August Rushenglish HI

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BOY:
Listen.
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00:00:21,035 --> 00:00:22,832
Can you hear it?
3
00:00:25,672 --> 00:00:27,230
The music.
4
00:00:29,910 --> 00:00:32,174
I can hear it everywhere.
5
00:00:34,748 --> 00:00:36,511
In the wind...
6
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...in the air...
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...in the light.
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It's all around us.
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00:01:01,574 --> 00:01:05,237
All you have to do is open yourself up.
10
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All you have to do...
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...is listen.
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[MARK MANCINA'S
''WHEATFIELDS'' PLAYING]
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HeIIo, Porky. Where's your IittIe friend?
14
00:02:14,478 --> 00:02:17,675
-I don't know, Mr. Mannix.
-Go find him or your big butt's mine.
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AUGUST:
Where I've grown up--
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Evan!
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PETER:
Evan!
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00:02:25,523 --> 00:02:28,185
--they tried to stop me
from hearing the music.
19
00:02:32,363 --> 00:02:34,388
But when I'm alone...
20
00:02:36,700 --> 00:02:39,065
...it builds up from inside me.
21
00:02:41,437 --> 00:02:43,735
And I think if I could learn
how to play it...
22
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...they might hear me.
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They would know I was theirs...
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...and find me.
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MANNIX:
Knock, knock.
26
00:03:02,058 --> 00:03:04,117
BO Y 1 : Knock, knock.
MANNIX: Knock, knock.
27
00:03:04,294 --> 00:03:05,454
-Knock, knock.
BO Y 2: Wake up.
28
00:03:05,628 --> 00:03:07,493
MANNIX:
Who's there? Who's there?
29
00:03:08,531 --> 00:03:11,694
Freak. Freak.
30
00:03:13,236 --> 00:03:16,432
-Said, knock, knock, freak.
-Who's there?
31
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Your Iong-Iost mommy and daddy.
32
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Can you hear them?
33
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Yes.
34
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No, you can't.
35
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I can.
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You don't have no famiIy.
37
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You can't hear anything.
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Say it.
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-Say it.
BO Y 1 : Say it. Say it.
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MANNIX: Say it.
BO Y 2: Say it.
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MANNIX: Say it.
BO Y 1 : Say it.
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Say it.
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Yes...
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...I can.
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He doesn't hear anything.
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BO Y 3:
Yeah.
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What is he?
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He's a freak.
49
00:04:14,962 --> 00:04:17,590
MANNIX: Sweet dreams, freaks.
BO Y 2: SIeep tight.
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00:04:17,765 --> 00:04:20,256
-Good night.
BO Y 1 : Don't Iet the bed bugs bite.
51
00:04:25,873 --> 00:04:28,136
Sometimes the world
tries to knock it out of you.
52
00:04:32,245 --> 00:04:34,236
But I believe in music...
53
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...the way that some people
believe in fairy tales.
54
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I like to imagine that what I hear
came from my mother and father.
55
00:05:13,719 --> 00:05:15,880
Maybe the notes I hear...
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...are the same ones they heard
the night they met.
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Maybe that's how they found each other.
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Maybe that's how they'll find me.
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[BANGING ON DOOR]
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MAN:
Louis. Louie, where are you?
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00:05:34,506 --> 00:05:37,168
-LyIa? She's here. What are you doing?
LYLA: Dad.
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They're waiting for us.
Hey, sit up straight, pIease.
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Where are you, baby bro?
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We didn't foIIow you from San Francisco
to pIay for free, man. Yeah?
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We need this one, baby bro. AII right?
I need this one.
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THOMAS:
Don't forget to smiIe and Iook reIaxed.
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AII right, not that reIaxed.
Come on, come on.
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I believe that, once upon a time...
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00:06:03,468 --> 00:06:05,197
...long ago...
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...they heard the music and followed it.
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[MARK MANCINA'S
''MAIN TITLE'' PLAYING]
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[SYMPHONY PLAYING JOHANN SEBASTIAN
BACH'S ''PRELUDE FROM PARTITA NO. 3'']
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00:07:07,930 --> 00:07:10,922
[BAND PLAYING
JOHN ONDRASIK'S ''BREAK'']
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[SINGING]
I break
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I borrow
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I live
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I lose
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I pray
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I'm hollow
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I'm dead confused
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I'll find you
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Once you're here, you're never gone
Once you're here, you're never gone

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Fallen from a night of cold
A piece of me that I can't hold
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I love you as I lose you more
I break outside this open door
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Catch me as I wash away
You'll catch me as I wash away
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Well, catch me as I wash away
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Oh, oh
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Oh
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Yeah
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Don't
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Don't wait, don't wait
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I break
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[CROWD APPLAUDING]
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[DANIEL LEVY'S ''THE SWAN''
PLAYING ON SPEAKERS]
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MAN: Not bad, ConneIIy. Not bad.
-Thanks very much, man.
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00:09:06,178 --> 00:09:07,406

Where's the main man?
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00:09:08,180 --> 00:09:10,375
Goddamn it, Louis. Just wait, man.
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00:09:12,151 --> 00:09:15,711
Louis? Louis, wait up, man.
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00:09:18,924 --> 00:09:22,052
LIZZY:
GirIs, we are going to a party tonight.
100
00:09:22,227 --> 00:09:24,457
It's a fuII moon,
you know what that means, right?
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00:09:24,629 --> 00:09:26,221
[WOMEN SCREAM]
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00:09:27,899 --> 00:09:30,197
[MARK MANCINA'S ''CONFESSIONS
OF LO VE'' PLAYING ON SPEAKERS]
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LIZZY:
LyIa.
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[HARMONICA PLAYS ''MOONDANCE''
IN DISTANCE]
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LOUIS:
It's a great sound, isn't it?
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00:10:26,590 --> 00:10:28,648
What are you doing?
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00:10:28,825 --> 00:10:30,452
Listening.
108
00:10:33,162 --> 00:10:34,493
What are you doing?
109
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-I just came up here to, um....
-Get away?
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Have a seat.
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Come on, be brave.
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Front row, center.
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00:11:19,541 --> 00:11:21,133
Can you hear that?
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What is that?
115
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It's a wish.
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Now, what does that sound Iike?
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[SINGING] Well, it's a marvelous night
For a moondance
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With the stars up above in your eyes
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A fantabulous night to make romance
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'Neath the cover of October skies
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When I was a young feIIow...
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...I used to taIk to the moon.
123
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Are you making that up?
124
00:12:08,222 --> 00:12:10,213

God, I haven't done that in a Iong time.
125
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Does it ever taIk back?
126
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WeII, it used to.
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Now I just find myseIf on a roof
taIking to myseIf...
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...Iike a Ioon.
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Just out here on me own.
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WeII, I'm here.
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Yes, you are.
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I'm Louis.
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LyIa.
134
00:12:57,903 --> 00:13:00,064
So, what's your story, LyIa?
135
00:13:02,441 --> 00:13:04,807
I don't know. I'm just, um....
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I'm just me.
137
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What are you Iooking at?
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You.
139
00:14:08,205 --> 00:14:09,968
[MARK MANCINA'S
''5-NOTE WINDCHIMES'' PLAYING]
140
00:14:18,782 --> 00:14:20,306
MAN:
Next.
141
00:14:21,384 --> 00:14:23,318
What did he want? What did you say?
142
00:14:23,486 --> 00:14:26,182
You know, same oId junk. New guy.
143
00:14:28,091 --> 00:14:29,615
My name is Mr. Jeffries.
144
00:14:29,793 --> 00:14:32,887
I'm with ChiId Services
for the state of New York.
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00:14:33,063 --> 00:14:34,587
[WIND CHIMES TINKLE]
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00:14:34,764 --> 00:14:36,789
Okay, Evan.
147
00:14:36,967 --> 00:14:41,403
Born December 1 7th, 1 995.
148
00:14:41,570 --> 00:14:44,903
LegaI adoption to New York ChiIdren's.
149
00:14:45,975 --> 00:14:48,034
[WHISTLING]
150
00:14:49,078 --> 00:14:50,705
How Iong have you been here, Evan?
151
00:14:51,046 --> 00:14:52,911
EIeven years and sixteen days.
152
00:14:55,184 --> 00:14:56,708
I've been counting.
153
00:14:58,120 --> 00:14:59,587

That's a Iong time.
154
00:15:00,189 --> 00:15:03,124
-How do you do that?
-Do what?
155
00:15:03,292 --> 00:15:05,385
[BLOWS]
156
00:15:07,963 --> 00:15:10,431
WeII, it's just imitating the wind chimes.
157
00:15:10,599 --> 00:15:12,260
[BLOWS]
158
00:15:13,068 --> 00:15:15,298
[WHISTLES]
159
00:15:15,471 --> 00:15:18,064
[WHISTLES]
160
00:15:19,274 --> 00:15:20,798
[CHUCKLES]
161
00:15:23,878 --> 00:15:26,711
You don't wanna be pIaced
with a reaI famiIy?
162
00:15:26,881 --> 00:15:30,146
-I have a famiIy.
-Yes, you do.
163
00:15:30,318 --> 00:15:33,651
I mean, you have parents and aII,
but they don't Iive with you.
164
00:15:33,821 --> 00:15:34,981
Not now.
165
00:15:35,423 --> 00:15:39,223
But stiII,
you don't have contact with them.
166
00:15:39,394 --> 00:15:42,852
-Yes, I do.
-You do?
167
00:15:46,901 --> 00:15:48,129
What, do they caII you?
168
00:15:50,605 --> 00:15:51,833
Come and visit you?
169
00:15:52,306 --> 00:15:53,568
-Send--?
-I....
170
00:15:56,443 --> 00:15:58,604
I don't wanna be sent away.
171
00:16:01,581 --> 00:16:03,515
I understand.
172
00:16:05,385 --> 00:16:08,081
You see, there's a Iot of chiIdren...
173
00:16:08,255 --> 00:16:10,951
...who are scared
that if they Ieave their first home...
174
00:16:11,124 --> 00:16:13,456
...their parents wouId never
be abIe to find them.
175
00:16:14,561 --> 00:16:16,119
Right?
176
00:16:16,730 --> 00:16:18,459
But see, my job is to make sure...
177
00:16:18,632 --> 00:16:22,068
...that nothing Iike that
wiII ever happen to you.
178
00:16:22,235 --> 00:16:25,363
So there's nothing to be scared of.
179
00:16:26,974 --> 00:16:28,668
Thank you.
180
00:16:34,981 --> 00:16:37,609
I'm gonna do something I never do.
181
00:16:38,818 --> 00:16:41,013
This is my number.
182
00:16:41,187 --> 00:16:45,385
If you ever need to taIk to me,
about anything...
183
00:16:46,993 --> 00:16:48,483
...you caII.
184
00:16:48,661 --> 00:16:51,152
Think about what I said too.
185
00:16:51,764 --> 00:16:55,791
There's a whoIe worId out there
with miIIions of wind chimes.
186
00:16:56,402 --> 00:16:57,733
I know.
187
00:17:05,343 --> 00:17:06,674
You can go now.
188
00:17:17,455 --> 00:17:20,151
PETER: Mannix says we're never
gonna see our real parents again.
189
00:17:20,325 --> 00:17:22,452
Mannix is a big Iiar.
190
00:17:23,261 --> 00:17:26,424
Yeah, I know. But what if he's right?
191
00:17:26,598 --> 00:17:29,795
I mean, what if they don't ever come?
192
00:17:29,968 --> 00:17:32,903
HardIy remember what my mom
Iooks Iike, you know?
193
00:17:33,371 --> 00:17:39,537
WeII, if they don't find us,
we'II just have to go find them.
194
00:17:45,282 --> 00:17:48,877
[VAN MORRISON'S ''MOONDANCE''

