 'respect ,go to my' S\pe.cffiall teachers, ,Jim MacaLm~lay~ aeh :Sc:hrwa'rtz" lol;JJS I{rawag m~" Z aJ1:dCharlh! 'B,onirfaclo",
'

Shililprff~ed Db'~~'Jil1:g Plann~n;g ,PinLma~tr.'On p:ubUsh,ed Ib5~'t\rnrl'1li~'" !for is, Cop,Yrig;'tlt @ '1 ,Anaunie No inform~t~o~ CCH1ta~nerlln 5'lm p~ifi~d[l,t1l\mi'ng 'fI~f,' PIa nnii'illQ: ,AI'iI~matililliJ m~ be this repwdMced w~thout ,eMpress writren ~etJ',rr~T$io:n'froJil Al1l8Jrriiie_,68 Golden Hi'nde Elllvd.. S· Pi.tr,." 'L f"A'·'. ,("i4nf'Y2 -,an r.dldJe '!... - "';1 '_ 7~,

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Wha,t'e;'Ilelr ImeCU{JI,~y(~IU animate in.. ,comput,er ~peJilici I and paper ,stOPImot',ion, or cut OIUitS" the, fastest way 't,o plen your ani mortion is, wIth s,tmp~e.r i~nfor',mati sketches. 'Ie .
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Ib) IPlANNlNG' ANIMATION

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0) SIMPUFIED

,HUMAN ANJfTOMY b) CAIA'TOONED OR, CARICATURED HIll,MAN A'NATiOMY' a) ISEOMETRtC SHAP,E:S, ,A'N:[) ,P<BtSPiECI'IVE' b.J 'WARM UPS

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.As ')'OIU, see. ·the ,sutfOftiiiS ,mi,e Itmt ~ilJthe u$ool order. YOY ,should ,:Sinudy 'them, in ,S~IlJJen'c,~ Off' !_, - S~ burt 'j(O,Ulot,e prohably aU flnrnd lip !imd I"~dy flO d~w 2' maMct'e!r5 - tJlnd ~etI!l:""" 000""+' r,'j'~''''''i'..,'t'i''iflI ..,'.... ''''''~tii,..n,·.,..,~ """rl'I' ,~rulF''.II '''',L :. ,~-.-,- - .' ...-i<, . .,.~.:~ ..... I me ~tin Pili ~ -.. - .. . - -_. ~" - _... Y1' If" I'!o'!~"~~. 'luM,'JUIo ,1UIiI,iUi n_~ Ali\y~'. Read. thr-m.Jgh the, i'nf'OrroOLilikHii (11$, fit .itS" ,A,titer Y'OUI have, f\amHklJ"iz.ed '~ilJr,se~f l'J',rtfil ,0:11o,f: tine h:ti'o!rmotron b8g;~n wif'hfhe ~im Il!IpiS~ ~~n ,nDW 'to draw Q) ""et 'r· .,Il.~ ,. ~'. ',' .:6...... -_.' , ~.~ il·'d·'· ",L. 1i..·_·M·__ ,·,· -I',~'~,j ,,;,.!eom: rrsc Sr.'llUJ1es .11 Iper.specJ !'IIe. OO;rLI1U I, H'" 1!U~[!ilirile ge" me 1U\Ji, ,s' $Im.p.llr,~~ .... ,Shlfl es' and t'it~1tr' r'dC!tt,io~'j'pS' to one, MlO,'t"~r iIlJiLd t!ten draw .chlirnc.rers. anal p p,Jltln, miliittil],t~on.
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'Thitlk about 1hhe cont,ent iirnYOW:" d'trnlWfftilg, t"iio1t,t.~, d'r-awii"9' ~'t,se~f. When you ,wtQw"tIthe c:oment it ~s :lMud~,easi'er flO do ,t:~, drn~'fml_gi.,The detail ,an the; dil"'(lw.i~'
:is not os 'ntrlpiJrTan:,t OS 'the ACTION; ACTING' iiinf,ormn1r~'O'!iI. LearrrIJ :si'mp~iify t,o W~iO.t Y'O'IJdli'\(lw so tna,t ';rOUI ctIJrt!'foQUS o~ il;:oimmunkilfiW'!i9 'the idea Ibehhl~'the drowi'~ ood tliiie ~'dea. b~kln:dthe OJni'l'(:'LO,f"&o~ C!~r'. ~ fl'ilf,ot~o[rt'f''!ie 'thfillmhhtli.l . sket~il1l;1''''' :",p, O'~""~'''~''''! .£\\"i, 'II'1"'':!IO'!...nil .•• ......I'" .~"" 'uWI,,~.9: 1"'!' • !,. . - - -. .. _. ... ... ....... _'.;o";;;H'I'_"",11 ~" IOI~ "jii'lM ~' til" .... ,,"' ... or [l1()U1t'i1i~,g'm1 ,[]filif'ma,te:d 5'cene. Silimp.l ifi"'ed l)mwlfLg fair" ,P~b:ti!fil.i'l1gAHi:rno:.t~onJ is focused O:J1 h~rp!i':!1I,g'you +e (!c~ire'l,i'ejust t,',~Jillt,,~ cleer, simpi'e end poweri'l.d~y ij;n,ro,ma,ti've d.rnWill'lli'\ .~.
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la) PO.SI·NG V'tOUR C.H'AR,ArC'T,E',R b) IPL,A,NINI,NG ANI,M,A nONI

