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Black Widow Opening 6-Pages (Nathan Edmondson Draft)
Black Widow Opening 6-Pages (Nathan Edmondson Draft)
NATASHA
2.
She aims through the scope.
She waits.
She exhales.
SHE FIRES.
EXT. DOWNTOWN BERLIN INTERSECTION - SAME
SNAP POP! A JUNCTION BOX at a busy intersction EXPLODES in
sparks, which goes unnoticed by the cars below as THE TRAFFIC
LIGHTS go out.
Two cars collide.
Traffic comes to a standstill.
were back to...
THE CATHEDRAL
...where Natasha is already climbing down.
She drops to the ground and looks at the city. She isnt
carrying the sniper rifle. She heads across KARL LIEBNECHT
STRASSE bridge over the Spree. She yanks off her jacket and
reverses it; she now looks commonplace; just any passerby.
But shes jogging toward -BUSY TRAFFIC
She looks down a cross street toward a FIVE STAR HOTEL and
double checks her watch.
She eyes the cars.
Finds a LIMO...
3.
Klein grumbles to himself as he returns to his phone.
The DOOR BESIDE HIM opens and NATASHA enters.
into the seat beside Klein.
Excuse me?
She slides
KLEIN
NATASHA
(also in German with subtitles)
Explain to your driver to roll up
the window and pay me no mind.
Klein glances down at a SIG P226 thats PRESSED INTO HIS SIDE
from beneath her jacket. He opens his mouth to protest, but
one look at her expression and he cant but oblige.
Confused, the driver nonetheless obliges.
KLEIN
What do you want?
NATASHA
I want to meet Beringer.
KLEIN
I dont know any Beringer.
Natasha holds up a picture of Klein embracing a man at a
funeral.
NATASHA
(in English now)
Let me be more clear, Mr. Klein.
want to meet this Beringer. The
one you met with yesterday.
KLEIN
He wont allow you in.
NATASHA
I suspect he will.
INT. BERINGERS PENTHOUSE - NIGHT
Beringer from the picture -- bearded, prickly man with shrewd
eyes and an imposing frame, sits at dinner surrounded by
armed guards who also eat. They watch a FOOTBALL MATCH on TV
at the end of the table.
Theres a buzz and Beringer turns to look at the door.
approaches. The man whispers to Beringer.
A man
4.
BERINGER
Let him in.
KLEIN enters with nondescript NATASHA in HANDCUFFS.
BERINGER (CONTD)
Whats this?
KLEIN
She was -- um -He glances at her and clears his throat.
of a BLACK EYE. She doesnt look up.
KLEIN (CONTD)
She was trying to steal from you,
Mr. Beringer.
BERINGER
Steal money? Steal heroin?
KLEIN
Im -- uh -- not sure.
Beringer approaches her. Yanks her chin up. Inspects her.
Pulls off her cap. Her RED HAIR is suddenly visible.
Red head?
BERINGER
Beringer shrugs.
BERINGER (CONTD)
Ill give her to my men to deal
with. Redheads arent my thing.
He turns around to gestures toward his men-NATASHA
And these arent handcuffs.
She PULLS HER WRISTS APART, and the links UNFOLD into a WIRE - we see the hints of BRASS around her wrist poking out from
under her jacket sleeves.
She WHIPS the wire over Berings NECK as she KICKS klein back
behind her.
BERINGERS MEN spring into action, but the first two SNAP! Fall back as Natasha fires DOUBLE DARTS from her wrists
and then TWISTS her wrists to deliver a SHOCK through the
wire--
5.
BERINGER is down.
AS he falls, she pulls up TWO PISTOLS and twists toward the
guards who have sprung into action -She shoots on in the knee, one in the shoulder, all nonlethal-One grabs her jacket and she jerks him toward, and DROPS to
shoot under his arm at the last one by the table -- she FLIPS
the guard above her and he LANDS behind her just as she KICKS
him in the head. Out.
It all happened impossibly fast.
She turns to Klein, who groans.
KLEIN
Who are you really?
She unzips her jacket. IT FALLS with her PANTS, and beneath
the white and gray was BLACK -- her BLACK WIDOW suit,
complete with belt, boots and gauntlets. Her hair hangs now.
She reaches down and grabs Beringer with one hand and lifts
him off the ground to drag him away.
NATASHA
Im for hire.
She turns to the back window of his apartment where curtains
hang over the windows. The windows behind begin to GLOW
brightly. She STEPS OVER BLOOD as she drags Beringer through
it.
She WHIPS the curtain open.
She SHOOTS the window. Wind and snow FLOOD into the
penthouse. We see BLOOD whipped up off the floor and SUCKED
out the window.
EXT. BERLIN STREET - SAME
We move away from the building as the helicopter banks away
and disappears into the snowstorm.
We focus in on a SNOWFLAKE as it collides with a DROP OF
BLOOD.
The snowflake, now heavy, SPIRALS downward until it hits a
bank of white snow.
6.
Several other flakes seep with red. The wind blows. The
snow begins to clear out, revealing, beneath the red and
white -BLACK LETTERS: BLACK WIDOW
Fade up credits.
BUDAPEST, 1990.
FADE TO: