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THE COMPASS

OF HORROR
INTERNATIONAL
FILM FESTIVAL
october 28 – november 9 2006

bristol, uk |
arnolfini | kuumba | cube microplex
DIRECTIONS AND
TICKETS Compass North (Arnolfini: access to Introduction
to Horror Production and Dust Devil screening and
discussion) – £3.75 (student) / £5.75 (adult)

ArtsMatrix Career Workshop (Kuumba) – £3.50


festival tickets (student) / £5.00 (adult)

£13.00 (student) / £18.00 (adult) Five Minutes of Fear horror shorts competition and
Festival tickets will be on sale now until Wednesday exhibition (Cube Microplex) – £2.00 (student) /
25 October subject to availability. A festival £3.00 (adult)
ticket includes access to all events listed (Except
ArtsMatrix Career Workshop). Individual tickets available from respective venues.

Limited numbers available from participating venues Please note that all festival attendees must be over
and Bristol Ticket Shop (The Arcade, Broadmead 18, and prepared to show ID at box office when
– 0870 44 44 400). A limited number of discounted purchasing ticket if requested.
tickets will be available for unemployed persons. See
www.compass-film.co.uk for further details. venues
individual tickets arnolfini
16 Narrow Quay, Bristol, BS1 4QA
Nigerian Horror Video-Film Night (Kuumba) E: boxoffice@arnolfini.org.uk
£2.50 (student) / £3.50 (adult) W: www.arnolfini.org.uk
Box Office: 0117 917 2300
Compass East (Arnolfini: access to Introduction to
the Cult Film Archive and Rampo Noir screening and kuumba
discussion) – £3.75 (student) / £5.75 (adult) 20-23 Hepburn Road, St Paul’s, Bristol, BS2 8UD
E: info@kuumba.org.uk
Compass West (Arnolfini: access to Psychoanalysing W: www.kuumba.org.uk
Horror and Ginger Snaps screening and discussion) Box Office: 0117 942 1870
– £3.75 (student) / £5.75 (adult)
cube microplex
Compass South (Arnolfini: access to Introduction to 4 Princess Row, Kingsdown, Bristol, BS2 8NQ
Horror Scriptwriting and End of the Wicked E: cubeadmin@microplex.cubecinema.com
screening and discussion) – £3.75 (student) / W: www.cubecinema.com
£5.75 (adult) Box Office: 0117 907 4190
THE FESTIVAL AT
A GLANCE...

Saturday 28 October, Kuumba


7.00pm: Nigerian Horror Video-Film Night

Saturday 4 November, Arnolfini

[
1.00pm: Introduction to the Cult Film Archive – Speaker: Xavier Mendik
compass east 2.30pm: Japan – Screening of Rampo Noir – Speakers: Jasper Sharp, Alex Zahlten
and Director Hisayasu Sato

[
6.00pm: Psychoanalysing Horror – Speaker: Dr. Graeme McGrath
compass west 7.30pm: Canada – Screening of Ginger Snaps – Speakers: Xavier Mendik, Director
John Fawcett, Howard Martin and Julian Savage

Sunday 5 November, Arnolfini

[
1.00pm: Introduction to Horror Scriptwriting – Speaker: Lucy Hay, Bang2Write
compass south 2.30pm: Nigeria – Screening of End of the Wicked – Speakers: Onookome Okome
and Director Helen Ukpabio

[
6.00pm: Introduction to Horror Production – Speaker: Sam Walker, Arm & Eye Films
compass north 7.30pm: England – Screening of Dust Devil – Speakers: Kim Newman and Director
Richard Stanley

Tuesday 7 November, Kuumba


1.30 to 6.00pm: Career Workshop – Arts Matrix, Transition Tradition and a film
organisation representative (TBC)

Thursday 9 November, Cube Microplex


7.00pm: Five Minutes of Fear – Horror shorts competition and exhibition – speaker:
Sam Walker, Arm & Eye Films

See www.compass-film.co.uk for further details


COMPASS: FILM
INTERNATIONAL PRESENTS...

the compass of horror

Dedicated to opening up ignored areas of visual


culture and contemporary cinematic debate, The
Compass of Horror is proud to bring the very best of
international horror film to Bristol.

