Escoda

es since h s u r b g in k a m f o The art
1933
ESCODA SABATS, S.A. BRUSHMAKERS FOR THE FINE ARTS, COSMETIC AND PROFESSIONAL INDUSTRIES C/ Joaqun Costa, 47-57 08206 SABADELL (Barcelona) Spain Tels. +34 93 726 21 83 +34 93 726 32 19 Fax +34 93 725 67 52 Email: info@escoda.com
ANSI RAB
QMS
www.escoda.com
Index
Page
Page
A eulogy to the brush A family business Our hands, our tools The team at Escoda Sabats Solidarity Where are we located Our web site Presence at trade fairs Symbols on the catalogue Select the Escoda brush
3 4 6 7 7 8 8 9 9 10
Fine hair brushes for watercolor Synthetic fibers brushes for watercolor Mottlers Brush for use in food preparation Brushes for oil in fine hair Brushes for oil and acrylics in fine hairs Synthetic fibers brushes for oil and acrylics White bristle brushes for oil and acrylics Fan brushes Ceramic and porcelain brushes Filleting and lettering brushes Gilding brushes To soften, blend and stenciling brushes Brushes for decoration Flat brushes for decoration Bags, cases and boxes with brushes Bags, cases and boxes, empty
12 14 16 16 18 20 22 24 25 26 27 27 28 30 31 32 33
A eulogy to the brush

(Lope de Vega)
rush, if in a small vessel You are a valiant competitor Of Nature, make yourself Art and Owner of all that lives and feels. Through you the fleeting present That barely glimpses the past, Fleeing from life impassioned Communicates and addresses it face to face. In you is placed Of what absence and time leave no trace. You encourage hope And with colour hearten her When what she seeks, you depict. And you pass the vision Of flattering Faith That blindly moves speedy plants Away from her belief and yearning With holy images With Charity she acts In the deity that your skill imitates. To you the eyes owe The power to enjoy Mixed presents and remains. Yours is the glory and the remains, From your slender tip, you create All as the sun from the soil And all as the days And all that heaven brings and retains.
ESCODA BRUSHES, HANDMADE ESPECIALLY FOR YOU

"A sensitive heart, a good eye, a skilled hand and the best brush" With these choice words, the great German artist Anselm Feuerbach (1829-1880) defined the three virtues and requirements that all artists must possess. A LONG-STANDING TRADITION The Escoda family have been brush makers for 70 years. Our commitment is based on the conviction that the modest brush is as important to the artist as the chisel to the sculptor or the pen to the writer. We produce brushes regardless of the time it takes to do so or the cost of the materials used. We only know that this artist's tool must respond to perfection. Possibly thanks to tenacity and total dedication, this third generation of our family has successfully achieved the Quality Certificate UNE EN-ISO 9001/00. We are the first brush makers in Europe to have received this prestigious recognition. This is a hard earned award as the brushes are individually made by hand, in order to achieve an excellent end-product much appreciated by professionals who consider them to be among the best brushes in the world.
A family business
FINE HAIR, BRISTLES AND SYNTHETIC FIBERS Escoda uses all kinds of animal hairs from the sable or Russian squirrel, the European ox, the badger and Chinese hogs, the North American polecat, the Indian mongoose or the Mongolian pony. Synthetic fibers, such as Toray, Tame, Takatsu, Teijin, Tadami or Tekady, come in a wide range of colors, imitations and durability. In short, the finest raw materials available and the best prepared, without compromise and no blends and no mixes. The head of the brush With the aid of small moulds, string and fingernails, Escodas expert brush-making hands bring the most important part of the brush to life: the tuft. Different shapes and thicknesses are created according to artists' requirements. The root This part is attached to the skin of the animal or end of the fiber. It lies hidden inside the ferrule, but is just as important as the visible part. Glue is deposited in the root to ensure the perfect bonding of the two parts. Ferrule Essential for a good brush. It holds the hair, bristle or fiber at one end and the handle at the other. A quality ferrule is made of brass and determines the brush number and shape, either round or flat. It may be plated in nickel or 14-carat gold. 4
Crimp A design exclusive to Escoda which sets it apart from other brands. The triple crimping ensures that the ferrule and the handle are perfectly interlocked. Handle Handles are made from the light-weight wood of birch or ramin that never warps and covered in up to five layers of nitrocellulose varnish, allowing the natural wood grain to show through. Our brand offers handles in a wide variety of colours and perfectly finished. Choose from mahogany, blue, green, burgundy, mustard, brown, clear, black, red and grey (the last two also combined with a black end stripe). The handle supports the tip of the brush and assists the artist in manipulation. Engraved on the handle are the number, logo, trademark, reference number and manufacturing country. A world of information in an improbable curved space. The end of a long process After an average of around ten to twelve mostly manual operations, the brush is ready for the artist to begin work. However, the final stage in this process is exclusive to Escoda. Every brush receives this special curing treatment to ensure that the tuft keeps its shape, increasing its spring and recovery; and this applies to fine hair, bristle or synthetic fibers. This operation is exclusively ours and is unknown to any other manufacturer in the world.
FINE HAIR AND BRISTLE. NATURAL MATERIALS The most important part of the brush is the tuft. Made from the hair of certain animals, it is thoroughly boiled, to ensure that it is clean and sterile, then it is classified and prepared according to length. These hairs offer certain qualities that cannot be found in any artificial material. And there are also considerable differences between them, so that brushes can be produced for all kinds of painting techniques. The most important types of fiber and hairs are given below. Kolinsky sable. This is the hair par excellence. It is extracted from the tail for its incredible springiness. Shiny light brown in colour, it stipples perfectly and has an incredible capacity for retaining liquids. Given its characteristics, it can be used for both oil and watercolour. For specific series, Escoda uses the highly valued Tajmyr variety, from north Western Siberia.
FIBERS. ARTIFICIAL MATERIALS Around 30 years ago, Japan created the first synthetic polymers or artificial monofilaments, made especially for fine art brushes". With no hesitation whatsoever, Escoda threw itself into the unknown believing that it might be good for painting. Fully aware of the professional craftsmanship of our brushmakers, production began on brushes made from artificial materials, hitherto unknown. Added to this were two unusual features: the tip of the fiber was tapered and conical. Its name: Toray. Despite the initial reticence of artists towards using a synthetic fibers, it soon became clear that this new "hair" responded well. It was springy, stippled perfectly, absorbed liquid easily and was often more durable than animal hair. Now 30 years later, we use six different types of artificial fibers that combine diameters, conical shapes and colours and enable us to cover the entire range of pictorial techniques. Below is an analysis of the features of the six Ts, from the softest to the stiffest: White or gold Toray. Both highly suitable for gouache and watercolour. The somewhat higher consistency of gold Toray makes it ideal for working with acrylics or oils with low viscosity. Gold or black Tame. Sophistication taken to the highest level. A perfect imitation of the marten's natural colouring. A shiny light brown "belly", which gradually darkens towards the tip. The one in black is also a good imitation of the genet.
Petit Gris. This is taken from the tail of squirrels from the Kazan region, 600 km to the east of Moscow. It is shiny dark blue and the softest of all the fine hairs. Due to its low viscosity, it holds water perfectly. It stipples to perfection and has just the right flexibility, making it ideal for watercolour, ceramics and porcelain, in particular. Ox. The hair is taken from inside the ear of this animal. It may have been used for cave painting by Paleolithic Man and, in all probability, by Egyptian artists to decorate the interior of the tombs of the Pharaohs. Not particularly good for stippling, it does hold watercolour, synthetic and light oil well. Ox-ear hair can be found all over the world, but the best is undoubtedly the European light brown. The black or dun-coloured ox is not so well appreciated. Polecat. This prolific animal lives in extremely cold areas. It has a short tail and, like the sable, belongs to the mustelid family. The hair is greyish-black, tough and quite springy. However, a round brush doesn't stipple well. Pony. Taken from the belly and back, it is very dark or black, shiny and smooth, but has little spring. Highly suitable for watercolour and cosmetics. Bristle. This raw material is the most frequently used and fortunately the most abundant. It is essentially taken from the hog's back. It is very springy and has a curiously forked tip. This feature enables it to move smoothly across the canvas, with the advantage that it spreads colour in a uniform fashion. Ideal for painting in oil and acrylics, for decorating walls or for enamelling and varnishing wood.
Takatsu. This filament comes in three tones. It has a broad yellowish base and a dark "belly", which ends in an extremely fine, white tip. The mixture of diameters, in a difficult balance, make it ideal for oil, acrylics or watercolour. It has a consistency midway between Toray and Teijin fibers. Tadami. A special fiber that is a true imitation of mongoose hair. Most of the belly is made up of light and dark narrow strips, followed by a yellowish part, ending in a dark tip. A marvelous piece of camouflage and mongoose imitation. It has a similar response to Teijin. Teijin. This fibre is dark burgundy, with filaments of up to 0.14 mm thick and was conceived for acrylics and thick oils or for painting on cotton and silk. It is highly resistant to thinners. The round shape, whether in large or small sizes, permits the same precise control as brushes of fine hair. Tekady. 0.20 mm fibre. Yellowy-white. An almost perfect imitation of hog bristle and with a tip that is split. Good consistency and stiffness, it invariably leaves the stroke on the canvas. Certainly only good for oil painting.
OUR HANDS, OUR TOOLS

