Academy Image Interchange Framework (IIF) ACES Workflow for HDTV

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Input device Capture Data Output Device

Image File & Metadata

Transform

Colorist

ACES Enabled Color Corrector

In Camera Operations
SONY F35 or SRW 9000PL Camera RGB Input Device Calibration Transform

10-bit 4:4:4 S-Log / S-Gamut encoding for SRW tape recording or digital recorder to 10-bit DPX

S-Log / S-Gamut to ACES (IDT) Input Device Transform 10-bit S-Log / S-Gamut to 16-bit scene linear (using a 1D LUT and a 3x3 matrix)

ACES File (ACES Encoded OpenEXR File) 16-bit linear

Look Modification Transform(s) (LMT)

ACES File (ACES Encoding) 16-bit linear

Reference Rendering Transform (RRT)

Rec.709 Monitor Output Device Transform (ODT)

Rec.709 monitor HDTV

Input Device Caliibration Transform

On-set Look Management

S-Log to ACES Input Device Transform

IIF-ACES Viewing Transforms

Sony IDCT for F35 or SRW 9000PL:

Color calibration to match optimized specifications for F35 and SRW 9000PL digital motion picture cameras.

Look Modification Transform(s) (LMT):

Resulting initially from DP Look references of scenes using ASC CDL+ IDT+ RRT/ODT. Applied after initial monitor set-up (Rec. 709; P3 or wider gamut). Also, colorist created LMT during color grading for DI or dailies.

IIF-ACES Input Device Transform (IDT):

The IDT linearizes the S-Log camera data using a 1D LUT. The S-Gamut RGB data is converted to ACES RGB using a 3x3 matrix. Both can be incorporated in a 3D LUT.

Reference Rendering Transform (RRT) and Output Device Transform (ODT)

The Reference Rendering Transform (RRT) is the IIF standard viewing transform that maps scene referred ACES images to OCES. OCES images are converted to monitor code values using an ODT. ODTs can be generated for any output device. In this case the ODT for a Rec.709 monitor was used.