Using the structural concept of the compass as our


guide we offer four cultural reference points from
which to explore the diversity of global attitudes to
horror cinema.

With a fortnight of events and activities at venues


across Bristol, centred around a core weekend of
screenings, encounters and dialogues, the festival
aims to develop a vital space for creativity, debate
and cultural exchange.
ARNOLFINI
SAT 4 NOV 2.30PM

RAMPO
NOIR far east!

Rampo Noir translates the erotic excess of Edogawa


Rampo’s disturbing short stories to the screen.
Filmed as three separate tales (‘The Hell of Mirrors’,
‘The Caterpillar’ and ‘Crawling Bugs’), framed by an
hallucinatory fourth section (‘The Mars Canal’), each
segment is helmed by different directors. From the
morbidly voyeuristic to the scarily saccharine, this col-
laboration is as stylistically challenging as it is visually
alarming, and recreates the sadistic, dreamlike texture
of Rampo’s prose with unnerving conviction.
in focus discussion

In recent years the unsettling and sensuous horror Jasper Sharp is a freelance writer and independent
of modern Japanese cinema has become a familiar researcher based in Bath, UK. He is the co-editor of
friend to Western audiences in search of new frights. www.midnighteye.com, a website dedicated to Japa-
Following Hollywood remakes of disputable integrity nese film and has co-written The Midnight Eye Guide
the shock of the ‘Asian Extreme’ has perhaps turned a to New Japanese Film with Tom Mes. As well as curat-
little pallid and pedestrian. Rampo Noir reinvigorates ing the Japanese programme for London’s Raindance
the intriguing interchange between Eastern horror Film Festival, his writing has appeared in worldwide
cinema and Western audiences by returning to the publications including Variety, SFX, Film International
roots of the genre. Edogawa Rampo is the undisputed and 3d World.
father of Japanese mystery fiction. Taking influence Alex Zahlten is the programme director at the annual
himself from the Western gothic thrills of Edgar Allan Nippon Connection festival held in Frankfurt, and
Poe and Arthur Conan Doyle, the nightmarish abun- his PhD doctorate is in ‘Genre in Japanese Film’ at
dance and distorted logic of Rampo’s worlds have fu- Johannes Gutenberg University in Mainz. He has writ-
elled the development of the horror genre in Japanese ten numerous articles on the Japanese film industry,
film-making since its birth. Now, as the exuberant including a number for the Japanese publication Eiga
visual talents of Japan’s most notorious music video Geijutsu (Film Art).
directors, erotic movie makers and Manga artists Hisayasu Sato is director of the ‘The Caterpillar’ sec-
combine, Rampo Noir revitalises the links between tion of Rampo Noir. His characteristic vibrant and
origin and innovation with unrelenting style. saturated style derives from his extensive experience
as a ‘Pink’ film director.
(Follows film screening)
ARNOLFINI
SAT 4 NOV 7.30PM

GINGER
SNAPS go west!

Ginger is sixteen and a morbid little minx. Brigitte, her


fifteen year-old sidekick sister is totally gothic too. And
growing up in Bailey Downs is so banal it’s unreal.
So, they form a suicide pact (escape suburbia or die
– together forever), and mix it up some more by stag-
ing a murderous montage for a school film project.
Then, in early October, on the night of her first period,
walking home through the forest by the light of the full
moon, Ginger is bitten by the Beast of Bailey Downs.
Within days, she develops an alarming appetite and
her transformation begins.
Whilst maintaining enough gore to keep traditional
horror-heads happy the film’s feminist, genre-bending
interrogation of adolescent sexuality and Canadian
suburban identity has activated a radical new audi-
ence for the horror genre.
in focus discussion – menstrual monsters

