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PYROGRAPHY

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^
ff

A\

EicHholtz Art Store


43
N.

QUEEN

ST.

LANCASTER, PA.

THE HEXRY FRANCIS du POJVT W1XTERTHUR MUSEUM


LIBRARIES
?>

Gift of

John Krill

Digitized by the Internet Archive


in

2011 with funding from

LYRASIS Members and Sloan Foundation

http://www.archive.org/details/pyrographyOOeich

BRIEF
The

SKETCH ON THE ART OF PYROGRAPHY

is simply drawing with a red hot point. thing to be considered in Pyrography is the outfit. Let it be a good one as it will be more durable and produce better results than one of inferior An outfit consists of a benzine bottle, bellows or bulbs connected by quality. The bulbs being on one end, the bottle in the center, and the handle and rubber tubing. An alcohol lamp is also necessary for the heating of the platinum point on the other end. point, as any other means of heating is apt to cause this delicate instrument to become

WOOD-BURNING, concisely speaking,


first

clogged up.

good piece of wood, bass or holly being more generally used, although maple and satinwood are also desirable. The best benzine for this work is the ordinary kind obtained from any paint store. The refined benzine is not suitable. If too fresh it will not work properly. Should such be the case, let it stand in an open bottle for several hours before using. New points are sometimes difficult to heat, or fail to retain the heat properly, but by re-heating them in the alcohol flame several times the defect will soon be overcome. Fill Light the alcohol lamp after filling the benzine bottle, the benzine bottle about half full. The alcohol is also inflammable. The use of Flemish Art as the benzine is explosive. Absorbent Material will prevent explosion.
Select a
birch,

the point in the alcohol flame until it glows, then press the bulb gently until the white hot. Different degrees of heat are necessary for different kinds of work. This is regulated by the slow or quick pressure of the bulb. The quicker the pressure The handle containing the point is held in the right hand the hotter the point will be. and the bulb in the left. This will seem awkward at first as different movements are made Practice will overcome this and other difficulties. with each hand. Some instructors recommend the pupil to practice various strokes on a piece of wood, perpendicular, horizontal, oblique, curved, wavy, etc., thus becoming familiar with the management of the point. Others think it more encouraging to select some simple design. The main fact in wood-burning being contrast, you must decide whether you desire alight or dark background. It is always best to outline the design first and then put in the background before shading, as there is danger of shading too dark, in which case, with a dark background the full effect of the design would be lost. If the ground is to be light, the design must be dark. The best effects, however, are produced with the dark ground. All strokes should begin and end, as it were, in the air very much as you have seen a writer make preliminary flourishes before touching the paper with the pen, only of course not in so pronounced a manner. This is to prevent the appearance of unsightly spots and dots which detract from the beauty of the work. slow sweeping stroke is the chief object, keeping the point always in motion. If the point rests for a second on the wood a dot or hole is the result. This is the most difficult point to master. Do not bear heavily on the point as it will bend easily when hot. To produce dark, heavy lines go slowly with very hot point, and for lighter more delicate ones, quicker strokes with cool point regulated by the pressure of the bulb. Deep burning is always the most effective, giving almost the appearance of carving if done well.

Hold
is

point

r
Another and produce the effect of carving, is to burn deeply all around the outline, working it out into the background about an eighth or a quarter of an inch. Always keep the design to the left of the point, that is, work on the right side of the design. Move the article around as you progress as this prevents the scorching or discoloring of
to bring the design out

For way

instance, the lower part of a design burnt deeply gives a raised appearance.

the design.

Many articles already stamped in simple designs may be procured so that a knowledge of drawing, although desirable, is not absolutely necessary unless more ambitious work is In large pieces there is much intricate shading which should not be attempted intended. until after much practice. Do not be discouraged, however, as knowledge will come with You will find it hard at first to learn to burn against the grain of patience and practice. The point must be held very firmly and steadily as it is easily caught or turned the wood. aside, giving a weak, straggly line. Make the outline, as near as possible, in one continuous To those understanding drawing, it might line without lifting the point from the wood. be said: "Treat your burning as you would a drawing in pencil or charcoal. Put in the little deep touches just as in drawing." Carving and burning combine most effectively. The wood is carved out around the figure, raising the design from the background which is to be dark, thus producing a most excellent effect of carved wood. It must be transparent to Color is often introduced in conjunction with burning. lines color. burnt shading and through the Water-colors may be used, show the deeply and stains prepared with turpentine, already can be obtained. also oils thinned If an even unshaded background is to be used, the article must be kept in one posialways in one direction. Rough grounds are often used which are produced working tion lines. Dotted ones are made with the extreme end of the point, small dots short deep by Parallel lines close together of uniform depth make another effective backtogether. close shaded background may be very dark at the bottom shading lighter toward ground. around the design to bring it out, growing lighter toward the edges. or dark the top, Pyrography may be employed in other materials beside wood, such as leather, velvet, Leather-burning requires more practice and knowledge than wood, and even cardboard. perseverance will soon bring good results. Be careful that the point is not but care and practice the point can be used enters the making hole. After that it leather a used so hot must without scorching the leather, but it not remain a second in desired as hot as dark as there is seldom a background the design must be In shading on leather one place. required. The light, smooth shading on leather must be done with a cool point, as otherThe deep shading is wise the whole design would be dark giving no tone to the work. Applique work is very handsome and wood-burning. done in lines, as in effectively very leather upon another, or figures cut from color of applying a design of one is made by should be done in the broad poster effects. materials. The burning other upon leather thick give a heavy used, as lines cool point must be heads and faces a doing In For delicate work of this character a fine point is desirable. For ordinary appearance. burning only two points are necessary, the straight blunt one for wood, and the curved

pointed one for leather. After the work is completed

it

may

be given a coat of shellac.