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alwuy.s ,know "fibe ~lDil1 befilifl'l;d a (;h~~$> mD\!Iermretit~. IBy' :sj~O'~ifltil,91 the, rerlSon beihliiUfid .tffi"!e. ay' iii chm-tncmer l1JfLO¥es~ W y~y ~;:n',e,show,ling ffle 'pe~$'{li~lrty' .. ermtoluoliIJ ~_nd,lhe, llf-e£!!.d't aif "",m 'the du~roetu thl'Ri(s' - ,AICfING:. 'The, lEmire, body' snondcl reflect ,t.he 1~I~Dn Gind pi5.yd~ology ,of 'fhe; d~OroCt1U'.

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AmLtdy:z:e, YOiUit lre,f'e:ren:c:e", d(ilr!l~'tjim' l~ok et !it" Get, ffilp end Ii].c.t nt, otJit, (]l~: r'000ra it on v:rdeo tlilpe ~f~ible. 'Th!JmIJJitiii]r~ your GL1tit~d'es and Qc.tioil$'(. ~ok fOIl": the best Oihd mClSt ,wertaanln_g 'way 'rol delll~ve.rr YOI!D'" dJrowiings IQI1td ii,WIim;\ltlQfll.

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DETAJ:LS ~'WEll.,COME'
M.~'aH' ILA'iIe;R:. 'mE ,$,me..tGtH Of )!IOOR ,OOIMlESi

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AOUN DlEb, ,SlHOLIIL.'[)ERS
A,tir) SQU'ARE
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AD!) SHOUl.DE,R ARMa~'R