Ginger Snaps may do for Werewolves what Buffy did Xavier Mendik is director of the Cult Film Archive and
for Vampires. The Werewolf has held a diverse and co-convenor of the MA in Cult Film & TV at Brunel
powerful grip on the Western imagination for cen- University. Beyond his work as an academic, Xavier
turies. Imagined variously from a cannibalistic and has also produced a number of documentaries that
heretical wolf-man to a cursed innocent who remains explore global cult film traditions. The most recent of
timid, harmless and god-fearing, it is only through the these is Menstrual Monsters: The Ginger Snaps Trilogy
sensationalism of gothic fiction and the visceral imag- (2005).
ery of cinematic horror that the Werewolf has become Julian Savage is a lecturer, practitioner and critical
associated with the lunar cycle and the contagious thinker in Film & TV at Brunel University. Since 1999
bite. By developing a feminised space within the more he has also curated the Filmoteca project for the Latin
muscular body horror genre of An American Werewolf American, Portuguese & Spanish Film Society.
in London and The Howling, Ginger Snaps expands Howard Martin is a television producer, and co-
the Werewolf myth in a vital new direction. produced the documentary Menstrual Monsters: The
Ginger Snaps Trilogy (2005) with Xavier Mendik.
John Fawcett is creator and director of Ginger Snaps:
his debut film. He has also recently directed British
chiller, The Dark.
(Follows film screening)
ARNOLFINI
SUN 5 NOV 2.30PM

END
F
THE
due south!

Chris Amadi, father, son and husband, oversees a


home torn apart by the forces of darkness. Plagued

WICKED
by the stringent jealousy of Lady Destroyer, his sor-
ceress mother, Chris and his family are terrorised by
her spellbinding power to summon evil. Tightly plot-
ted and violently focussed Helen Ukpabio’s video-
film employs visual terror tactics to pose strong
moral questions. Tapping in to localised mytholo-
gies of the dangerous domestic roots of witchcraft
Ukpabio seeks to radically reposition the Nigerian
feminist question from a Christian perspective.
in focus discussion – bordering on the horrific

Never-before presented in the UK the screening of Prof. Onookome Okome is Associate Professor of
video-film offers a bewitching opportunity to engage African Literature & Cinema and Visiting Alexander
with a Nigerian cultural phenomenon. Originating Von Humboldt Research Fellow at the African Studies
in Lagos in the 1970s, video-film has developed into Centre, University of Bayreuth, Germany. He regularly
a national art-form and an important state-funded contributes articles on literature, culture, film and
industry. Delivering an exciting thematic blend of the politics to The Lagos Guardian. His first collection of
domestic and the diabolical, the medium operates poems, Pendants (1993) is informed by disillusion-
both as a captivating mass entertainment form and ment and outrage over the confused politics and
an important negotiation point between local and pervasive moral bankruptcy in contemporary Nigeria.
global social issues. It has opened up a crucial space Evang. Helen Ukpabio is Producer of End of the
for examining Nigeria’s postcolonial, national and Wicked and producer and writer for Nollywood video-
diasporal identities, the shifting influence of Chris- film company, Liberty Films. A respected evangelist
tian, Islamic and occult traditions and the radical Ukpabio is an important, developing voice in Nigerian
development of womens’ culture in Nigeria. cinema whose video-films tackle important issues of
spirituality and feminism with unerring commitment.
(Follows film screening)
ARNOLFINI
SUN 5 NOV 7.30PM

DUST
DEVIL up north!

A shape-shifting demon stalks the fringe of the


Namibian desert in search of victims. Known in local
folklore as the ‘Dust Devil’, the spirit preys only on
the lonely and unloved. Subtly interweaving human
drama with demonology, the film traces the stories
of an abused wife’s departure from her husband, his
desperate, repentant search for her and the quest of a
guilt-ridden, aging policeman to investigate a grue-
some ritual murder. With the hypnotic vastness of the
desert as an unremitting and monumental backdrop,
Richard Stanley’s film spirals through themes of
loss, fear and identity towards a startling, apocalyptic
climax.
in focus discussion