PLAYING]
195
00:18:12,643 --> 00:18:13,735
[CORK POPS]
196
00:18:13,911 --> 00:18:14,900
[LYLA SCREAMS]
197
00:18:15,079 --> 00:18:16,307
[MEN CHEER]
198
00:18:16,946 --> 00:18:17,935
[LAUGHING]
199
00:18:19,315 --> 00:18:20,373
LYLA: Oh, my God.
-Morning.
200
00:18:20,550 --> 00:18:21,915
-How's it going?
LYLA: Oh, my God.
201
00:18:22,085 --> 00:18:23,382
Get away.
202
00:18:23,553 --> 00:18:24,781
[LAUGHING]
203
00:18:24,954 --> 00:18:26,182
LYLA:
I have to go.
204
00:18:26,355 --> 00:18:28,448
-Let me waIk you home.
-No.
205
00:18:28,624 --> 00:18:30,592
LYLA:
My dad's waiting at the Sherry. I-206
00:18:31,027 --> 00:18:33,689
I've never done this before.
I'm in so much troubIe.
207
00:18:33,863 --> 00:18:34,887
Hey, hey.
208
00:18:35,064 --> 00:18:36,122
MEN:
Woo!
209
00:18:36,299 --> 00:18:38,324
Meet me here at 1 0:00 by the arch.
210
00:18:38,501 --> 00:18:39,661
[MARSHALL LAUGHING]
211
00:18:39,836 --> 00:18:42,270
LOUIS: Say yes.
-Put him out of his misery. Say yes.
212
00:18:42,438 --> 00:18:43,928
-Say yes.
-Say it.
213
00:18:44,107 --> 00:18:45,768
Say yes.
214
00:18:49,378 --> 00:18:50,902
After you.
215
00:18:51,881 --> 00:18:53,313
I'II take that as a yes.
216
00:18:57,819 --> 00:19:01,812
You are gonna be in so much troubIe.
You shouId have Ieft your dad a note.
217
00:19:01,990 --> 00:19:04,686
Yeah, ransom note.
You know what? I don't even care.
218
00:19:04,860 --> 00:19:08,125
I just had the most incredibIe night
of my Iife.
219
00:19:08,296 --> 00:19:09,593
Taxi!
220
00:19:09,764 --> 00:19:13,757
[MARK MANCINA'S
''WASHINGTON SQUARE'' PLAYING]
221
00:19:16,805 --> 00:19:19,365
MARSHALL:
Louis. She ain't coming.
222
00:19:19,541 --> 00:19:22,704
Oh, man. One girI?
223
00:19:22,878 --> 00:19:25,472
Come on, we're gonna miss the fIight.
224
00:19:28,283 --> 00:19:32,275
-Taxi!
MARSHALL: Louis. Where you going, Louis?
225
00:19:34,488 --> 00:19:35,648
Excuse me.
226
00:19:37,258 --> 00:19:38,919
MARSHALL:
Louie.
227
00:19:40,127 --> 00:19:41,458
THOMAS:
You are not going anywhere.
228
00:19:41,929 --> 00:19:44,625
-LyIa!
LYLA: Dad, I'm not going with you.
229
00:19:44,798 --> 00:19:47,528
-LyIa, you Iisten to me.
-No.
230
00:19:47,701 --> 00:19:50,397
-Don't you dare waIk away.
LYLA: I'm not going with you.
231
00:19:57,645 --> 00:19:59,738
LOUIS:
LyIa!
232
00:20:05,285 --> 00:20:08,049
THOMAS:
Get in the car right now.
233
00:20:11,090 --> 00:20:13,490
LyIa! LyIa!
234
00:20:26,673 --> 00:20:28,300
MARSHALL:
Louis.
235
00:20:31,511 --> 00:20:34,344
Do you remember what Da used to say
about princesses? Huh?
236
00:20:34,514 --> 00:20:38,575
They're aIways Iooking for their prince.
And you ain't no prince, brother.
237
00:20:39,819 --> 00:20:40,944
How wouId you know?
238
00:20:41,954 --> 00:20:43,854
What am I gonna do now?
239
00:20:58,103 --> 00:21:00,298
I know they're out there somewhere.
240
00:21:01,240 --> 00:21:04,437
[VIBRATING AND BUZZING]
241
00:21:04,610 --> 00:21:07,909
[MARK MANCINA'S ''WIRES'' PLAYING]
242
00:21:14,686 --> 00:21:17,085
I don't know where it comes from...
243
00:21:20,758 --> 00:21:22,555
...but it's what I hold on to.
244
00:21:26,964 --> 00:21:29,091
And I can't let go.
245
00:21:29,267 --> 00:21:30,598
[WIND WHISTLES]
246
00:21:33,571 --> 00:21:34,970
Somewhere inside me...
247
00:21:36,407 --> 00:21:39,103
...I know that they always wanted me.
248
00:21:41,479 --> 00:21:43,879
Maybe they just got lost.
249
00:21:45,216 --> 00:21:48,447
LOUIS [SINGING] :
Walking through wintertime
250
00:21:48,619 --> 00:21:51,952
When the stars all shine
251
00:21:55,825 --> 00:21:59,317
The angel on the stairs
252
00:22:02,265 --> 00:22:05,757
Will tell you I was there
253
00:22:05,935 --> 00:22:07,300
[CELLO PLAYING MARK MANCINA'S
''CELLO O VERLUDE'']
254
00:22:07,470 --> 00:22:10,928
Under the front porch light
255
00:22:11,107 --> 00:22:13,974
On a mystery night
256
00:22:20,350 --> 00:22:21,578
I been sitting
257
00:22:21,751 --> 00:22:25,949
Watching life pass from the sidelines
258
00:22:27,090 --> 00:22:29,149
Been waiting for a dream
259
00:22:29,325 --> 00:22:33,489
To seep in through my blinds
260
00:22:33,662 --> 00:22:36,153
I wondered what might happen
261
00:22:36,332 --> 00:22:38,994
If I left this all behind
262
00:22:39,802 --> 00:22:42,862
Would the wind be at my back?

263
00:22:43,038 --> 00:22:46,940
Could I get you off my mind
264
00:22:49,078 --> 00:22:50,136
This time?
265
00:22:50,346 --> 00:22:52,871
LOUIS:
What's the point in singing, Marshall?
266
00:22:53,749 --> 00:22:55,376
She's not gonna hear me.
267
00:22:56,218 --> 00:22:59,187
I'm leaving the band.
I'm sorry, Marshall.
268
00:22:59,355 --> 00:23:01,323
MARSHALL:
Don't quit on us, Louis.
269
00:23:03,392 --> 00:23:06,690
[SINGING]
The things I left behind
270
00:23:07,261 --> 00:23:09,695
THOMAS: Everything you've given up,
everything I've given up-271
00:23:10,064 --> 00:23:11,793
[SINGING]
Have melted in my mind
272
00:23:11,966 --> 00:23:14,366
I can't do it. I'm sorry, Frank.
I can't do it, man.
273
00:23:14,535 --> 00:23:16,230
-Listen to me. Listen to me.
-No!
274
00:23:16,404 --> 00:23:18,565
-You know what I mean? I don't know...
-Dad!
275
00:23:18,740 --> 00:23:20,230

...how to approach this probIem.
276
00:23:20,408 --> 00:23:22,399
I mean, where are you
gonna put the baby?
277
00:23:22,577 --> 00:23:25,603
And what about this boy?
He's not here now. He's not here now.
278
00:23:25,780 --> 00:23:27,179
-I'm Ieaving.
-You can't Ieave.
279
00:23:27,348 --> 00:23:30,408
-Where you going, then?
-Just Iet me go. WiII you just Iet me go?
280
00:23:31,018 --> 00:23:33,009
Would the wind be at my back?
281
00:23:34,288 --> 00:23:37,746
282
00:23:37,925 --> 00:23:40,052
MARSHALL: Louis.
THOMAS: LyIa.
283
00:23:40,228 --> 00:23:41,660
This time?
284
00:23:43,296 --> 00:23:44,695
Hey, Louis.
285
00:23:46,066 --> 00:23:47,533
THOMAS:
LyIa.
286
00:23:48,135 --> 00:23:49,363
[SCREAMS]
287
00:23:49,536 --> 00:23:50,525
[TIRES SCREECH]
288
00:23:50,704 --> 00:23:52,467
[THUDS]
289
00:23:54,207 --> 00:23:55,936
[MARK MANCINA'S
''HOSPITAL PT. 1 '' PLAYING]
290
00:24:10,991 --> 00:24:12,652
WOMAN:
We have fetaI distress.
291
00:24:14,628 --> 00:24:16,619
Baby's heart rate is faIIing.
292
00:24:19,031 --> 00:24:20,692
It's faIIing.
293
00:24:49,295 --> 00:24:51,058
I'm sorry.
294
00:24:55,800 --> 00:24:57,665
He's gone.
295
00:26:01,365 --> 00:26:03,629
MAN: Picked him up on the thruway
outside of Montrose.
296
00:26:03,800 --> 00:26:06,859
Just wandering down the road.
Said he's foIIowing the music.
297
00:26:07,036 --> 00:26:09,698
The moon toId him to.
Yeah. Kid's a space cadet.
298
00:26:12,775 --> 00:26:14,436
[CAR HORNS HONKING]
299
00:26:15,611 --> 00:26:18,079
Look, I got a busy day ahead of me.
300
00:26:19,215 --> 00:26:21,513
AII right, big guy, out you go.
301
00:26:21,684 --> 00:26:23,777
This Jeffries guy
wasn't in his office yet...
302
00:26:23,953 --> 00:26:26,547
...so I Ieft him a message
to pick you up right here.
303
00:26:26,722 --> 00:26:28,383
AUGUST: Okay.
-Here. HoId on.
304
00:26:28,558 --> 00:26:31,686
Don't Iose it. If he doesn't show
in an hour, give him another caII.
305
00:26:31,861 --> 00:26:33,522
You can handIe that, right?
306
00:26:33,696 --> 00:26:35,254
-Yeah.
-You got any money?
307
00:26:35,698 --> 00:26:39,725
Here's 1 2 bucks.
Damn, kid, put it in your pocket.
308
00:26:39,902 --> 00:26:41,665
See you.
309
00:26:55,183 --> 00:26:57,481
[TRAINS CLICKING ON TRACKS]
310
00:27:00,488 --> 00:27:02,080
[TRAIN HORN BLOWS]
311
00:27:04,759 --> 00:27:06,624
[SCREECHING]
312
00:27:20,207 --> 00:27:24,166
[HORNS HONK, TIRES SCREECH
AND FOOTSTEPS TAP]
313
00:27:26,747 --> 00:27:28,772
[HIP HOP MUSIC PLAYS
ON STEREO]
314
00:27:34,788 --> 00:27:37,313
[WHISTLE BLOWS, HORN HONKS
AND DOG BARKS]
315
00:27:46,100 --> 00:27:47,465
[BELL RINGING]
316
00:27:47,635 --> 00:27:48,659
[THUDDING]
317
00:27:56,643 --> 00:27:58,770
[MARK MANCINA'S
''UNION SQUARE'' PLAYING]
318
00:28:34,146 --> 00:28:35,135
[HORN HONKS]
319
00:28:35,313 --> 00:28:36,780
[GASPS]
320
00:28:39,217 --> 00:28:41,014
[GRUNTS]
321
00:28:42,521 --> 00:28:44,182
MAN:
Get on the sidewaIk!
322
00:28:54,166 --> 00:28:56,464
[HORNS HONKING AND SIRENS WAILING]
323
00:29:04,209 --> 00:29:06,733
BO Y [SINGING] :
Para bailar la bamba
324
00:29:06,911 --> 00:29:09,175
[GIRLS SINGING]
325
00:29:11,882 --> 00:29:16,819
Give me your money
326
00:29:16,987 --> 00:29:21,651
Come here, sweet honey
327
00:29:21,826 --> 00:29:25,284
Come here, baby
328
00:29:27,064 --> 00:29:28,224
Yeah.
329
00:29:29,266 --> 00:29:32,429

[PLAYING ALI DEE'S
''MY COUNTRY 'TIS OF THEE'']
330
00:29:46,783 --> 00:29:50,549
Okay, citizen. You paid. Any requests?
331
00:29:50,720 --> 00:29:52,187
AUGUST:
No.
332
00:29:53,623 --> 00:29:54,988
AIrighty, then.
333
00:29:57,327 --> 00:30:01,457
[SINGING]
Father, hear me when I
334
00:30:01,631 --> 00:30:03,929
Call your name
335
00:30:04,501 --> 00:30:08,835
I need you to answer me now
336
00:30:09,005 --> 00:30:12,907
Father, here I am
337
00:30:13,076 --> 00:30:16,011
Weak in your sight
338
00:30:16,179 --> 00:30:20,012
Can you rescue me now?
339
00:30:20,182 --> 00:30:26,280
I'm crying out
Can't figure it out on my own
340
00:30:28,590 --> 00:30:31,889
Back off. Away, away. Yo, son,
you're messing with my equiIibrium.
341
00:30:32,060 --> 00:30:35,325
Nobody touches this instrument but me.
Roxy's my girI.
342
00:30:35,497 --> 00:30:38,091
Son, we done here,
so why don't you go find your mommy.

343
00:30:38,567 --> 00:30:41,934
-I don't know where she is.
-Good, that's just great. Uh....
344
00:30:42,104 --> 00:30:44,163
Cops show up around 6.
TeII them you're AWOL.
345
00:30:44,339 --> 00:30:46,239
They'II send you back
where you come from.
346
00:30:46,408 --> 00:30:47,773
I don't wanna go back there.
347
00:30:48,610 --> 00:30:50,100
WeII, good.
348
00:30:50,279 --> 00:30:52,679
This day's been a bust anyway. I'm out.
349
00:31:03,124 --> 00:31:06,890
[MARK MANCINA'S
''FOLLOWING ARTHUR'' PLAYING]
350
00:31:14,268 --> 00:31:15,326
What?
351
00:31:17,605 --> 00:31:19,232
I don't have a pIace to stay.
352
00:31:20,074 --> 00:31:22,565
Do I Iook Iike a reaI-estate tycoon
to you?
353
00:31:26,180 --> 00:31:27,977
How many dead presidents you got?
354
00:31:28,549 --> 00:31:30,847
Nuggets? Shorts?
355
00:31:31,017 --> 00:31:32,416
Show me the money.
356
00:31:37,190 --> 00:31:41,490

-Are you thinking what I'm thinking?
-No, I'm thinking something eIse.
357
00:31:43,730 --> 00:31:45,891
I'm gonna Iet you buy me a pizza.
358
00:32:01,514 --> 00:32:05,348
I've been doing this for 1 0 years, Bob.
I said 1 0 percent.
359
00:32:06,519 --> 00:32:08,918
We need to cIose the deaI.
HoId on a second.
360
00:32:09,088 --> 00:32:12,319
No. We said 1 0 percent.
361
00:32:13,225 --> 00:32:16,217
Yeah, weII, it makes the worId go round,
doesn't it, Bob?
362
00:32:17,196 --> 00:32:19,562
Just get me the 1 0 percent, wiII you?
363
00:32:19,732 --> 00:32:21,222
Thanks.
364
00:32:21,967 --> 00:32:23,332
[SIGHS]
365
00:32:25,104 --> 00:32:28,335
MAN: Need anything, sir?
-Do you know any hit men?
366
00:32:28,507 --> 00:32:31,067
I do know a bass pIayer
might be abIe to heIp you out.
367
00:32:31,243 --> 00:32:33,268
Likes to get in fights with Iead singers.
368
00:32:35,447 --> 00:32:36,573
Nick?
369
00:32:38,350 --> 00:32:40,318
What are you doing, man?
370
00:32:41,854 --> 00:32:44,754
StiII driving. Paying off
those wedding biIIs from Iast year.
371
00:32:44,923 --> 00:32:47,414
Oh, fair pIay to you. Oh, she's a nice girI.
372
00:32:48,826 --> 00:32:50,555
So you pIaying at aII?
373
00:32:50,995 --> 00:32:52,155
Nope.
374
00:32:52,931 --> 00:32:55,456
Why the heII not? Your fingers faII off?
375
00:32:55,633 --> 00:32:57,430
WeII, you move on.
376
00:32:59,704 --> 00:33:02,673
What about the Iads?
Seen any of them IateIy?
377
00:33:04,008 --> 00:33:05,942
We stiII mess around...
378
00:33:06,110 --> 00:33:10,069
...but the ConneIIy Brothers never reaIIy
bounced back minus one brother.
379
00:33:14,585 --> 00:33:16,109
You seen MarshaII IateIy?
380
00:33:17,055 --> 00:33:18,522
Have you?
381
00:33:18,690 --> 00:33:20,953
[VAN MORRISON'S
''MAGIC TIME'' PLAYING]
382
00:33:21,725 --> 00:33:23,317
It's my birthday on Saturday.
383
00:33:23,927 --> 00:33:26,953
Session's at my pIace.
Come, bring your girIfriend.

