from

A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

MODERNISM
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Oxford: Oxford UP. "The Literature of Exhaustion". David. Bell. Ed. 453-502. "The Literature of Exhaustion. Pub. and the Little Magazine. Vincent B. John." In The Novel Today. From The Painter of Modern Life. _____. 1964. 71-86. Lawrence E. Bergonzi. 17-48. _____. Maurice." In The American Novel since World War II. Malcolm Bradbury. "The Advent of Modernism 1900-1920. "The Literature of Exhaustion. New York: St. Contemporary Writers on Modern Fiction. 390-436. "What Modernism Was. Ed. "The Painter of Modern Life. "The Literature of Exhaustion. New York: Avon. Ed. Chicago: Swallow. . The Myth of Modernism and Twentieth-Century Literature. Paris: Garnier." In On Contemporary Literature. 1996. Ed. "The Literature of Exhaustion. The Painter of Modern Life and Other Essays. London: Barrie and Jenkins. New ed. H. Lemaitre.* _____." In The Arts and Sciences of Criticism. "Periodical Fragments and Organic Culture: Modernism.* _____. Michael. 1969. 1975. Martin's. _____. 1986. Le peintre de la vie moderne. 1999." Journal of Modern Literature 3 (1974): 1065-84. Ed. Ed. Bergonzi. 1970. "The Metaphysics of Modernism: Aesthetic Myth and the Myth of the Aesthetic. L'Art romantique. Jonathan Mayne. Raymond Federman.* Baudelaire. Leitch et al. Bernard." In Baudelaire.* Bennett. Ed. 238-56. In Baudelaire. Marcus Klein. London: Longman. Richard Kostelanetz. 1863.* _____. Ed. Ed. Written 1859-60. David Fuller and Patricia Waugh." In The Twentieth Century. Cahoone. and trans." Contemporary Literature 30. Curiosités esthétiques. 1988. 19-34. New York: Fawcett World Library. 1969. _____. _____. London: Phaidon. 1977.4 (Winter 1989). _____. 267-79. the Avant garde. 136-44. 1990. Ed. From "The Painter of Modern Life. 1995. Oxford: Blackwell. In The Norton Anthology of Theory and Criticism.* _____. 2001. "The Literature of Exhaustion. Mark Currie. London: Penguin. London: Fontana.* Beebe. 161-71.Barth. B. 1992. New York: Norton. Charles." In From Modernism to Postmodernism: An Anthology. Selected Writings on Art and Literature. The Atlantic Monthly (August 1967): 29-34. Ed." In Metafiction." In Surfiction.

Frederick. 2002. 1989. 1991.* _____. _____. . Booth. Brown. 1996. "The Routinization of Charismatic Modernism and the Problem of Postmodernity. Modernism." In Modernity and Identity. 1983. "Modernism. New York: Oxford UP. (Concise Companions to Literature and Culture). Ed. 1976. New ed. London: Routledge. Postcards from the Trenches: Negotiating the Space between Modernism and the First World War. Allyson." Cultural Critique 5 (1987): 49-68. 1990. 33-58. David. "The Aesthetics of Ambiguity.* Bode.* Butler. Cambridge: Blackwell/Polity. Malcolm. "Anti-Modernisms." In Modernism. 1991. 73-84. Early Modernism: Literature. Ed." (Modernism). Christoph. ed. Harmondsworth: Penguin. eds. Alicante: AEDEAN." In Bertens.1976. The Idea of the Postmodern: A History. Music and Painting in Europe 1900-1916. In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos." In Bertens. The Modernist Self in Twentieth-Century English Literature. 1992. The Idea of the Postmodern: A History. and James McFarlane. Cambridge: Cambridge UP. A Concise Companion to Modernism. Peter. Allan. 311-28. Dennis. Hans. 1976. Oxford: Blackwell. "The Name and Nature of Modernism. Harmondsworth: Penguin. Malcolm Bradbury and James McFarlane. and Paul Douglass. Bradbury. London: Macmillan. Berman. Burwick. Malcolm Bradbury and James McFarlane. The Decline of Modernism. London: Routledge. 1995. Bertens.Berman. Postmodernism: The 1970s. R. Christopher." In Innovation/Renovation. Malcolm. 1992. 1994. Hassan and Hassan. Oxford: Blackwell. Barcelona: Edhasa. Bullock. El mundo moderno. 20-36. Nicholas Walker. "The Double Image. Oxford: Oxford UP. Harmondsworth: Penguin." In Modernism. 37-52.* Bradshaw. "Modernisms/Postmodernisms. "Why Modernism Still Matters. Ed. _____. A. 58-70. 1991. 1995. Trans. Scott Lash and Jonathan Friedman. The Crisis in Modernism: Bergson and the Vitalist Controversy. Ed.* Bürger. 1991. Existentialism. Marshall. 19-56. Bradbury. eds. 1992.