PYROGRAPHIC OUTFITS
Pyrogriphic Outfit.A.

*leliolZMmpN8.+8.

Pl'">

B*

OUTFIT A
CorkKondU 9.17
Curvtd Point K5.13

Double Rubber Bulb Ul.6<i.

PYRbfiRipmcf Outfit,

B,.

OUTFIT B

yikoSolLampNa.W

Cork.

Handle N.

IT.

Curved

Point- N. IS.

~~

'"

Double Rubber Bulb.

Ns. 40.

Pyrogriphic Outfit. C\

OUTFIT C
jflleohol

kampH!. ,,

Cork. Handle NOTpurvrd PoiM We._5,

Two
Double Rubber Bulb Kv."M.

prOxtice pitC*^

PYROGRAPHIC OUTFITS
Pyrogriphic Outfit. D.

OUTFIT D
Cork Handle Ns.
17.

Two

practice pieetj.

D oukle

Rubber Bulb Ne.

-VI.

Curved Point Ns. 3

Drg*j b

Pyrogmpkic Outfit. B.

OUTFIT E
& larg.
dMbl.
ft H

5.

BoflMrtaiiitKs S3

cr Bvlb. *. *1.

.ft^n,

K..2S

FcT^C^T.

Pyrogr*pmc Outfit

OUTFIT F
practice pifif*.

Rtolv.-.CorkW a ndlc
tEifralirgi^doiibURurtfrBitlb.Ks.+t,
"

N18^

Curved Point H ,

<_

PYROGRAPHIC OUTFITS

OUTFIT

PYR0GMPHieOuTFIT.fi.

OUTFIT H
Co* HandU Vt.17.
RiMif
Foot Brilowb tfo.

+9.

Crotd

Point.

K9. 3.

Pyrogmpkic' Outfit,

i.

OUTFIT
flbtorbuit
'>'.

r..:; -; Crk HandU Hi. 18

28.

Rubber Foot

BIW* Ks.*9.

Cvrvcd Po.fttX*. 3Q.

Standard Platinum Points

for

Pyro^rapK^ Work,

i'i;
I

r^~L

30.

31.
'

1.

6.

10.

3*-.

7.

8.

3ti.

|
I?

t
4.
11.

Points

1,

3, 5,

13, 30, for leather

and

general work.

Points 2, 4,

6,

9,

31,

for

wood and

background work.
Points 10, 11, 12, for point and fine line

work.
Point 34, for blunt and other background

work.
Points
7, 8, 32, for

scorching.

Points 35, 36, 37, 38, for large work.

Foo-t JUlach. menu's.


'To

hold bulb so as to work, wifk

foot''.

Imported Double Rubber Bulbs


for Pyrotfrapku, WovK,.

Combinalionliamp and Union.

Ni*22,.

r Rubber
Ni.*9.

Foot Bellows.

Bottle and Handle Holder Ho prevent bottle -from,


being overturned.

Z3.

H?.^
The Flemish Art Colors

N?2V-.

are especially prepared for pyroraphy and are superior in quality fa all olhers
.

work,

We

can highly recommend them, the required work.

fa

do

Flemish Art Amaieur Color


Pul up
in

Set".

a box containing one

bottle

each- red, green, yellow, brown and


blue wa-trer stain

and

one

bottle

of finishing tfloss.

fl*.M.

Directions
Kail fill Ike benzine boHle with absorbent^ adding as muck benzine at it will absorb,
let it
-Ike

stand 5
-Ikat

4o 10

minutes, fken poor off all

benzine
hern-

kas not been absorbed,

J^. 28.

ndd

me

me from time to -time keep absorbent mois-K

Flemish Art Hon- explosive


The absorbent
will

Absorbent.
fire
.

Prevents explosion and causes no

risk.

Usl

for

months

Benzine Bottle.

Benzine

Bottle,

and

hook..

Xeted JllcoholJbamp.

J&.ik-,

JRleohol

Lamp

Xefal Union

Cork.

Poij

Box>

^r^losj]

>le!^3.
Mi".

25.

N^26. Flemish Jlrl" P^ro-Wax.

Flemish, ilri (qloss.


'To

^
wood
1-t

be applied io-the
it

wood
,

be applied
it

-fo -rhe

after

has been decorated

after

has been

decorated.

dives a dull finish..

Il dives a high, flossy

finish.

tfs*.**-.

N?. 18,
Ni'.ir.

Revolving Cork Handle

Sfrai&M' Cork Handle.

lb

prevent tubing

from, -t"wistm.

>Gb^

No. 39

orographic

Imported Double Rubber Bulb

/extra large)

Jo.

1 5.

*N. 9.

Ex* ra heavt^
10

shell.

CUSHION COVERS AND SKINS FOR PYROGRAPHIC WORK EACH STYLE CUSHION COYER AND WHOLE SKIN CAN BE HAD STAMPED IN VARIOUS DESIGNS

All

styles

of

leather

cushion covers can be had


in

the
as

various

designs,

such

Art

Nouveau,

Indian,

Monk and Animal


The
colors to be

Heads, Dragon and Floral


effects.

had are
light

red, green,

brown,
gray

and dark

tan,

and

old gold.
of

Our assortment
04 inch

de-

Square Leather Laced Cushion Cover.

signs in Art Nouveau, Indian,

Monk and Animal


as
well

Heads,

as

the

Dragon and Floral

effects,

are the most beautiful and

if
1

extensive that have ever

been produced

for pyro-

graphy work.
Skins

can

be

bad
:

in

the following colors

red,

green, dark and light tan

brown, gray and old gold.