No machine can produce a quality paintbrush. It is paradoxical that mankind has created machines to explore space, but not for brushmaking. So we are left with our skilled hands, true marvels of evolution. Palaeoanthropologists Arzuaga and Carbonell, directors of the famous Atapuerca settlement in Burgos, Spain, tell us in their books that the anatomical transformation of the hand from the early primates, who were forced to come down from the trees and become the first hominids, was a key factor in the subsequent appearance of the homo sapiens. For this reason, the primitive men who lived in the Altamira, Caus and Lascaux caves, in the Magdalenian period of the upper Palaeolithic, around 15000 years ago, decorated the walls of their dwellings. To do this, they used animal hair brushes, probably highly rudimentary, but brushes all the same. When referring to cave art, Picasso stated: "Since Altamira, art has been nothing but pure decadence". In all certainty, those brushes were made by the hands of the artist who created those cave paintings - hands exactly the same as ours. Today at the beginning of the twenty-first century, we still need our hands to obtain a quality brush. Both craftsmen and craftswomen resort to using their fingernails, string, a comb, some sharp scissors and their own dexterity to produce a brush. Often classified as a modest tool, without this brilliant invention, the masterpieces that have documented the cultural development of mankind would be unthinkable.
THE TEAM AT ESCODA SABATS
After many years of practice and experience, forty professionals, with an average age of about 36, have become real experts in their respective specialties. When the goods arrive, final approval is given by a specialist or a group of up to 18 specialists. Then, the brushmakers take over. Using their hands and fingernails and with incredible determination, they manage to mould the tuft of animal hair or synthetic materials into different shapes and thicknesses, inserting it into the ferrules - the most
complicated part of the operation. Several stages follow: gluing, handle marking and ferrule assembly, involving grooving, pinching, flattening and checking. Finally the cap is put in place and the brushes are bagged and stored. Orders are prepared and dispatched. Everyone works together to ensure that the small miracle of producing a brush is accomplished flawlessly.
SOLIDARITY
Art knows no boundaries, not even economic ones. It was Schopenhauer who dared to say: "Art frees the human being from pain and desire". For this reason at Escoda Sabats, any brush that does not comply with our demanding quality controls (the company holds the Quality Certificate ISO 9001) are given away to charities for the disabled, and to penitentiaries. Similarly, Escoda brushes can be found at numerous NGO's in Livingstone (Guatemala), Uyuni (Bolivia), Cotopaxi (Ecuador), Dakar (Senegal) or at the Fine Arts Faculty in Havana (Cuba). So any brushes with tiny production defects that can't be sold are given good use by little boys and girls, men and women and the elderly at difficult and solitary times in their lives. This is the part that gives us great pleasure.
WHERE ARE WE LOCATED

