Professional Documents
Culture Documents
Welcome to another edition of the GalleryFront.com art catalog. In the first edition we focused on “Art
as an Investment.” This time we are going to focus on something a bit more broad — Peak Oil. This
issue is a catalog with a message. Very little of the art in this catalog is from the secondary market.
Most pieces here were created specifically for the catalog. Artists from GalleryFront.com were asked to
create something with a message. We, and the artists involved in this project, believe that Peak Oil is a
potentially important issue in the world today. We simply want to bring attention to it. Many of the
artists are from the U.S., but this is an international project with artists from six continents. One artist from
Africa said the following:
What is Peak Oil? In the 1950s a man named M. King Hubbert was working for Shell Oil in Houston, TX.
He presented a theory in 1956 to the American Petroleum Institute suggesting that United States
petroleum production would peak in the next 20 years. He was exactly right, and in 1973, partially
because of our oil production peak, the United States experienced a dire energy crisis.
For you economists out there, many believe that the laws of elasticity act a bit more strictly in the the
oil market because nearly every other market depends upon oil. Demand can’t decrease until other
options are available. For demand to decrease as price increases, we would need other energy and
transportation options. Nuclear power plants take over 20 years to build, and currently our
transportation infrastructure is built almost entirely upon oil. There are no competing options that
could support between six to eight billion people. Everything you own depends upon oil.
Some predict that Peak Oil will result in mass-starvation, the twisting of governments of countries that
have large oil reserves, wars between first-world countries seeking oil, global depression, mass-
immigration, and the collapse of global civilization. They argue that these results can only be
mitigated through conservation and through energy alternatives.
Peak Oilers’ arguments are compelling. Take any one item you
have right now, your shoes for example. Petroleum is pulled from
the earth, moved and processed. Polymers that make up the
individual parts of your shoes are created and shipped overseas.
They are made into the basic materials that will make up your
shoes, and are moved again, probably to east Asia, to be made
into your shoes. They are then shipped back around the world
and eventually end up on your feet. Right now, in the United
States, only 2% of all shoes are created in the U.S. The remaining
90-some-odd percent are moved around the globe thousands of
miles before you purchase them. It takes a tremendous amount
of cheap energy to move products thousands of miles.
Everything you own is awash in oil.
A similar energy trail could be followed for every product we consume, especially our food. In the
United States, and much of North and South America, it takes between five and ten calories to move
every one calorie of food to peoples’ tables. Most of that energy is gotten from oil. This does not
include the other oil-based products integrated into our food: fertilizers, pesticides, combines, tractors,
plastics, and the like.
It is common knowledge that if gasoline prices raise to $5.00 per gallon, our economy would struggle.
When you consider that most countries have the same energy, product, and food infrastructures as the
U.S., a significant increase in the price of oil would influence the prices of everything throughout the
Americas, including food. On July 18, all of the major news outlets reported a 2% to 8% leap in food
prices in the United States, siting gas prices as a major cause.
People in the U.S. talk a lot about illegal immigrants. Well, what happens
when we have 150 million immigrants trying to get into the United States
because there is no affordable food in their own countries? These are
questions that our own intelligence agencies have asked. Our
government’s reaction seems to have been the building of ‘Immigrant
Detention Centers’ to handle a huge influx of illegal immigrants.
To me, the good news is that none of the bad things that could happen
need to happen. Innovation is required, however. We should begin to
create a new energy infrastructure, then maybe we can avoid all of the
potential economic problems that could arise. I, along with the artists
represented in this catalog, encourage you to think of ways to help us
avoid potential catastrophe. Conserve. Support products that are local
and don’t require gallon upon gallon of oil to be moved to your area. I’ll
even go so far as to suggest what our politicians will not: do not buy an
cover art SUV until you can own one that is all electric. The technology is here. It is
Come and Join the Light not as expensive as you might think. If it is too expensive for you, write a
Art by Luis Perez letter to an automaker and wait until the cost is affordable.
“
or call 720.249.2853. Yes, I want to
make money, but more
i m p o r t a n t
”
to me is your lifestyle.
Interested in buying?
