Pol I house, set high on the Chilean collumo peninsula, has been designed by pezo von Ellrichshausen Architects. The house is organized on three principal levels, lin&ed %$ t#o voids one halfheight, the other full!
Pol I house, set high on the Chilean collumo peninsula, has been designed by pezo von Ellrichshausen Architects. The house is organized on three principal levels, lin&ed %$ t#o voids one halfheight, the other full!
Pol I house, set high on the Chilean collumo peninsula, has been designed by pezo von Ellrichshausen Architects. The house is organized on three principal levels, lin&ed %$ t#o voids one halfheight, the other full!
Coliumo Peninsula, Chile; 2004 When considering centralized plans, the location of cores for circulation and servicing often dictates the form of the spaces that surround them! "n this distinctive house, ho#ever, set high on the Chilean Collumo Peninsula, the core has effectivel$ %een eliminated through the s&ilful integration of stairs, services and storage "nto the depth of a heav$ pen meter #all; reminiscent in man$ #a$s of medieval fortresses #ith massive rampart #alls! 'he house, e(uivalent in height to a modest t#ostore$ d#elling "), in fact, organized on three principal levels, lin&ed %$ t#o voids one halfheight, the other full! 'he house also has t#o secret staircases, each set #ithin the thic&ness of the #alls, that oppose one another in location and direction the first lin&s living, &itchen, dining and %edroom spaces, %$ turning the southeast corner "n an anticloc&#ise direction, the second leads directl$ from ground floor to roof terrace %$ doglegging cloc&#ise around the north#est corner, providing vie#s %oth "nto and out of the house en route 'he ground floor living room sits %eneath the t#o voids and ") spiltlevel, #ith a su%tle t#ostep shift defining t#o separate zones! *rom here the fulllength singlelevel dining and &itchen space ") reached via five more steps, giving "t an elevated $et connected relationship #ith the living room! 'he t#o %edrooms are appropriatel$ made remote, reached via the southeasterl$ antlcloc&#ise stair Each %edroom turns to face opposite directions +#est and north respectivel$,, %oth #ith en suite sho#er rooms held #ithin the thic&ness of the perimeter #all, #ith vie#s into the inner void, and #ith a similar splitlevel to the living room that e-tends out onto a private %alcon$ set #ithin deep reveals .er$ nearl$ composed as a perfect cu%e #ith a s(uare plan %ut falling slightl$ short in height the rough cast concrete perimeter #alls are punctuated %$ a series of deep s(uare openings! 'hese either e-pose thic& concrete reveals, #ith glazing set flush #ith the inside s&in, to give the "llusion of / metre +appro-imatel$ 0 foot, deep #alls, or, %$ contrast, the$ allude more directl$ to the #all1s secret "nner life #here, for e-ample, the e-ternalized north#esterl$ cloc&#ise stair pauses #ith a halflanding, #here a more revealing and honest thin edge frames a simple unfilled opening 'he house, commissioned %$ a local cultural organization, not onl$ has a secret stair %ut also a dou%le life! functioning as "t does as an informal cultural centre "t ") therefore more appropriate that it is at once domestic and monumental through its composition and use of material 'he simplicit$ and po#er of its form, ho#ever, can also %e 2ustified on more than simpl$ aesthetic terms, responding as it does to the practicalities of %uilding #ith semis&illed la%our and %as"c materials "n an e-tremel$ remote location the Poli House #as %uilt %$ local farmers and fishermen #ho onl$ had one small concrete mi-er and four #heel%arro#s %et#een them! 3o% 4regor$ 5 6e$ Contemporar$ 7uildings Prevod8 'i na .u&a9i novi:, A;< 5 0=>??