The factory is located in an industrial area of Sabadell just 25 kms from Barcelona. It is 1.500 m2 and as our production requirements grow we have plans to expand the facility to 2.000 m2 in the very near future. Brushes have been manufactured here since 1949 and it is very likely that over 75,000,000 perfectly finished products have been dispatched for use in painting. Sabadell is the capital of the Valls Occidental region and has a population of nearly 200,000. The activity of this essentially industrial centre was spearheaded by the textile industry for many years though diversification is now the order of the day, ranging from sheep's wool, metallurgy, wood, plastics, chemicals and the service industry. And paintbrushes have been produced since 1933, when the only sound heard by Sabadell's 25,000 inhabitants was the deafening sound of the textile mills and the grinding of the mule self-actors.*
* The old name for spinning jennies.
SABADELL
BARCELONA
OUR WEB SITE
PRESENCE AT TRADE FAIRS

Escoda Sabats proudly manufactures all its brushes in Spain, which is why it is equally proud to attend the most important trade fairs in the sector to advertise its products. As a founding member of AIBA (Association of Fine Art Industries), Escoda Sabats has always taken part in special exhibitions held by the association in Madrid, Seville, Santiago, Bilbao and Barcelona. The company has also been present at numerous trade fairs both nationally - Dipa, in Valencia, Grafos and Manual in Madrid - and internationally - the SMAC in Paris and for the past 14 years consecutively at Premiere-Frankfurt and NAMTA in the united states, USA. Such a personal and economic effort has not been in vain. Today, this unique Fine Arts brush factory, the oldest in Spain, exports 30% of the brushes it produces. This is a challenging part of our business which we will continue.
SYMBOLS ON THE CATALOGUE

Size 2/0 0 1 2 4 6 9 Diameter Width Thick Length
REVIEW THIS INFORMATION TO HELP SELECT THE BEST ESCODA BRUSH

IMAGES OF THE SHAPES DESCRIPTION NATURAL HAIRS
Kolinsky Sable, Light and Black Ox, Polecat, Mongoose and White Chungking Bristle Kolinsky Sable, Light and Black Ox, Polecat, Mongoose and White Chungking Bristle Pony, Kolinsky Sable, Squirrel, Light and Black Ox, Polecat, Mongoose, White and Natural Chungking Bristle Kolinsky Sable and Light Ox White & Gold Toray Light Ox
SYNTHETIC HAIRS
White & Gold Toray, Gold & Black Tame, Teijin, Tekady, Takatsu and Tadami
USAGE
Watercolor, Oil and Acrylic 1316 1460 3116 2712 4628 1510 2820 3926 4160 4535 1004 1212 1927 1975 3419 2511 5131 1616 1490 3317 3050 4829 1500 2813 2632 4525 4929 1105 1214 1430 5506 3520 3075 5231
SERIES
1995 1950 3622 4050 4636 1461 3016 2612 4528 7040 1125 1215 1410 5513 3825 4075 7141 1532 2920 4026 4150 1491 3217 3060 4729 1208 1619 1462 2420 4127 4175 1512 2913 2732 4625 1960 3724 4060 5030 1210 1820 1492 2410 2531 5125
Bright and Flat
Filbert in Standard, Long and Extra Long length
Watercolor, Oil and Acrylic
Round in Short and Standard length
Watercolor, Oil and Acrylic
Round with an elongated tip Angular Flat ferrule, Filbert and Flat shape, Long length
For Retouching For Special Effects For Lettering For Lettering For Filleting For Soft Blending and Textural Effects For Ceramic and Porcelain For Ceramic and Porcelain. For Stenciling For Gilding
1310 1719 1570 1580 6218 6318 6421 6521 6115
Round ferrule, Round and Light Ox Flat shape, Long length Round ferrule, Flat shape, Extra Long length Light Ox
Fan
Badger and White Chungking Bristle
White & Gold Toray
4233 4237 4338 5337
Round, slanting tip Round ferrule, Flat shape, Short length Round domed shape
Squirrel and Polecat Squirrel and White Chungking Bristle Squirrel, Pony and Polecat Squirrel and Pony
5707 5808 5606 7020 5909 5913 5929 5934 6014
Gilder tip
For Gilding For Imitation Effects Gold Toray and Teijin Mottlers Used in Food Preparation For Special Effects
6633 6733
Softener
Badger Squirrel, Pony, Light Ox and White Chungking Bristle
6835 2032 2132 2234 2336 2350 2360 2370 2380 8135 8155
Flat Brushes
White Chungking Bristle White and Natural Chungking Bristle
Round Brushes
Natural Chungking Bristle
Decorative
7542 7643 7744
Radiator Flat Brush Simple, Double and Triple Flat brush. Also for Edges in a short handle
Natural Chungking Bristle Natural Chungking Bristle
Decorative
8045
Decorative
8146 8247 8348 8448
10
WATERCOLOR
A combination of water and pigments that reaches out to light and transparency. These features are peculiar to WATERCOLOR.
FINE HAIR BRUSHES FOR WATERCOLOR

