Performance topics in contemporary guitar repertoire Dan Lippel 2.10.14 I. Elliott Carter Shard a. Tempo modulation b.

. Implied Polyrhythm accents and little duets c. Hyperspecific notation Mario Davidovsky Synchronisms #10 a. Big Guitar expanding the instruments capacity through percussive effects, harmonics, dedillo b. Performing with electronics different interfaces c. Festino manifestation of electronic principles in an acoustic setting Kaija Saariaho Adjo a. Notation key b. Extended technique in a metric context P1 c. Extended technique/notation in a non-metric context P7 d. Scordatura and extended technique a. Vineet Shende Alap nut side playing, preparations, tuning gliss. b. Microtonal tuning - Lippel/Webb Refracted from Mirrored Spaces c. Restrung guitar - Paul Clift 1950 c right and left hand tapping, bi tones Alternate notation a. Gestural: Gyorgy Kurtag A Kis Csava b. Structured improvisation 1. Louis Andriessen Workers Union 2. Christian Wolff For One, Two, or Three People c. Accompanimental: Henze El Cimmaron d. Process music: Peter Adriaanz Fraction e. Game pieces 1. Douglas Boyce Forks of Buffalo 2. John Zorn Cobra

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