Skins can be had in sizes

from

6 to 9 feet.

Fringed Leather Cushion Cover

#\\,

//'

''

"'

tfl

i
84 inch Square Leather Laced Cushion Cover

Extreme FriDged Leather Cushion Cover


11

Fringed Leather Cushion Cover

LEATHER NOVELTIES FOE PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

280.^1oi?eati(HiandKerchief
12

Porff.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

Peawipers
13

LEATHER NOVELTIES FOE PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED EST VARIOUS DESIGNS

fl
15*.

>#&
-

4P
215.
233.

Broom Holder wtfh Broom


Toilet

Case with Comb, Tooth and Hair Brush


14

Shaving Pad.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

465.

16V.

20^.
-wi(h handle.

plain.

Drinking Cup Cases,

Inkstand.
205.
202..

201.

K';vii

Calendar.

Penwipers.

V-'

...

:>"J

138.
198.

Cord Case.

Strap Purse.

Penwiper.

272. 8 elf.

182.

PlaijinsS

Card Case

with Chips.

19*

Toilet

Case.
283.
Stationery

Bo

281.

Qlove Box.

{V^sgfe
290.
r161.

Card Case.

Purse

Handkerchief Box.

-^^-iil;.-^"-|

295.

288.

Jewel Box.

Handkerchief Box.
285.

Collar and Cuff Box.

286.
.Military Brush. Case.

109.

716.

163.

Card Case.

.Novel Cover.

^vkaazine Cover.
15

Engagement PadinWood.
6-

x 9V,.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

Ne 356
JO? 353

Combination Pecket-books with Card Case.

^a.

38"r

.n?

363

Small Misses Pocketbk.

Purse

Combination Pocket-books with Card Case

N516Q

An 219

Card Cases.

JM5-371

N? 37

Card Cases.

JI?

370

Catd Case

173.

1*9.'

Xatch

..

Safe.

.Match

Box.

p Stamp Case.
16

Stamp r

Box

415.

Cigarette Cases.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

,,j
is:

^"\

''<."]

-^

Bill Fold

Bill Fold.

LS^O,

Combination
Bill Fold

s-? 2

'-i*

Fiji

W\Z>\
JNPIOO

fr
1*2

Memorandum
JM\ 167.

BooKs.
r^n~n_
-

Card Case & Memo Book

rr

;,hw"

JV5-

381

.NFIO!

Combination Bill -Book.

>

c
1*3.

1*6.

.n-

1*1

432. Price

Engagement Book & Card Case.

Engagement Books
r-i
r~t

1*5

Ub&'H

*K1*0.

170.

172.

Address Book & Card Case.

.Address BooKs

171.

n"

ii

Txsa,

rro

ii

-,

^^
'

JM?2W. Cash Book

m
4/

f&
231.

N"

Card Case.

Cash Books

228. JMore Book k Card Case.

230
.Afore

Book.

*22.

*20.

180.

***.

Playing Card Cases


17

with.

Cards.

Double.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

J.T 10+.

N?

XoU

AIe*36.

+37.

.NT 105.

Book

QolF Score Books.


XT. 188

NTlll.

loadies Ioaundrj

Ioisl".

AE18T.
N?1I0.
Household kaimdrif
loist.

AI?9 Whist Score.

Novel Cover.

A5I86.

"holograph.

Books.

xntTz.

N5+26.
.Alaga sine Cover.
Portfoln

AT

179.

NT Ml.
'Photo.

Frames.

+ 70.

Gents kaimdry

loiaf.

Portfolio.

JM? 151.

AIT 17+

Mu&ic Roll

Blotter.

AT? 1+8.

Clippings.
18

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAL STAMPED IN VARIOUS DESIGNS

368.
Pcc.\;-.-:
::-...

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

433. PlaylngCard &Chip Cdse.


-W7. Military Brush, (Mirror

k Comb Case.

37.

Tourist Case.

m.

Brid^eWk'ist Case wilhCards.

a98.

Sketch Book.

*35. Telegram Pdd.

434. Telegram

fad

8.
239. Book Holder b
(villi

315 Calendar:

313.

J*lusic Portfolio.

6oofi&.)

199.
397.

-Clock.

Clock

k Calendar.

390

Jewel Case.
20

391. Jewel

Box

fiifli

krir:cdp>liiheirim\

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS
isMtlThMR

omRBO jBoxjss

WlTH MmDWOOO PoklSHED RlM.

'

uJLj
392.
SS'xS'/f'x^J/,.-

396.
(flove

6Vx

l4Va-

X^/a".

k Handkerchief Box.

Jewel Sox.

393.

WXWX3'.

tflove

Box.

39^.

5%'X 6%'x 3V.

Handkerchief Box.
395.

6VX7'X7."

397.

7%*

xW5

foliar &i/ff Box.


".

/^/foA?

$0*.

iBTiim{oyHED Boxes.

$M

-S-T1A\
'

Mff^
398.
tftf/tf'

275.
tfWkj-,

6"X9"

2,7*.

5^,'

7/a'.

6%' X 10/*'X5V

<V/ &Mm Box.

foliar, fuff

&

Bull-on Box.

<%//> ifo* ^JSr JW0 chips,

& J/fiack cards,)

271.

3>i"X7:

278.

t%'

5V
21

-foliar Box.

fvtf Box.

273.

5'x6/a"

276.

5"X9"

{TvffJ&ox.

foliar k (Huff Box.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

-...

lrrf

-..,
ffl

-.

r
s.u.

ao+. Jnksfdnd.

Inkstand,
5 O-S 3

266- Jnkstaild.

^r^yS

;>

?>

.^.S

' g>

C> .S

fi

aS >^

g^-j^ji

^ ~ J?^ ^

:>

'_--) f: i

310.

voa..

-V07

^Penwipers.

265.

Sfamp

A'

5? /3oa.

M3. Writing

Portfolio

^sm.

Writing Portfolio

f<^j"

J7-^

377.

Ticket Case.
217T
22

VO'f

216.

295.

Pockef Pnoto frames,.

*58.

Shaving

et.

Watch 7ob3.

LEATHER NOVELTIES FOR PYROGRAPHIC WORK EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

.,>/!

36V.

(je/its

Purse and Bill Fold

366- (jentd Pocket-book.

367.

(Seats Packer- book

3m. Purse.

7g^

1-1

^^s
388. JoadJes Pocket -book.

360 Misses Pocket-bk.


.

236. Coin Purse.

139.

Coin Purse.

^^o^

s42
sb=
-isi
.

Change Pur&e.

403. Combination Card Case.

404. Coin Purse.

36a. Misses, Pocket-bk.

336.

33r

Tobacco Pouches.
431
411. -Cigarette Cases.

Indian vSag"

MMSaf,.

JcJ!e

,J

%
36V.

m
4na.

Cigar Cases

419

CeSea.)

Medicine Cases.

773".
("4 bottles.)

Telephone Register.
23

WOOD AND LEATHER

POST CARDS.

CAN BE HAD

IN

A LARGE VARIETY OF DESIGNS

-$ POST CARD
THI5 SIDE FflHTHE ADDRESS

mONLY.

f0
IN

ST

C/
N

RDs

THREE-PLY B/1SSW00D teSkl

LEATHER N2 $50.

DES. 53.

DES. 80.

IM
Havinij
i

DES. 61.

J
.-=

DES. 81.

DES. 6*-.

DES. 70.

DES.65-

DES. 83.

WOOD AND LEATHER

POST CARDS.

CAN BE HAD
Postaio

IN

A LARGE VARIETY OF DESIGNS


IXnve My
HahkFullin

Cards

POSTAL CARD
UNITED STATES OF AHtRICA
TH't ">i

i-.iinn[)(iuaiir.

Three Ply ftasswood.

/ WahtTo

Come

Xjfs^i

-^m
9W.
Des. 63.

$&

^^rSi^-y^^ ' K

9W.

De8. 77.

9VT.

Des. 59.

9W.

Des. 72.

-=,

-~

938.

6 xi8i>tch

Three ph/ Basswood Panel.

540

708

.Mirror.
(French plalegtajj)

Mirror.
(French plate glass)

6 inch
938.
6'xiainch.

inch.

Three pl^ Basswood Panel.

OUR e3DARl^lNG'S'ekOrn"Is^)
Baby Clolhes Rack.
930. 5*X3 3/*' Inkstand.-

933.

Winch

93a. 33,'x a* Jewelry Box.

927.

iO&'x5>
928.

Vase.

1K*h'K Vase.

9S6.

5'

X 5 inch
9S9.

9*8. 9"x1V

Bowl.
Three
plj

Basswood Frame.

4 **' x a* Table Bell.

26

EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL

ALL FRAMES ARE MADE WITH

500

601

Round Frame
7 inch

Round Frame
7 inch

Rococo Frame 6>i x 5K in

507

508

509

519 Turtle Frame


9>
,

Medium Cabinet Frame


1i( x 6 in

Medium Oabinet Frame


1\i x 6
i'd

Medium Cabinet Frame

1%

x6

in

x 6 in

fifilSf

US lr

r^lHppfif

ilJi
SI2

536
Cabinet Frame
9!,'

Medium Cnbiuet Frame


T'_.

Medium Cabinet Frame

Medium Cabinet Frame

in

in

x 6 in

1%

x Gin

i 8 in.

538
Cabinet Frame 10 x Ta in

sos

537
Cabinet Frame
10 Bin.

Round Frame
9ii incli

26

EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL

ALL FRAHES ARE MADE WITH

Large Cabinet Frame


8 x

514 Large Cabinet Frame

541

Large Cabinet Frame

Oval Frame
9 x 7 in

IK

in

9i 7%

in

9x7% in

51S

Large Cabinet Frame 9 x 7% in


516

Large Cabinet Frame 9 x 7% in

549
Crescent Frame 8 x 5% in.

Large Cabinet Frame

iflii

|En
i,V***-

&rm\
9 in.

523 Imperial Frame

524
Imperial

Frame
9 in.

10% x
Imperial Frame 10% x 9 in

10%_x

525

Imperial

Frame
9 in

10% x

ISPli

s^VC ^r''

[iriiTigBr

JH
far^Qz

vi
lfiP
*-^F~'^?

1
f

I
.fpr'' K
S^kfibdsSsj l^^^S^*
531

(jl

fevllr

3*c?it

*>*?S JwifeS

aw

52T

Large Cabinet Frame (2 openings) 12>* x 9 in.

