Professional Documents
Culture Documents
~w
^
ff
A\
QUEEN
ST.
LANCASTER, PA.
Gift of
John Krill
http://www.archive.org/details/pyrographyOOeich
BRIEF
The
is simply drawing with a red hot point. thing to be considered in Pyrography is the outfit. Let it be a good one as it will be more durable and produce better results than one of inferior An outfit consists of a benzine bottle, bellows or bulbs connected by quality. The bulbs being on one end, the bottle in the center, and the handle and rubber tubing. An alcohol lamp is also necessary for the heating of the platinum point on the other end. point, as any other means of heating is apt to cause this delicate instrument to become
clogged up.
good piece of wood, bass or holly being more generally used, although maple and satinwood are also desirable. The best benzine for this work is the ordinary kind obtained from any paint store. The refined benzine is not suitable. If too fresh it will not work properly. Should such be the case, let it stand in an open bottle for several hours before using. New points are sometimes difficult to heat, or fail to retain the heat properly, but by re-heating them in the alcohol flame several times the defect will soon be overcome. Fill Light the alcohol lamp after filling the benzine bottle, the benzine bottle about half full. The alcohol is also inflammable. The use of Flemish Art as the benzine is explosive. Absorbent Material will prevent explosion.
Select a
birch,
the point in the alcohol flame until it glows, then press the bulb gently until the white hot. Different degrees of heat are necessary for different kinds of work. This is regulated by the slow or quick pressure of the bulb. The quicker the pressure The handle containing the point is held in the right hand the hotter the point will be. and the bulb in the left. This will seem awkward at first as different movements are made Practice will overcome this and other difficulties. with each hand. Some instructors recommend the pupil to practice various strokes on a piece of wood, perpendicular, horizontal, oblique, curved, wavy, etc., thus becoming familiar with the management of the point. Others think it more encouraging to select some simple design. The main fact in wood-burning being contrast, you must decide whether you desire alight or dark background. It is always best to outline the design first and then put in the background before shading, as there is danger of shading too dark, in which case, with a dark background the full effect of the design would be lost. If the ground is to be light, the design must be dark. The best effects, however, are produced with the dark ground. All strokes should begin and end, as it were, in the air very much as you have seen a writer make preliminary flourishes before touching the paper with the pen, only of course not in so pronounced a manner. This is to prevent the appearance of unsightly spots and dots which detract from the beauty of the work. slow sweeping stroke is the chief object, keeping the point always in motion. If the point rests for a second on the wood a dot or hole is the result. This is the most difficult point to master. Do not bear heavily on the point as it will bend easily when hot. To produce dark, heavy lines go slowly with very hot point, and for lighter more delicate ones, quicker strokes with cool point regulated by the pressure of the bulb. Deep burning is always the most effective, giving almost the appearance of carving if done well.
Hold
is
point
r
Another and produce the effect of carving, is to burn deeply all around the outline, working it out into the background about an eighth or a quarter of an inch. Always keep the design to the left of the point, that is, work on the right side of the design. Move the article around as you progress as this prevents the scorching or discoloring of
to bring the design out
For way
instance, the lower part of a design burnt deeply gives a raised appearance.
the design.