The illusory quality of Dust Devil has its origins in Kim Newman is an English journalist, film critic and
a dream that haunted Richard Stanley as a student fiction writer. Recurring interests visible in his work
at Cape Town Film School. Having unsuccessfully include film history and horror fiction – both of which
attempted to capture his surreal vision as a student, he attributes to seeing Tod Browning’s Dracula at
Stanley faced further obstacles in post-production. the age of eleven – and alternate fictional versions
Disagreements with US distributors Miramax over his of history. Kim’s writing appears regularly in the film
initial 120 minute cut led to a diluted shorter edit that magazines Sight and Sound and Empire.
removed many references to the Namibian spirit folk- Richard Stanley is the award-winning South African-
lore that were at the very heart of the film. After dis- born filmmaker, who made a name for himself with
tribution complications and lukewarm critical reviews his first feature film, the sci-fi movie Hardware. In
Stanley was eventually able to reclaim ownership of 1992, Stanley followed Hardware with Dust Devil.
the negative in the late 1990s. The final director’s cut He contributed to the screenplay of the 1996 film
restores the mythological shading and the prophetic The Island of Dr. Moreau and was slated to direct it,
tenor that Stanley had originally intended. With a before being replaced by John Frankenheimer. Richard
hybrid aesthetic of Spaghetti Western style scrub, Stanley currently works and lives in London, United
South African mysticism and British Hammer Horror Kingdom.
frights, Dust Devil is driven by a uniquely international (Follows film screening)
imagination.
SUBSIDIARY
ACTIVITIES

introduction to the cult film archive psychoanalysing horror


presented by CFA director, Xavier Mendik presented by Dr. Graeme McGrath
arnolfini – sat 4 nov 1.00pm arnolfini – sat 4 nov 6.00pm

The Cult Film Archive is the first research-based resource of ‘I’m just a jobbing shrink who watches a lot of movies’
its kind to be housed at a British university. The Archive’s re- (Dr. Graeme McGrath, 2006)
mit covers a diverse, global cross-section of film genres from Consultant psychiatrist, psychotherapist and film fanatic, Dr.
horror, science fiction and blaxploitation, to madcap musicals, Graeme McGrath puts the horror genre on the couch to dis-
kung fu films and ‘weird’ world cinema. cuss psychoanalytic readings of the festival’s four screenings.

Xavier Mendik will discuss the CFA’s role in promoting a criti- With the emphasis on realising the fun involved in the psycho-
cal understanding of cult, underground and marginal film for analytic approach this seminar will utilise theories of object
both academic and broadcast industry audiences. Focussing relationships and defence mechanisms to examine represen-
on the Archive’s radical role within the field of film studies, he tations of sexual anxiety and unconscious desire in modern
will also consider the crucial role that fandom and film audi- horror. Initially concentrating on conflicts in adolescent sexu-
ences play in constructing meaning within the cult film text. ality that arise in Ginger Snaps, Dr. McGrath will probe further
into recurring questions of monstrosity, viral chaos and iden-
tity projection that trouble the mind of modern horror.
introduction to horror scriptwriting introduction to horror production
presented by Lucy Hay presented by arm & eye films
arnolfini – sun 5 nov 1.00pm arnolfini – sun 5 nov 6.00pm

The eldest of five children growing up, Lucy Hay wanted to kill ‘I can only describe the experience of making films as like dragging
most of her siblings (usually for taking too long in the bath- a desperate animal out from a pit of sinking sand with one hand
room), but feared going to jail so wrote her ideas into stories tied behind your back while an angry toothless witch kicks dust in
instead. Now, Lucy uses her powers more for good than for your face.’
evil working as a script reader and editor for such initiatives (Sam Walker, Director, Arm & Eye Films, 2006)
as TAPS and METLAB in conjunction with London Metropoli-
tan University as well as reading for private clients with her Arm & Eye Films was established in 2001 and has made three
BANG2WRITE consultancy. multi-award winning short films. The films Duck Children, Pool
Shark and Tea Break have toured both nationally and interna-
What use is structure – is it just the latest ‘buzz’? What is the tionally and have been screened by Channel 4, Canal+ and the
monstrous ‘Other’? What does Shakespeare’s King Lear have Sundance Channel. Influenced by Beckett, Kafka and Jarry as
in common with modern first drafts? Lucy Hay will relate her much as Romero, Mike and Hooper, they have developed a
own experiences of writing for the horror genre, identifying re- reputation for producing shocking and surreal work invigo-
current scriptwriting mistakes and offering novel solutions. rated by low budget ferocity.