Oval Frame

11% x

9H

in.

Cabinet Frame (2 openings 12% x 9 in.

27

EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS. ALL FRAMES ARE MADE WITH WOOD BACK AND WIRE EASEL. EXCEPT 528, 529, 544, 545, 550

f*"*=^-

w
y%$vk
535

S39

533
Cabinet Frame 12% x 6 in.

S34
Cabinet Frame

Cabinet

Frame

ll%x6%in

Cabinet Frame

12%

x.6}4 in

12x8%

in

Medium Cabinet Frame


17x7}^
io.

(4 openings)

Medium Cabinet Frame


17x7J.|in

(4

openings)

h5\Jm

*i

M
E30
Screen

544.

closed
Folding Cab. Frame

(<

H
54-3

Frame 14xl2^in.

opeoinf

Double Rococo Frame

22%

i a ib.

14x13

in.

544.

MS
(4

OPEN
Folding Cab. Frame

openings)

Folding Cab.

22% x 8

in.

OPEN Frame (4 openings) 28%x8in.

EACH STYLE FRAME CAN BE HAD STAMPED IN VARIOUS DESIGNS WOOD BACK AND WIRE EASEL EXCEPT 804, 805,

ALL FRAMES ARE MADE WITH


806, S07, 808, 809

53a
Fancy Frame
soe
Cabioet Frame (6 openings) 9 x 33 in.
(4

openings)

13 i 6; in.

809
Cabinet Frame (6 openings)

542

Rococo

Fmme

9i

33 in.

12 J s 8 in.

805
Cabinet Frame (4 openings)
9

804-

x 22!

in.

Cabinet Frame (3 openings) 9 x 171 in.

u
ml
1

ij

ft Ml

K'l

fii

I
itrfl

>*CA,N

L*
808

tv^Cabinet Frame (4 openings)

9 MM
SOT
Cabinet Frame (3 openings) 9 x 17J in.

9x22}

39

THREEEACH STYbE FRAME CAN BE HAD


IN

PL.Y

BASSWOOD FRRMES.
AUh,

VARIOUS DESIGNS.

FRAMES FITTED WITH

GtASS AW1RE

EflSEl,.

mm
s.
'
: -

Urol

I? 5,
869.

'

!l-i

1
In
879. 874.

7'x7
sro.

6'xr*

87f.

6-xY^,'

V*

8"

9yax9>l'

*\\T^r^

wis
[&'
'

\AJT,

yfi

1^ %G&
873. 74'x1087+-. 7J4-X9'

875. 7#x9-

878 8"X10

THREE- PbY BASSWOOD

PANEfeS.

EACH STYtE P/WEU

COMES

IN

ASSORTED DESIGNS.

#^ f.

^?.

X42W

876.

8'xW

I/Mi

^^^

880.

16' x

20'

880.

16'x20-

877. 8"x10-

863.

T x 9'
30

864.

5"

ia*

THREE-PbY BASSWOOD

PANELS
ASSORTED DESIGNS.

EACH STYLE PANEL, COMES

IN

i||''li
(

'"'1,^
868.

861.

15'

x 21/i

tt'XM"

fWlk
1 I

III,

In

III

859.7'xia866. 7-x)631

863. 7'X9"

86V. 8'xir

865. 9-XI2

THREE-PLY BASSWOOD PANELS EACH STYLE PANEL COMES IN ASSORTED DESIGNS

B6H-. 8"X10'

86?.

iVr.1V

86+. 8*X10'

THREE-PLY BASSWOOD PANELS EACH STYLE PANEL COMES IN ASSORTED DESIGNS

881.

1!l"xi8

868.

IV

i 21

868.

If x 21*

866. 7'x16'

866. rX-16"

866. TX16*

85b. 15incKdiam.

856.

3KxS-

65$-.

15mth diam.

33

THREE-PLY BASSWOOD PANELS EACH STYLE PANEL COMES IN ASSORTED DESIGNS

851.

8tnck<liam.

851.

Sinchdiam.

84

THKEE-PLY BASSWOOD PANELS. CHRISTY DESIGNS. THE CHRISTY GIRLS "IDEAL HEADS'

We have the exclusive right from

Leather these pictures by

Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Wood and Howard Chandler Christy. The copyrights are fully protected

36

THREE-PLY BASSWOOD PANELS, PHOTO. FRAMES, BOXES, BOOK RACKS,

ETC.

THE CHRISTY GIRLS

"

IDEAL HEADS "

We

have the exclusive right from Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Wood and Leather these pictures by Howard Chandler Christy. The copyrights are fully protected

THREE-PLY BASSWOOD PANELS, WITH BORDER STAMPED WITH "CHRISTY" DESIGNS

We have the exclusive right from

Chas. Scribner's Sons to reproduce for Pyrographic Decoration on Leather these pictures by Howard Chandler Christy. The copyrights are fully protected.

Wood and

880

16x20

in.

Design No. 7

880

16x20

in.

Design No. 10

16x20

in.

Design No. 8

16

x 20

in.

Design No.

11

880

16x20

in.

Design No. 9
37

880

16

x 20

in.

Design No. 12

THREE-PLY BASSWOOD PANELS WITH BORDER STAMPED WITH " CHRISTY " DESIGNS

We

have the exclusive right from Chas. Scribner's Sons to reproduce for Pryographic Decoration on Leather these pictures by Howard Chandler Christy. The copyrights are fully protected.

Wood

and

aggl
^
T't, .I.^Cf/,

MM ^.L-KSi!!

Jr

fa
:
.

*.t

./i-.

-aa

880

16

x 20

in.

Design

No

13

880

16x20

in.

Design No. 14

^m
_*_*ft_4.(U*| ft.

16

20

in.

Design No. 15

,0
win; I Boxes can be
No. 566 567
Style

oaun
of these shades:

unea
Brown, Nile Green and Ds
No.
Style

had

satin lined, in

any
No. 681

Blue, Red, Pink,

Style

568 563 570 574 577 578 580


631 678 680

Jewel Box Pin Box Card Box Stud Box Note Paper Box

Ring Box Handkerchief Box


Toilet Collar

Box
and Cuff Box

Bonbon Box Glove Box Glove Box

682 683 684 685 688 689 690 691 692 693

Glove Box Glove Box


Stationery

Box

Lace Box Collar and Cuff Box Handkerchief Box

694 695 696 697 706


773 778 931 952 971

Jewel Box Jewel Box


Tie

Box
chief

Photo Box Glove and Handker-

Box

Work Box
Handkerchief Box Handkerchief Box Jewel Box Jewel Box
38

Pin Box
Collar

Dresser Box aDd Cuff Box

Lace Box Dresser Box

EACH STYLE BOX CAN BE HAD STAMPED IN VARIOUS DESIGNS AND KEY AT AN ADDITIONAL COST ~'

BOXES'CAN BE HAD WITH LOCK


.

.v

ere
Pia Box (with partitions)

688
Handkerchief Box
Otove Box

Wi6j1 in.

6 i 5%

2H

io

UK

i 4'4

x2%

in.

T%

Work Box x b% x SH

691
in.

678

'

Handkerchief Box lii x 6% x 3ki in

Olove Box 12% x W> x 3>s

in.

Handkerchief Box

Lace Box

WiWi SK

in.

Glove Box i 354 11K I

in

10^

i8Hi2M in.

695

Jewel Box
3'i

5 24 in

1254

Photo Box

Necktie Box i j 3H

in

IftiWi 3 in.

683/s
Box 10 x 5H x 2K in.
Stationery
Collar

and Cuff Box

till

Stationery Box (with Lock aDd

Key

in

10H

iSKi

2M

in

39

EACH STYLE BOX CAN BE HAD STAMPED IN VARIOUS DESIGNS. AND KEY AT AN ADDITIONAL COST

BOXES CAN BE HAD WITH LOCK


.

778
Dresser Box 31 i 5 x 3Jin.

580
Collar

9%

and Cuff Box x x 6K

69*
Jewel Cliest (trunk sliape)
7?4

693

"""

x4^x8^ in.

Jewel Chest (trunk shape) x 3 x 3H in.

693 Jewel Chest (trunkshape) 4H * 3K x 2% in.

774 Card and Chip Box (with cards and 200 chips)

660
Glove Box

566
Alpine Jewel Box

12

9 x 3 in.

13^ x4^x2Kin.

6^

x 3% x

1%

in.

Card and Chip Box (without cards and 200 chips)

606
Writing Case (1 inkwell) 11 x 1% x \% in.

Ciffar

613 lock and key) with patented metalFitted

Box (with
'

779
Designed Shirt Waist Boxes (4 sizes)

lined moistener. 10 x B4 i 4 in.

779a

779b
in.

779o
in.

779d
in.

18^ x 9% x 9H

21

11>$

x 11H

24

x 13% x 13H

27

161,

x 16

in.

40

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

706

6^ViaVx3^"
(jbwes

A Handkerchiefs Box.

9V6.

9'xl2-x6"

Combination Box

for gloves, Colters, Cuffs, Handkerchiefs JiBuffons

68a.

s-x-iwxsv

CjloveBox.

931.

8"X8"^6"
&Cuff Box.

95a.

&*.w*w

Lace Box.

Collars

95oXj^F
3*!x3V

951.
p

J'ix3i Three- Ply Basswood Panels

"

3'dum

(?rgar Cabinet
41

956.

isyv x

90% x

6-

Medicine

Cabinet".

BOXES WITH LOCK AND KEY EACH ARTICLE COMES IN ASSORTED DESIGNS

683 a.
684 *-4

Lace Box

697 'A. Photo Box.

Stationery Box.

682X4.

Cjlotfe

Box.

681)4.

Gjlove Box.

696Mi. Xecktie Box.

695>i.

690>4

688 54.
.

Jewel Box.

689*5.

Handkerchief Box.

.Handkerchief Box.

Work Box.

68 5 & Collar and Cuff Box.

6*v TaboureHe

6*5

Tabourette

6*8.

Dutch Stool.

42

THESE STOOLS CAN BE HAD STAMPED IN VARIOUS DESIGNS

STOOLS
(Large Size)
They are shipped knocked down.
939. Stool.

9+0. gtool.

$tool.

STOOLS-fSmall

Size)

No. 643.

12x15

in.

No. 646.

12xl5ir
43

No.

640.

12

15 in.

No. 649.

12

15 in.

EACH STYLE PANEL CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

699
Panel

10jx9j

id

I6l

11 in

6 72

Panel
13 i 10i

Panel

Panel
10J j 9; in

20x13

in

20 1 13 in.

44

EACH STYLE PANEL CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

Pani

I,

22 x 7} iD

669
Panel, 15x11 in
Poel. 16x12 in

Panel, IS x

6^

in

Panel. 15 x

id

Panel. 20 x 14 in.