Round pointed Nickeled brass Short walnut color
SCALE 1:1
1004
Pony school
2/0
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 30
16
18
20
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18
9.7 12.0 14.1 34 38 42
Round pointed
Nickeled brass
Short red color
1105
Pony
3/0 2/0 0.5 6
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18
9.7 12.0 14.1 15.6 17.0 34 38 43 47 50
Round pointed
Nickeled brass
Short red color
1125
Squirrel
3/0 2/0 0.5 5
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 30
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 6 7 9 12 15 18
9.7 12.0 14.1 15.6 17.0 33 36 40 44 48
Short round pointed
Nickeled brass
Short blue color
1208
Kolinsky Sable
2/0
8 4.4 14
10 5.7 16
0.8 0.95 1.43 2.02 2.82 3.6 4 5 6 8 10 12
Round pointed
Nickeled brass
Short blue color
1210
Kolinsky Sable
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 32
16
18
20
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19
9.7 12.0 14.1 35 38 41
Round pointed
Golden brass
Short burgundy color
1212
Kolinsky-Tajmyr Sable
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 32
16
18
20
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19
9.7 12.0 14.1 35 38 41
Round pointed
Golden brass
Short black color
1214
8 4.4 22
10 5.7 25
12 6.9 28
2.02 2.82 3.6 13 16 19
Round pointed
Nickeled brass
Short black color
1215
Kolinsky Sable
8 4.4 22
10 5.7 25
12 6.9 28
2.02 2.82 3.6 13 16 19
12
Round central pointed tip
Nickeled brass
Short blue color
1310
Kolinsky Sable
8 4.4 25
10 5.7 28
12 6.9 31
14 8.2 35
16 9.7 38
2.02 2.82 3.6 16 19 22
Bright
Nickeled brass
Short blue color
1316
Kolinsky Sable
1/2-12 3/4-16 1-20 14 20 18.5 25 25 30
Bright
Nickeled brass
Short red color
1616
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 16 18 20 23 26 29 33
Round pointed
Nickeled brass
Short red color
1619
Light ear Ox
3/0 2/0 0.5 6
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 30
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18
9.7 12.0 14.1 15.6 17.0 34 38 43 48 52
Round central pointed tip
Nickeled brass
Short red color
1719
Light ear Ox
8 4.4 25
10 5.7 28
12 6.9 31
14 8.2 35
16 9.7 38
2.02 2.82 3.6 16 19 22
Round pointed
Nickeled brass
Short red color
1820
Black ear Ox
3/0 2/0 0.5 6
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18
9.7 12.0 14.1 15.6 17.0 34 38 43 48 52
Round pointed
Nickeled brass
Short red color
1927
Mongoose
3/0 2/0 0.5 7
8 4.4 24
10 5.7 27
12 6.9 30
14 8.2 33
16 9.7 36
0.8 0.95 1.43 2.02 2.82 3.6 8 9 11 14 17 21
Bright
Nickeled brass
Short walnut color
1995
Chungking white bristle
10
12
14
16
18
20
22
24
1.10 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 20.2 23.1 24.5 13 15 17 19 21 24 27 30
13
Escoda Original
22/11/05
15:44
Pgina 14
SYNTHETIC FIBERS BRUSHES FOR WATERCOLOR

Bright Nickeled brass Short grey color
SCALE 1:1
1532
Toray white fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Filbert
Nickeled brass
Short grey color
1510
Toray white fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 29 32 36
Round pointed
Nickeled brass
Short grey color
1430
Toray white fiber
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 21
10 5.7 25
12 6.9 28
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 18
9.7 12.0 14.1 15.6 35 39 43 46
Bright
Nickeled brass
Short green color
1512
Toray gold fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Filbert
Nickeled brass
Short green color
1500
Toray gold fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 29 32 36
Round pointed
Nickeled brass
Short green color
1410
Toray gold fiber
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 20
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 35 39 43 46
Angular
Nickeled brass
Short green color
1570
Toray gold fiber
10
12
14
16
4.81 6.1 8.0 9.04 11.56 13.9 6/8 7/10 8/12 9/14 11/16 14/19
Angular
Nickeled brass
Short grey color
1580
Toray white fiber
10
12
14
16
4.81 6.1 8.0 9.04 11.56 13.9 6/8 7/10 8/12 9/14 11/16 14/19
Bright
Nickeled brass
1460
Tame fiber, Sable imitation 14
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Escoda Original
22/11/05
15:44
Pgina 15
Filbert
Nickeled brass
1461
Tame fiber, Sable imitation
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 29 32 36
Round pointed
Nickeled brass
1462
Tame fiber, Sable imitation
3/0 2/0 0.5 6
8 4.4 20
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 35 39 43 46
Bright
Nickeled brass
Short red color
1490
Tame fiber, Genet imitation
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Filbert
Nickeled brass
Short red color
1491
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 29 32 36
Round pointed
Nickeled brass
Short red color
1492
3/0 2/0 0.5 6
8 4.4 20
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 35 39 43 46
Bright
Nickeled brass
Short black color
1950
Teijin fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 23 26 29 33
Filbert
Nickeled brass
Short black color
1960
Teijin fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 10 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 17 20 23 25 29 32 35
Round pointed
Nickeled brass
Short black color
1975
Teijin fiber 15
3/0 2/0 0.5 6
8 4.4 20
10 5.7 23
12 6.9 26
14 8.2 30
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 34 38 42 45
MOTTLERS
Stainless steel Matt varnished wood
SCALE 1:2
2032
Squirrel
12
15
18
21
24
27
30
Stainless steel
Matt varnished wood
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 26 28 30 32 34 36 38 40
2132
Pony
12
15
18
21
24
27
30
Stainless steel
Matt varnished wood
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 24 27 30 33 35 38 41 45
2234
Light ear Ox
12
15
18
21
24
27
30
Stainless steel
Matt varnished wood
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 24 27 30 33 35 38 41 45
2336
Toray gold fiber
12
15
18
21
24
27
30
Stainless steel
Matt varnished wood
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 24 27 30 32 34 36 38 40
2350
Teijin fiber
12
15
18
21
24
27
30
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 24 27 30 32 34 36 38 40
Stainless steel
Matt varnished wood
2360
Chungking white bristle, medium lenght

Stainless steel Matt varnished wood
12
15
18
21
24
27
30
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 31 33 37 40 44 46 49 54
2370
Chungking white bristle, short lenght
12
15
18
21
24
27
30
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 22 24 26 28 30 32 35 38
BRUSH FOR USE IN FOOD PREPARATION