384
00:33:27,831 --> 00:33:29,924
It's great seeing you, man.
385
00:33:30,100 --> 00:33:33,900
Reminds me of New York.
The good oId days, eh?
386
00:33:34,271 --> 00:33:36,398
[SIRENS WAILING]
387
00:33:40,978 --> 00:33:42,969
[LYLA HUMMING BEETHO VEN'S
''FUR ELISE'']
388
00:33:43,146 --> 00:33:44,704
GIRL:
I know.
389
00:33:44,881 --> 00:33:47,111
I know.
390
00:33:47,284 --> 00:33:50,685
-I know. Okay, I don't know.
-Oh!
391
00:33:50,887 --> 00:33:54,084
''Fur EIise'' by Beethoven.
And you shouId know that one.
392
00:33:54,257 --> 00:33:56,315
Oh, yeah.
393
00:33:56,492 --> 00:33:58,960
WiII you be our teacher forever,
Miss Novacek?
394
00:33:59,128 --> 00:34:02,120
WeII, at Ieast untiI your oId teacher
comes back.
395
00:34:02,298 --> 00:34:05,563
But onIy if you caII me...?
396
00:34:05,735 --> 00:34:07,965
-LyIa.
-That's right.
397
00:34:08,137 --> 00:34:09,604
You're crazy, Miss Novacek.
398
00:34:09,772 --> 00:34:11,034
WOMAN: Megan.
-Got everything?
399
00:34:13,209 --> 00:34:14,904
-Okay.
-Bye.
400
00:34:15,077 --> 00:34:16,874
[MARK MANCINA'S
''ELEVEN YEARS LATER'' PLAYING]
401
00:34:17,313 --> 00:34:19,873
Hi, sweetie.
402
00:34:20,416 --> 00:34:22,407
Did you have a good day?
403
00:34:23,819 --> 00:34:25,013
Thanks.
404
00:34:25,187 --> 00:34:26,381
LIZZY: There you are.
-Hey.
405
00:34:26,555 --> 00:34:30,252
Okay, now, before you say no....
Okay, picture this.
406
00:34:30,426 --> 00:34:34,657
You on stage, me accompanying,
thousands of peopIe.
407
00:34:34,829 --> 00:34:36,296
-Liz.
-The New York PhiIharmonic.
408
00:34:36,464 --> 00:34:39,297
I just got the invite. They want you back.
409
00:34:39,467 --> 00:34:42,197
It's just one night,
but they want you back.

410
00:34:43,772 --> 00:34:45,933
I don't wanna be up there.
411
00:34:46,107 --> 00:34:47,597
LyIa....
412
00:34:48,410 --> 00:34:50,674
When are you gonna Iet yourseIf
be happy again?
413
00:34:50,845 --> 00:34:53,211
I am happy.
414
00:34:54,015 --> 00:34:57,348
I'm taIking about
when everyone eIse goes home.
415
00:35:04,325 --> 00:35:06,156
Look....
416
00:35:06,327 --> 00:35:08,851
I know. Okay? I know.
417
00:35:10,397 --> 00:35:11,728
Just think about it.
418
00:35:11,899 --> 00:35:16,529
I mean, you're a music teacher
who doesn't pIay music anymore.
419
00:35:17,004 --> 00:35:18,904
CaII me crazy.
420
00:35:19,073 --> 00:35:20,700
Okay, Crazy.
421
00:35:20,874 --> 00:35:23,434
-I'II see you at home, okay?
-AII right.
422
00:35:34,788 --> 00:35:37,279
ARTHUR:
No, I ain't got no daddy.
423
00:35:38,792 --> 00:35:40,054

See, my pops is a drunk.
424
00:35:40,227 --> 00:35:43,821
And my mama, she took off
with this crackhead named LittIe Jesus.
425
00:35:43,996 --> 00:35:47,261
But, you know, he wasn't no IittIe Jesus,
you know what I'm saying?
426
00:35:47,433 --> 00:35:48,457
[BILLIE HOLIDAY'S
''GOD BLESS THE CHILD'' PLAYING]
427
00:35:48,634 --> 00:35:50,829
No, they never gave a damn about me.
428
00:35:51,003 --> 00:35:54,905
Come on, man. This is us right here.
429
00:35:57,009 --> 00:35:59,944
-I've been with Wizard for years.
AUGUST: Who's Wizard?
430
00:36:00,113 --> 00:36:02,479
ARTHUR: Oh, he's a reaI piece of work,
that's what he is.
431
00:36:02,648 --> 00:36:05,208
His reaI name's MaxweII WaIIace.
432
00:36:05,384 --> 00:36:08,512
He took me in.
He said that I was an investment.
433
00:36:08,688 --> 00:36:11,782
He gave me Roxy here.
He bought it in the oId days.
434
00:36:12,225 --> 00:36:15,558
WeII, he reaIIy didn't buy it.
Guess you'd kind of say he found it.
435
00:36:15,728 --> 00:36:17,025
AII right, he stoIe it.
436
00:36:17,196 --> 00:36:19,357

Wizard?
He gave me his pIace at the Square.
437
00:36:19,532 --> 00:36:22,022
My parents? They ain't gave me nothing.
438
00:36:24,603 --> 00:36:27,504
We aII gonna be big stars someday.
439
00:36:28,507 --> 00:36:31,704
MAN: What's the password?
-Open the damn door aIready.
440
00:36:33,011 --> 00:36:34,774
You're getting on my nerves with that.
441
00:36:39,251 --> 00:36:41,276
Okay, foIIow me.
442
00:36:41,453 --> 00:36:44,547
[MARK MANCINA'S
''WIZARD'S LAIR'' PLAYING]
443
00:36:44,723 --> 00:36:47,658
What's your name again?
It's Evan, right?
444
00:36:49,060 --> 00:36:51,426
Yo, this is our home, son.
445
00:36:51,596 --> 00:36:53,496
It's kind of crazy in here,
so stay on your feet.
446
00:36:53,665 --> 00:36:55,257
[BO Y YELLS]
447
00:36:56,967 --> 00:36:58,127
Watch out.
448
00:36:58,302 --> 00:37:01,499
Yeah, I've been Iiving here for a whiIe.
Come on, man.
449
00:37:01,672 --> 00:37:03,731
Hey, check it out.
450
00:37:03,908 --> 00:37:05,068
-How much you make?
BO Y 1 : Ten doIIars.
451
00:37:05,242 --> 00:37:07,176
ARTHUR: You Iying. Let me see.
BO Y 1 : I am not Iying.
452
00:37:07,344 --> 00:37:09,312
ARTHUR: What did I teII you about that?
-Boo!
453
00:37:10,581 --> 00:37:11,570
[BABBLING]
454
00:37:11,749 --> 00:37:14,650
BO Y 2: Hey, it's Arthur.
ARTHUR: I'II be Iaughing at your funeraI.
455
00:37:14,818 --> 00:37:16,877
BO Y 1 : I'm gonna go pIay basketbaII.
ARTHUR: AII cIear.
456
00:37:17,054 --> 00:37:22,583
[SINGING] My life, the sky
Like a feather I'll fly
457
00:37:23,360 --> 00:37:26,022
ARTHUR: Man, you shouId've knocked him
in his head, son.
458
00:37:26,530 --> 00:37:29,829
[PLAYING IMPACT REPERTORY THEATRE'S
''WIZARD'S THEATER SONG'']
459
00:37:36,940 --> 00:37:38,771
BO Y 3:
Shoot it, shoot it, shoot it!
460
00:37:43,713 --> 00:37:45,112
Pizza!
461
00:37:50,220 --> 00:37:52,279
Pizza, pizza, pizza.
462
00:38:06,703 --> 00:38:08,102
GIRL 1 :
Don't make me come up there.
463
00:38:08,270 --> 00:38:10,329
BO Y 4: Yo, you better hurry
before Wizard shows.
464
00:38:10,505 --> 00:38:13,065
He'II be pissed
if he's seen you bought a pie.
465
00:38:13,442 --> 00:38:15,103
I ain't take no famiIy money.
466
00:38:15,277 --> 00:38:16,574
Citizen bought it.
467
00:38:19,881 --> 00:38:22,577
Hola, music Iovers.
468
00:38:22,751 --> 00:38:24,582
Wow, whiIe the cat's away....
469
00:38:25,420 --> 00:38:26,785
Oh.
470
00:38:26,955 --> 00:38:28,252
Who Iikes pizza?
471
00:38:30,492 --> 00:38:31,789
Who did this?
472
00:38:33,395 --> 00:38:34,657
Arthur?
473
00:38:40,669 --> 00:38:42,728
-What is he?
-He's a damn fooI.
474
00:38:42,904 --> 00:38:45,337
He's a damn fooI.
475
00:38:45,506 --> 00:38:47,133
-He's gonna get it good.
-Shh.
476
00:38:47,308 --> 00:38:49,139

