Professional Documents
Culture Documents
Jean Francois Lyotard cited in Hilde Heynen Architecture and Modernity (London: MIT
Press, 1999) p. 220
2
Fyodor Dostoevsky Notes from Underground Trans. Richar Pevear and Larissa Volukhorsky
(London: Vintage, 1993) p. 7
3
Michel de Certeau The Practice of Everyday Life (Berkeley and Los Angeles, University of
California Press, 1987) pp. 91 93
4
Henri Lefebvre The Production of Space (Oxford: Blackwells, 1991) p. 337
5
Dennis Sharp and Peter Wyde Alfred Bosson and the American Skyscraper in
Architectural Association Quarterly, Jan June 1982, Vol. 13, No. 2 3, p. 27
example, the manholes that connect to the sewage and heating system
offer relative warmth in comparison to the surface of the worlds coldest
capital. Recent reports indicate that this has led to a situation where
many of Ulan Bator's nearly 3,000 street children live [in these] fetid
places11, with up to 6 children inhabiting each manhole, from which
passing pedestrians may be solicited, into which charitable donations of
food descend and in which the inhabitants, although relatively warm, are
afflicted by a staggering range of diseases and infections 12.
In spite of its initial hostility to the spontaneous re-designation of tube
station complexes as air-raid shelters during Londons Blitz, the
government eventually supported the initiative and other areas of the
network were exploited for their incidental security (including a three mile
section of the Central Line being occupied by Plessey as an aircraft
component factory)
However, the reappropriation of underground
transport systems does not always attract official sanction, a circumstance
rendered graphically in Walter Sterns promo for The Prodigys Firestarter
(1998). The damaged pastoral evoked by the inner sleeve illustrations of
the groups previous long-player - which began with a vocal sample
announcing Ive decided to take my work back underground to stop it
falling into the wrong hands is obliterated in the rigorously sustained
chiaroscuro mise-en-scene of the service tunnel. The clip is redolent of
those derogatorily identified as molemen who dwell in the New York
subway system. Estimates of the population size range between 1,000 and
5,000; this after concerted efforts by the Manhattan authorities to restrict
access, to render suitable resting places inhospitable (through installing
intense overhead lights and sealing amenable alcoves) and to encourage
stubborn occupants of this dangerous netherworld to return to the surface
and a suitable outreach programme 13.
Equally, the Firestarter video is suggestive of a more transitory
transgression of the citys underground utilites: that mounted by graffiti
writers. Jean Baudrillards prescient essay Kool Killer, first published in
1976, addresses graffiti as the end of the repressive space-time of urban
transport systems, a free and wide-ranging offensive whose practices
care little for architecture, they defile it, forget about it and cross the
street14. Yet, rather than seeing graffiti as indifferent to architecture,
perhaps it can be positioned as inspiring an alternative approach to the
built environment. In graffiti-space, existing surfaces become vulnerable to
an optical rescrambling that can exceed simple recoloration or refiguration
and extend to introducing what are apprehended by the passing
commuter as new textures, new planes or even new depths to the
underground canvas. Furthermore, graffitis navigation of space in this
instance, the space of the submerged rail-routes is as important as its
alteration of space. Before the spray-cans are triggered, the writers have
frequently engaged in an intricate negotiation of the tunnelways. Such
negotiation depends upon such diverse tactics as stealing access door
11
Barbara Jones Some Medieval and Eighteenth Century Curiosities and Utilities in ed.
Harriet Crawford Subterranean Britain: Aspects of Underground Archaeology (London: John
Barker, 1979) p. 25
20
Bernard Rudofsky Architecture Without Architecture: A Short Introduction to NonPedigreed Architecture (London: Academy Editions, 1964) p. 19
21
See Process, 1981
22
See Lesley Gillian 'God designed the basic structure; and man added the finishing
touches.' Independent on Sunday May 18th 1997 p. 63
23
See ed. Jean Dethier Down to Earth: An Old Idea, A New Future (London: Thames and
Hudson, 1982) and Kisho Kurokawa Intercultural Architecture: The Philosophy of Symbiosis
(London: Academy Editions, 1991
24
Aaron Betsky and Erik Adijad Architecture Must Burn: A Manifesto for Architecture
Beyond Building (London: Thames and Hudson, 2000) no page numbering
25
See David Sylvester Moonraker, Strangelove and other Celluloid Dreams: The Visionary
Art of Ken Adam (London: Serpentine Gallery, 1999
26
Jane Withers Sketchbook: For Your Eyes Only, The Independent November 6th 1999 p.
21
27
ed. Peter Cook Archigram (Basel: Birkhauser Verlage, 1991) pp. 126 127
37
Paul Virilio Popular Defense and Ecological Struggles (New York: Semiotext(e), 1990) p.
233
38
Paul Virilio, Speed and Politics (New York: Semiotext(e), 1986) p. 14
39
See Paul Virilio The Aesthetics of Disappearance (New York: Semiotext(e), 1991) p. 103
40
Paul Virilio and Claude Parent The Function of the Oblique (London: Architectural
Association, 1996) p. 13
41
ibid. p. 65
48
49
Gaston Bachelard The Poetics of Space (Boston, Mass: The Beacon Press, 1994) p. 13
ibid p. 20, 21