There is limited availability to almost every piece in
the catalog. If you’re interested you can either:
1) Call 1 720.249.2853
2) Email buy@galleryfront.com
Thom Hartmann
“
Among all the bad consequences of the oil
situation, one of the things that shocks me
the most is the gradual loss of indigenous
cultures. They come in contact with our so-
called modern world, brought usually by the
same oil companies that drill on what was
once native territories. Seeing an image of
an Indian with a cellphone is like a
confirmation that things can never go back
to be the way they were. Progress is the
beginning of the end for a natural world that
vanishes as a consequence of the oil
machinery, socially and politically speaking.
This picture was inspired by all that.
Natural Selection
11.5” x 16.25”
$800
Luis Peres
All works created with Watercolor,
Acrylic and Clored Pencil.
So this was the image that came to my mind with both of the main characters in the foreground
depicting the west and the middle east side of the same coin trying to enslave public opinion using
almost religious tones to prevent any changes from oil to an alternative energy system.
Evguenia Men
Water Restriction
76cm x 60cm
$1,500
“
‘Skyleaking City’ and ‘Water Restriction’ are Skyleaking City
”
$2,000
depictions of draught and unseasonal floods in Australia. 60cm x 90cm
Francis DiClemente
Food Coloring #1
Gelatin Silver Print
5” x 7”
$60
Food Coloring #2
Gelatin Silver Print
Toledo Tower 5” x 7”
Gelatin Silver Print (B&W) $60
8” x 10”
$60
Enrico Thomas
The Siege
Marker on Paper
16.5” x 20”
$1,850
“My illustration is essentially about extraterrestrial beings taking action because of their higher
awareness of the environmental toll that oil consumption and greed have taken over our planet.”
“
...oil
and
consumption
greed have
taken over our planet.
”
Harry T. Burleigh
original oils
“
‘Imponderable Crude
Relinquishing’ is an
a b s t r a c t
representation of the
metamorphosis from
”
oil to green sources of
alternative energy.
Interplanetary Carpediem
Dimensions: 24" x 36"
Price: $7,000.00
“
‘The Wind’ is my thoughtful suggestion to
those who want to save the planet and
would like to try alternate forms of energy.
‘My Green World’ is inspired by people
who are going green and have changed
their lifestyles to save the environment.
”
‘Relaxing Environment’ shows the mood
of the artist enjoying a peaceful and
healthy environment.
The Wind
29” x 22”
$700
My Green World
29” x 22”
“
AL
TRY
TERNA
ALTERNA TIVE
TERNATIVE
FORMS OF
”
$700
ENERGY
Relaxing Environment
29” x 22”
$700
Adino Lera
“
Each ceramic piece is hand sculpted and hand painted.
I design the patterns then sculpt each one into either a
tile set or into a more three dimensional piece.
All three pieces depict rare or endangered species. Due to oil exploitation, the ‘Scarlet
Macaw’ is currently at risk in the Maya Biosphere Reserve of Guatemala. The ‘Keel-Billed
Toucan’ is an endangered species. The few Toucans living in the rain forests are at risk. The
‘Long Nose Butterfly Fish’ lives among the tropical reefs that are rapidly dying throughout
the world.
Scarlet Macaw
16” x 36” x 3/8”
$4,850
Keel-Billed Toucan
16” x 38” x 3/8”
$4,600
Akhilendu Bhowmik
”
Erosion
Oil on Canvas
36” x 32”
$1,200
Aradhna Tandon
“
T his piece shows the
interconnectedness
”
of all beings.
“
‘A work of art has
many faces. It
elevates us to a
higher realm that
opens up a condition
to think and rethink;
for assessment of our
work and for future
progress so that we
can learn to deploy
“improved means to
an unimproved end’
(Thoreau).
”
35” x 48” lived for) and not on
$3500 exploitation of it.
Fankar
Birth
Aquatint hand-pulled print
(single edition)
8” x 10”
$1950
Save your
environment Rebirth
Aquatint with collograph
(single edition)
by planting 15” x 19”
$3900
trees...
“
I conveyed a message to the whole world: Save your environment by planting trees and don’t
destroy our beautiful planet. If we don’t stop destroying nature then we can only show the beauty
of earth to our next generation through pictures. This is the right time for the beauty of our planet to
be Born and Reborn.