Many articles already stamped in simple designs may be procured so that a knowledge of drawing, although desirable, is not absolutely necessary unless more ambitious work is In large pieces there is much intricate shading which should not be attempted intended. until after much practice. Do not be discouraged, however, as knowledge will come with You will find it hard at first to learn to burn against the grain of patience and practice. The point must be held very firmly and steadily as it is easily caught or turned the wood. aside, giving a weak, straggly line. Make the outline, as near as possible, in one continuous To those understanding drawing, it might line without lifting the point from the wood. be said: "Treat your burning as you would a drawing in pencil or charcoal. Put in the little deep touches just as in drawing." Carving and burning combine most effectively. The wood is carved out around the figure, raising the design from the background which is to be dark, thus producing a most excellent effect of carved wood. It must be transparent to Color is often introduced in conjunction with burning. lines color. burnt shading and through the Water-colors may be used, show the deeply and stains prepared with turpentine, already can be obtained. also oils thinned If an even unshaded background is to be used, the article must be kept in one posialways in one direction. Rough grounds are often used which are produced working tion lines. Dotted ones are made with the extreme end of the point, small dots short deep by Parallel lines close together of uniform depth make another effective backtogether. close shaded background may be very dark at the bottom shading lighter toward ground. around the design to bring it out, growing lighter toward the edges. or dark the top, Pyrography may be employed in other materials beside wood, such as leather, velvet, Leather-burning requires more practice and knowledge than wood, and even cardboard. perseverance will soon bring good results. Be careful that the point is not but care and practice the point can be used enters the making hole. After that it leather a used so hot must without scorching the leather, but it not remain a second in desired as hot as dark as there is seldom a background the design must be In shading on leather one place. required. The light, smooth shading on leather must be done with a cool point, as otherThe deep shading is wise the whole design would be dark giving no tone to the work. Applique work is very handsome and wood-burning. done in lines, as in effectively very leather upon another, or figures cut from color of applying a design of one is made by should be done in the broad poster effects. materials. The burning other upon leather thick give a heavy used, as lines cool point must be heads and faces a doing In For delicate work of this character a fine point is desirable. For ordinary appearance. burning only two points are necessary, the straight blunt one for wood, and the curved
it
may
PYROGRAPHIC OUTFITS
Pyrogriphic Outfit.A.
*leliolZMmpN8.+8.
Pl'">
B*
OUTFIT A
CorkKondU 9.17
Curvtd Point K5.13
PYRbfiRipmcf Outfit,
B,.
OUTFIT B
yikoSolLampNa.W
Cork.
Handle N.
IT.
Curved
Point- N. IS.
~~
'"
Ns. 40.
Pyrogriphic Outfit. C\
OUTFIT C
jflleohol
kampH!. ,,
Two
Double Rubber Bulb Kv."M.
prOxtice pitC*^
PYROGRAPHIC OUTFITS
Pyrogriphic Outfit. D.
OUTFIT D
Cork Handle Ns.
17.
Two
practice pieetj.
D oukle
-VI.
Drg*j b
Pyrogmpkic Outfit. B.
OUTFIT E
& larg.
dMbl.
ft H
5.
BoflMrtaiiitKs S3
cr Bvlb. *. *1.
.ft^n,
K..2S
FcT^C^T.
Pyrogr*pmc Outfit
OUTFIT F
practice pifif*.
Rtolv.-.CorkW a ndlc
tEifralirgi^doiibURurtfrBitlb.Ks.+t,
"
N18^
Curved Point H ,
<_
PYROGRAPHIC OUTFITS
OUTFIT
PYR0GMPHieOuTFIT.fi.
OUTFIT H
Co* HandU Vt.17.
RiMif
Foot Brilowb tfo.
+9.
Crotd
Point.
K9. 3.
Pyrogmpkic' Outfit,
i.
OUTFIT
flbtorbuit
'>'.
28.
Rubber Foot
BIW* Ks.*9.
for
Pyro^rapK^ Work,
i'i;
I
r^~L
30.
31.
'
1.
6.
10.
3*-.
7.
8.
3ti.
|
I?
t
4.
11.
Points
1,
3, 5,
and
general work.
Points 2, 4,
6,
9,
31,
for
wood and
background work.
Points 10, 11, 12, for point and fine line
work.
Point 34, for blunt and other background
work.
Points
7, 8, 32, for
scorching.
foot''.
Ni*22,.
r Rubber
Ni.*9.
Foot Bellows.
Z3.
H?.^
The Flemish Art Colors
N?2V-.
are especially prepared for pyroraphy and are superior in quality fa all olhers
.
work,
We
fa
do
Set".
bottle
and
one
bottle
of finishing tfloss.
fl*.M.
Directions
Kail fill Ike benzine boHle with absorbent^ adding as muck benzine at it will absorb,
let it
-Ike
stand 5
-Ikat
4o 10
benzine
hern-
J^. 28.
ndd
me
Absorbent.
fire
.
risk.
Usl
for
months
Benzine Bottle.
Benzine
Bottle,
and
hook..
Xeted JllcoholJbamp.
J&.ik-,
JRleohol
Lamp
Xefal Union
Cork.