700
Panel, 15x5K
in.

670
Panel. 16 x 12 in

702
Panel,

Panel, 20 x 14 in

25^

10.

45

EACH STYLE BOOK RACK CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

Book Rack (Stationary) 19^ i 6 in.

Book Rack (Stationary)

Book Rack (Extension)


19Ji i 6
in.

HiSK

in.

6IT

623
x h\i
in.

Book Rack (Stationary)


14

Book Rack (Stationary) 17 x 7 in.

Book Rack (Extension) 15Ji x 5K in.

619

63+
Book Rack
(

Book Rack (Stationary) 17 x 7 in.

17% x

Extension 7 in.

62i
Book Rack (Extension)
19 x 7 in.

46

EACH ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

Pipe Rack (hanging) 16 1 9% i V& in

Pipe Rack (standing)

9J4x7ix2^in.

Pipe Rack (hanging) 16 1 9 In.

769
Vase, 14 1 6 in

Panel
15 inch

diam

T46

Panel, 12 inch diam

768
Vase, 13 x

i%

in.

770
Vase.
11

wZS^
in

16

Panel. 9 in diam.

47

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

666
Card Receiver
6 inch

48

EACH STYLE PLAQUE AND PANEL CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

49

EACH STYLE PLAQUE AND STEIN CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

50

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

815. D

Motto Panel

815. A. Motto Panel

553

815. C.

Kev Thermometer U<4 x 4H in.

Molto Panel

552
Crescent Thermometer
8 x 5?b in.

Fancy Thermometer

16%

s.

7 in.

60S Broom Holder

7%

inch diani.

780

600
Clock Stand

Hanging Clock
Clock Stand
in.

602
Clock Stand

603
Clock Stand

6i4!^i 2J,

14

x i% x Z%

15
in.

5 in.

11% x

5%

Z%

in.

6% x

2 in.

51

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

rS8.

19-X73*.'

3/'

729.

16' x

9-x

3*s*
(Tlocl^

731.
witti

VX10'X3>4"

755.

KYx6-x

r-V

Stand

Worlds.

52

ALL CLOCK STANDS ARE FITTED WITH WORKS

686.

10"

\%'A\

763.

8VX12,'

687.

9 x1S

653.

9'xfl'

655.

10-X7V

S65.

8 x

lo-

5V6.

Pianino Card Box

re*. Pr.

WivTvi?

5V6.

5'xrexjv

765.

9'

x (3"

Cloc)^

^tand

Playinp Card Box

Clocl^^-t-and

53

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

629
Double Shelf Bracket. 16 x I2J4 x
T'j in

Shelf

1S)$ 1

3^

in

Plate

64+ Rack 26> 1

t l 2 in

743
Stein Rack and Shelf

20 x

7%

in

Tie or Towel Rick. 21 x 9 in

Tie or Towel Rack. 21 x 9 in

Shelf. 20

1M

in.

54

EACH STYLE ARTICLE CAN BE HAD STAMPED

IX

VARIOUS DESIGN'S

17* X 6"

6
Y18.

Telegram Case.

9W
Necktie Rack.

6H

V*

6'

705.

759.

Book Sfeind.

I3'x74-

Traoj.

7Vx3/2

T ray.

ion.' x

5Vi-

714.

Telephone

Register.

IV X

6"

T15.

Plate Rack.

36" X

18"

J^larm Clock Stand.


10/1

5?x'

55

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

Stein

734 Rack and Shelf

735
Stein Rack and Shelf

19U11

in.

Stein Rack and Shelf 18i x 9J in.

6T1 Panel Bracket


19} x 3; in

Stein

Rack and Shelf 14x16 in.

73 7
Stein

Rack and Shelf 31 x 15 in.

56

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

802
Bracket and Cab Frame (3 openings)
15 x 9 in

641

Waste Basket-knocked donJ


13?4 s 8!j in

803
Bracket and Cab Frame (3 openings) 18 i 9 in.

64-3

615

Waste Basket
18 x
9J. in

Waste Basket
13 x

Waste Basket

(laced)

9%

9%

in.

18 x 9'* in.

knocked down)

Knocked down)

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS

587.

kadies' Wat

Brush.

WiMWr
Ladies' Hat
finish

565.

59V.

Crecent riat Brush.


Ha-T

Brush.
591.

8*5.

PaddU

.Military Brush..

sao.

Envelope and Stamp Bo<-

570.

Note Paper Box.

70V.

Inksland.

5"X5V
623 N.
Book Rack
(Extension) 16-

5V *
578.

letter Rack.

Ladies Toilet Box.

6-

9>i"

xj-

579. SVxS.Ash Receiver.

639.
Photograph Holder.

fx3'
ria.
Folding Checker Board.
13-X15*

7(3.

Checker Board.
iB-ma

58

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

573
Hair Receiver 5 x 5 x 2 in.
8io

574

Hatch Box Stan J 3 I 2; x 2;

Ring Holder
3; x 3; x 21 in.

637
Military Brush

ST 5 Knicknack Receiver
3} x 3J x 2 in.

Trinket Stand
4

x 3J x

3; in.

5T2
Loving Cup 4} x 3V in.

5T6
Clover Match Holder o'lx'BJx lfin.

781

Thermometer

res

Match Holder 10 x 41 in.

789

Match Holder
9

x 4

in.

11

721 Candlestick inch high

841.

Candlestaod
5

x 31

in.