What are you, Arthur?
477
00:38:49,644 --> 00:38:51,578
I'm a reaI piece of work, Wizard.
478
00:38:53,247 --> 00:38:54,942
You're on thin ice.
479
00:38:55,449 --> 00:38:59,442
I didn't take no famiIy money.
He bought it.
480
00:39:04,759 --> 00:39:06,158
What?
481
00:39:06,527 --> 00:39:07,824
You Iook crazy.
482
00:39:09,463 --> 00:39:10,589
I am crazy.
483
00:39:10,765 --> 00:39:12,699
[SCREAMS]
484
00:39:13,968 --> 00:39:15,367
See?
485
00:39:16,237 --> 00:39:17,295
Come here.
486
00:39:20,174 --> 00:39:21,697
Now!
487
00:39:23,009 --> 00:39:24,442
Come on.
488
00:39:27,781 --> 00:39:30,716
-What's your name?
-Evan, sir.
489
00:39:31,518 --> 00:39:32,849
What are you doing here?
490
00:39:33,653 --> 00:39:35,450
I foIIowed the music.
491
00:39:40,927 --> 00:39:44,192
Where did you pick this one up,
Arthur, BeIIevue?
492
00:39:48,301 --> 00:39:50,667
You never pIayed a note in your Iife.
493
00:39:50,837 --> 00:39:52,862
Do you know what music is?
494
00:39:54,541 --> 00:39:58,670
It's God's IittIe reminder there's
something eIse besides us in this universe.
495
00:39:59,211 --> 00:40:04,843
Harmonic connection between
aII Iiving beings everywhere, even the stars.
496
00:40:05,584 --> 00:40:07,484
Is this a schooI?
497
00:40:07,653 --> 00:40:10,884
Yeah, the schooI of
Screw You and Take AII Your Damn Money.
498
00:40:11,056 --> 00:40:12,921
-Yeah.
-Yeah, we're top of the cIass.
499
00:40:13,092 --> 00:40:14,457
Not!
500
00:40:16,862 --> 00:40:18,352
It's a business.
501
00:40:20,999 --> 00:40:23,593
-Pockets.
GIRL 2: Okay, Iet's go.
502
00:40:23,769 --> 00:40:25,396
-Let's go, Iet's go.
WALLACE: Pockets.
503
00:40:26,271 --> 00:40:27,397
BO Y 1 :
Oh, man. Get up.
504
00:40:27,573 --> 00:40:29,564
[CHATTERING]
505
00:40:31,543 --> 00:40:32,770
WALLACE:
Peanut, weII done.
506
00:40:34,045 --> 00:40:35,706
I got eyes in the back of my head.
507
00:40:36,681 --> 00:40:38,546
Good job. Gracias, amigo.
508
00:40:38,716 --> 00:40:40,946
Chain is onIy as strong...
509
00:40:41,386 --> 00:40:42,683
...as its weakest Iink.
510
00:40:45,390 --> 00:40:46,880
Come on, Arthur.
511
00:40:47,225 --> 00:40:48,783
That's chump change.
512
00:40:48,960 --> 00:40:52,293
You got Washington Square.
That was my spot for 1 0 years.
513
00:40:56,434 --> 00:40:59,562
Go ahead, before I change my mind.
514
00:41:03,875 --> 00:41:06,036
You kids are gonna put me
in the poorhouse.
515
00:41:07,011 --> 00:41:09,945
AII right, IittIe mice,
scurry back to your hoIes. Go, go.
516
00:41:12,582 --> 00:41:15,415
Harmonic dreams, sweet chiIdren.
517
00:41:23,393 --> 00:41:25,293
[PLAYING VAN MORRISON'S
''MOONDANCE'' ON HARMONICA]
518
00:42:05,634 --> 00:42:10,128
[PLAYING MARK MANCINA'S
''BARI IMPRO V'']
519
00:43:45,498 --> 00:43:47,625
ARTHUR:
Roxanne. Man, I'm gonna kiII him.
520
00:44:15,961 --> 00:44:17,895
WALLACE:
You know what's out there?
521
00:44:18,530 --> 00:44:20,657
A series of higher tones.
522
00:44:20,832 --> 00:44:22,356
It's arranged by nature.
523
00:44:22,534 --> 00:44:26,595
It's governed by the Iaws of physics
of the whoIe universe.
524
00:44:28,006 --> 00:44:30,406
It's an overtone, it's an energy,
it's a waveIength.
525
00:44:30,575 --> 00:44:35,103
And if you're not riding it, good Lordy,
you'II never hear it.
526
00:44:35,280 --> 00:44:37,305
Where do you think it comes from?
527
00:44:39,117 --> 00:44:40,414
What I hear.
528
00:44:41,019 --> 00:44:44,511
I think it comes from aII around you, reaIIy.
I mean, it's-529
00:44:44,689 --> 00:44:46,519
Comes through us, some of us.
530
00:44:48,759 --> 00:44:51,819
It's invisibIe, but-- But you feeI it.
531
00:44:52,763 --> 00:44:54,526
So onIy some of us can hear it?
532
00:44:56,166 --> 00:44:58,134
OnIy some of us are Iistening.
533
00:45:00,938 --> 00:45:03,270
Do you think my parents are Iistening?
534
00:45:04,141 --> 00:45:06,109
I hear you, kid.
535
00:45:09,079 --> 00:45:10,068
Like:
536
00:45:10,247 --> 00:45:11,612
[STRUMS GUITAR]
537
00:45:12,182 --> 00:45:13,774
Yeah.
538
00:45:17,721 --> 00:45:19,348
WOMAN:
Are you hearing a word I'm saying?
539
00:45:19,523 --> 00:45:20,854
[CHATTERING]
540
00:45:23,660 --> 00:45:25,059
Louis.
541
00:45:25,828 --> 00:45:28,661
Come on.
It's about time I met your famiIy.
542
00:45:29,866 --> 00:45:32,494
[CHRIS TRAPPER'S ''THIS TIME''
PLAYING IN DISTANCE]
543
00:45:33,202 --> 00:45:36,694
Listen, Jen,
maybe this isn't such a good idea.
544
00:45:37,674 --> 00:45:38,698
Grow up.
545
00:45:39,175 --> 00:45:40,642
Come on.
546
00:45:42,545 --> 00:45:43,807
-Come on.
-''Grow up.''
547
00:45:45,648 --> 00:45:48,173
[SINGING ON VIDEO]
The angel on the stairs
548
00:45:48,351 --> 00:45:51,878
JEN: Are aII Irish peopIe this Ioud?
-Yeah.
549
00:45:52,055 --> 00:45:54,580
Will tell you I was there
550
00:45:57,160 --> 00:46:00,720
Under the front porch light
551
00:46:00,896 --> 00:46:03,831
On a mystery night
552
00:46:10,205 --> 00:46:14,904
I been sitting
Watching life pass from the sidelines
553
00:46:15,877 --> 00:46:16,866
MAN:
Hey, Louis.
554
00:46:17,045 --> 00:46:19,013
Been waiting for a dream
555
00:46:19,181 --> 00:46:22,878
To seep in through my blinds
556
00:46:24,453 --> 00:46:26,853
NICK:
Hey, MarshaII, your brother's here.
557
00:46:27,255 --> 00:46:28,279
Louis.
558
00:46:30,992 --> 00:46:32,459

Hey, Nick.
559
00:46:32,861 --> 00:46:34,418
560
00:46:34,962 --> 00:46:38,659
JEN:
Oh, my God. Is that you?
561
00:46:38,833 --> 00:46:40,926
This time?
562
00:46:41,869 --> 00:46:44,303
When were you gonna teII me
you're in a band?
563
00:46:46,707 --> 00:46:50,108
I'm sure there's a Iot of things
our Louis hasn't toId you, darIing.
564
00:46:50,277 --> 00:46:53,269
-Like who did you write the song for?
-I toId you this is a mistake.
565
00:46:53,814 --> 00:46:56,408
That's it, go on. WaIk out on us again.
566
00:46:59,386 --> 00:47:01,650
-Eh, Lou?
LOUIS: Say what you gotta say, MarshaII.
567
00:47:01,822 --> 00:47:03,790
-Say what you have to say.
-No, go on.
568
00:47:03,958 --> 00:47:06,051
-Come on, say it.
MARSHALL: That the best you got?
569
00:47:06,227 --> 00:47:07,888
-Say it.
-That the best you got?
570
00:47:08,062 --> 00:47:10,291
-Come on. Hit me. Come on, hit me.
-Come on.
571
00:47:10,463 --> 00:47:12,624
FeeI what? Come on. Hit me.
572
00:47:13,967 --> 00:47:15,264
I'm suffocating here.
573
00:47:16,035 --> 00:47:18,367
The things I left behind
574
00:47:22,075 --> 00:47:23,565
You aII right, man?
575
00:47:25,645 --> 00:47:27,340
You aII right, man?
576
00:47:28,014 --> 00:47:29,743
WeIcome to the ConneIIy cIan.
577
00:47:29,916 --> 00:47:31,713
[MARSHALL LAUGHS]
578
00:47:37,457 --> 00:47:39,084
Jennifer.
579
00:48:04,516 --> 00:48:07,451
You know, it was good
having the oId Louis back in there...
580
00:48:07,986 --> 00:48:10,352
...even if it was onIy for a second.
581
00:48:12,324 --> 00:48:13,814
Louie...
582
00:48:14,259 --> 00:48:16,921
...aren't you supposed to be in the car
with the girI...
583
00:48:17,095 --> 00:48:19,256
...as she drives off into the sunset?
584
00:48:27,738 --> 00:48:30,298
You'II get your suit dirty
sitting there, man.
585
00:48:33,411 --> 00:48:36,847

[MARK MANCINA'S
''5-NOTE TRANSITION'' PLAYING]
586
00:48:38,783 --> 00:48:41,013
[PHONE RINGING]
587
00:48:43,421 --> 00:48:44,410
[ANSWERING MACHINE BEEPS]
588
00:48:44,589 --> 00:48:46,716
WOMAN [O VER PHONE] :
This is a message for Lyla Novacek.
589
00:48:46,891 --> 00:48:49,018
Please call Good Samaritan Hospital.
590
00:48:49,193 --> 00:48:52,651
I'm calling about your father,
Thomas Novacek.
591
00:49:02,272 --> 00:49:04,604
THOMAS:
I wasn't sure you were going to come.
592
00:49:05,742 --> 00:49:08,176
My wiII is in the top drawer
of the desk in my study.
593
00:49:08,345 --> 00:49:10,870
Dad, stop, come on.
594
00:49:11,047 --> 00:49:13,208
THOMAS:
LyIa, pIease.
595
00:49:13,383 --> 00:49:15,180
There's more.
596
00:49:21,958 --> 00:49:27,692
AII I ever wanted was for you
to have aII that promise, aII that Iife.
597
00:49:28,198 --> 00:49:30,132
But you were so young.
598
00:49:30,567 --> 00:49:32,660
We had so much work to do.

599
00:49:32,836 --> 00:49:36,100
-You weren't ready.
-That's pIenty, Dad. ReaIIy.
600
00:49:36,906 --> 00:49:38,965
I mean, a baby.
601
00:49:39,141 --> 00:49:40,972
That baby, he couId have hurt you.
602
00:49:41,143 --> 00:49:43,611
[MARK MANCINA'S
''HOSPITAL PT. 2'' PLAYING]
603
00:49:44,079 --> 00:49:48,379
He couId've hurt you, and I-I wasn't gonna Iet that happen, LyIa.
604
00:49:53,856 --> 00:49:55,949
I made a choice for us.
605
00:49:59,795 --> 00:50:01,660
Oh, my God.
606
00:50:03,699 --> 00:50:04,927
THOMAS:
A choice for us.
607
00:50:06,902 --> 00:50:08,460
Wait....
608
00:50:13,608 --> 00:50:15,303
THOMAS:
I'm sorry.
609
00:50:20,181 --> 00:50:21,478
Where?
610
00:50:24,552 --> 00:50:26,383
Where is he?
611
00:50:27,188 --> 00:50:30,749
-I didn't mean--Where is he?
612
00:50:31,192 --> 00:50:32,420
I don't know.
613
00:50:34,462 --> 00:50:36,123
I don't.
614
00:50:38,166 --> 00:50:41,260
[PLAYING MICHAEL HEDGES'
''RITUAL DANCE'']
615
00:50:45,106 --> 00:50:47,767
WALLACE: You gotta love music
more than you love food.
616
00:50:48,709 --> 00:50:52,372
More than Iife. More than yourseIf.
617
00:50:58,785 --> 00:51:00,013
You feeI it?
618
00:51:03,623 --> 00:51:04,647
Then show me.
619
00:51:05,392 --> 00:51:07,360
PIay it for your parents.
620
00:51:56,909 --> 00:51:58,433
You're fIying, kid.
621
00:51:58,611 --> 00:52:01,204
[CROWD CLAPPING]
622
00:52:08,486 --> 00:52:10,044
WALLACE:
Yeah!
623
00:52:10,221 --> 00:52:12,348
You know what I'm thinking?
624
00:52:13,224 --> 00:52:15,784
You're supposed to say,
''What are you thinking, Wizard?''
625
00:52:15,960 --> 00:52:18,258
''What are you thinking, Wizard?''
626
00:52:18,430 --> 00:52:20,864
I teach you everything I know for free.
627
00:52:21,032 --> 00:52:23,933
You get Roxanne.
You get my corner of the park.
628
00:52:24,369 --> 00:52:27,770
You get to keep haIf your tips.
We're Iike a team.
629
00:52:29,307 --> 00:52:31,275
There's something wrong
with that picture.
630
00:52:31,709 --> 00:52:32,767
What?
631
00:52:33,545 --> 00:52:36,877
I don't think performing in parks
and street corners is gonna be enough.
632
00:52:37,047 --> 00:52:38,275
It won't?
633
00:52:41,452 --> 00:52:44,785
Evan, we're gonna need
to get you a new name.
634
00:52:44,955 --> 00:52:46,718
Something with a IittIe more pop.
635
00:52:47,157 --> 00:52:50,752
What do you wanna be in the worId?
In the whoIe worId, what do you wanna be?
636
00:52:50,928 --> 00:52:53,055
CIose your eyes and think about that.
637
00:52:55,232 --> 00:52:56,722
Found.
638
00:53:01,972 --> 00:53:03,337
Doesn't have enough yin.
639
00:53:04,108 --> 00:53:06,235
-LittIe more yang, you know?

-Yeah.
640
00:53:06,410 --> 00:53:07,570
Yeah, Iet's....
641
00:53:07,744 --> 00:53:09,302
[TRUCK HORN HONKING]
642
00:53:09,480 --> 00:53:13,438
TaIk about wishfuI thinking. Look at that.
643
00:53:16,586 --> 00:53:18,645
What name stands out to you
on that, huh?
644
00:53:18,821 --> 00:53:19,845
Beach?
645
00:53:20,022 --> 00:53:22,456
It's a good name for a band,
but not for a performer.
646
00:53:22,625 --> 00:53:25,560
You can't say, ''PIease weIcome Beach.''
No, no.
647
00:53:25,728 --> 00:53:30,028
August Rush. August Rush.
Doesn't that warm you up a IittIe bit?
648
00:53:30,466 --> 00:53:33,799
I can see it.
''Wizard Productions presents...
649
00:53:33,970 --> 00:53:36,837
...the number-one heat wave:
650
00:53:37,006 --> 00:53:40,464
August Rush!''
651
00:53:40,643 --> 00:53:43,203
-Yeah.
-Yeah. Me!
652
00:53:43,379 --> 00:53:46,041
-August, August, August.
-It gives me a rush.