Poij
Box>
^r^losj]
>le!^3.
Mi".
25.
^
wood
1-t
be applied io-the
it
wood
,
be applied
it
-fo -rhe
after
after
has been
decorated.
finish.
tfs*.**-.
N?. 18,
Ni'.ir.
lb
prevent tubing
from, -t"wistm.
>Gb^
No. 39
orographic
/extra large)
Jo.
1 5.
*N. 9.
Ex* ra heavt^
10
shell.
CUSHION COVERS AND SKINS FOR PYROGRAPHIC WORK EACH STYLE CUSHION COYER AND WHOLE SKIN CAN BE HAD STAMPED IN VARIOUS DESIGNS
All
styles
of
leather
the
as
various
designs,
such
Art
Nouveau,
Indian,
had are
light
red, green,
brown,
gray
and dark
tan,
and
old gold.
of
Our assortment
04 inch
de-
Heads,
as
the
effects,
if
1
been produced
for pyro-
graphy work.
Skins
can
be
bad
:
in
red,
from
6 to 9 feet.
#\\,
//'
''
"'
tfl
i
84 inch Square Leather Laced Cushion Cover
LEATHER NOVELTIES FOE PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
280.^1oi?eati(HiandKerchief
12
Porff.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
Peawipers
13
LEATHER NOVELTIES FOE PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED EST VARIOUS DESIGNS
fl
15*.
>#&
-
4P
215.
233.
Shaving Pad.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
465.
16V.
20^.
-wi(h handle.
plain.
Inkstand.
205.
202..
201.
K';vii
Calendar.
Penwipers.
V-'
...
:>"J
138.
198.
Cord Case.
Strap Purse.
Penwiper.
272. 8 elf.
182.
PlaijinsS
Card Case
with Chips.
19*
Toilet
Case.
283.
Stationery
Bo
281.
Qlove Box.
{V^sgfe
290.
r161.
Card Case.
Purse
Handkerchief Box.
-^^-iil;.-^"-|
295.
288.
Jewel Box.
Handkerchief Box.
285.
286.
.Military Brush. Case.
109.
716.
163.
Card Case.
.Novel Cover.
^vkaazine Cover.
15
Engagement PadinWood.
6-
x 9V,.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
Ne 356
JO? 353
^a.
38"r
.n?
363
Purse
N516Q
An 219
Card Cases.
JM5-371
N? 37
Card Cases.
JI?
370
Catd Case
173.
1*9.'
Xatch
..
Safe.
.Match
Box.
p Stamp Case.
16
Stamp r
Box
415.
Cigarette Cases.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
,,j
is:
^"\
''<."]
-^
Bill Fold
Bill Fold.
LS^O,
Combination
Bill Fold
s-? 2
'-i*
Fiji
W\Z>\
JNPIOO
fr
1*2
Memorandum
JM\ 167.
BooKs.
r^n~n_
-
rr
;,hw"
JV5-
381
.NFIO!
>
c
1*3.
1*6.
.n-
1*1
432. Price
Engagement Books
r-i
r~t
1*5
Ub&'H
*K1*0.
170.
172.
.Address BooKs
171.
n"
ii
Txsa,
rro
ii
-,
^^
'
m
4/
f&
231.
N"
Card Case.
Cash Books
230
.Afore
Book.
*22.
*20.
180.
***.
with.
Cards.
Double.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
J.T 10+.
N?
XoU
AIe*36.
+37.
.NT 105.
Book
NTlll.
loadies Ioaundrj
Ioisl".
AE18T.
N?1I0.
Household kaimdrif
loist.
Novel Cover.
A5I86.
"holograph.
Books.
xntTz.
N5+26.
.Alaga sine Cover.
Portfoln
AT
179.
NT Ml.
'Photo.
Frames.
+ 70.
Gents kaimdry
loiaf.
Portfolio.
JM? 151.
AIT 17+
Mu&ic Roll
Blotter.
AT? 1+8.
Clippings.
18
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAL STAMPED IN VARIOUS DESIGNS
368.
Pcc.\;-.-:
::-...
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
k Comb Case.
37.
Tourist Case.
m.
a98.
Sketch Book.
