The new aesthetic paradigm, with social life and the outside world. Dance, music, the elaboration of plastic forms and signs on the body, on objects and on the ground were, in archaic societies, intimately connected with ritual activities and religious representations. Through diverse modes of semiotisation, systems of representation and multireferenced practices, these assemblages managed to crystallise complementary segments of subjectivity.
The new aesthetic paradigm, with social life and the outside world. Dance, music, the elaboration of plastic forms and signs on the body, on objects and on the ground were, in archaic societies, intimately connected with ritual activities and religious representations. Through diverse modes of semiotisation, systems of representation and multireferenced practices, these assemblages managed to crystallise complementary segments of subjectivity.
The new aesthetic paradigm, with social life and the outside world. Dance, music, the elaboration of plastic forms and signs on the body, on objects and on the ground were, in archaic societies, intimately connected with ritual activities and religious representations. Through diverse modes of semiotisation, systems of representation and multireferenced practices, these assemblages managed to crystallise complementary segments of subjectivity.