Si'mpli'ffli'e.d lDr~ng f:or" ~Irumnng Ant'motlt'on :~ en lC!!ppflOodiIJ to shorll'-nillita drllw~~ f-hOJT- wJ>iI make ,pi'cmriliwtgyour Climlhoot[on eClSIEr end ilill 'haM oem, m.cke
tEl'lli'ltrlaiii'n,9 Imuclh ,msIe'I;"'" M~er:i;ll_g the s~dns of dM,wing. :Is; 10, Ufe, I',on,g' ,(!Imr.eni\1i1!re·.AJtlmu_gh fh~'s' iRfsr~t~o~ ,h:l.S bea, simpH!fie:d !lnd [S' focuse>d1 OI1lJ dr,t1!l,I'lI',rn_g; p~anni'~B' f'or I!3nr:m~,ti(Jn. [i't wfU ,eillf.liance: YOW" dr~i.~1 ~ill$' for :AgilJiFe, DrtWJ~nft> Com IC,,Ar1 and' :IUiLi$lfrat~o,t't Y0l;ll con (l'Mlt, s i"mpll'ify W:~' 'yaM ff'MroWi,ghJy' ktilo~t The best wtlY 't,IO learn r~ to itromskrtre u'nfO:li"iltiiiItion :into ~'Ql;!lr''OW'll dMlwh~g$ a~d IA'IOr-aS, Stri a 'oo,lllectr'D~ of books, 1iII~''1i€S on. ,anfml:;!llri'(j.r1I~ ,som:p~es'of dr,i]win,gs '!l!Ilnd viaao -ro.p8S'~,get (] sketch book and ~'i'tii tol tron.sl~itle. 'ithe i'mportnnt iinf.cufmt1,t~oll1 ~,tirto)iGltr' own drnwuifl,9s end WQIi"~" Cre(!lte yOIITr' pe:rs.oml: beek ,o"i' pli"ir(iJrHfi;z,~oIl hilf\~rm,ailiij';Qi!1.
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A good' P\lli$1t ~s~lQ_e ftlt1l.t doo!ii~' descr,~be5' the d.'Ct1r,o~, ood1 act1fng ,thr:n,t Y'O!J1Wi5'~,
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'lhe t~ "f!l1roe ~sI~phas~~e:d hru ,an'~ma't:i'o" b~:a~e w\~thwt !il fOlfloe: there m~H he I'm' :mo!~·e;!1le-;f1t, 'It :Es te.qooM11~~~cwtantt'Ol,shaw force in indi!Vf.dur:nJ di!"aw'~I!1,g$ . . ,~~d ,comptJJh!:f" ge~emed hlrtOiBes'",
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'l'wo iI';iIIreasor form, fm:" 'ynu to descr~be,in

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~PILi:$hJlin!1l,; p'untf'fii,g' and lifftH'n9' ere CliC'tllrv,e, ~tio~. mean.ing thlJtYOIdIr" d'rawj'ng '~ tiryi',rng 'it,o c~tur-.e, tli:e:, ci1arCltcte.r 'Fn,ac.tion or dll;!!ring! ell mOY,E!lmeM Or' in a, l~i'd pa!sit~'o!n_P'!:lIssive (1'ctk~ns an.del be srttJng' ...~ing dowln i'Jit" S1i'lJnd~ng., The$i~ dl"O,W,i'n_gs' cnp'_ring' the, difir{ldl~r' in (Ii s:TOlri' or If:nd positi'or~ 'thair ,d'oe$ nOit' IQre imp];, mo~e;mm1' but ,shoyhJr.epj"~mt gmo,ti~,tilcd,stra,t'e"pier,$oi1aUty' •. stare of ,II~~~ m~ ,,.lIi _, liL _,...iI eees t 'rrlE..c; hrnroc,_ter .SI:II~ S &"...-!I II' tiilUl:" ~l!)l;IIW' ' I-. ~ until.. 1€(iIJI1 or ~'~e 'Y}i'.WJrl,
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,a" tl~e cMrcctef'~~ p~r:5\;)I'iIQj,fty!lJJt;d' e'tn~t~iO;n!l.1 ,stm'e", ylOU! au-€.d'efilt'rtilg iil:rte~~Q~1 ferces nnd 'it,~ dlrttat"e oo~rt1.Q1 inJlJ~e!lllt ~nd poses,

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y,m c'~€!nm,. y·iO'eo cnmern and ~k:etdiLhn~k '~I1Sr2Them) Go,t:·mrl m ·flFght _. riD' .. u'" WQit' = :~et'what one, go" ef desi.~ ~ketdiles in secrch ,or,- aea.ilii'1l9 '~.e. "dihllM:C:Te!f"" O'r p8f'SonaUty tha't yofi.!· '~-rn anilf;lJllTe, .St,an w,Uth. The IPfle,'IIliOtl!$l ,exef\d~e of d~~.gn~ usifengon]:y ''f1llHe.. ,si'mpillest of Hmle5 and ;SMp,e5 to des'Cr'i:iJ;g 'the; chGiI',ader type that YOu!I'~TU' OJnj~tle.. :Do ~ ~ries

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'.. '. CAUSESI mE' ,ACrI:ON ~

AND MENTAL., ENEAG'Y' 'THAT

IDO 2: lOR ,3 P,AGESOF' T.HIS TY~E' Of .SI'MPIWE DESIGN B t::,CDI AU, ._ ,~! ~ H' O··cJ'!U·I;:\J' ~ .~_. ,",",lh..J-=;·~. ~'O-'I"i!; ,[~iiijlW!n 1i_ ~WI ",'!Ii.r"-'II;: I' S~'ET' I,wn~
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SHOW' ,AS, MUCH ,ACTING ,AlNEl ,A;S( MANY

