The document discusses editing techniques for action/adventure films including parallel editing to show simultaneous scenes, eye-line matching to show what a character is looking at, cutaways to show a character looking at an object or person, and jump cuts using multiple short shots to create tension and panic. These techniques are noted as fitting the action/adventure genre.
The document discusses editing techniques for action/adventure films including parallel editing to show simultaneous scenes, eye-line matching to show what a character is looking at, cutaways to show a character looking at an object or person, and jump cuts using multiple short shots to create tension and panic. These techniques are noted as fitting the action/adventure genre.
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The document discusses editing techniques for action/adventure films including parallel editing to show simultaneous scenes, eye-line matching to show what a character is looking at, cutaways to show a character looking at an object or person, and jump cuts using multiple short shots to create tension and panic. These techniques are noted as fitting the action/adventure genre.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
Techniques Master subtitle style Click to edit expected in Action/Adventure.
6/13/12
Parallel Editing two scenes happening at the
same time. Fits A/A adventure as we see the action continuing, explains the narrative, creates suspense.
6/13/12
Eye-line match we see the character look at
something then we see what the character is looking at. This has an effect that fits the A/A genre as it allows audience to see props/Maguffins/elements that add to the arrative.
6/13/12
Cutaway one character looks at object/person then camera returns
This has an effect to fit A/A as it shows the relationshi 6/13/12
Could also be shot reverse shot if they were in
JUMP CUTS! 15.56m - 16.02m 6
seconds 12 shots! Fits A/A as creates panic, tension, adrenaline!