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................................................................... 102

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.................................................................... 107

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....................................................................................... 109

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................................................................... 110

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......................................................................... 111

............................................................... 114
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.............................................................................. 118

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.............................................................................. 119

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1) ..................................................................................... 127
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4) ...................................................................................... 133
5) ....................................... 135
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) ................. 138
1) ... ................................... 140
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3) .............................................................. 142
4) ..................................................... 144
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8) ................................................... 149
9) ...................................... 150
10) ........................................................... 151
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........................ 153

.. 169

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. http://www.theophanis.gr/images/anadromi.pdf.
. . (http://www.i-m-patron.gr/news2/mnimeia_
010208.html).
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185

CONCLUSIONS
The Holy Cross of our Lord Jesus Christ radiates within the
Orthodox Church and this radiance illuminates and graces the
hearts of the faithful and it is greatly impressed in the liturgical
church life, through hagiography, architecture, music, in the
services and the sacraments, through the hymns and the setting of
these to music.
In the present essay an attempt was made to investigate and
present the feast of the Holy Cross within the field of byzantine
setting to music. The main objects were the settings of the hymns
in verse to music which are encountered in various codes (mainly in
those of Athos) during the Byzantine and the post-Byzantine period
and are related to the feasts of the Exaltation of the Holy Cross and
the Sunday of the Worship of The Holy Cross.
A reference to the byzantine setting of music was considered
worthwhile and also especially important a historic retrospection to
the facts that concern the Holy Cross and to the theology of the
hymns. The ritual layout of the two feasts was presented together
with the structure of the services of the vespers and the matins in
which the hymns in verse are mentioned in their appropriate place.
The research was expanded to the settings of these hymns to
music during the two periods (Byzantine and post-Byzantine) with
reference to and presentation of the codes which entail the
compositions while it is enriched with biographical elements and the
works of the sacred hymnographers as well as the psalmists to
whom the settings to music in topic are attributed. The present
essay concludes with a musical morphological approach to the
laudatory of the same psalms in verse of the first feast

, .

186

The feasts of the Holy Cross in our Church hide great

hymnographic and musical wealth as the Cross of our Lord was a
motive for several expressions of doxology and devotions for the
hymnographers,

the hymns of whom were also an inexhaustible

source for those who devoted their lives to the musical dressing of
word. It is to be wished that, with the blessing of the Most Merciful
and Triadic God the church in general and the church music in
particular, will continue to constitute a source of strength and
inspiration for the .

187

188

189

190

191

192

. 1.
,
. 1000 .. .

193

. 2.
,
. .

194

. 3. ( )
, .
.

195

. 4. (
17 . , . 164).

196

197

.5. .

198

. 6. (8 .)
( . , 1949).

199

. 7.
. .
.

200

. 8.
,
( ). ,
. .178, 1815.

201

. 9. ,
14 ( .
, . 165, 17 .).

202

. 10. ,
17 .
, 19 15 .
( .
, . 178, 1815).

203

. 11. .
14 ,
.

204

. 12. .
,
( , . 97, 1727).

205


, 154

, 60, 63

, 86, 96

, 60

, 179

, 152
A, 124

, 44

, 109

, 182

, 158

, 177

, 82

, 80
, 34

, 74

, 42

, 57
, 74

, 113

, 82

, 38

, 119

, 113

, 66

, 83

, 139

, 84, 94

, 77, 87, 92, 146

, 39, 84
, 44

, 117, 121

, 106

, 38
, 54

, 41, 75
, 40
, 86, 95
206

, 119

, 113

, 113

, 113

, 34

, 37

, 33

, 48

, 176

, 39

, 182

, 38

, 119

, 113, 124

, 120

, 58

, 182

, 153
, 87, 97

, 168

, 74

, 65, 106

, 152

, 99

, 41

, 99

, 58

, 114

, 37

, 113
, 104

, 38
, 41

, 74

207