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,A.CTIONS A.s, YOU .cAN ,IN :1 HOUR,.,

,MAKE' SUB7fll..E' CHA;NGf\5;~

:!.JEANMO~ fOR.W~ TO' ll?UlNICH !OR, ,1:£A't\j :MC~, 'li'0 t!a1)6E A PUNi:.':IHL

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:M'I;SE SH'OnJI.J)BRS, TO FiIijE' 'BEJ-i];N 0, GLOVEs [OR :lOWEJ<, Sf£lUt.tk8R5 W,

T~JJNT loPPONem~
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THE 'T:H:OUG;HTS, TIHA',T IGO! ON IN ,A, IBCJ~ER"'5 iHlEA~ ~ARE 'THE faR.~ES laR REASONS FiOR,THE' A,cn'ONS A~D ,~_O'SE5,~ , _ CAPTURiE THE REASONI FIOR, 'THE· POISES WH8N YOU DRAW~

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.

REASON !EH!N:O! THE ,ACTt'ON,., ._-- .... -'. -',.. . . -" THlN:trnNG, BEfORE-, THE ,-P:ITCH? TH"ENkING' B'SPORE' 'rnE' P,ITCH?

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'WHAT :I'S 'THE PITCHER W'H '-T",a!.-, Ti~JlI!:'I_'__ __ " ,,' ··,A T'S n";;, B'A'TIE-~' ' lET' THESE' THOUfi!HTS.

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ADt~E[) ,DeTAIlS MUST FOllOW 'THE CONTOURS, Of'

TlHE BOnY',.

SEQ,METR.tc ,SH:AfES ARlE-: ' ' 'I:'n E_; ~RST'I. '.,..,~ I~~ ' U -- Ir~ _" :1 W-'l..L:'l~~!Wi __
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SUBThE 'RE,-,~ILIGNM!ENT!Of 'THE'SE BODY IP:~RTSCAN O'MSUCAlllY' CHANGE 'YOtJii Q~MC1i!!R'S 'VISUAln..A IU il:tU'bE',_

•• •• • :. • -= ••

. ,.'1".0 BE' ABlE' 'ro SIMP,lIN

'YOUR ID~W'D;,Ies. YOU ,MUST iKN:OW WHAT EAt"H

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THE

BR:,O',~"I [if"O'UHjd' il"'i-IT"A, ~,i~"", 1i'i;ll;1"'I IioI . 'lTllf"t ,.:I.INI, U I ". ~~.OI" SPE:~"'''' ~'I";.;lljBSQWrTE . . . ~:.:L.:r--~!.r ;rt~~U'! ", . "~. -. SHAP,E$. "'~,I,' A'''IF'' - '~j,"U~~ II"iH' . ~,·.5an~~ ','tIrJ-.:;;' A~' ,,,,Irii"'" r..E ~ , ,!1'E:AIOEO ,_, we,RE DODIG THIS IBAa::,W IfU)S .: I~M.EMBBR:~
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HUMANI FORM ,CAiN BE'

In 193'1 ct the Wart IDIs'ney' StudiJID',/ a ,geries' Of :p~ofeSsi'on(ll1 ..,:jj. ..... : ~ e' '11I'II,t ~.;;!!'"u,~I~, ' beeen 'Th·· i!!!,,!II"I''" n,t."" W'.. ; ~. L[.. ",0· .'d,l~'y ueve,I pm" ',ull,-' s':.....~~'-I' .... ,';;''1;,,11;,' ,I ,,.;J~,,, vl~lb;II' le:r' In!r.;.I '

Do n Graham ..'It hos been slllJid bY' manry. ,tha,t he, was. resp~;nsiible for advanc i'n,g'the art of (Ulli'lmatio~n more than any '

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CONsmER,

,FOR,CE,

oth~r' person"
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CANI SE' WOJtK5b! otrr 'IN ''rHESe PlAN~ ,5KETeHES

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,QHARAcmR: ,LlFfINS ,ft \fIERY HEA,\fY' ,BALL