434. Telegram
fad
8.
239. Book Holder b
(villi
315 Calendar:
313.
J*lusic Portfolio.
6oofi&.)
199.
397.
-Clock.
Clock
k Calendar.
390
Jewel Case.
20
391. Jewel
Box
fiifli
krir:cdp>liiheirim\
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
isMtlThMR
omRBO jBoxjss
'
uJLj
392.
SS'xS'/f'x^J/,.-
396.
(flove
6Vx
l4Va-
X^/a".
k Handkerchief Box.
Jewel Sox.
393.
WXWX3'.
tflove
Box.
39^.
Handkerchief Box.
395.
6VX7'X7."
397.
7%*
xW5
/^/foA?
$0*.
iBTiim{oyHED Boxes.
$M
-S-T1A\
'
Mff^
398.
tftf/tf'
275.
tfWkj-,
6"X9"
2,7*.
5^,'
7/a'.
6%' X 10/*'X5V
foliar, fuff
&
Bull-on Box.
271.
3>i"X7:
278.
t%'
5V
21
-foliar Box.
fvtf Box.
273.
5'x6/a"
276.
5"X9"
{TvffJ&ox.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
-...
lrrf
-..,
ffl
-.
r
s.u.
ao+. Jnksfdnd.
Inkstand,
5 O-S 3
266- Jnkstaild.
^r^yS
;>
?>
.^.S
' g>
C> .S
fi
aS >^
g^-j^ji
^ ~ J?^ ^
:>
'_--) f: i
310.
voa..
-V07
^Penwipers.
265.
Sfamp
A'
5? /3oa.
M3. Writing
Portfolio
^sm.
Writing Portfolio
f<^j"
J7-^
377.
Ticket Case.
217T
22
VO'f
216.
295.
*58.
Shaving
et.
Watch 7ob3.
LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
.,>/!
36V.
(je/its
367.
3m. Purse.
7g^
1-1
^^s
388. JoadJes Pocket -book.
139.
Coin Purse.
^^o^
s42
sb=
-isi
.
Change Pur&e.
336.
33r
Tobacco Pouches.
431
411. -Cigarette Cases.
Indian vSag"
MMSaf,.
JcJ!e
,J
%
36V.
m
4na.
Cigar Cases
419
CeSea.)
Medicine Cases.
773".
("4 bottles.)
Telephone Register.
23
POST CARDS.
CAN BE HAD
IN
-$ POST CARD
THI5 SIDE FflHTHE ADDRESS
mONLY.
f0
IN
ST
C/
N
RDs
LEATHER N2 $50.
DES. 53.
DES. 80.
IM
Havinij
i
DES. 61.
J
.-=
DES. 81.
DES. 6*-.
DES. 70.
DES.65-
DES. 83.
POST CARDS.
CAN BE HAD
Postaio
IN
Cards
POSTAL CARD
UNITED STATES OF AHtRICA
TH't ">i
i-.iinn[)(iuaiir.
/ WahtTo
Come
Xjfs^i
-^m
9W.
Des. 63.
$&
^^rSi^-y^^ ' K
9W.
De8. 77.
9VT.
Des. 59.
9W.
Des. 72.
-=,
-~
938.
6 xi8i>tch
540
708
.Mirror.
(French plalegtajj)
Mirror.
(French plate glass)
6 inch
938.
6'xiainch.
inch.
OUR e3DARl^lNG'S'ekOrn"Is^)
Baby Clolhes Rack.
930. 5*X3 3/*' Inkstand.-
933.
Winch
927.
iO&'x5>
928.
Vase.
1K*h'K Vase.
9S6.
5'
X 5 inch
9S9.
9*8. 9"x1V
Bowl.
Three
plj
Basswood Frame.
26
EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL
500
601
Round Frame
7 inch
Round Frame
7 inch
507
508
509
1%
x6
in
x 6 in
fifilSf
US lr
r^lHppfif
ilJi
SI2
536
Cabinet Frame
9!,'
in
in
x 6 in
1%
x Gin
i 8 in.