653
00:53:46,215 --> 00:53:49,513
That gives me chiIIs. The hair
on the back of my neck's standing up.
654
00:53:49,684 --> 00:53:51,151
-ReaIIy?
-Yeah, Iook at that.
655
00:53:51,319 --> 00:53:52,752
Quick, check it out. Yeah.
656
00:53:52,921 --> 00:53:56,550
-I'm fIying! I'm fIying!
-Yeah. August! August Rush.
657
00:53:56,725 --> 00:53:59,023
-August.
-August Rush. August Rush.
658
00:53:59,194 --> 00:54:00,218
That's you.
659
00:54:00,595 --> 00:54:02,995
WALLACE: August. August.
AUGUST: August Rush, August Rush.
660
00:54:05,033 --> 00:54:07,695
[LUCAS REYNOLDS'
''SOMETHING INSIDE'' PLAYING]
661
00:54:47,374 --> 00:54:48,500
[THUNDER CRASHES]
662
00:54:48,676 --> 00:54:50,974
LIZZY: New York, Lyla?
What are you doing in New York?
663
00:54:51,145 --> 00:54:53,909
Lizzy, I mean,
I've aIways feIt that he was aIive.
664
00:54:54,081 --> 00:54:59,382
I'd see kids that wouId be his age
and I'd imagine what he'd Iook Iike.
665
00:54:59,552 --> 00:55:02,316

-Big bIue eyes Iike his dad and--Oh, my God, Lyla.
666
00:55:02,488 --> 00:55:06,925
Lizzy, I used to Iie in bed at night
and I swear I couId hear him.
667
00:55:07,093 --> 00:55:10,062
-I swear I couId hear him.
-Lyla, calm down.
668
00:55:10,230 --> 00:55:13,893
CaIm down? How can I be caIm?
How can I be caIm?
669
00:55:14,067 --> 00:55:17,332
I've been caIm for over 1 0 years
and Iook where it's gotten me.
670
00:55:17,503 --> 00:55:19,994
Lyla, you're losing it.
671
00:55:20,240 --> 00:55:23,471
You're right. And maybe it's about time.
672
00:55:23,643 --> 00:55:25,338
Don't do anything crazy, okay?
673
00:55:25,511 --> 00:55:29,845
We're on our honeymoon, but we're leaving.
We'll get there as soon as we can, okay?
674
00:55:49,268 --> 00:55:52,135
Okay, Jack, he's worth three times
what you're offering him.
675
00:55:52,304 --> 00:55:54,101
-WaIIace--You heard him in the park!
676
00:55:54,273 --> 00:55:55,535
You're a pain in the ass.
677
00:55:55,707 --> 00:55:59,108
-Two-fifty if he can pIay for two hours.
-No, five or he waIks.
678
00:55:59,278 --> 00:56:04,079
-Five hundred? I'II give him 250--Five hundred or he waIks, aII right?
679
00:56:04,249 --> 00:56:05,238
JACK:
He waIks?
680
00:56:05,417 --> 00:56:07,647
WALLACE:
We have Iightning in a bottIe, Jack.
681
00:56:07,819 --> 00:56:10,344
No, there's no parents. I'm his guardian.
682
00:56:10,522 --> 00:56:13,718
No, I'm his representation,
that's why I'm making the deaI.
683
00:56:13,891 --> 00:56:15,620
WOMAN:
May I heIp you?
684
00:56:16,027 --> 00:56:18,257
-I'm trying to find my son.
WOMAN: HoId on a second.
685
00:56:18,996 --> 00:56:20,657
Name?
686
00:56:25,970 --> 00:56:27,961
GIRL 1 :
Mommy.
687
00:56:28,939 --> 00:56:31,874
[MARK MANCINA'S
''PLAYGROUND'' PLAYING]
688
00:56:33,778 --> 00:56:35,712
Mommy.
689
00:56:38,549 --> 00:56:40,016
I don't know.
690
00:56:41,452 --> 00:56:44,012
GIRL 2: Mom.
GIRL 3: Mommy.
691
00:56:54,064 --> 00:56:56,191
Mommy, Iook at me.
692
00:56:56,366 --> 00:56:58,857
I'm sorry, ma'am, we're cIosing.
693
00:57:00,203 --> 00:57:04,003
PIease, I just-- I wanna know his name.
694
00:57:04,774 --> 00:57:09,973
To even consider re-estabIishing contact
with a chiId, there is a detaiIed process.
695
00:57:10,146 --> 00:57:14,810
I don't care about your process! Okay?
696
00:57:30,999 --> 00:57:35,493
WOMAN: Ma'am, we're cIosed.
Come back tomorrow.
697
00:57:39,041 --> 00:57:40,770
LOUIS:
Lyla.
698
00:57:41,810 --> 00:57:43,277
Novacek.
699
00:57:46,115 --> 00:57:48,948
LYLA [ON RECORDING] : Hi, this is Lyla-LIZZY [ON RECORDING] : And Lizzy.
700
00:57:49,118 --> 00:57:51,746
LYLA & LIZZY: And we're not here
right now, so leave a message.
701
00:57:51,920 --> 00:57:53,512
[MACHINE BEEPS]
702
00:58:12,140 --> 00:58:13,664
WALLACE:
Arthur!
703
00:58:14,542 --> 00:58:16,772
What'd I teII you
about taIking to strangers?
704
00:58:16,944 --> 00:58:20,402
-Yeah, what's your name?
-My name is Mr. Jeffries, and yours?
705
00:58:20,915 --> 00:58:23,145
Arthur. We ain't strangers now.
706
00:58:23,684 --> 00:58:27,882
Look, Mr. WaIIace,
I'm here making my normaI rounds.
707
00:58:28,055 --> 00:58:29,613
I'm trying to find these kids.
708
00:58:29,791 --> 00:58:33,022
This girI, her name is GeraIda.
She shouId be about 1 4 now.
709
00:58:33,194 --> 00:58:34,627
Don't know her, Mr. Jeffries.
710
00:58:34,796 --> 00:58:37,821
Okay, weII, maybe you can heIp me
with this young man.
711
00:58:37,998 --> 00:58:41,900
LittIe boy that came up missing recentIy
and his name is Evan TayIor.
712
00:58:42,736 --> 00:58:44,897
He's about 1 2.
713
00:58:47,040 --> 00:58:50,669
And what if I find this Evan
and I turn him over to you?
714
00:58:51,244 --> 00:58:55,146
What then? You don't care about a kid
after he's in the system.
715
00:58:55,315 --> 00:58:58,910
-It's not Iike that--Oh, I know exactIy what it's Iike.
716
00:58:59,085 --> 00:59:03,078
You don't foIIow up.
And you throw him from pIace to pIace.
717
00:59:03,256 --> 00:59:06,851
EventuaIIy, you end up in a pIace
where they kick the crap out of you.
718
00:59:07,294 --> 00:59:11,924
Go to bed at night
and he tries to cIose his eyes, ears.
719
00:59:12,098 --> 00:59:13,792
Shut out the worId.
720
00:59:13,966 --> 00:59:17,493
What happens to that kid?
What do you think he hears?
721
00:59:18,103 --> 00:59:19,798
What do you think he hears?
722
00:59:21,540 --> 00:59:23,667
-Nothing.
-Nothing. Nothing at aII.
723
00:59:27,413 --> 00:59:28,539
Are you aII right?
724
00:59:29,148 --> 00:59:30,706
-Yeah, I'm cooI.
-He's good.
725
00:59:39,625 --> 00:59:41,684
MAN:
Fourteenth Precinct, Sergeant O'Malley.
726
00:59:42,495 --> 00:59:45,055
WALLACE:
No. That doesn't cut it.
727
00:59:45,231 --> 00:59:47,461
''WIND UP'']
728
00:59:47,633 --> 00:59:50,692
No! Oh, is that finaI?
729
00:59:50,869 --> 00:59:54,270
Okay, weII, here's my finaI offer:
we're history!
730
00:59:55,306 --> 00:59:57,433
-DeaI's off.
-But I wanna pIay.
731
00:59:57,609 --> 01:00:00,578
You pIay when I say pIay.
You breathe when I say breathe.
732
01:00:00,745 --> 01:00:03,373
-You got that, boy?
-But I have to pIay.
733
01:00:03,548 --> 01:00:05,675
Wizard, I need them to hear.
734
01:00:05,850 --> 01:00:10,810
You forget about your parents!
They were pretty quick to forget about you.
735
01:00:11,890 --> 01:00:14,859
[MARK MANCINA'S
''AGAINST THE GATE'' PLAYING]
736
01:00:16,661 --> 01:00:19,095
You don't know how it couId be for you.
737
01:00:19,264 --> 01:00:22,097
You do not know how precious
your gift is.
738
01:00:22,267 --> 01:00:24,996
You're just a kid, you don't know.
739
01:00:29,740 --> 01:00:31,970
I do, August.
740
01:00:43,353 --> 01:00:45,583
[SIRENS WAILING]
741
01:00:46,924 --> 01:00:49,324
BOY: Wizard. Wizard.
WALLACE: Shh! Talk to me. What happened?
742
01:00:49,493 --> 01:00:52,929
-It's Arthur. The cops chased him here.
-Okay, spIit up. You know the driII.

743
01:00:53,096 --> 01:00:55,587
-We gotta heIp Arty.
-Forget Arty. Arty's on his own.
744
01:00:55,766 --> 01:00:57,757
-That's the book.
-No.
745
01:00:57,935 --> 01:01:00,233
WALLACE: August!
COP 1 : Grab him. Grab him. There he goes.
746
01:01:01,237 --> 01:01:02,727
COP 2:
He went outside over there.
747
01:01:02,905 --> 01:01:05,533
[MARK MANCINA'S
''THE RAID'' PLAYING]
748
01:01:15,885 --> 01:01:19,218
Up there. You see him?
See him? Look, over there.
749
01:01:19,388 --> 01:01:21,219
COP 2: Hey, kid, don't move.
-Hey, you!
750
01:01:21,390 --> 01:01:23,950
Cops. Cops.
751
01:01:24,594 --> 01:01:26,653
Cops. Over here.
752
01:01:29,298 --> 01:01:32,028
COP 2: Grab that kid over there.
Grab him, grab him.
753
01:01:38,707 --> 01:01:40,902
Listen, you can't Iet the cops catch you.
754
01:01:41,076 --> 01:01:43,476
If they do,
you don't teII them your reaI name...
755
01:01:43,645 --> 01:01:47,081

...because they'II send you right back
where you came from, you got that?
756
01:01:47,949 --> 01:01:49,314
I don't wanna Iose you...
757
01:01:49,484 --> 01:01:51,850
...but if we get separated,
we meet at the arch.
758
01:01:53,822 --> 01:01:55,619
Do not teII them your name.
759
01:01:55,790 --> 01:02:00,853
Hey, when I say run, you run, okay?
760
01:02:07,669 --> 01:02:08,863
COP 1 :
Let me see your hands.
761
01:02:09,037 --> 01:02:10,629
[SCREAMS]
762
01:02:11,873 --> 01:02:16,104
WALLACE: Run, August. Run, August. Run!
COP 2: Hey, kid.
763
01:02:26,920 --> 01:02:27,944
Hey, kid, stop.
764
01:02:34,294 --> 01:02:35,352
Open the door.
765
01:02:35,529 --> 01:02:36,518
[BUZZES]
766
01:02:47,975 --> 01:02:50,807
[JAMAL JOSEPH'S ''HARLEM STREETZ''
PLAYING ON CAR STEREO IN DISTANCE]
767
01:03:07,393 --> 01:03:11,955
MAN [SINGING] : How I don't need that man
But they don't understand
768
01:03:12,131 --> 01:03:14,656
There's far too many pressures in reality
769
01:03:15,802 --> 01:03:18,896
Dealing with the pain of stress and poverty
770
01:03:19,072 --> 01:03:25,635
And I gotta be myself because
There's nobody else for me, no
771
01:03:25,811 --> 01:03:27,540
Hang in there with me
772
01:03:27,713 --> 01:03:30,580
Sometimes it takes a different kind of love
To raise a child
773
01:03:30,749 --> 01:03:32,842
-So don't give up
-So don't give up
774
01:03:33,018 --> 01:03:34,280
When pressures come down
775
01:03:34,453 --> 01:03:37,786
Sometimes it takes a different kind of dream
To make you smile
776
01:03:37,956 --> 01:03:39,423
-So raise it up
-So raise
777
01:03:39,591 --> 01:03:41,218
778
01:03:41,393 --> 01:03:44,453
Sometimes we need another helping hand
To show the way
779
01:03:44,629 --> 01:03:46,358
780
01:03:46,531 --> 01:03:48,089
781
01:03:48,266 --> 01:03:51,167
Sometimes it seems impossible
And that's why we pray
782
01:03:51,336 --> 01:03:53,304
-So raise it up
-We pray
783
01:03:53,472 --> 01:03:56,600
Seems to be nothing left for me
784
01:03:56,775 --> 01:03:59,369
Mama's gone, Daddy didn't wanna be
785
01:04:00,312 --> 01:04:03,974
Now I'm all by myself
Wondering where is love
786
01:04:04,148 --> 01:04:06,139
Or should I just give up, you know
787
01:04:06,317 --> 01:04:10,253
Life falls down on me
Cuts into my soul
788
01:04:10,421 --> 01:04:13,879
But I know I got the strength
To make it through it all
789
01:04:14,058 --> 01:04:17,550
Cause I'm still standing tall
Breaking through these walls
790
01:04:17,728 --> 01:04:21,129
I'm gonna give my all, hey
791
01:04:21,298 --> 01:04:23,994
I'm feeling like a motherless child
792
01:04:24,335 --> 01:04:26,860
Pain cuts into my soul
793
01:04:27,571 --> 01:04:28,902
It's beaten me down
794
01:04:29,073 --> 01:04:33,635
Can't find a smile
On the face of a motherless child
795
01:04:33,811 --> 01:04:36,905