Plastic white Plain wood without varnish
2380
30
40
50
60
70
29.1 39.3 48.5 58.5 68.7 12.5 12.7 12.7 13.5 13.5 45 50 56 61 66
16
OIL AND ACRYLICS

Taking pleasure in the plastic arts of the world in combinations of colour and form, the rhythmic brushstroke and the geometric metaphor in the drawing. This is the technique of painting in OILS. A small artist may also see it like this.
BRUSHES FOR OIL IN FINE HAIR
SCALE 1:1
2820
2420
Hair: Round pointed Ferrule: Golden brass Handle: Long grafilo brown color
Hair: Filbert Ferrule: Golden brass Handle: Long grafilo brown color
# 0 1 2 4 6 8 10 12 14 16 18 20
1.1 1.66 2.45 3.87 4.81 6.1 8.0 9.04 11.56 13.9 17.1 19.7 7 8 9 10 12 14 16 18 20 22 25 28
2920
Hair: Bright Ferrule: Golden brass Handle: Long grafilo brown color
5/0 4/0 3/0 2/0
10
12
14
16
18
20
10
12
14
16
18
20
0.5 0.5 0.5 0.8 0.95 1.43 2.02 2.82 3.6 4.4 5.7 6.9 8.2 9.7 12.0 14.1 4 5 6 7 8 10 13 17 20 22 25 28 32 35 38 41
1.1 1.66 2.45 3.87 4.81 6.1 8.0 9.04 11.56 13.9 17.1 19.7 5 6 7 8 9 11 13 15 17 19 22 25
18
19
BRUSHES FOR OIL AND ACRYLICS IN FINE HAIRS

Round pointed Nickeled brass Long blue color
SCALE 1:1
2410
Kolinsky Sable
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 32
16
18
20
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 17 20
9.7 12.0 14.1 35 38 41
Filbert
Nickeled brass
Long blue color
2813
Kolinsky Sable
10
12
14
16
18
20
1.1 1.66 2.45 3.87 4.81 6.1 7 8 9 10 12 14
8.0 9.04 11.56 13.9 17.1 19.7 16 18 20 22 25 28
Bright
Nickeled brass
Long blue color
2913
Kolinsky Sable
10
12
14
16
18
20
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 13 15 17 19 22 23
Filbert
Nickeled brass
Long red color
3016
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 16 18 20 22 25 28 32 36
Bright
Nickeled brass
Long red color
3116
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 16 18 20 23 26 29 33
Long filbert
Nickeled brass
Long red color
3217
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 8 9 10 12 14 17
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 20 23 26 29 31 34 38 42
Flat
Nickeled brass
Long red color
3317
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 7 8 9 11 13 16
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 18 21 25 28 30 33 37 41
Round pointed
Nickeled brass
Long red color
3419
Light ear Ox
3/0 2/0 0.5 6
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 31
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19
9.7 12.0 14.1 15.6 17.0 34 38 43 48 52
20
Round pointed
Nickeled brass
Long red color
3520
Black ear Ox
3/0 2/0 0.5 6
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 31
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19
9.7 12.0 14.1 15.6 17.0 34 38 43 48 52
Bright
Nickeled brass
Long red color
3622
Polecat
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 21 23 27 30
Filbert
Nickeled brass
Long red color
3724
Polecat
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 8 9 10 13 15 18
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 20 22 24 26 30 33 36 40
Round pointed
Nickeled brass
Long red color
3825
Polecat
2/0
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 32
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 8 9 11 14 17 19
9.7 12.0 14.1 15.6 17.0 35 39 44 47 50
Filbert
Nickeled brass
Long red color
3926
Mongoose
10
12
14
16
1.1 1.66 2.45 3.87 4.81 6.1 7 9 11 13 15 18
8.0 9.04 11.56 13.9 21 23 26 30
Bright
Nickeled brass
Long red color
4026
Mongoose
10
12
14
16
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 10 12
8.0 9.04 11.56 13.9 14 16 18 20
Round pointed
Nickeled brass
Long red color
4127
Mongoose
3/0 2/0 0.5 7
8 4.4 24
10 5.7 27
12 6.9 30
14 8.2 33
16 9.7 36
0.8 0.95 1.43 2.02 2.82 3.6 8 9 11 14 17 21
21
Escoda Original
22/11/05
15:45
Pgina 22
SYNTHETIC FIBERS BRUSHES FOR OIL AND ACRYLICS

Bright Nickeled brass Long grey color
SCALE 1:1
2732
Toray white fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Filbert
Nickeled brass
Long grey color
2632
Toray white fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 25 28 31
Round pointed
Nickeled brass
Long grey color
2531
Toray white fiber
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 21
10 5.7 25
12 6.9 28
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 18
9.7 12.0 14.1 15.6 35 39 43 46
Bright
Nickeled brass
Long green color
2712
Toray gold fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 22 25 28 31
Filbert
Nickeled brass
Long green color
2612
Toray gold fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 10 11 13
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 15 17 20 23 26 29 32 36
Round pointed
Nickeled brass
Long green color
2511
Toray gold fiber
5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6
8 4.4 20
10 5.7 24
12 6.9 27
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 35 39 43 46
Bright
Nickeled brass
Long red- black color tip
3050
Takatsu fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 23 26 29 33
Filbert
Nickeled brass
3060
Takatsu fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 19 23 26 29 33
Round pointed
Nickeled brass
3075
Takatsu fiber
3/0 2/0 0.5 6
8 4.4 20
10 5.7 23
12 6.9 26
14 8.2 29
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 32 38 42 46
22
Escoda Original
22/11/05
15:46
Pgina 23
Bright
Nickeled brass
Long grey - black color tip
4050
Tadami fiber, Mongoose imitation

Filbert Nickeled brass
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 13 15 17 20 23 26 29 32
4060