538
Cabinet Frame 10 x Ta in
sos
537
Cabinet Frame
10 Bin.
Round Frame
9ii incli
26
EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL
541
Oval Frame
9 x 7 in
IK
in
9i 7%
in
9x7% in
51S
549
Crescent Frame 8 x 5% in.
iflii
|En
i,V***-
&rm\
9 in.
524
Imperial
Frame
9 in.
10% x
Imperial Frame 10% x 9 in
10%_x
525
Imperial
Frame
9 in
10% x
ISPli
s^VC ^r''
[iriiTigBr
JH
far^Qz
vi
lfiP
*-^F~'^?
1
f
I
.fpr'' K
S^kfibdsSsj l^^^S^*
531
(jl
fevllr
3*c?it
*>*?S JwifeS
aw
52T
Oval Frame
11% x
9H
in.
27
EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS. ALL FRAMES ARE MADE WITH WOOD BACK AND WIRE EASEL. EXCEPT 528, 529, 544, 545, 550
f*"*=^-
w
y%$vk
535
S39
533
Cabinet Frame 12% x 6 in.
S34
Cabinet Frame
Cabinet
Frame
ll%x6%in
Cabinet Frame
12%
x.6}4 in
12x8%
in
(4 openings)
(4
openings)
h5\Jm
*i
M
E30
Screen
544.
closed
Folding Cab. Frame
(<
H
54-3
Frame 14xl2^in.
opeoinf
22%
i a ib.
14x13
in.
544.
MS
(4
OPEN
Folding Cab. Frame
openings)
Folding Cab.
22% x 8
in.
EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL EXCEPT 804, 805,
53a
Fancy Frame
soe
Cabioet Frame (6 openings) 9 x 33 in.
(4
openings)
13 i 6; in.
809
Cabinet Frame (6 openings)
542
Rococo
Fmme
9i
33 in.
12 J s 8 in.
805
Cabinet Frame (4 openings)
9
804-
x 22!
in.
u
ml
1
ij
ft Ml
K'l
fii
I
itrfl
>*CA,N
L*
808
9 MM
SOT
Cabinet Frame (3 openings) 9 x 17J in.
9x22}
39
PL.Y
BASSWOOD FRRMES.
AUh,
VARIOUS DESIGNS.
GtASS AW1RE
EflSEl,.
mm
s.
'
: -
Urol
I? 5,
869.
'
!l-i
1
In
879. 874.
7'x7
sro.
6'xr*
87f.
6-xY^,'
V*
8"
9yax9>l'
*\\T^r^
wis
[&'
'
\AJT,
yfi
1^ %G&
873. 74'x1087+-. 7J4-X9'
875. 7#x9-
878 8"X10
PANEfeS.
COMES
IN
ASSORTED DESIGNS.
#^ f.
^?.
X42W
876.
8'xW
I/Mi
^^^
880.
16' x
20'
880.
16'x20-
877. 8"x10-
863.
T x 9'
30
864.
5"
ia*
THREE-PbY BASSWOOD
PANELS
ASSORTED DESIGNS.
IN
i||''li
(
'"'1,^
868.
861.
15'
x 21/i
tt'XM"
fWlk
1 I
III,
In
III
859.7'xia866. 7-x)631
863. 7'X9"
86V. 8'xir
865. 9-XI2
B6H-. 8"X10'
86?.
iVr.1V
86+. 8*X10'
881.
1!l"xi8
868.
IV
i 21
868.
If x 21*
866. 7'x16'
866. rX-16"
866. TX16*
85b. 15incKdiam.
856.
3KxS-
65$-.
15mth diam.
33
851.
8tnck<liam.
851.
Sinchdiam.
84
THKEE-PLY BASSWOOD PANELS. CHRISTY DESIGNS. THE CHRISTY GIRLS "IDEAL HEADS'
Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Wood and Howard Chandler Christy. The copyrights are fully protected
36
ETC.
"
We
have the exclusive right from Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Wood and Leather these pictures by Howard Chandler Christy. The copyrights are fully protected
Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Leather these pictures by Howard Chandler Christy. The copyrights are fully protected.
Wood and
880
16x20
in.
Design No. 7
880
16x20
in.
Design No. 10
16x20
in.
Design No. 8
16
x 20
in.
Design No.
11
880
16x20
in.