Gonna break down these walls
Gonna give my all
796
01:04:37,081 --> 01:04:41,380
You know
Yeah, yeah, yeah, yeah
797
01:04:41,551 --> 01:04:43,075
798
01:04:43,253 --> 01:04:46,279
Sometimes it takes a different kind of love
To raise a child
799
01:04:46,456 --> 01:04:48,253
800
01:04:48,424 --> 01:04:49,618
801
01:04:49,793 --> 01:04:53,285
Sometimes it takes a different kind of dream
To make you smile
802
01:04:53,463 --> 01:04:55,021
-So raise it up
-So raise it up
803
01:04:55,198 --> 01:04:57,189
-Hang in there with me
-Raise it up
804
01:04:57,367 --> 01:05:00,200
Sometimes it takes another's helping hand
To show you the way
805
01:05:00,370 --> 01:05:01,359
So don't give up
806
01:05:01,538 --> 01:05:03,631
-Oh, no, yeah
-When pressures come down
807
01:05:03,807 --> 01:05:06,640
Sometimes it seems impossible
That's why we pray
808
01:05:06,810 --> 01:05:07,799
So raise it up
809
01:05:15,184 --> 01:05:17,277
LYLA: Hi.
-Hi.
810
01:05:17,786 --> 01:05:22,189
I know how this Iooks, you know.
I'm not crazy.
811
01:05:22,357 --> 01:05:25,451
Nobody thinks you're crazy.
What's your name?
812
01:05:25,627 --> 01:05:27,857
LyIa Novacek.
813
01:05:28,030 --> 01:05:29,998
WeII, it's Iike
the woman expIained to you.
814
01:05:30,165 --> 01:05:32,725
-You fiII out a coupIe forms--Six months, they said.
815
01:05:32,901 --> 01:05:36,268
I don't have six months for forms.
816
01:05:36,438 --> 01:05:38,531
Then I can't heIp you, then.
817
01:05:39,141 --> 01:05:42,201
ExpIain something to me now. Why now?
818
01:05:42,978 --> 01:05:46,675
Why not before? Why is it so important
that you want him now?
819
01:05:47,883 --> 01:05:50,077
I've aIways wanted him.
820
01:05:52,453 --> 01:05:56,355
I've waited 1 1 years, two months,
and 1 5 days...
821
01:05:57,291 --> 01:05:59,919
...to find out that he's aIive.
822
01:06:02,997 --> 01:06:04,828
I've been counting.
823
01:06:06,467 --> 01:06:08,799
[LUCAS REYNOLDS'
''SOMETHING INSIDE'' PLAYING]
824
01:06:16,844 --> 01:06:18,971
[PHONE DIALING]
825
01:06:21,682 --> 01:06:24,116
- [ON RECORDING] Hi, this is Lyla--And Lizzy.
826
01:06:24,285 --> 01:06:26,752
And we're not here right now,
so leave a message.
827
01:06:26,920 --> 01:06:28,854
[MACHINE BEEPS]
828
01:06:32,192 --> 01:06:34,786
MAN [SINGING] :
When the one thing you're looking for
829
01:06:34,961 --> 01:06:36,121
[PHONE DIALING]
830
01:06:36,296 --> 01:06:38,821
Is nowhere to be found
831
01:06:41,935 --> 01:06:45,063
And you're back-stepping
All of your moves
832
01:06:45,238 --> 01:06:47,263
Trying to figure it out
833
01:06:47,440 --> 01:06:48,702
MAN:
What are you waiting for?
834
01:06:48,875 --> 01:06:51,605
You see, I know this girI

that Iives across the street.
835
01:06:51,778 --> 01:06:52,802
LyIa Novacek.
836
01:06:52,979 --> 01:06:55,072
I've been standing outside here waiting.
837
01:06:55,248 --> 01:06:56,613
I wrote her a song.
838
01:06:56,783 --> 01:07:00,241
WOMAN: Oh, the musician.
She keeps me up haIf the night.
839
01:07:00,420 --> 01:07:04,617
WeII, I haven't seen her in a few days.
She's off on her honeymoon.
840
01:07:07,026 --> 01:07:08,755
Thanks.
841
01:07:08,928 --> 01:07:14,298
MAN [SINGING] : And you wanna give out
You wanna give in
842
01:07:14,466 --> 01:07:19,267
Your head's wrapped around
What's around the next bend
843
01:07:19,738 --> 01:07:23,174
You wish you could find
Something warm
844
01:07:23,342 --> 01:07:26,834
'Cause you're shivering cold
845
01:07:32,351 --> 01:07:37,482
It's the first thing you see
As you open your eyes
846
01:07:37,656 --> 01:07:42,388
The last thing you say
As you're saying goodbye
847
01:07:42,560 --> 01:07:48,829
But something inside you

Is crying and driving you on
848
01:07:49,567 --> 01:07:51,694
RICHARD:
And this isn't your signature?
849
01:07:53,137 --> 01:07:58,006
You do reaIize that he's probabIy
aIready been pIaced with a famiIy, correct?
850
01:07:58,176 --> 01:08:00,610
Do you have chiIdren, Mr. Jeffries?
851
01:08:08,419 --> 01:08:10,785
Yeah, I did.
852
01:08:12,657 --> 01:08:14,180
Then you know.
853
01:08:22,032 --> 01:08:23,294
What's his birthday?
854
01:08:23,934 --> 01:08:26,300
December 1 7th, 1 995.
855
01:08:28,005 --> 01:08:29,165
Yeah, I know.
856
01:08:41,785 --> 01:08:43,946
Excuse me a minute.
857
01:09:02,138 --> 01:09:04,834
[MARK MANCINA'S
''PHOTO OF EVAN'' PLAYING]
858
01:09:12,181 --> 01:09:13,876
This is him.
859
01:09:18,554 --> 01:09:20,078
Yeah.
860
01:09:21,624 --> 01:09:24,525
[BELLS TOLLING]
861
01:09:38,606 --> 01:09:40,733
[PEOPLE CHATTERING]
862
01:09:40,909 --> 01:09:43,207
[MARK MANCINA'S ''PIANO LESSON''
PLAYING ON PIANO]
863
01:09:59,828 --> 01:10:01,887
You the one sIept under my bed?
864
01:10:07,201 --> 01:10:08,259
Do you Iive here?
865
01:10:08,869 --> 01:10:11,064
Me and my grandma do,
tiII our boat comes in.
866
01:10:14,274 --> 01:10:15,502
Do you Iike music?
867
01:10:17,044 --> 01:10:18,102
More than food.
868
01:10:21,281 --> 01:10:23,010
Do you know your notes?
869
01:10:24,351 --> 01:10:26,251
I've never seen them Iike that before.
870
01:10:26,420 --> 01:10:28,012
See here:
871
01:10:28,856 --> 01:10:33,759
''Every Good Boy Does Fine''
on the Iines.
872
01:10:33,927 --> 01:10:39,330
And ''F, A, C, E'' in between.
873
01:10:39,499 --> 01:10:43,026
And ''Great Big Dogs Fight AnimaIs.''
874
01:10:43,202 --> 01:10:48,162
And ''AII Cars Eat Gas.'' Get it?
875
01:10:49,108 --> 01:10:50,598
You're Iike an angeI.
876
01:10:51,444 --> 01:10:53,173
Okay. I gotta go.
877
01:10:53,646 --> 01:10:55,341
Gotta go to schooI.
878
01:11:00,653 --> 01:11:02,382
Can I borrow this?
879
01:11:03,122 --> 01:11:04,783
Later.
880
01:11:11,764 --> 01:11:14,096
[THUDS]
881
01:11:26,678 --> 01:11:29,374
''BASKETBALL'']
882
01:12:32,308 --> 01:12:33,969
HoIy....
883
01:12:37,247 --> 01:12:39,442
Reverend J.!
884
01:13:05,540 --> 01:13:07,565
[ORGAN SOUNDS]
885
01:13:07,743 --> 01:13:10,576
You're not gonna beIieve this,
Reverend J. Come quick.
886
01:13:10,746 --> 01:13:13,647
-Whoa. SIow down, Hope.
-You've gotta see what's happened.
887
01:13:13,815 --> 01:13:17,808
''3 NOTE THEME'']
888
01:13:34,636 --> 01:13:37,264
Remember in Music Appreciation
we had a cIass on Mozart?
889
01:13:37,439 --> 01:13:38,463
Yes.
890
01:13:38,640 --> 01:13:40,664
Remember you said
he was Iike a musicaI pod?
891
01:13:40,841 --> 01:13:42,775
-Prodigy.
-ExactIy.
892
01:13:42,943 --> 01:13:45,844
WeII, I have one of those,
and he's Iiving under my bed.
893
01:13:54,121 --> 01:13:57,750
So I showed him the scaIes
and when I came home, he was....
894
01:14:30,457 --> 01:14:33,893
LYLA:
Mr. Jeffries, hi, it's Lyla Novacek again.
895
01:14:34,060 --> 01:14:36,893
I was just checking in.
896
01:14:39,366 --> 01:14:40,765
Right, I understand.
897
01:14:40,934 --> 01:14:44,062
You know,
if there's any more information or--
898
01:14:44,237 --> 01:14:46,068
Yeah, just call.
899
01:14:59,785 --> 01:15:01,446
I'II take it.
900
01:15:01,620 --> 01:15:04,214
WOMAN:
How Iong do you think you'II be staying?
901
01:15:05,257 --> 01:15:07,748
LYLA:
As long as it takes.
902
01:15:28,746 --> 01:15:30,304
Sorry.
903
01:15:30,481 --> 01:15:33,177
LYLA:
I don't know, Lizzy, it's like...
904
01:15:33,551 --> 01:15:35,382
...I just woke up...
905
01:15:35,553 --> 01:15:37,885
...and I should start playing again.
906
01:15:38,055 --> 01:15:39,955
I should play.
907
01:15:40,425 --> 01:15:43,758
I know it sounds crazy,
but maybe he'll hear me.
908
01:15:59,877 --> 01:16:02,744
LOUIS:
Hey, Marshall. It's me.
909
01:16:04,347 --> 01:16:06,212
I'm in New York.
910
01:16:07,918 --> 01:16:10,443
Is the band still minus
one mad Connelly brother?
911
01:16:11,488 --> 01:16:14,252
Having you guys here,
it'd be great, you know?
912
01:16:15,659 --> 01:16:17,024
Just an idea.
913
01:16:17,194 --> 01:16:19,992
Hey, Frank. It's Louis.
914
01:16:20,363 --> 01:16:22,194
Louis ConneIIy.
915
01:16:22,365 --> 01:16:23,798
And?
916
01:16:23,967 --> 01:16:26,458

I pIayed here with me band
a coupIe of years ago.
917
01:16:26,636 --> 01:16:28,627
WeII, about 1 0 years ago.
918
01:16:31,208 --> 01:16:33,574
Hey, hey, Iisten, Frank.
919
01:16:34,110 --> 01:16:37,602
I'm gonna pIay you one song, aII right?
Just one song.
920
01:16:37,781 --> 01:16:41,409
And if you don't Iike it,
you can throw me out.
921
01:16:42,985 --> 01:16:45,818
[MARK MANCINA'S
''AUGUST TO JUILLIARD'' PLAYING]
922
01:16:58,267 --> 01:17:00,565
WOMAN:
You brought us a prodigy, Reverend.
923
01:17:00,736 --> 01:17:03,432
-He is a mystery.
MAN: Here in the ''WeII-Tempered CIavier'' ....
924
01:17:03,606 --> 01:17:06,302
Dean, I thought he was an angeI.
925
01:17:07,209 --> 01:17:10,474
There's no record of
an August Rush anywhere.
926
01:17:10,646 --> 01:17:15,083
MAN: It's about foundation,
starting with a very simpIe, orderIy chord.
927
01:17:15,251 --> 01:17:17,980
928
01:17:18,152 --> 01:17:22,782
929
01:17:22,957 --> 01:17:25,323
But something inside you
930
01:17:25,493 --> 01:17:29,827
Is crying and driving you on
931
01:17:30,365 --> 01:17:33,232
[CELLO PLAYING DAVE METZGER'S
''CELLO CONCERTO IN E MINOR'']
932
01:17:39,073 --> 01:17:41,667
LIZZY:
LyIa, just reIax.
933
01:17:41,843 --> 01:17:44,175
LYLA: This piece.
LIZZY: You're pushing yourseIf too hard.
934
01:17:44,345 --> 01:17:46,609
I don't know if I can do this.
935
01:17:46,781 --> 01:17:49,306
LIZZY:
You're pIaying with the PhiIharmonic.
936
01:17:49,484 --> 01:17:51,418
That's great.
937
01:17:53,320 --> 01:17:55,618
Okay, Iet's keep going.
938
01:18:02,930 --> 01:18:06,593
MAN: Start with a C-major chord,
then a moduIation to G.
939
01:18:06,767 --> 01:18:09,759
Once we get to G,
we go back to C, very simpIe.
940
01:18:09,937 --> 01:18:12,701
And we have C, G, C.
941
01:18:20,414 --> 01:18:22,314
At the very beginning, C-major chord.
942
01:18:22,482 --> 01:18:27,078

We have this chaotic evolution
into a remote G-major.
943
01:18:30,423 --> 01:18:32,414
C-major chord, then move into a G.
944
01:18:41,233 --> 01:18:43,701
What's this, August?
945
01:18:44,003 --> 01:18:46,198
The diminished fifth, sir.
946
01:18:46,572 --> 01:18:48,005
Key change here.
947
01:18:48,174 --> 01:18:50,938
And then the rise
with those round horns...
948
01:18:51,110 --> 01:18:55,171
...the oboes,
into the aIIegro staccato strings.
949
01:18:56,582 --> 01:18:58,482
[KNOCKING]
950
01:19:00,786 --> 01:19:03,311
Ah. Mr. Rush.
951
01:19:06,791 --> 01:19:10,158
-I'm sorry.
-Why are you apoIogizing, August?
952
01:19:11,363 --> 01:19:12,830
Sometimes I don't Iisten weII...
953
01:19:12,998 --> 01:19:15,466
...and I don't do the homework
Iike I'm supposed to.
954
01:19:15,634 --> 01:19:17,932
WeII, I'm sure you'II do better
in the future.
955
01:19:29,114 --> 01:19:32,106
The New York PhiIharmonic Orchestra
is having a concert.
956
01:19:32,751 --> 01:19:36,881
In the history of this schooI we have never
performed the work of a first-year student...
957
01:19:37,055 --> 01:19:39,956
...and certainIy no one of your age.
958
01:19:40,124 --> 01:19:44,220
But now, we've asked them
if they couId perform your rhapsody.
959
01:19:44,395 --> 01:19:45,953
WouId you Iike that?
960
01:19:46,864 --> 01:19:49,332
WeII, good. Good.
961
01:19:49,500 --> 01:19:51,161
How many peopIe wiII hear it?
962
01:19:53,937 --> 01:19:57,703
WeII, it wouId be performed in CentraI Park,
on the Great Lawn.
963
01:19:57,875 --> 01:19:58,899
A hundred?
964
01:20:00,077 --> 01:20:01,977
Much more. Thousands.
965
01:20:02,813 --> 01:20:07,375
Okay. Because I need to pIay it
to a Iot of peopIe. Lots and Iots.
966
01:20:07,551 --> 01:20:08,813
[PEOPLE CHUCKLING]
967
01:20:08,986 --> 01:20:10,681
We'II see what we can do to heIp.
968
01:20:13,190 --> 01:20:19,219
DEAN: August, three artists wiII be
performing, and you wiII be featured Iast.
969
01:20:19,829 --> 01:20:22,195