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Sk~CHE:5 W,ERE II!)QJN'EL

AiPTeR

'T:HE FrRST' SE'r OF IPlA'~!t4G

'T·O··.·"I~" .AI.T-E' n~~~ ib"e, TO.! If.ii"~ ••" · ,,' ...Wtoi r iLJ~! ~. ~!l:l:r CQiUM-'IIINICAn'ON ,CLEAA,~ _. '". u, _~ __. ._ 'h:TnlC'rTO"'h, 111:" '.....,-N· <, 'I"IU A'",",Or:;. " ...n-,u AT-'C' f'!i; 1_ .. =y~w)-cs!~ "Il~.~ A- SSLSf"'Io.if'T" Ui..!l.rr<~'~ IIJ . ~A w .A_ ·mn ~ K "Ii~.!ufl" I(COMn1r~). CO~rrRATE: ON ,D:EfINING'THE FOROES, ,A.T' W'-ORJi:, INI
I I' 1~ -

SCEl\lE ,PtJ\NlNIiN6' ~ MAKING IOECI'srO:NS IB!EfORE YOU $7 ART

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Qf THE IH~NE:'J!S-ON
~,LIDES, THE BAtt

YOUR IlRA'WII\K7S~

I~ES,T'DESCRXBES, WH~iIi YOU WA'NT'

'TO ,SJ.{OW_

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,~,;poss:mtE ,PATH OF AC'li!CN: ~, ~, :2., 1'Tr£' BAlL 1S LOW~, ,ANI) wnH, OUT
~NG'~ AACS BJllaK,~ND rs ~ up' BY "_'E tEeS AND fi\Ull.ElI) BY' TH,E;~~, TfD lPOsrll'l'ON 3,. "THE 9A.U., :$.IDWS ,AND A'RC;5 '-:01' bArAP ,AUIAOS'IIi' ,s,~ [OOWN ~ 4 ,. :5;

MOVE' ONE HAND

'TOI 'THE 'TOP OF

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LEG'S ~~
DROP HANDS, 1'0 'THE 'TARE ~ 11'ffii.s ~CK
AN]), STAN!) 1i)P'

UP ,M fE' PUSHES: BAa;::_

_ 'THE' REGOVf~Y _,
CANNa'!!" At)JiiU~S;

m-s, Ce_mEiR,OF

~',vrFl",

,PA.~,T OF [IH!!LS WEIDm:i" 'IN !5 '];5 SUf,PORl'iEO, ~.Y tHEtS AAiMS_ IF HE 'TAKES HJ!!ND$, Off 'tHE BAll, ~Ef:ORJE'f.IE .~MJltK,e;, ,Ai, W~1Hii' ,SHJFtIi'-

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IOROP HAND,S, 'ro THE TAlBte'. MOVE ON:E TO' 'f,IliE: 'iilap of 1liE BAlL TO STlEA,Ii:ff' HrS, BALANCE' AS HE IP,USHES TO -Sf;ft.fT HIS, HLTPS !BACK

so ,HE

CA.N ,STAN]) tiP ~ OR - STEPS Q,.Q>S8R;, O THE B~ T IDOESN'iU""HAVE lifO SVPPORT W,EI6}IT WITH HtI5 HA:NM.,

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YOUR IDIM'W'!iIMGS $I'M:PIL!E A'rNll ,LOAto.CIJ:) ""~.I' Q.Jb

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P~annii'n9 your ,ani:rvultion. with sjmpli~fi'eddr·aw'fng~.

:t}edde WhilT ,ru:ti(l(11 you Cfne.,~oing l10 OnTlmaTe.and defln.e the forces i'nfl'lIIe1'llCie. that actialm. tihGit

Lefs: s.~y ~.ot 'you have ,d8iGided cmim11i'e [11 cihlerwer who j'IJm:p.s om [0 tl. bID'x ,!lIild then [aff The box. Js this going 10 be. just' an iOcthn'll [exeii"C~e.;or 'wU~~re t be act.Dlng ooa'lysis ,~so? If there Is gtlIing' fo be octr.n:g.he.r.e !Clp.e, Som~ ,qUEiSili~OlI'ilS t,o esk Y(iJUJ":selfbefore: sli'tTiliing,
1 .. The. cimract!e!r~ a.PIPe.ar-ance, Sia-e~g,th .. e mofli 0001' st,ate.;
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TRY 'l"lHIS SINAE (YAH RlGHT]i iEXEIRcrsE:, JUW; Up' ,- ·JUMP ,DOWN
iI'!i~ ·.III·N·-· 1'"IU't"