Design No. 9
37
880
16
x 20
in.
Design No. 12
THREE-PLY BASSWOOD PANELS WITH BORDER STAMPED WITH " CHRISTY " DESIGNS
We
have the exclusive right from Chas. Scribner's Sons to reproduce for Pryographic Decoration on Leather these pictures by Howard Chandler Christy. The copyrights are fully protected.
Wood
and
aggl
^
T't, .I.^Cf/,
MM ^.L-KSi!!
Jr
fa
:
.
*.t
./i-.
-aa
880
16
x 20
in.
Design
No
13
880
16x20
in.
Design No. 14
^m
_*_*ft_4.(U*| ft.
16
20
in.
Design No. 15
,0
win; I Boxes can be
No. 566 567
Style
oaun
of these shades:
unea
Brown, Nile Green and Ds
No.
Style
had
satin lined, in
any
No. 681
Style
Jewel Box Pin Box Card Box Stud Box Note Paper Box
Box
and Cuff Box
682 683 684 685 688 689 690 691 692 693
Box
Box
chief
Box
Work Box
Handkerchief Box Handkerchief Box Jewel Box Jewel Box
38
Pin Box
Collar
EACH STYLE BOX CAN BE HAD STAMPED IN VARIOUS DESIGNS AND KEY AT AN ADDITIONAL COST ~'
.v
ere
Pia Box (with partitions)
688
Handkerchief Box
Otove Box
Wi6j1 in.
6 i 5%
2H
io
UK
i 4'4
x2%
in.
T%
Work Box x b% x SH
691
in.
678
'
in.
Handkerchief Box
Lace Box
WiWi SK
in.
in
10^
i8Hi2M in.
695
Jewel Box
3'i
5 24 in
1254
Photo Box
Necktie Box i j 3H
in
IftiWi 3 in.
683/s
Box 10 x 5H x 2K in.
Stationery
Collar
till
Key
in
10H
iSKi
2M
in
39
EACH STYLE BOX CAN BE HAD STAMPED IN VARIOUS DESIGNS. AND KEY AT AN ADDITIONAL COST
778
Dresser Box 31 i 5 x 3Jin.
580
Collar
9%
69*
Jewel Cliest (trunk sliape)
7?4
693
"""
x4^x8^ in.
774 Card and Chip Box (with cards and 200 chips)
660
Glove Box
566
Alpine Jewel Box
12
9 x 3 in.
13^ x4^x2Kin.
6^
x 3% x
1%
in.
606
Writing Case (1 inkwell) 11 x 1% x \% in.
Ciffar
Box (with
'
779
Designed Shirt Waist Boxes (4 sizes)
779a
779b
in.
779o
in.
779d
in.
18^ x 9% x 9H
21
11>$
x 11H
24
x 13% x 13H
27
161,
x 16
in.
40
IN
VARIOUS DESIGNS
706
6^ViaVx3^"
(jbwes
A Handkerchiefs Box.
9V6.
9'xl2-x6"
Combination Box
68a.
s-x-iwxsv
CjloveBox.
931.
8"X8"^6"
&Cuff Box.
95a.
&*.w*w
Lace Box.
Collars
95oXj^F
3*!x3V
951.
p
"
3'dum
(?rgar Cabinet
41
956.
isyv x
90% x
6-
Medicine
Cabinet".
BOXES WITH LOCK AND KEY EACH ARTICLE COMES IN ASSORTED DESIGNS
683 a.
684 *-4
Lace Box
Stationery Box.
682X4.
Cjlotfe
Box.
681)4.
Gjlove Box.
695>i.
690>4
688 54.
.
Jewel Box.
689*5.
Handkerchief Box.
.Handkerchief Box.
Work Box.
6*v TaboureHe
6*5
Tabourette
6*8.
Dutch Stool.
42
STOOLS
(Large Size)
They are shipped knocked down.
939. Stool.
9+0. gtool.
$tool.
STOOLS-fSmall
Size)
No. 643.
12x15
in.
No. 646.
12xl5ir
43
No.
640.
12
15 in.
No. 649.
12
15 in.