Caneda Cabrera. London: Oxford UP. David. Postmodernism. Modernism. and Judy Davies. Cambridge: Cambridge UP. "Capitalism. DeKoven. Crook. 227-57. DiBattista. eds." New Left Review 152 (1985): 60-73. London: Vision. (Edith Cowan U. Amsterdam: Rodopi. Childs. Colonization and Writing. 2000. London: Longman. Five Faces of Modernity: Modernism. 1990. Hybrid Selves and Foreign Identities: Translation as a Paradigm of Thought for Modernism. 1988. "Loneliness and Anarchy: Aspects of Modernism. (The New Critical Idiom). 1996.3 ( 1994). Western Australia). _____. Ed." In History and PostWar Writing. Avant-Garde. 1974. 1990. (Reviewed by Peter Baehr) In Textual Practice 8. Princeton (NJ): Princeton UP. Stephen. Houndmills: Macmillan. 2001. Modernist Radicalism and its Aftermath. David Lodge. 171-94." In The Real Foundations: Literature and Social Change. Simon.* Castle. Chiari. Rich and Strange: Gender. 1991. Joseph. "Waiting for the Post: Some Relations Between Modernity. Houndmills: Macmillan. México. Maria. Durham (NC): Duke UP. Teresa "Polyglot Voice. Connolly. 384-98. Cambridge: Polity/Blackwell. Modernism and the Celtic Revival. Modernism and Postmodernism. 1970. Matei. Craig. and Peter Nicholls. James. Design and Architecture. During. De Jongh. New York: St. M. Modernism and Postmodernism. 1889-1939. Terry. 1990. Cianci. History. Cambridge: Cambridge UP. Collier." Atlantis 30.1 (June 2008): 53-67. Modernism and the European Unconscious. 2000. Cien libros clave del movimiento moderno 18801950. Vicious Modernism: Black Harlem and the Literary Imagination. Gregory. The Aesthetics of Modernism. Decadence. 1993. 1998. Christopher. Peter.* Eagleton. Marianne. London: Routledge. Cyril. Ruskin and Modernism. Giovanni. Modernism in Art. New York: Oxford UP. 1987." In Modern Criticism and Theory: A Reader.* . Martins. Peter. Ed. Kitsch. eds. Modernism.* Crouch. Theo d'Haen and Hans Bertens. High and Low Moderns: Literature and Culture. "Capitalism.Calinescu.