!i!~UOI!'51i.J'

jlJl1iL:P~n,gen the box

As., ,MU'CH t~E1" AlL ,AS· YOU ,CAN ""--'1"""I~v O':f-IlfU1lr~ ,_

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m

or THE' IEXeA.CISJE

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'DW-rite dowin 'your :peF-sondl' f,uUln,g '~OiJt tine. s,Utllla..tinfl iIi.rrtdtlta. c'hulrQ,cter5 '~n t~ .. cene, T~. of. actiton used' .. ~;r;"trudeof the. t::hfiTracfu.5 T:{Iwoid Mcih.other s .snouilld be de:tw-",ed..ThtumbOilM fdeas ·that (lire 1·liili·ne.. liith,1ltne mtjit'!li1des thfili you
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FlROM AN ACilON .

.If you have 0. ·w,ef1diE.fiCY to. go fer ·j!-,me ,sJ)ecTcu:"l.d,ilr', T'hial<; that m.iilt1E: ~s betteJr.", rn ']'he'n rpleO$.e ,oo.nsider t::his.~m{H:iter ·1hl1te. 'fiundkli1T1e~,tals first, Know how ·t~. o d sg(methii:ng in iiliS simlPl~ ·farm so 'we~1 that ')'IOU c:ar.l do iri' 'wi'fi~ease !befo(r"e. you 'S\I"e!'iJt1~.ffllk aOCllJlt 'Oldclfrilg a level of diffii·oolty .. A~ .sTIle·j,g , ;hoT pr-o:per'fry revie.ws· }HJUF'work will be 'mDre i·m.pressed iNi1ih the bl!lS'bL5 done e>rt.,~e~· we.ll than ·the.y. wuH !be 'iivith pOIO,rlfry' executed -c-ClmPrMDtlf,e.O an i'mafli;of.!!..

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WHAT MOVES fmSl'?' WHAT FOI.l.OWS? WfYA,ir 'WlJU, liHE' PATH Cl'P ~I 19E? FfOW ,HIGH wnt. HE' JUMP? HOW .Mt.I'CH!,COMPRESSION ·Wlu.. TKBRIE
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'1'11. II

C'h,apter ;2

c) ,S,IMPLIfIED' ,H'UM,A,'N ANATOM,Y' b) CAR'TO'ONliE,D 0:1< IC'A,RI'CA,TUR,ED ,H"U,MAN ,ANI,AT!OM,Y'

.:.

I'n, ·this' section 'y,cmwl~1see em ,nppr-oach to 5wmp~if!'ed strucTure· of 't.n:e h~m(Ui bDdy derived 'vrQmr\ h'tt5ic: :ge..ometric shapes (5e.ctu·on 1.. 1'he:. IlmoifUI1 section thaT dt)esin't int·€!rest 'you 'Y,et)..'To TLlil"fher YOW'" QWO~S: of t:~e. human ·form ref.er 1'0 The bOQks mentuone.d (l!nd C.OI'il5iil~tYlOur OWP.iL diolce; r(gf books.
V'0tI. ~.