Mirror (French plate 41 inch

Mirror (French plate glass) 4 inch

59

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN VARIOUS DESIGNS

Magazine Stand 11% x 9^x8 in.

560
Smoking Set

628
Magazine Stand 115x92Sx8in.

844

6*3.

Napkin Ring

Napkin Ring

1% x 5^x4

in.

Fancy Key Rack 16 x 1% in.

Photo Rack 7Hx5Mx44in.

Key Rack
15>

x 4J

in-

Stationery

Rack and Inkstand


in.

Stationery Rack (3 spaced 10x7*ix45<; in.

7%x9?4x5 34

772

Crumb Brush

6a5
Stationery Rack (2 spaced) 9K x 7 x ZH in.

784
Tray

7x3

in.

Desk Pad 16,^x12 in.

fiO

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

r
5^x4 in
568 Card Box 4& s ZH. x 2 in.
Pin Tray
4 in. diameter

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

Envelope Stand

(2

spaced

8x35gx3ln.

750
Card Stand
(4 spaced)

8x3^x3in

Brush Rack 18x7)4 in.

S84
Inkstand
(2 ink wells)
in.

8Kx0x2)

730
Ping Pong Bat
771

Brush Rack

682
Antique Stamp Case
5x

Stamp House Log Cabin)


(

I0j^x5

in

583
Octagonal Bonbon Dish 7 inch

3^x2)4x2in.

3^ .%%

in

Octagonal Nut Bowl 7 inch

723
Nut Bowl 7 inch diam

724
Bowl (with cover
7 inch diam.
J

T9a Calendar and Inkstand

776

777

Stamp Box

(2 spaced)
in.

1% x5in.

3x2x1%

Stamp Box

4x2x

(3 spaced) Vii in.

Paper Cutter

12x2)4

in.

597

736
Cradle Blotter
5 x

S98
Paper Cutter 9 inch
Paper Cutter
9 inch

Paper Cutter
9 inch

1%

in

62

EACH STYLE ARTICLE CAN BE UAD STAMPED

IN

VARIOUS DESIGNS

89a. 7 inch diam Atalch Holder

IB^Ifj
893. 54"

^m
897.

896. 8'AIX,

Japanese Ioampions Frames.

8'X12"

X6'
Postal Card

Stamp and
898.
-10"

Box

diam.

"Wall .Mirror.

698.

6>4-

x ia&" tetter rjack

89V^.

6'x9/*"
Score

895.

6'X.10y*'

Whist

Pad.

Engagement Pad

683. 15%' X 9&'

Waste Basket.

Knocked

Awi.

63

EACII STYLE ARTICLE

CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

8V9
(3"x37'

closed

Iqarge

Xandolia.

Playing Card and ChipJBox.


R4

wrf/i

x pack, cards and

S.00

chips)

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN

921.
29' X 18 inch
(Telia rette

922.
30' x 28 inch

Combination Chair
and Table.

93r.
15'

x aHliruh. Foot Sl-ool

(Folding)

920.

Smokers Cabinet.

aoincli

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN

w <^,'W^
:

9V3

W*Zf

(Frenthptali glass

'<)
Frames

Three-Ply Basswood Mirror

<M>vsic

Stand
_o_

(Folding.)

91^
tf x ibViindi

Book Sf"and
9*5
Three-Ply
944..
I8'i" 18'1' (Frenth plate glass

JOi'xiOV

(FmichplatJ glass

B)

Basswood

Mirror-

wilh

Frames hat Hooks

wxto:)

Three- Ply

Basswood Mirror Frames.

>lusic Sfand

.'Vf

EACH STYLE ARTICLE CAN BE HAD STAMPED IX VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN

953965.

Vx8Vx6V
(300 Chips

xio'xt* hipoK.

(fir doo chips

Lzpitkcsnk^

Chip Bo*. & * PackCards^

761. ChipBox. (formchipiktpiska^i\

WxWxS:

35*. 5-*7Vxv. C/hipBmfttrMockipi&tp&ikcads)

966.

46'x+o -

Jiaii Chair.

963so-

/+.'

'x3l
968.

Writing X>esk

9'xS8' Umbrella Stand..

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES ARE SHIPPED KNOCKED DOWN

92^.

80 'X 16 inch

Table.
a^lrm -Chair,

936.
36"

ia-jnfli

Umbrella Stand.
69

EACH STYLE ARTICLE CAN BE HAD STAMPED IN VARIOUS DESIGNS ALL FURNITURE PIECES_AEE SHIPPED KNOCKED DOWN

sea.
3*:'x*t5mdv

Old Duhch Chair.

EACH STYLE ARTICLE CAN BE HAD STAMPED

IN

VARIOUS DESIGNS

971."

*-'x 5' x 31*

Bresser Box. fvHhihree-plytop.)

960.

wx 6 w x ev

Shaving >et.

156. *&'x6Vx8 i' %fpox.


)

(fu-Mekipi&ipack cards)

969.

/+*xr 53

Three-plyTrame mlkPictun.

96j.+vx6vxtf jeJhaving&et.

M ^^
8Hill3SII
969. 6'X8'.

s^s^ys

-5m\

Three-ply Tfame with Picture.

96%.

x 64' x 6%* jShavinfMei'.

B+8.
<Sord Box

B
886. 3'x+ya;

cMfiM ^W.

973. 5' x ' Candlestick.

9i3.

1*'x2Vx+*^

Jdesfc.
19'x 36'

oMv&ie Stand.

71

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