Santiago de Compostela: U de Santiago de Compostela. and Literary Radicalism. From Modernism to Postmodernism. 1994. Modernism. Toronto: U of Toronto P. John Burt. _____. Alan. Modernism. and Postmodernism. Nabokov's Art of Memory and European Modernism. London: Chatto. eds. Postmodernism. Elliott. Modernism. "Memory. Fry. c. (Cambridge Studies in American Literature and Culture. Foster. 1997. Ed. 1990. W. Bridget. 1994. Heirs to Dionysus: A Nietzschean Current in Literary Modernism." Paper presented at the "Seminario internacional: Modernismo e Modernidade. Women Writers and Artists: Modernist (im)positionings. and the Fictive Autobiographies (Recollected Emotion in 'Spring in Fialta' [1936-1947]. M. Modern Art and Modernism: A Critical Anthology. Manuel Barbeito. (The Critical Idiom). 1984. Modernism. Northrop. Fischer. "The European Nabokov. 1993." Poetics Today 3. and Cultural Biography. London: Open UP/Paul Chapman. 1977. D. 1996. 1921. "The Contradictions of Modernism. Tübingen: Narr. "A Semiotic Definition of Aesthetic Experience and the Period Code of Modernism." Santiago de Compostela. 79)..5 (1974). _____. Hermann. 1982. _____.* EJES 2 (Special issue on Modernism and Postmodernism. Filreis. "Contradictions of Modernism. London: Routledge. London: Methuen. Fokkema. Peter. Princeton (NJ): Princeton UP." In Modernity. Princeton (NJ): Princeton UP. 2000. Nabokov's Art of Memory and European Modernism._____. 35-44. Aspects of Modernism: Studies in Honour of Max Nänny.1 (1982): 6179. . Roger. Faulkner. and Jo-Ann Wallace.* _____. Fall 1995). Modernism. 1967.* Frascina. _____. 323. The Modern Century: The Whidden Lectures at McMaster University 1967. Modernism from Right to Left: Wallace Stevens. 146-56. the Thirties. London: Routledge. and Charles Harrison. Vision and Design. Literary History. Amsterdam: John Benjamins. Heusser and T. The Covert Modernism of The Gift [1934-1937]). A. Journal of Modern Literature 3." In Foster. The Modernist Moment." In Foster. Frye. Cambridge: Cambridge UP. eds. Princeton (NJ): Princeton UP. 1993. Francis.

46-56. and Ian S. "Modernism and Postmodernism.Gaggi. Studying the Novel: An Introduction. Gass. Sherlock Bronson. F.html 2012 Garvin. 1987. eds. Greenberg. Hassan. Alice. Romanticism. Vanity Fea 21 Feb. 2012. In Modern Art and Modernism. 129-35. (On poststructuralism). Harrison. Anthony. 1997. Theorizing Modernisms: Essays in Critical Theory. . Cambridge: Cambridge UP." In Postmodernism: A Reader. Hartsock. 1982. Patricia Waugh. Modernism. Clement. London: Routledge. 5-10." 1965. The Modernists: Studies in a Literary Phenomenon. eds. Ihab." In García Landa. Jeremy." Cultural Critique 7 (Fall 1987): 187-206. Ed. Modern/Postmodern: A Study in Twentieth-Century Art and Ideas. 1979. ed. Lawrence B. "Postmodern Modernists. Gambrell. Nancy. English Fiction of the Early Modern Period. Ed." Forum (May 1928). Modernism and Difference: Transatlantic Culture. 1919-1945. 1980. Postmodernism. 1993.. "Realism. "Modernism and the Novel.com/2012/02/postmodernmodernists. London: Routledge. London: Arnold. Harry. "Rethinking Modernism: Minority versus Majority Theories. Douglas. Boston: Godine. ed. 1988. The World Within the Word. 11-13. José Angel. "Modernist Painting. Women Intellectuals. 1983. 1989. "Modernism and Its Implications." In Hawthorn. _____.* Gamache. 2nd ed. Innovation/Renovation: New Perspectives on the Humanities. 1890-1940. Rutherford: Fairleigh Dickinson UP. London: Open UP/Paul Chapman. William H. Madison: U of Wisconsin P. Giddens. and Sally Hassan.* Giles. Hawthorn.* http://vanityfea. 4). MacNiven. Frascina and C.* García Landa.blogspot. Philadelphia: U of Pennsylvania P. "Modernism and Post-Modernism. 1978." In Hewitt. 1992. Steve. Postmodernism." New German Critique 22 (1981): 15-18. 1992. London: Longman. (Cultural Margins. Silvio. Lewisburg: Bucknell UP.* Hewitt. Modernism. Gass.