:Nedi(

and Head

.D[;ijWnng· theJ:::i'!JDIQlDJbfeaut
Pa~ 519,,60•.9.1·=9~,

DymJLIIDie_.Eisure IOrawi'ne

B. Hogortln

,already ~!O!ve.·ClI. number of books. on d'1"I!l,wJr!lg ~d .rr Us ,o~,t(lin fl1l!)1,t [aU good ~'Oks enthe .stJbje.ct ,oontiairathe same ~nf'O:Ii'"m(ilt.i~nnrOf''tPll the ";nfort'il'Wltk~iiti Ii's: de1If:'tAued onry thlf'(lllgh drawin.9S [Ilncl tao much iis ~gft for- !lJI5 to.
V~S!I.\ilI!t:rde.c~I?·her. '[in BurtJ.e. HogilMh"s' books. IRe .s~p[poirtS 1he Vtisucd comrtent wifl1 ttrn:i1Zlngly deci text .. bynami·c. :figtl!r€ br'<awill9~ by' Burne· HO!JInh. is' tile mr:JS't 'mitgh I'y fl"\el!cor~fmd1 book, for ,dearr fl1f'o'r"im'!It~on that '~~UII e!l;p y;otl leo.r,n to h d MW lne ! ~~i'iJ1CIll,-o.:l'1iTII Ul il;,iIe:mn "I ww r.!iI. sun:p..! !el".:m..t. ./L. 11.., f" ...J _.~ ...JJ. • ' . ;'1;'
ThE Tiors~

&.
••
[117_

Gw_me

Bridgl!tfJoJn"s tift Do::rwi'cijl

Pages 9'5r -13,3 Aitm' erE fdgmatjl A.no,taroy IF,or .he. Aroti's,t ,_ fg.tk P'Q.gE5 10 _.'2'0
IBJ'RI_Eku;IJ - ·1'hf\e:e. s.im\P~ifhtd ver5.~f.jru;:' ~,f ~l.fimaf!j fiO',rm,. llygr:nic E[gurgJ)LU1wi!1~! Hogilrth ._. D. 44. 51" 55 p Bri'_o;n's trEe. tmg¥ring. B!i"idgnacm~ pg, 3~, At~!l1iS; of Hu:Ji'li'Lt1Jn na.t,fj,!1W ['or the A.r11Sii, Pec,k = ,P.9'.. ~95, A

.D:yil!lomk: F1i:guu:e. DrQ!1NmtW, .~ !l. Hogar~mt p~ 21,. 2:2,.·44 _ ·4·7~ 55 B:dd~mgn·!.s lmfe. D,rtlwing - ,GuIlrge 1'-. Br~d9mah Pages 2 3 .~ :3 3, Atf,as ,of KUtillg,D A ngt,Qmy F,or' fh.e Aetist ._ Pe;,ck P!l9e.$ 32, .33 •. 38·
Legs and IF:eet ,_, hip, krLe.e.and Dyoomiie 6g!l.llCe. [Jr·()lw~n.g

BAlLANCE _ centa' of g~vli'1y AtitWS ,of Hl!Imcm AnrrtoW EoII' the .ArtisT. - pg. :207·_ 21.1 Bricremanl'S Life D;ro:w'ing, BrifdgtrrlGn ~ pgs., 2BJ ~ 33

~nlde.

1JOO _ ~69

L09$, pCii;9e:s 0 - 40, ,4S, =. 54·, 156 3 Feet pages ,3,7' _ 40 GooIi'\Ql? Bd~ijJW1!!\5 Lirfe '[)roWli'rig:
HYmen A mai'o. EiQr the. Ai Mist _ Peck

••

,MngS '2'*:

Pages :134 ~ 143;

Artns [nHd' Ha.liLdls - shon.nIdl:Y" •. elbow Olnd wi'iS$" ,D,AQmii.c IR'9I.J're Drl;uyijPll. B_ Ho,g~rtlh

:bcernm.ende:d boob: Df~,rC f.i'gUf'-e Dra.wnlmg by' Burne H090rfh~ peb .. Wmson Gl:JlpityIII 9a:s;~cPriilCip:!i~ ef :Desiglil... Milj'ifr-ed Mwrer, •. rub. Van Nllstlr'Cl.ncl J~ennhi!:jtd 'The N!a.rurn~ Way' 'h) D1raw.. ~imofIJNicolai·des. How To D t1__ The. MllNeD Carnic W'a.y

B!"'ir.d~ttJiql!is·Life. tl'rQ.wr.n~ IFitO,g:e.s. 14.~8 158 At!Q-$: of Human A.MtomrdSQr' the. AriiSl'. - P.·ock

Arms. p a.g 2:$' 26 _ 30, .55 = 58 .. 13,6 -;PY" ""'iJO 1! ~ . H 1!l!ll1~., pages '.;;)..,_ . - ..I!..t:'if!i' Cn"Qw~m ta!na:mk. Hands', .8\. .Ho~·rth -.
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SPINE' WHEAE THEY' ~1r:' A .,,1:: CD.'N-NI:' _.-:m::'Jtr... AS '.'[;CTt;.U,I' :IS THE ANaE IOF' JIf E-;'C111' l~n,E-,
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POSruI1E' IS CAE~ATEb B:Y 'THE CURVATURE OF· THE 5PINE~ IBfNbTIN5 OF LEGS, HOW' ,SIiOU1DERS tU~E HaD~ 'T~E.~N6LE10F' THE' NE:ct.."."