Arm & Eye Director Sam Walker will put their award-winning
work in context, detailing the creative innovation stimulated by
low-budget production and the ideas and processes involved
in their successful shorts, and discussing the current climate
of British horror.
KUUMBA
EVENT

nigerian horror video-film night


kuumba
sat 28 oct 7.00pm

Families torn apart by sorcery! Homes wrecked by


devil-worship and witchcraft! Marriages that rot into
maggot ridden corpses and mothers-in-law who ter-
rify as the Servants of Satan! Welcome to the wicked
world of Nigerian horror video-film!

Kuumba is delighted to host an evening of selected


Nigerian horror video-film screenings as part of their
Black History Month activities. A radically develop-
ing industry in Nigeria, and never before exposed in
the UK, the video-film genre presents a macabre mix
of magic, melodrama and occultism. Screenings to
be accompanied by tasty Nigerian cuisine.
FIVE MINUTES
OF FEAR

horror shorts competition and


exhibition
cube microplex
thurs 9 nov 7.00pm

The Compass of Horror showcases a selection of


horror shorts, exhibiting examples of home-grown
talent from the South West and beyond, in partner-
ship with Cube Microplex and Arm & Eye Films.

In a festival of bite-size frights Five Minutes of Fear


is a climactic celebration of filmmaking flair. Exhibit-
ing horror film shorts, the event will feature guest
speakers from the internationally acclaimed Arm &
Eye Films who will talk about their experience of the
industry and screen some examples of their multi-
award winning short horror films. Arm & Eye Films
will be the Five Minutes of Fear competition judges.

With prizes for Best Film, Most Shocking Film and


Audience Choice including a year’s subscription to
Cinema Paradiso, the night will end with DJs provid-
ing dark and dangerous tunes...

...enter if you dare!


FILM INTERNATIONAL
AND THE COMPASS OF HORROR


Bi-monthly magazine Film International (FI) was ��
��
founded in 1973 by a non-profit cultural organisa-
tion, of the same name, based in Sweden. Since �
2003 FI has been published in Bristol by British pub- ��
lishers, Intellect. For more than 30 years FI has pub- ��
lished texts by renowned academics, journalists and �
filmmakers from all corners of the world. FI aims to

promote critical discussion of all aspects of moving
��
image culture and to provide a bridge between the ��
academy and popular film audiences. FI’s global and
accessible ethos forms the intellectual stimulus and �
support for the Compass: Film International festi- ��
��
vals, providing contributors, speakers and expert
��
resources. By assisting the organisation in this way,
FI hopes to contribute not only to the success of �
The Compass of Horror, but to many more Compass ��
events in future. ��
��
The Editors of Film International
��
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To subscribe to Film International for a year for only £15 (half normal
price) email filmint@intellectbooks.com


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CAREER
WORKSHOP �
presented by artsmatrix
kuumba – tues 7 nov 1.30 to 6.00pm
(This event is not included in the festival ticket)

ArtsMatrix, in collaboration with Transition Tradition and a film organisation representative (TBC), will deliver a half-day work-
shop providing valuable information, support and advice for recent graduates, young people and those wishing to break into
creative industries.

Claire Heathcote, ArtsMatrix Professional Development Coordinator for Bristol, will offer practical assistance with skills devel-
opment and professional career paths. The event will also include guidance on the transition between Higher Education and
creative industries, and a discussion on specific careers within the film industry.
��
103777

Department of Drama:
Theatre, Film, Television

MA Pathways in:
.
Archaeology for Screen Media
Cinema Studies
Cultural Performance
Documentary Practice
Film and Television Production We are specialists in:
Music Composition for the Screen
Performance Research Employment Law
Screen Practice
Television Studies Property
Research supervision towards M.Litt./Ph.D. Litigation
The department has the highest research rating in its field in
Britain, and is fully equipped for 16mm film and broadcast- Business Law
quality video production, as well as live performance.

