Baroque period 1600 - 1750 the period in which music changed from polyphonic (2 or more melodies woven together) to homophonic (melody + accompaniment) Introduction of keys (major and minor) replaced modes Vocal and instrumental music were now oth important with secular music gaining more popularity over sacred church music.
Baroque period 1600 - 1750 the period in which music changed from polyphonic (2 or more melodies woven together) to homophonic (melody + accompaniment) Introduction of keys (major and minor) replaced modes Vocal and instrumental music were now oth important with secular music gaining more popularity over sacred church music.
Baroque period 1600 - 1750 the period in which music changed from polyphonic (2 or more melodies woven together) to homophonic (melody + accompaniment) Introduction of keys (major and minor) replaced modes Vocal and instrumental music were now oth important with secular music gaining more popularity over sacred church music.
The period in which music changed from polyphonic (2 or more melodies woven together) to homophonic (melody + accompaniment) Introduction of keys (major and minor) replaced modes Vocal and instrumental music were now oth important with secular music gaining more popularity over sacred church music The period of the music reflected the flamoyance of the time that gave rise to large architecture Composers Germany: !" #ach$ %andel$ Telemann Italy& 'omenico "carlatti$ (orelli$ Vivaldi England& )urcell$ (%andel) France: *ameau$ (ouperin$ +ully Works ,eyoard& %arpsichord$ organ$ clavichord -pera$ -ratorio$ (antata& solo voices$ choirs$ chorus$ orchestra Violin$ .lute$ (ello& "onatas and suites -rchestral works& concerti /rossi$ suites Forms of Works #inary 0" Ternary 0#0 "imple *ondo 0#0(0 Theme and Variations Classical Period 1750 1830 1usic in this time period was more restrained (larity of form was important %omophonic style was now more important than polyphony with popularity of the 0lerti #ass In the later half there was growing interest in dynamics as the piano gained popularity Composers Germany: %aydn$ #eethoven$ 1o2art$ /luck Italy: #occherini$ (lementi Works ,eyoard& "onatas "ymphonies (oncertos (hamer music +ieder -pera Forms of Works #inary 0# Ternary 0#0 "imple *ondo 0#0(0 *ondo "onata 0#0 (episode) 0#0 ((oda) Theme and Variations Sonata form: Exposition: A (bridge) (Codetta) !e"elopment: (goes t#ro$g# different keys) %ecap: A ridge Romantic Period 1830 - 1920 /reater use of e3pressive techni4ues 5se of more imaginative titles$ less structured forms$ colour and variety$ use of chromaticism6 0lso includes periods of 7ationalism which saw composers use traditional folk rhythms and Impressionism where composers such as 'eussy used music to hint at an image6 Composers Early %omantic: Germany: #eethoven$ "chuert$ "chumann$ +is2t$ 1endelssohn$ "trauss France: (hopin Italy: )uccini &ate %omantic: /ermany& #rahms$ 8agner *ussia& Tchaikovsky Works "hort piano pieces often used dance forms and names such as 1a2urka$ )olonaise and 8alt2 'rogram ($sic: which aims to create a picture through the use of sound "ymphony& (oncerto$ allets (hamer 1usic &ieder: /erman art song where the piano is as important as the singer Forms of Works #inary0# Ternary 0#0 "imple *ondo 0#0(0 *ondo "onata 0#0 (episode) 0#0 ((oda) Theme and Variations Contemporary Period 1920 - Present *adical e3perimentation with music using 7eo *omanticism$ Impressionism$ e3pressionism (e3pressing the inner self)$ neo classicism( return to the classical view of music)$ !a22 influence$ use of .olk 1usic$ (hromaticisms *hythms and forms are less structured Composers A$stralian& "utherland$ 7orton$ #rumy$ %yde$ %olland %$ssian: "travinsky Englis#: #ritten