T,HIS I'S WH:A.T y'CUI MlJST KNOW TO

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CLE'AA, AND< ~ AlLEib. 'nNf'OJjta\iA1IiION1 ON H~[)S 'DJI = IDRA.WI~ DYNAMIC

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PARTS ,SO 'THAT 00%, OF' Wem,HT is aN EACH' SIb'lE i"'iC::' "r'iiLJ~ O'~'f'~,.",,~,~' ~ ..lUll Ii nil; ~ll;lt~ ·II:~, ....; ' 1~,y,~..L1
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THIEN' ,PUT THAT iKNOW,lEl'iSE TO 'W'OJtk, IN! ')I'OUR -"'11i'J:"1IIi11 "!"'T"n.:r ~ AII""iI"tm,A;,!1 ..L'U\~"'" A N u ,:'~w.;;Ij"ilm .... .. ...., ~Drs. .,l,!IC'

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STUD',y 'THE P;ORCES ,AT PLAY' IN 'YOU':R DRA,WIN6S AND AJNlMATl,OiN

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a) GEO,M,'E-, RIC SIHAP;ES A,N,D IP,E:RSPECTIVE b) WAiR,M UPS

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''fry' 'tit) draw Qbje.CB :::11J)CJ" 0$ bO,XiE:S'. blocks. IboUs" cones al1d tubes'_ If you don"t ~'Hl'!leeecess 1'0 fhese shapes", drG;w WhClT you see in] this bOOik mtd go, tQiihe U'bmry' to [get BAste PiRINCm:PLES OF' DESmN by Manfred Maier ~!'Id stuldy

Va.lume. Otile.:.
Get used to Llsing vj'sllJ:Q1 r,e.fe:u,enoe. t,C1keep 'Y'~IJT' iifnes. s,trloi,gnt by ~~~n91 all ven-fo.ed, 'ines poMUed tra! the ed.ge,of 'fhe ~r:iipu that "you tlre warkIB' on. Use y,aur' pencmlll or fliIumb t,CI ~:irn.e]tJp pel'~tJec'tiv'e Ij'ne5'.

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is !9C1od draw past the ed,ges as )"o,u Mghtfly' .se.cllI:·chor the confines of the to f sihG,J)es. ,th~:Ii~u are depli:c'itlii9L By drawi~ prns:tth,£. eil.:fge.s yOI!l1 cen cheek , See fl1~tyeHI"' lines aJre tnavelfng j,n1ihe, ri,g~f' dii',rect~OJ1. This cr€!l],tes IQ, see tnrougfa form that Sihows the me.thod used to corlS11rvct lit., Smy light wi.tb yOilr" Ifril.es:., WllJefrIJ it IS r-i'ght ~~ m.ak.e, the lim"lES of th~ yLSib.lI,e. ed_ges dor,ker,. Usc, iUS (1Ir olB penc.Us'_,
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TA ~E THE TIME TO IB.'E' R:IECrs p

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KEEP'WORJK1N~ 'THE [UNE' UNlIt

YOUR LINES_ .sTAR'T tIGHT YOU HAVE WHAT 'YDU WANl:.,

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EQUAL, SECTIONS Or ,1\, CUBIE

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Ie:' [DRAW' OENTERS

bRA'W ,A ,SQU.A.RE' -EN ,PeRSPE,CTIVE: :b,.' ~,W' ,CORNEll t)ZAGONALS

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NO'W ,I)A;A'W ,A SEInES ,OF SQUARES IN

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SIMPiLIiFIIED DRA,WI',NG FO'R,

PIIL,A:N,'".'II'NIt; ,ANII'MATION
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