The Human Virus Every Last Drop
16” x 12” 16” x 12”
Acrylic on canvas pad
$200 Anthony Shenton Acrylic on canvas pad
$200
“ In the first piece ‘The Eye of David’ is crying for what we are doing to the planet. ‘The Witch of
Endor (Mother Earth’) was based upon a tree. She is angry and she breaks through the earth.
”
Daniel
Baharier
Oil-Stained Angel #2
Oil-Stained Angel #1 Pastel and Acrylic Silver
Pastel and Acrylic Silver 11.5” x 15.75”
“
11.5” x 15.75” $575
$575
Progress
Kristin Foley
Etching
Series of 3 Matted to 12" x 15"
$600
Regina Cafiero
Destruction
Oil on Canvas
60cm x 90cm Galaxy 1
$1,650 Oil on Canvas
90cm x 60cm
$1,650
“
‘Destruction’ was created
from Regina's feelings toward
the earth and how it can be
destroyed by oil. The colours
represent on the darkness of
the land and human-kind.
”
Galaxy 2
Oil on Canvas
90cm x 90cm
$1,650
Boyko Asparuhov “Icarus is inspired by the Greek mythology. For
me, civilization has grown spirally with
different problems occurring in different eras.
The inspiration for ‘New World’ is the story of
Noah’s Arc. Noah saves the world in his arc.
This piece symbolizes the necessity to save
nature around us all. All of the best human
qualities are required for the world to remain
whole.”
New World
Oil on Canvas Icarus
96” x 78” Oil on Canvas
$14,000 72” x 72”
$8,500
Windows of Opportunity
Print with outdoor weatherproof inks on pvc canvas
Bret Polok
250cm x 250cm (can be reduced)
$4,500
Business as Usual
Print with outdoor weatherproof inks on pvc canvas
350cm x 250cm (can be reduced)
$6,500
Vladimír Brunton
Pollution
Silver Gelatin on Canvas
23.5” x 29.5”
$575
“
Both pieces are created through experimentation with a classic photography technique. As for the
”
message, one deals with air pollution, the other deals with water pollution. In ‘Pollution’ you can see
dirty water falling down into the clear water.
“
A mother and child wait in an endless queue for a can of
fuel, set against a dying sun that silhouettes a decrepit oil rig.
The duo, entwining the past and the future, the root and the
seed, stand waiting – forlorn -- on an expanse of rugged
earth broken only by the dark endless queue of fuel cans.
”
$975 long-lost prophecy, ignored. It explodes, like the planet's
imminent oil crisis ...
Lia
Chechelashvili
Ecologically Harmful Angel
22.5” x 30”
Oil on Cardboard
$150
Spontaneous
Generation
Oil on Canvas Board
22” x 16”
$1,500
Chanchal Ganguly
Chanchal Ganguly has created a series of pieces
centered around a theme of evolution, creationism and a
spiritual conversation about the two intertwined. Contact
us for more pieces we have available.
Money Talks
24" X24"
$700
The Firm
24"X24"
$700
Honest Business
24"X24"
$700
“ ”
This piece depicts the earth’s natural
cycles carrying on as usual. As you can
see, the materialistic part, the car, has
become obsolete while life has grown up
around it.
Derelict Dawn
Chalk Pastel on Pastel Paper
$395
Chiru Chakravarty
Great Grabbers
Acrylic on Canvas
$40,000
”
When We Have No Oil
Oil on Canvas
60cm x 60cm
$750
“
Often I see an unpolluted land, without gas,
with natural beauty, and I hear wonderful
”
music. This, from a land without oil.
Another Reality
Collage
70cm x 60cm
$575
”
city streets, and running after my lost life.
Benedict Olorunnisomo
“A stage always comes when man, personally “We are worried because many are very
or generally, must face the pain and storms of much affected. For now all we hear and see
change resulting in ‘Hatching.’ There are leaves a sea of ‘Tired Eyes’. Let parties
alternatives even to oil.” concerned be more sensitive.”
“
There are
alternatives
”
even to oil.