Round pointed Nickeled brass
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 10 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 17 20 23 26 29 32 35
4075

Bright Nickeled brass
3/0 2/0 0.5 6
8 4.4 20
10 5.7 23
12 6.9 26
14 8.2 29
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 17
9.7 12.0 14.1 15.6 32 38 42 46
Long black color
4150
Teijin fiber
10
12
14
16
18
20
22
24
26
28
30
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 26.51 28.84 35.46 13 15 17 19 23 26 29 33 36 39 45
Filbert
Nickeled brass
Long black color
4160
Teijin fiber
10
12
14
16
18
20
22
24
26
28
30
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 10 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 25.51 28.84 35.46 14 17 20 23 25 29 32 35 40 44 48
Round pointed
Nickeled brass
Long black color
4175
Teijin fiber
3/0 2/0 0.5 6
8 4.4 20
10 5.7 23
12 6.9 26
14 8.2 30
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 9 12 15 17
9.7 12.0 14.1 15.6 34 38 42 45
Filbert
Nickeled brass
Long mustard color
4525
Tekady fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 11 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 16 18 20 23 26 29 32
Bright
Nickeled brass
Long mustard color
4625
Tekady fiber
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 11 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 16 18 20 23 26 28 30
Round pointed
Nickeled brass
Long mustard color
5125
Tekady fiber
2/0
8 4.4 22
10 5.7 25
12 6.9 28
14 8.2 31
16
18
20
22
0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19
9.7 12.0 14.1 15.6 34 37 40 44
23
WHITE BRISTLE BRUSHES FOR OIL AND ACRYLICS

Short filbert Nickeled brass Long varnished shiny
SCALE 1:1
4528
10
12
14
16
18
20
22
24
26
28
30
32
1.1 1.66 2.45 3.87 4.81 6.1 6 7 8 9 11 12
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 26.51 28.84 35.46 47.41 14 16 18 20 23 26 29 33 41 43 50 60
Bright
Nickeled brass
Long varnished shiny
4628
10
12
14
16
18
20
22
24
26
28
30
32
1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 26.51 28.84 35.46 47.41 13 15 17 19 21 24 27 30 35 39 44 55
Filbert
Nickeled brass
4729
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 8 9 10 13 15 17
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 20 23 26 29 32 35 39 43
Flat
Nickeled brass
4829
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 7 8 9 11 13 15
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 18 21 23 25 28 31 34 37
Long filbert
Nickeled brass
5030
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 11 13 15 17 19 21
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 24 27 30 33 36 39 43 47
Round pointed
Nickeled brass
5131
3/0 2/0 0.5 7
8 4.4 24
10 5.7 27
12 6.9 30
14 8.2 33
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 8 10 12 15 18 21
9.7 12.0 14.1 15.6 17.0 36 39 45 49 52
Filbert
Nickeled brass Extra long 60 cm. matt varnished
4535
20
22
24
26
28
30
32
19.7 22.3 24.0 26.51 28.84 35.46 47.41 26 29 33 41 43 50 60
Bright
Nickeled brass Extra long 60 cm. matt varnished
4636
Chungking white bristle 24
20
22
24
26
28
30
32
19.7 22.3 24.0 26.51 28.84 35.46 47.41 24 27 30 35 39 44 55
Filbert
Nickeled brass
Long matt varnished
4929
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 8 9 10 13 15 17
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 20 23 26 29 32 35 39 43
Round pointed
Nickeled brass
Long matt varnished
5231
2/0
8 4.4 24
10 5.7 27
12 6.9 30
14 8.2 33
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 8 9 12 15 18 21
9.7 12.0 14.1 15.6 17.0 36 39 45 49 52
FAN BRUSHES
Nickeled brass
Long grey color
4233
Toray white fiber
8.1 10.01 12.1 17 21 25
Nickeled brass
Long green color
4237
Toray gold fiber
8.1 10.01 12.1 17 21 25
Nickeled brass
Long red color
4338
Badger
8.1 10.01 12.1 17 21 25
Nickeled brass
5337
8.1 10.01 12.1 23 27 31
25
CERAMIC AND PORCELAIN BRUSHES

Round pointed Nickeled brass Short varnished 55 to 85 mm.
SCALE 1:1
5506
Squirrel
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 30
16 9.7 33
0.95 1.43 2.02 2.82 3.6 7 9 12 15 18
Round pointed
Nickeled brass
Short varnished 150 to 175 mm.
5513
Squirrel
8 4.4 21
10 5.7 24
12 6.9 27
14 8.2 30
16 9.7 33
0.95 1.43 2.02 2.82 3.6 7 9 12 15 18
Round square edge
Nickeled brass
5606
Squirrel
8 4.4 18
10 5.7 21
12 6.9 24
14 8.2 27
16 9.7 30
0.95 1.43 2.02 2.82 3.6 5 7 9 12 15
Round slanting tip
Nickeled brass
5707
Squirrel
Round deer-foot shape Nickeled brass
10
12
14
16
2.02 2.82 3.6 4.4 5.7 6.9 8.2 9.7 8/18 10/21 13/26 15/30 17/33 20/38 24/45 29/55
5808
Polecat
10
12
14
16
18
20
5.55 5.98 6.0 8.21 9.4 11.23 12.9 15.0 17.9 7/11 8/12 9/14 10/16 11/18 13/20 14/22 16/24 17/26
Round oval shape
Nickeled brass
5909
Squirrel
4 5.8 24
6 6.2 26
8 7.1 29
10 8.5 31
12
14
16
18
20
22
24
9.5 11.5 13.1 15.2 18.1 19.7 20.5 34 37 40 43 47 50 53
Round oval shape
Nickeled brass
5913
Squirrel
4 5.8 24
6 6.2 26
8 7.1 29
10 8.5 31
12
14
16
18
20
22
24
9.5 11.5 13.1 15.2 18.1 19.7 20.5 34 37 40 43 47 50 53
Round oval shape
Nickeled brass
5929
Pony
4 5.8 24
6 6.2 26
8 7.1 29
10 8.5 31
12
14
16
18
20
22
24
9.5 11.5 13.1 15.2 18.1 19.7 20.5 34 37 40 43 47 50 53
Round oval shape
Nickeled brass
5934
Pony 26
4 5.8 24
6 6.2 26
8 7.1 29
10 8.5 31
12
14
16
18
20
22
24
9.5 11.5 13.1 15.2 18.1 19.7 20.5 34 37 40 43 47 50 53
FILLETING AND LETTERING BRUSHES