For details and application forms contact:


Arts Faculty Office, University of Bristol, Bristol BS8 1TH.
E-mail: www.bris.ac.uk/drama

103777
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103777 landscape Advert 105H x 210W 11/9/06 11:54 am Page 1

MA Cult Film & TV


at Brunel University

Our new, cutting edge MA Cult Film and TV


School of Arts

is the first academic programme of its kind dedicated to


the study of cult media.

Brunel students will have access to the only research


centre and collection devoted to global cult film images -
the Cult Film Archive - which is based in the School of Arts.

For details contact: sue.ramus@brunel.ac.uk or


donna.white@brunel.ac.uk

01895 266569 or 01895 267214


www.brunel.ac.uk/cult

Image courtesy of Synapse Films Limited ©


103777
COMPASS: FILM
INTERNATIONAL
COMPASS
FILM INTERNATIONAL

Samantha King – festival organiser; chair & Thank you to Satish Sachdeva for the hours of
director work, the invaluable advice and the unwavering
Tara Sachdeva – festival organiser; company commitment he has invested in The Compass of
secretary & director Horror.

Jasper Sharp director // Per Linnertz The initial belief and continued support Graeme
director // Satish Sachdeva expert advisor McGrath has shown for The Compass of Horror,
// Graeme McGrath expert advisor // Daniel from its early stages to its final delivery, have been
Lindvall expert advisor // Pavan Heire fundamental to its success. Thank you.
treasurer // Joe Barker & Hannah Driscoll
exhibition coordinators // Barney McGrath Special thanks to...
fundraising events coordinator // Robert Robert Mayers, Sam Butler, Paul Purgas & the
Mayers art director // Sam Butler editorial Arnolfini team, Madeline Probst, Sarah-Jane
// Boro 2G website design // Luke Roberts Meredith, Nick Hills, Barney McGrath, Daniel
Marketing Love, Per Linnertz, Daniel Lindvall, Kathrina Giltre,
Mark Bould, Michael Chanan, Howard Newby, Paul
illustration and design Gough, Koichi Nagai & Yucca Seki of Kadokawa
Robert Mayers, Ben Newman, Florence Boyd Herald, Masoud Yazdani, Gabriel Solomons &
the Intellect team, Pavan Heire, Andrew Welton,
volunteers The Unmuzzled Ox, ArtsMatrix, Steve Ayris, Ben
Hayley Linstead, Taryna Surtess, Gemma Newman, David Lee, Xavier Mendik, Sam Smith,
Brown, Rosie Armistead, Cleis Masterson, Amirah Cole, SPAT-C, Rebecca Dean, Robin Askew,
Tom Maxted, Sarah Jones, Matt Warren, Claire Bush, Alison Bailey of Mosaic Entertainment,
Tanya Moulson, Huda Gamil, Abi Carless, Fu Liberty Films. Visual-Anti, Arilda Tymko, Sharon
Xiaoguang, Lisa Nunn, Thea Bell, Victoria Henshall, and the BFI.
Stapleton, Julie Webb
Thanks also to our supportive families and friends.
HOW TO BECOME A PATRON...
If you are interested in supporting Compass: Film
International at this exciting stage in their develop-
ment, please visit www.compass-film.co.uk.
SPONSORS AND
SUPPORTERS

programme design and layout Robert Mayers Compass: Film Int. Ltd. is a not-for-profit
(robert_mayers@hotmail.co.uk, www.myspace.com/robert_mayers) organisation (reg number: 05831814).
editorial Sam Butler Company Headquarters: 19 Albany Road,
cover design Ben Newman Montpelier, Bristol, BS6 5LQ
(www.bennewman.co.uk, www.myspace.com/norbo_lives) www.compass-film.co.uk

All material subject to change


COMPASS
FILM INTERNATIONAL

www.compass-film.co.uk

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