IN
VARIOUS DESIGNS
699
Panel
10jx9j
id
I6l
11 in
6 72
Panel
13 i 10i
Panel
Panel
10J j 9; in
20x13
in
20 1 13 in.
44
IN
VARIOUS DESIGNS
Pani
I,
22 x 7} iD
669
Panel, 15x11 in
Poel. 16x12 in
Panel, IS x
6^
in
Panel. 15 x
id
Panel. 20 x 14 in.
700
Panel, 15x5K
in.
670
Panel. 16 x 12 in
702
Panel,
Panel, 20 x 14 in
25^
10.
45
IN
VARIOUS DESIGNS
HiSK
in.
6IT
623
x h\i
in.
619
63+
Book Rack
(
17% x
Extension 7 in.
62i
Book Rack (Extension)
19 x 7 in.
46
IN
VARIOUS DESIGNS
9J4x7ix2^in.
769
Vase, 14 1 6 in
Panel
15 inch
diam
T46
768
Vase, 13 x
i%
in.
770
Vase.
11
wZS^
in
16
Panel. 9 in diam.
47
IN
VARIOUS DESIGNS
666
Card Receiver
6 inch
48
IN
VARIOUS DESIGNS
49
IN
VARIOUS DESIGNS
50
IN
VARIOUS DESIGNS
815. D
Motto Panel
553
815. C.
Molto Panel
552
Crescent Thermometer
8 x 5?b in.
Fancy Thermometer
16%
s.
7 in.
7%
inch diani.
780
600
Clock Stand
Hanging Clock
Clock Stand
in.
602
Clock Stand
603
Clock Stand
6i4!^i 2J,
14
x i% x Z%
15
in.
5 in.
11% x
5%
Z%
in.
6% x
2 in.
51
IN
VARIOUS DESIGNS
rS8.
19-X73*.'
3/'
729.
16' x
9-x
3*s*
(Tlocl^
731.
witti
VX10'X3>4"
755.
KYx6-x
r-V
Stand
Worlds.
52
686.
10"
\%'A\
763.
8VX12,'
687.
9 x1S
653.
9'xfl'
655.
10-X7V
S65.
8 x
lo-
5V6.
re*. Pr.
WivTvi?
5V6.
5'xrexjv
765.
9'
x (3"
Cloc)^
^tand
Clocl^^-t-and
53
IN
VARIOUS DESIGNS
629
Double Shelf Bracket. 16 x I2J4 x
T'j in
Shelf
1S)$ 1
3^
in
Plate
t l 2 in
743
Stein Rack and Shelf
20 x
7%
in
Shelf. 20
1M
in.
54
IX
VARIOUS DESIGN'S
17* X 6"
6
Y18.
Telegram Case.
9W
Necktie Rack.
6H
V*
6'
705.
759.
Book Sfeind.
I3'x74-
Traoj.
7Vx3/2
T ray.
ion.' x
5Vi-
714.
Telephone
Register.
IV X
6"
T15.
Plate Rack.
36" X
18"
5?x'
55
IN
VARIOUS DESIGNS
Stein
735
Stein Rack and Shelf
19U11
in.
Stein
73 7
Stein
56
IN
VARIOUS DESIGNS
802
Bracket and Cab Frame (3 openings)
15 x 9 in
641
803
Bracket and Cab Frame (3 openings) 18 i 9 in.
64-3
615
Waste Basket
18 x
9J. in
Waste Basket
13 x
Waste Basket
(laced)
9%
9%
in.
18 x 9'* in.
knocked down)
Knocked down)
587.
kadies' Wat
Brush.
WiMWr
Ladies' Hat
finish
565.
59V.
Brush.
591.
8*5.
PaddU
.Military Brush..
sao.
570.
70V.
Inksland.
5"X5V
623 N.
Book Rack
(Extension) 16-
5V *
578.
letter Rack.
6-
9>i"
xj-
639.
Photograph Holder.
fx3'
ria.
Folding Checker Board.
13-X15*
7(3.
Checker Board.
iB-ma
58
IN
VARIOUS DESIGNS
573
Hair Receiver 5 x 5 x 2 in.
8io
574
Ring Holder
3; x 3; x 21 in.
637
Military Brush
ST 5 Knicknack Receiver
3} x 3J x 2 in.