Round square extra long length Nickeled brass
SCALE 1:1
6115
Light ear Ox
10
0.8 0.95 1.43 2.02 2.82 52 54 56 58 60
Extra long filbert
Nickeled brass
Short red color
6218
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 25 27 29 31 33 35
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 38 40 43 45 48 51 55 59
Extra long flat
Nickeled brass
Short red color
6318
Light ear Ox
10
12
14
16
18
20
22
24
1.1 1.66 2.45 3.87 4.81 6.1 25 27 29 31 33 35
8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 38 40 43 45 48 51 55 59
Extra long round pointed
Nickeled brass
Short red color
6421
Light ear Ox
3/0 2/0 0.5 20
8 4.4 36
10 5.7 39
12 6.9 42
14 8.2 45
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 22 24 27 29 31 33
9.7 12.0 14.1 15.6 17.0 49 53 57 62 67
Extra long round square
Nickeled brass
Short red color
6521
Light ear Ox
3/0 2/0 0.5 21
8 4.4 37
10 5.7 40
12 6.9 43
14 8.2 46
16
18
20
22
24
0.8 0.95 1.43 2.02 2.82 3.6 23 25 28 30 32 34
9.7 12.0 14.1 15.6 17.0 50 54 58 63 68
GILDING BRUSHES
Round domed Nickeled brass
SCALE 1:1,5

# 1 8.2 28 2 3 4 5 6
6014
9.7 12.0 14.1 15.6 17.0 32 35 39 41 45
Gilder Duster Polecat
Square edge
Cardboard holder
Square edge
Cardboard holder
6733
Gilder Tip Pony

6 60 0.5 48 8 10
6633
6 60 0.5 48
10
Gilder Tip Squirrel
80 100 0.5 0.5 51 53
80 100 0.5 0.5 51 53
27
TO SOFTEN, BLEND AND STENCILING BRUSHES

Square edge Varnished wood block
SCALE 1:1,5
6835
Softener Badger
# 2 51 20 65 3 76 20 68 4 41/2 102 114 20 20 70 80
Round square edge
Nickeled brass
7020
Stenciling Chungking white bristle
8 4.4 8
10 5.7 11
12 6.9 13
14 8.2 15
16
18
20
22
24
9.7 12.0 14.1 15.6 17.0 17 20 23 26 29
Lock square edge
Stainless steel
Matt varnished 160 to 175 mm.
8135
Pipe over-grainer Chungking white bristle
21
24
27
30
44.0 50.0 56.6 62.6 6.3 6.8 7.2 7.8 38 40 45 50
Square edge extra long length
Stainless steel
8155
Pipe over-grainer Chungking natural bristle
21
24
27
30
44.0 50.0 56.6 62.6 6.3 6.8 7.2 7.8 90 90 98 98
28
DECORATION
Who can say that painting a wall or varnishing a window isn't art? Doesn't the artist decorator bring out light and colour from a pot of paint and with the aid of a brush and a round paintbrush brighten and warm our surroundings?
BRUSHES FOR DECORATION

Filbert Polished brass Long matt varnished
SCALE 1:1
7040
"The natural" Chungking natural bristle
10
12
14
16
18
20
22
24
5.1 5.97 7.21 9.21 11.25 12.63 15.44 17.5 20.6 24.6 27.1 29.5 15 17 20 23 26 29 32 35 39 43 47 50
Round pointed
Polished brass
Long matt varnished
7141
"The natural" Chungking natural bristle
8 4.4 25
10 5.7 28
12 6.9 30
14 8.2 33
16
18
20
22
24
2.02 2.82 3.6 16 19 22
9.7 12.0 14.1 15.6 17.0 36 40 45 50 54
Round shape
Iron brass color
Plastic garnet- red color 140 to 180 mm.
7542
Pressed Chungking natural bristle
10
12
14
16
21.2 23.1 26.6 30.5 33.1 36.0 39.5 42.1 50 55 63 70 72 76 77 80
Oval shape
Copper
7643
Olive Chungking natural bristle
3/0
15.1 19.4 20.7 22.5 25.7 27.1 31.6 36.1 40.2 47 54 56 61 70 72 78 83 91
Round square edge
Copper
7744
Patent Chungking natural bristle 30
10
11
22.9 26.4 29.0 32.6 35.3 37.1 40.3 42.7 55 60 67 71 73 78 80 85
FLAT BRUSHES FOR DECORATION

8045
Square edge Nickeled tinplate
SCALE 1:1,5
Long matt varnished 265 to 275 mm.
Radiator Chungking natural bristle

# 12 15 18 21
25.5 32.1 37.5 44.5 7.8 8.0 8.7 9.2 45 45 55 55
Square edge
Stainless steel
8146
Simple thickness Chungking natural bristle
12
15
18
21
24
27
30
18.8 24.6 31.3 37.2 44.0 50.0 56.6 62.6 4.8 5.1 5.7 6.3 6.5 6.8 7.2 7.8 35 39 44 46 51 54 59 61
Square edge
Stainless steel
8247
Double thickness Chungking natural bristle

Square edge Stainless steel
12
15
18
21
24
27
30
18.8 24.6 31.3 37.4 44.0 50.0 56.6 62.6 6.6 7.5 8.2 8.8 9.1 9.4 9.8 10.2 37 40 46 50 54 57 61 63
8348
Triple tickness Chungking natural bristle