Vol. Andreas. Lehmann. Derry: Field Day Theatre Company. Fredric. Greenwich (CT): Fawcett. 25-31. (Pamphlet no. 15). London: Gollancz. Baltimore: Johns Hopkins UP. Cambridge. 1979. (Narratologia. 1989. _____. Modernity. 75-100. New York: Harcourt. Modernity and the Text: Revisions of German Modernism. After the Great Divide: Modernism. Holub. "Zur Funktion des Symbolischen.* Hough. Fables of Aggression: Wyndham Lewis.. Mass Culture. London: Routledge. Philosophical and Psychological Perspectives. 2001. Annick Benoit-Dusausoy and Guy Fontaine.* . 277-88. the Modernist as Fascist. Chris. Jones.* (& Zamiatin. Ed. "Modernism.Hodel. Barbara." In Twentieth-Century Historical. Christa Knellwolf and Christopher Norris. Huyssen. Belyj). Irving. Jackson." In Hodel. Literary Modernism. Berlin and New York: Walter de Gruyter. The Decline of the New. and the Can[n]on. Eugene. et al. 1988. 1986. 2000. and David Bathrick. Johnson. 1989. "Is Writerliness Conservative?" In Johnson. 1993.2 (1994): 39-43. Image and Experience: Studies in a Literary Revolution. 2008." Focus on Robert Graves and His Contemporaries 2. Cambridge: Cambridge UP.* Hopkins. Zoschenko). Realism. Textkohärenz und Narration: Untersuchungen russischer Texte des Realismus und der Moderne. Baudelaire and Schizoanalysis: the Socio-poetics of Modernism. London: Macmillan. Ed. Ellen Carol. Holland. 1987. Huyssen. Ein Vergleich zwischen Realismus und Moderne (Tolstoj. "Registering War: Modernism. Modernism and Imperialism. Andreas. Robert. 1967. J. E. eds. Berkeley: U of California P." In A History of European Literature. Bloomington: Indiana UP. 14). 9 of The Cambridge History of Literary Criticism.3 (1992) . "Writing the Modern: the Politics of Modernism. A World of Difference.* Jameson. 1960. London: Duckworth. 1971. Graham. "Poetry: The Birth of Modernism. Cechov. Robert. 472-76. New York: Columbia UP. Postmodernism. _____. Modernisation." Modern Fiction Studies 38. Howe. ed. 1988.

"Modernisms. 1977. 1975. "On Modernism. Berkeley (CA). Joseph Wood. Cambridge (MA): MIT Press. S. 1987. Karl. London: Routledge. Continuities. Robert. Mary. 1975. 1990. London: Verso. 1990. The Pound Era. James Joyce and Wyndham Lewis. A Homemade World: The American Modernist Writers. _____. 1974. 1971. "Enigmatic Clarity: Death." Screen 22. Gabriel. Berkeley: U of California P. 1985. New York: Oxford UP. Cambridge (MA): MIT. Sociology of Postmodernism." New Republic 17 January 1976: 2931. Kermode. _____. Chana. _____. Brandon. "Re-Viewing Modernist Criticism. Ernesto.2 (1993). Sandra. The Lessons of Modernism and Other Essays. London: Macmillan. 1985. Cambridge (MA): Harvard UP." In Kermode. 1977. Kemp. La Révolution du langage poétique: L'avant-garde à la fin du dix-neuvième siècle: Lautréamont et Mallarmé." Critical Quaterly 35. Kershner. . The Pound Era: The Age of Ezra Pound. The Originality of the Avant-Garde and Other Modernist Myths. Ithaca: Cornell UP." Papers on Joyce 3 (1997): 9-20. Julia. _____. Kampf. Kelly. 1967. New York: Knopf. Louis. (Contraversions: Critical Studies in Jewish Literature. Krutch.3 (1981): 41-62. and John Hildebidle. The Modern Temper. Krauss. Frank. 1983. Hugh. On the Margins of Modernism: Decentering Literary Dynamics. London: Boyars. Life and Modernism. Modernism Reconsidered. 2). New York: Athenaeum. Paris: Seuil. London: Faber and Faber. "Modernism and Popular Culture: Joycean and Eliotic Examples. 1968. The Mechanic Muse. New Reflections on the Revolution of Our Time. Rosalind E. Kazin.* Kenner. T. Culture and Society. 1972. Alfred. Eliot. Lash. On Modernism: The Prospects for Literature and Freedom. R. 1953.* Kiely. Laclau. 'Modernism' in Modern Drama: A Definition and an Estimate.Josipovici. Scott. eds. Kristeva. London: Routledge. Modern and Modernism: The Sovereignty of the Artist 1885-1925. Kronfeld. Frederick.

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