Trinket Stand
4
x 3J x
3; in.
5T2
Loving Cup 4} x 3V in.
5T6
Clover Match Holder o'lx'BJx lfin.
781
Thermometer
res
789
Match Holder
9
x 4
in.
11
841.
Candlestaod
5
x 31
in.
59
IN VARIOUS DESIGNS
560
Smoking Set
628
Magazine Stand 115x92Sx8in.
844
6*3.
Napkin Ring
Napkin Ring
1% x 5^x4
in.
Key Rack
15>
x 4J
in-
Stationery
7%x9?4x5 34
772
Crumb Brush
6a5
Stationery Rack (2 spaced) 9K x 7 x ZH in.
784
Tray
7x3
in.
fiO
IN
VARIOUS DESIGNS
r
5^x4 in
568 Card Box 4& s ZH. x 2 in.
Pin Tray
4 in. diameter
IN
VARIOUS DESIGNS
Envelope Stand
(2
spaced
8x35gx3ln.
750
Card Stand
(4 spaced)
8x3^x3in
S84
Inkstand
(2 ink wells)
in.
8Kx0x2)
730
Ping Pong Bat
771
Brush Rack
682
Antique Stamp Case
5x
I0j^x5
in
583
Octagonal Bonbon Dish 7 inch
3^x2)4x2in.
3^ .%%
in
723
Nut Bowl 7 inch diam
724
Bowl (with cover
7 inch diam.
J
776
777
Stamp Box
(2 spaced)
in.
1% x5in.
3x2x1%
Stamp Box
4x2x
Paper Cutter
12x2)4
in.
597
736
Cradle Blotter
5 x
S98
Paper Cutter 9 inch
Paper Cutter
9 inch
Paper Cutter
9 inch
1%
in
62
IN
VARIOUS DESIGNS
IB^Ifj
893. 54"
^m
897.
896. 8'AIX,
8'X12"
X6'
Postal Card
Stamp and
898.
-10"
Box
diam.
"Wall .Mirror.
698.
6>4-
89V^.
6'x9/*"
Score
895.
6'X.10y*'
Whist
Pad.
Engagement Pad
Waste Basket.
Knocked
Awi.
63
IN
VARIOUS DESIGNS
8V9
(3"x37'
closed
Iqarge
Xandolia.
wrf/i
S.00
chips)
EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN
921.
29' X 18 inch
(Telia rette
922.
30' x 28 inch
Combination Chair
and Table.
93r.
15'
(Folding)
920.
Smokers Cabinet.
aoincli
EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN
w <^,'W^
:
9V3
W*Zf
(Frenthptali glass
'<)
Frames
<M>vsic
Stand
_o_
(Folding.)
91^
tf x ibViindi
Book Sf"and
9*5
Three-Ply
944..
I8'i" 18'1' (Frenth plate glass
JOi'xiOV
(FmichplatJ glass
B)
Basswood
Mirror-
wilh
wxto:)
Three- Ply
>lusic Sfand
.'Vf
EACH STYLE ARTICLE CAN BE HAD STAMPED IX VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN
EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN
953965.
Vx8Vx6V
(300 Chips
xio'xt* hipoK.
Lzpitkcsnk^
WxWxS:
966.
46'x+o -
Jiaii Chair.
963so-
/+.'
'x3l
968.
Writing X>esk
EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN
92^.
80 'X 16 inch
Table.
a^lrm -Chair,
936.
36"
ia-jnfli
Umbrella Stand.
69
EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES_AEE SHIPPED KNOCKED DOWN
sea.
3*:'x*t5mdv
IN
VARIOUS DESIGNS
971."
960.
wx 6 w x ev
Shaving >et.
(fu-Mekipi&ipack cards)
969.
/+*xr 53
Three-plyTrame mlkPictun.
96j.+vx6vxtf jeJhaving&et.
M ^^
8Hill3SII
969. 6'X8'.
s^s^ys
-5m\
96%.
B+8.
<Sord Box
B
886. 3'x+ya;
cMfiM ^W.
9i3.
1*'x2Vx+*^
Jdesfc.
19'x 36'
oMv&ie Stand.
71