# 12 15 18 21 24 27 30 33 36 48 24.6 31.3 37.4 44.0 50.0 56.6 63.1 69.3 76.0 100.8 10.9 11.7 12.3 12.6 13.4 15.1 15.3 15.5 16.3 18.6 44 49 54 57 60 62 65 67 73 80
Square edge
Stainless steel
Matt varnished short 60 mm.
8448
For corners Chungking natural bristle

# 24 50.0 13.4 60
31
BAGS, CASES AND BOXES WITH BRUSHES
REDUCED SCALE
1300
Transparent plastic bag

with 5 watercolor brushes. Series 1210 # 0, 1, 2, 4, 6
1240
Black leather case

with 6 travel watercolor brushes. Series 1214 # 2, 4, 6, 8, 10,12
1241
Black leather case

with 6 travel watercolor brushes. Series 1215 # 2, 4, 6, 8, 10,12
1275
Flat black leather case

with 16 watercolor brushes. Series 1212 and 1410 # 3/0, 2/0, 0, 1, 2, 4, 6, 8
2975

with 16 "grafilo" brushes for oil. Series 2420 # 0, 2, 4, 6, 8, 10,12,14 Series 2820 # 0, 4, 8, 12 Series 2920 # 2, 6, 10,14
4775

with 16 brushes for oil. Series 3060 # 0, 2, 4, 6, 8, 10,12,14 Series 4628 # 0, 2, 4, 6, 8, 10,12,14
1200
Varnished wood box

with 6 watercolor brushes. Series 1212 # 0, 2, 4, 6, 8, 10
4700
Varnished wood box

with 6 oil brushes. Series 4729 # 0, 2, 6, 10, 14, 18
400 J
Black leather case

with a cosmetic brush set
975T
32
Black leather bag

with a pure badger shavingbrush (no razor machine)
BAGS, CASES AND BOXES, EMPTY
8795
Black leather bag

5.5 x 17 cm. for shaving brush and razor machine.
8800
Black leather bag

5.5 x 21 cm. for ceramic brushes.
8805
Black leather bag

5.5 x 28 cm. for watercolor brushes.
8810
Black leather bag

5.5 x 37 cm. for oil brushes.
8900

15 x 28 cm. for watercolor brushes.
8905

15 x 40 cm. for oil brushes.
9000
Varnished wood box

9.5 x 27 cm. for watercolor brushes.
9005
33
Varnished wood box

9.5 x 36 cm. for oil brushes.
ESCODA SABATS AND COMMERCIAL EXPANSION
In a constant bid to expand our markets, Escoda Sabats has launched an ambitious plan for interplanetary commercial contacts with important buyers from Mars and Venus. Here are excellent opportunities for exporting paintbrushes and brushes to the two closest planets to Earth. The photograph shows our two most senior managers, Josep and Ricard, in full flight towards the red planet. Good luck!
34
ESCODA CATLOG Editor: Escoda Sabats, S.A. Photographer: Joan Carles Mil Graphic Design: ST Design Printer: Minerva SBD Legal Reference: B-35.249-05 It is totally forbidden to make a complete or partial copy of this catalog without having the permission of Escoda Sabats, S.A.
35

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es since h s u r b g in k a m f o The art

A eulogy to the brush

ESCODA BRUSHES, HANDMADE ESPECIALLY FOR YOU

OUR HANDS, OUR TOOLS

THE TEAM AT ESCODA SABATS

WHERE ARE WE LOCATED

OUR WEB SITE

PRESENCE AT TRADE FAIRS

SYMBOLS ON THE CATALOGUE

REVIEW THIS INFORMATION TO HELP SELECT THE BEST ESCODA BRUSH

Bright and Flat

Filbert in Standard, Long and Extra Long length

Watercolor, Oil and Acrylic

Round in Short and Standard length

Watercolor, Oil and Acrylic

1310 1719 1570 1580 6218 6318 6421 6521 6115

Badger and White Chungking Bristle

White & Gold Toray

4233 4237 4338 5337

5707 5808 5606 7020 5909 5913 5929 5934 6014

Badger Squirrel, Pony, Light Ox and White Chungking Bristle

White Chungking Bristle White and Natural Chungking Bristle

Natural Chungking Bristle

7542 7643 7744

Natural Chungking Bristle Natural Chungking Bristle

8146 8247 8348 8448

FINE HAIR BRUSHES FOR WATERCOLOR

0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18

9.7 12.0 14.1 34 38 42

Short red color

3/0 2/0 0.5 6

0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18

9.7 12.0 14.1 15.6 17.0 34 38 43 47 50

Short red color

3/0 2/0 0.5 5

0.8 0.95 1.43 2.02 2.82 3.6 6 7 9 12 15 18

9.7 12.0 14.1 15.6 17.0 33 36 40 44 48

Short round pointed

Short blue color

0.8 0.95 1.43 2.02 2.82 3.6 4 5 6 8 10 12

Short blue color

5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6

0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19

9.7 12.0 14.1 35 38 41

Short burgundy color

5/0 4/0 3/0 2/0 0.5 4 0.5 5 0.5 6

0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 13 16 19

9.7 12.0 14.1 35 38 41

Short black color

2.02 2.82 3.6 13 16 19

Short black color

2.02 2.82 3.6 13 16 19

Round central pointed tip

Short blue color

2.02 2.82 3.6 16 19 22

Short blue color

1/2-12 3/4-16 1-20 14 20 18.5 25 25 30

Short red color

1.1 1.66 2.45 3.87 4.81 6.1 5 6 7 8 9 11

8.0 9.04 11.56 13.9 17.1 19.7 22.3 24.0 14 16 18 20 23 26 29 33

Short red color

3/0 2/0 0.5 6

0.8 0.95 1.43 2.02 2.82 3.6 7 8 10 12 15 18

9.7 12.0 14.1 15.6 17.0 34 38 43 48 52