[MARK MANCINA'S
''JUILLIARD MONTAGE'' PLAYING]
970
01:20:30,440 --> 01:20:32,237
How do you do it?
971
01:20:32,642 --> 01:20:36,009
How does the music come to you?
972
01:20:38,147 --> 01:20:39,910
AUGUST:
I just hear it.
973
01:20:43,853 --> 01:20:45,684
Sometimes I wake up and it's there...
974
01:20:45,855 --> 01:20:48,688
...or I hear it
when I'm waIking down the street.
975
01:20:50,059 --> 01:20:54,688
[MARK MANCINA'S
''JUILLIARD MONTAGE'' PLAYING]
976
01:20:55,797 --> 01:20:58,357
It's like someone's calling out to me.
977
01:20:59,267 --> 01:21:01,929
Writing it aII down
is Iike I'm caIIing back to them.
978
01:21:02,104 --> 01:21:03,366
Who?
979
01:21:04,873 --> 01:21:07,068
The ones who gave me the music.
980
01:21:14,416 --> 01:21:16,350
MARSHALL:
You sure you're ready for this, Louis?
981
01:21:16,518 --> 01:21:17,815
Are you?
982
01:21:44,645 --> 01:21:47,978
[ORCHESTRA PLAYING MARK MANCINA'S
''RHAPSOD Y REHEARSAL'']
983
01:22:18,111 --> 01:22:19,806
Bravo, August!
984
01:22:22,348 --> 01:22:23,815
Good one!
985
01:22:27,253 --> 01:22:31,451
August, boy, you're a hard guy to find.
986
01:22:33,793 --> 01:22:35,283
Been Iooking everywhere for you.
987
01:22:35,461 --> 01:22:38,897
Excuse me.
You're interrupting a rehearsaI here.
988
01:22:39,065 --> 01:22:41,624
WALLACE: Yeah, rehearsaI, right.
MAN: And you are...?
989
01:22:41,800 --> 01:22:43,392
Come here to me, son.
990
01:22:53,178 --> 01:22:54,736
Come here.
991
01:22:57,850 --> 01:22:59,715
What'd they do to you?
992
01:23:01,320 --> 01:23:02,810
Nothing.
993
01:23:05,324 --> 01:23:07,315
These peopIe can steaI your souI.
994
01:23:08,160 --> 01:23:10,390
Sir, whomever you are,
you don't have the right.
995
01:23:10,562 --> 01:23:13,497
I'm his father, aII right?
I have every right.
996
01:23:17,602 --> 01:23:20,366
I'II take you home now. Come on.

997
01:23:20,972 --> 01:23:24,066
But I have a concert. I Iike it here.
998
01:23:24,242 --> 01:23:26,767
-He's a remarkabIe boy-WALLACE: You don't think I know that?
999
01:23:26,944 --> 01:23:30,710
What'd you do, you just snatched him up
off the street? That gives you the right?
1000
01:23:31,315 --> 01:23:33,579
Wait a moment,
we've been teaching him here.
1001
01:23:33,751 --> 01:23:34,979
What are you gonna do?
1002
01:23:35,152 --> 01:23:38,849
FiII his head with cIassicaI theory
and ruIes?
1003
01:23:39,023 --> 01:23:41,992
You can't Iearn music from books.
1004
01:23:42,159 --> 01:23:43,717
It's out there.
1005
01:23:45,129 --> 01:23:47,495
You teach him? Ha!
1006
01:23:47,932 --> 01:23:49,399
He teaches you.
1007
01:23:49,567 --> 01:23:51,296
You Iearn from him.
1008
01:23:51,469 --> 01:23:53,959
We are.
I assure you, Mr. Rush, every day.
1009
01:23:55,105 --> 01:23:56,868
You shouId be with famiIy. Come on.
1010
01:24:00,277 --> 01:24:01,869

Mr. Rush, pIease.
1011
01:24:02,045 --> 01:24:06,106
Do you have any idea of the importance
of the concert tomorrow night, for August?
1012
01:24:06,917 --> 01:24:08,441
August. Wait, Iisten.
1013
01:24:08,919 --> 01:24:11,786
You gotta teII me right now,
is this man reaIIy your father?
1014
01:24:16,259 --> 01:24:18,090
You can teII me the truth.
1015
01:24:19,262 --> 01:24:21,492
WALLACE:
I know your reaI name.
1016
01:24:22,666 --> 01:24:24,065
Evan.
1017
01:24:24,668 --> 01:24:26,568
MAN:
August.
1018
01:24:26,736 --> 01:24:28,169
Evan.
1019
01:24:30,572 --> 01:24:32,403
Is he your father?
1020
01:24:32,574 --> 01:24:35,771
[MARK MANCINA'S
''WIZARD RETURNS'' PLAYING]
1021
01:24:36,912 --> 01:24:39,107
He taught me everything I know.
1022
01:24:49,591 --> 01:24:51,525
[STRUMS GUITAR]
1023
01:24:51,694 --> 01:24:53,355
ARTHUR:
And we are back, we are back.
1024
01:24:57,199 --> 01:24:59,531
Don't make it harder for yourseIf, Aug.
1025
01:24:59,702 --> 01:25:01,932
Wizard's not so bad.
1026
01:25:03,205 --> 01:25:05,638
You saw the kid, right?
He's a freak of nature. Yeah.
1027
01:25:05,807 --> 01:25:09,538
Here's the deaI. Thousand a night, two
weeks minimum, three cities guaranteed.
1028
01:25:09,711 --> 01:25:12,771
Then we ship him out to your partner
on the West Coast. No.
1029
01:25:12,947 --> 01:25:14,812
ARTHUR:
He just ain't feeIing weII.
1030
01:25:15,817 --> 01:25:19,116
He said you the onIy one
who gonna make him feeI better.
1031
01:25:26,227 --> 01:25:29,128
Competition. AII right, I'II be back.
You do what you do.
1032
01:25:33,034 --> 01:25:34,968
Yo, yo.
1033
01:25:40,808 --> 01:25:43,469
I'm his representation.
That's why I'm making the deaI.
1034
01:25:44,311 --> 01:25:46,745
Come on. No, there's no parents.
1035
01:26:17,010 --> 01:26:18,567
Great sounds, kid.
1036
01:26:21,347 --> 01:26:22,939
Gibson J-200?
1037
01:26:24,483 --> 01:26:25,950
It's beautifuI.
1038
01:26:26,552 --> 01:26:27,849
Can I see her?
1039
01:26:31,290 --> 01:26:34,259
Hey. It's okay.
1040
01:26:34,727 --> 01:26:36,786
I'm a musician too.
1041
01:26:41,967 --> 01:26:43,491
Yeah.
1042
01:26:47,573 --> 01:26:49,268
Oh, yeah.
1043
01:26:54,546 --> 01:26:57,811
[PLAYING HEITOR PERIERA'S
''DUELING GUITARS'']
1044
01:27:02,887 --> 01:27:04,218
Nice action.
1045
01:27:05,256 --> 01:27:06,587
You're pretty good.
1046
01:27:07,792 --> 01:27:09,419
Thanks.
1047
01:27:10,361 --> 01:27:12,352
See what you can do with mine.
1048
01:29:06,841 --> 01:29:08,240
How Iong you been pIaying?
1049
01:29:08,677 --> 01:29:10,076
Six months.
1050
01:29:10,712 --> 01:29:12,509
Six months?
1051
01:29:12,681 --> 01:29:15,172
How'd you Iearn how to pIay Iike that
in six months?
1052
01:29:15,350 --> 01:29:16,408
JuiIIiard.
1053
01:29:18,052 --> 01:29:19,212
JuiIIiard?
1054
01:29:19,720 --> 01:29:20,948
Yes, sir.
1055
01:29:21,121 --> 01:29:23,089
I have my own concert tonight.
1056
01:29:24,091 --> 01:29:25,752
Do you reckon I shouId beIieve you?
1057
01:29:26,860 --> 01:29:29,522
Yeah. But I can't go.
1058
01:29:29,964 --> 01:29:31,192
Why's that?
1059
01:29:31,932 --> 01:29:34,298
It's kind of a Iong story.
1060
01:29:36,637 --> 01:29:41,165
WeII, if I went to JuiIIiard
and I had a concert tonight...
1061
01:29:41,342 --> 01:29:43,242
...I wouIdn't miss it for the worId.
1062
01:29:44,545 --> 01:29:45,978
Yeah.
1063
01:29:51,151 --> 01:29:53,711
But what if something bad
wouId happen if you did it?
1064
01:29:55,388 --> 01:29:57,583
You never quit on your music.
1065
01:29:58,358 --> 01:30:00,451
No matter what happens.
1066
01:30:01,060 --> 01:30:04,757
Because anytime
something bad happens to you...
1067
01:30:05,164 --> 01:30:08,463
...it's the one pIace you can escape to
and just, psh, Iet it go.
1068
01:30:10,603 --> 01:30:12,696
I Iearned that the hard way.
1069
01:30:14,340 --> 01:30:16,240
And anyway, Iook at me.
1070
01:30:17,277 --> 01:30:19,609
Nothing bad's gonna happen.
1071
01:30:20,313 --> 01:30:22,440
You gotta have a IittIe faith.
1072
01:30:33,091 --> 01:30:34,319
I'm Louis.
1073
01:30:35,394 --> 01:30:37,794
Ev-- August.
1074
01:30:37,963 --> 01:30:39,624
August Rush.
1075
01:30:39,798 --> 01:30:41,857
August Rush.
1076
01:30:43,268 --> 01:30:45,600
-CooI name.
WALLACE: August!
1077
01:30:46,938 --> 01:30:48,462
Come on!
1078
01:30:51,543 --> 01:30:53,340
I gotta go, August.
1079
01:30:59,651 --> 01:31:01,141
Bye.
1080
01:31:01,920 --> 01:31:03,387

Yeah.
1081
01:31:05,223 --> 01:31:06,712
Bye.
1082
01:31:16,400 --> 01:31:17,799
Bye.
1083
01:31:36,253 --> 01:31:38,983
Yes, I made him memorize our number.
1084
01:31:41,559 --> 01:31:44,994
I understand. Your department's
doing everything they can.
1085
01:32:03,980 --> 01:32:06,540
Do you think anything bad
happened to him?
1086
01:32:07,650 --> 01:32:08,912
I'm sure he's fine.
1087
01:32:09,986 --> 01:32:12,546
I prayed for him. Did you?
1088
01:32:13,323 --> 01:32:14,984
Yeah.
1089
01:32:16,159 --> 01:32:19,525
WeII, if his father Ioves him Iike he shouId...
1090
01:32:19,695 --> 01:32:22,858
...then he'II do what's best for his son.
1091
01:32:24,767 --> 01:32:26,394
You beIieve that, don't you?
1092
01:32:27,369 --> 01:32:30,167
-Yeah.
-Good.
1093
01:32:30,472 --> 01:32:32,337
Now go get ready.
1094
01:32:32,741 --> 01:32:38,008
[MARK MANCINA'S
''ARPEGGIO THEME'' PLAYING]
1095
01:32:43,318 --> 01:32:45,752
DEAN:
Welcome to our Concert in the Park...
1096
01:32:46,221 --> 01:32:51,284
...and the Mercedes Drive Your Future
SchoIarship CeIebration.
1097
01:32:51,460 --> 01:32:54,122
And now it is with enormous pIeasure...
1098
01:32:54,296 --> 01:33:00,723
...that I weIcome back to the concert stage
one of JuiIIiard's own, LyIa Novacek.
1099
01:33:27,395 --> 01:33:31,922
[PLAYING DAVE METZGER'S
1100
01:33:55,322 --> 01:33:56,448
[LOUIS PLAYING LUCAS REYNOLDS'
''SOMETHING INSIDE'']
1101
01:33:56,623 --> 01:33:59,558
[SINGING]
So long you've been running in circles
1102
01:33:59,726 --> 01:34:01,591
Round what's at stake
1103
01:34:04,631 --> 01:34:09,465
But now the time's come
For your feet to stand still in one place
1104
01:34:13,005 --> 01:34:16,634
You wanna reach out
You wanna give in
1105
01:34:16,809 --> 01:34:20,711
Your head's wrapped around
What's around the next bend
1106
01:34:20,880 --> 01:34:26,147
You wish you could find something warm
'Cause you're shivering cold
1107
01:34:28,754 --> 01:34:32,656
1108
01:34:32,825 --> 01:34:36,761
1109
01:34:36,929 --> 01:34:41,957
But something inside you
Is crying, driving you on
1110
01:34:43,601 --> 01:34:47,935
'Cause if you hadn't found me
1111
01:34:48,106 --> 01:34:50,540
I would have found you
1112
01:34:52,410 --> 01:34:57,643
1113
01:35:05,356 --> 01:35:07,085
I have to go now.
1114
01:35:19,002 --> 01:35:20,799
I'm not coming back this time.
1115
01:35:22,439 --> 01:35:23,770
He's just kidding, Wizard.
1116
01:35:25,375 --> 01:35:28,105
Me and August have a understanding.
Don't we?
1117
01:35:33,250 --> 01:35:35,445
Aug, you can't Ieave me, man.
1118
01:35:35,619 --> 01:35:37,382
Yes, I can.
1119
01:35:38,622 --> 01:35:40,749
Because you have to
find your parents, right?
1120
01:35:40,924 --> 01:35:43,688
Yeah. My concert's starting.

1121
01:35:43,860 --> 01:35:48,923
WeII, aII my money's on the fact
your foIks won't be abIe to find you.
1122
01:35:49,099 --> 01:35:50,430
You know why?
1123
01:35:50,834 --> 01:35:52,734
Because they can't hear you.
1124
01:35:53,170 --> 01:35:54,501
They're probabIy dead.
1125
01:35:54,671 --> 01:35:56,865
You're not going anywhere.
1126
01:36:00,710 --> 01:36:05,272
1127
01:36:05,481 --> 01:36:08,882
1128
01:36:09,085 --> 01:36:10,143
Nowhere to go, son.
1129
01:36:10,319 --> 01:36:13,914
Something inside you
Is crying and driving you on
1130
01:36:14,957 --> 01:36:20,759
1131
01:36:21,197 --> 01:36:22,960
ARTHUR:
Run, boy.
1132
01:36:23,132 --> 01:36:24,656
Run, August, run.
1133
01:36:24,834 --> 01:36:28,770
1134
01:36:31,107 --> 01:36:35,839

1135
01:36:36,978 --> 01:36:39,173
[HORN HONKS]
1136
01:36:45,787 --> 01:36:48,255
WALLACE:
August!
1137
01:37:01,670 --> 01:37:04,764
[PLAYING DAVE METZGER'S
1138
01:37:38,372 --> 01:37:40,897
WALLACE:
August!
1139
01:38:01,260 --> 01:38:03,888
DEAN:
Thank you, Iadies and gentIemen.
1140
01:38:04,263 --> 01:38:10,065
Music has aIways fascinated us
in the way that it communicates.
1141
01:38:10,236 --> 01:38:13,262
Without words, without pictures.
1142
01:38:14,173 --> 01:38:17,040
And that Ieads us
to our finaI performance.
1143
01:38:21,213 --> 01:38:23,374
NICK:
How much Ionger to the airport?
1144
01:38:23,548 --> 01:38:26,039
MARSHALL:
Man, it jams up the traffic.
1145
01:38:26,218 --> 01:38:28,709
Bring you back to the oId days,
eh, Louis?
1146
01:38:30,856 --> 01:38:34,758
[MARK MANCINA'S
''ARPEGGIO THEME'' PLAYING]
1147
01:38:46,438 --> 01:38:48,235
''August Rush.''
1148
01:38:48,406 --> 01:38:50,237
Evan TayIor.
1149
01:39:05,956 --> 01:39:10,620
UnfortunateIy, our Iast performer
seems to have....
1150
01:39:10,795 --> 01:39:13,662
He's here. He's here. He's here.
1151
01:39:13,831 --> 01:39:16,163
Oh. ExceIIent.
1152
01:39:16,333 --> 01:39:20,201
Perhaps there's no one eIse
who can better personify...
1153
01:39:20,371 --> 01:39:23,272
...the mystery that is music...
1154
01:39:23,440 --> 01:39:26,170
...than our finaI composer.
1155
01:40:16,992 --> 01:40:20,723
[ORCHESTRA PLAYING
MARK MANCINA'S ''RHAPSOD Y'']
1156
01:41:17,919 --> 01:41:19,409
Hey, what's that?
1157
01:41:19,587 --> 01:41:22,180
MAN:
Concerts in the Park every spring.
1158
01:41:49,916 --> 01:41:51,577
Let me out.
1159
01:41:52,786 --> 01:41:55,186
Let me out! Let me out!
1160
01:42:43,668 --> 01:42:45,795
HOPE [SINGING] :
Yeah, yeah, yeah

1161
01:42:49,340 --> 01:42:51,171
Woo woo
1162
01:42:53,978 --> 01:42:56,811
Yeah, yeah
1163
01:43:00,818 --> 01:43:02,945
Yeah
1164
01:43:06,991 --> 01:43:10,551
Oh, oh
1165
01:43:11,628 --> 01:43:14,722
Woo
1166
01:43:16,800 --> 01:43:18,961
Yeah
1167
01:43:23,673 --> 01:43:26,767
Oh, oh
1168
01:43:28,378 --> 01:43:29,367
Whoa, oh
1169
01:43:31,081 --> 01:43:33,208
Yeah
1170
01:43:35,318 --> 01:43:39,755
Whoa, oh
1171
01:43:42,325 --> 01:43:45,816
[VAN MORRISON'S
''MOONDANCE'' PLAYING]
1172
01:46:38,396 --> 01:46:40,921
AUGUST:
The music is all around us.
1173
01:46:41,099 --> 01:46:44,728
All you have to do is listen.
1174
01:47:00,117 --> 01:47:05,714
MAN [SINGING] :
Ooo eee oooh
1175
01:47:07,725 --> 01:47:12,059
As days go by and fade tonight
1176
01:47:12,229 --> 01:47:15,824
I still question why you left
1177
01:47:16,000 --> 01:47:19,936
I wonder how it didn't work out
1178
01:47:20,104 --> 01:47:21,832
But now you're gone
1179
01:47:22,005 --> 01:47:25,907
And memories are all I have for now
1180
01:47:26,075 --> 01:47:27,906
But no, it's not over
1181
01:47:28,077 --> 01:47:32,036
We'll get older
We'll get over
1182
01:47:32,215 --> 01:47:36,174
We'll live to see the day that I hope for
1183
01:47:36,352 --> 01:47:37,614
Come back to me
1184
01:47:37,787 --> 01:47:39,482
I still believe
1185
01:47:39,656 --> 01:47:45,094
That we'll get it right again
1186
01:47:45,261 --> 01:47:47,786
We'll come back to life again
1187
01:47:47,964 --> 01:47:52,833
We won't say another goodbye again
1188
01:47:53,002 --> 01:47:56,768
Live forever with me
1189
01:47:58,440 --> 01:48:00,601
And someday
1190
01:48:02,544 --> 01:48:04,409
Someday
1191
01:48:04,579 --> 01:48:08,515
We'll be together someday
1192
01:48:10,619 --> 01:48:15,818
Someday we'll be together
1193
01:48:18,560 --> 01:48:22,360
Our someday might be today
1194
01:48:22,531 --> 01:48:26,365
The mysteries of destiny say
1195
01:48:26,535 --> 01:48:30,335
Our somehow and our some way
1196
01:48:30,505 --> 01:48:34,406
For all we know they come tomorrow
1197
01:48:34,575 --> 01:48:38,534
But for today my eyes are open
1198
01:48:38,713 --> 01:48:42,410
My arms are raised for your embrace
1199
01:48:42,583 --> 01:48:46,815
My hands are here to mend what is broken
1200
01:48:46,987 --> 01:48:51,253
To feel again the warmth of your face
1201
01:48:51,425 --> 01:48:55,327
I believe there is more to life
1202
01:48:55,496 --> 01:48:58,158
Oh, I love you much more than life
1203
01:48:58,332 --> 01:48:59,321
It's though
1204
01:48:59,500 --> 01:49:02,526
I believe I can change your mind

1205
01:49:02,703 --> 01:49:06,764
Revive what is dying inside
1206
01:49:08,909 --> 01:49:11,843
And someday
1207
01:49:13,079 --> 01:49:14,944
Someday
1208
01:49:15,115 --> 01:49:19,051
We'll be together someday
1209
01:49:21,187 --> 01:49:25,089
Someday we'll be together
1210
01:49:25,258 --> 01:49:27,726
Someday
1211
01:49:29,229 --> 01:49:31,094
Someday
1212
01:49:31,264 --> 01:49:34,825
We'll be together
1213
01:49:35,402 --> 01:49:37,734
1214
01:49:39,372 --> 01:49:42,671
1215
01:49:45,578 --> 01:49:47,772
Someday
1216
01:50:05,898 --> 01:50:10,562
MAN 2 [SINGING] :
I'm as crazy as a clown tonight
1217
01:50:10,736 --> 01:50:14,570
A clown without a crown tonight
1218
01:50:14,740 --> 01:50:19,768
A simple sack of wishes and bones
1219
01:50:21,680 --> 01:50:26,275

I'm as useless as a memory
1220
01:50:26,451 --> 01:50:30,251
The day before it came to me
1221
01:50:30,421 --> 01:50:36,121
To save your town
Of stitches and stones
1222
01:50:36,294 --> 01:50:39,058
But once in my life
1223
01:50:39,230 --> 01:50:43,189
I was the king of Earth
1224
01:50:44,936 --> 01:50:47,666
Once in my life
1225
01:50:47,839 --> 01:50:52,276
I was
1226
01:50:52,743 --> 01:50:55,837
Now that the stars
1227
01:50:56,013 --> 01:50:59,539
Are frozen in their places
1228
01:51:01,384 --> 01:51:06,219
Now that our hope seems gone
1229
01:51:08,758 --> 01:51:11,192
Now that the stars
1230
01:51:11,361 --> 01:51:15,798
Have fallen from our faces
1231
01:51:18,001 --> 01:51:20,697
I will see you on
1232
01:51:24,140 --> 01:51:28,668
I'll never be your picture president
1233
01:51:28,845 --> 01:51:32,872
But I hope you got the rose I sent
1234
01:51:33,049 --> 01:51:37,917
To save your town of stitches and bones
1235
01:51:39,822 --> 01:51:44,759
I'm nothing more than but a simple man
1236
01:51:44,927 --> 01:51:48,624
Formed to be American
1237
01:51:48,797 --> 01:51:54,292
Out to draw these bridges alone
1238
01:51:54,470 --> 01:51:57,098
But once in my life
1239
01:51:57,273 --> 01:52:01,801
I was the king of the Earth
1240
01:52:03,345 --> 01:52:06,337
Once in my life
1241
01:52:26,501 --> 01:52:29,800
CHORUS [SINGING] :
Bamba, bamba
1242
01:52:30,672 --> 01:52:34,164
Oh, bamba, bamba
1243
01:52:34,342 --> 01:52:37,277
Para bailar la bamba
1244
01:52:37,445 --> 01:52:39,413
Bamba, bamba
1245
01:52:39,581 --> 01:52:42,641
MAN 3 [SINGING] : Para bailar la bamba
CHORUS [SINGING] : Bamba, bamba
1246
01:52:42,817 --> 01:52:48,186
Se necesita una poca de gracia
1247
01:52:48,355 --> 01:52:49,788
Bamba, bamba
1248
01:52:49,957 --> 01:52:55,020
Una poca de gracia pa mi pa ti
1249
01:52:55,195 --> 01:52:57,663
Y arriba, y arriba
1250
01:52:57,831 --> 01:53:00,231
Bamba, bamba
1251
01:53:00,400 --> 01:53:02,595
Yeah, dance with me, baby
1252
01:53:02,769 --> 01:53:03,827
Bamba, bamba
1253
01:53:04,004 --> 01:53:05,699
Let's dance tonight
1254
01:53:05,872 --> 01:53:08,136
Say arriba y arriba
1255
01:53:08,308 --> 01:53:10,970
Bamba, bamba
1256
01:53:11,144 --> 01:53:13,339
Say arriba y arriba
1257
01:53:13,513 --> 01:53:15,879
Bamba, bamba
1258
01:53:16,049 --> 01:53:18,779
Oh, oh
1259
01:53:21,455 --> 01:53:24,685
Yeah, yeah, yeah
1260
01:53:24,857 --> 01:53:26,722

[MAN 3 LAUGHING]
1261
01:53:32,098 --> 01:53:34,089
[ENGLISH SDH]

August Rushenglish HI

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1

00:00:16,797 --> 00:00:18,321

00:02:19,350 --> 00:02:20,544

00:03:53,407 --> 00:03:55,136

Once you're here, you're never gone</i>

00:09:06,178 --> 00:09:07,406

00:12:08,222 --> 00:12:10,213

00:14:58,120 --> 00:14:59,587

[VAN MORRISON'S ''MOONDANCE''

<i>Would the wind be at my back?</i>

00:23:18,740 --> 00:23:20,230

00:29:29,266 --> 00:29:32,429

so why don't you go find your mommy.

00:31:37,190 --> 00:31:41,490

Come, bring your girIfriend.

but they want you back.

00:35:38,792 --> 00:35:40,054

00:36:17,196 --> 00:36:19,357

00:38:47,308 --> 00:38:49,139

00:46:30,992 --> 00:46:32,459

00:48:33,411 --> 00:48:36,847

We had so much work to do.

-LittIe more yang, you know?

-It gives me a rush.

00:54:59,552 --> 00:55:02,316

-Okay, spIit up. You know the driII.

01:01:43,645 --> 01:01:47,081

01:04:33,811 --> 01:04:36,905

You see, I know this girI

<i>But something inside you

01:16:23,967 --> 01:16:26,458

01:18:22,482 --> 01:18:27,078

01:20:19,829 --> 01:20:22,195

I'II take you home now. Come on.

01:24:00,277 --> 01:24:01,869

01:31:01,920 --> 01:31:03,387

Yeah. My concert's starting.

01:36:31,107 --> 01:36:35,839

Yeah, yeah, yeah</i>

<i>I believe I can change your mind</i>

01:50:21,680 --> 01:50:26,275

01:53:24,857 --> 01:53:26,722

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