A Time to Bask
Pastel
65cm x 50cm
$1,850
“
Beate Epp
‘End of Time’ is one of my all time favorites and I wasn't able
to part with it for the longest time. It is an expression of the
earth's situation. The burned tree symbolizes the earth,
burned out and used to the last extent; falling down is the
last green leaf (color not that easy to see on the image); the
former white wing of the freedom dove is tinted black with
sticky black oil; the three crosses are symbolizing the lack of
faith in the humans, as they are not strong enough to hold
the earth stable; and the blood-red sun underlines this whole
apocalyptic scene. Out of the black burned tree you can see
a human face looking out (left); this symbolizes the humans
caught in their own actions with no where to go. They don't
”
know how to free themselves and change what they
started. I wanted to show the desperate situation the earth
and the humans are in. This is a very emotional picture but I
wasn't depressed painting it. I am just a messenger.
End of Time
Watercolor on Paper
32.5” x 25”
$1,875
“
Acrylic on Board
24” x 34”
$2,000
”
through and out of the body, or in this case -- the
Earth. The Earth is dying and crying for help, grieving
as 'she' sees what has been done to her.
Oil development has devastated the environment because of the way we live.
Global climate is changing, and it will be a dramatic event for the human family. It
means that rise in average surface temperature will happen as I show in my paintings.
Donald J. Davenport
As we look towards As we look towards the sky we are blind to the toxins in the air and in the
the sky we are same sense this creation,created with the same toxins, is destroying our
very environment. We do not see the petroleum toxins in the sky nor can
blind to the toxins... we see the petroleum products in the painting. The sky represents
deception, beautiful yet polluted and unsafe both in context and in reality. The shapes are symbolic
of wealth and were created with variegated gold
metal to symbolize the leading force and power
behind the destruction.
Origin of Art
40” x 60”
Acrylic, gold leaf, acrylic sheeting
$45,000
Gjorgi Jakimovski
Network
Digital Photography and and Oil
55” x 42.5”
$2,100
Hansjorg Stubler
Manta Ray
driftwood, fishbones, tahitian black pearls
52” x 62” x 14”
$1,875
Poisoned Bird
Wood
12.5” x 7”
$225
Smudged Land
Wood
12.5” x 7”
$190
“
In Guatemala our case is similar to that of Ecuador. Transnational oil companies
”
bribe government authorities to drill anywhere they wish, even in the tropical
rain forests. These images are inspired from the current Guatemalan oil situation.
Fish a la Texaco
Wood
15” x 7”
$240
Dr. Sanjay Sharma Irma
Dugelby
Occidental Bath
Photography
20” x 12”
$350
“
Global Warming
Acrylic on Canvas ‘Occidental Bath’ represents,
$13,000 in a metaphorical way, the
two elements where the
This ‘green piece’ is a commentary on global warming. American people are taking
Equality is the mother of peace. Save our planet! baths, one for health (water)
”
and the other oil (money).
Antonio Ehrenzweig
O il FIsh speaks of the evocation of
the life in the water. It confronts the life
and the death of our fish diluted in
oil, and the death of aquatic species.
Oil Fish
Relief on Travertine with acid stains
15.75" x 15.75”
$600
End of Civilization
Mahagony Woodcarving
59” x 39” x 6”
Temptation
Indian Ink, spray paint, acrylic on canvas
2” x 4”
$350
Jack Yagah
For every problem that people foresee, from water shortages to global warming, from peak oil to mass
starvation, the root seems to be over-population. An interesting and common thread between all
nations that have a low population-growth is womens’ rights. Give a nation’s women their rights, and
the country seems to almost instantly make better decisions. I challenge all: Emancipate women? Keep
them home for yourself? Breed? Live sustainably? To Die or not to Die?
Jean Paul LeBlanc
Global Warming
Jeremiah Carber
Giclee Black Oil Whirlpool
18” x 14” Oil on Canvas
$750 24” x 24”
$2,600
This computer art painting represents a big
question: Are we going to totally melt down Black oil got loose from a rummy ship
eventually? and found its way spiralling down a
whirlpool. This painting catches the
light as it swirls around and around
the painting in a whirlpool motion.
Michael Kearsey
Ever aware of man’s greed and
The Old Way misuse of the planet’s resources, I
Oil on Canvas never lose faith in man’s ability to
60cm x 90cm
learn and seek what he needs,
$1,200
based on knowledge. ‘The New
Dawn’ represents the next
generation. We ran ahead,
taking, believing that tomorrow
would always come. Our planet’s
children already know what they
have to do to make tomorrow
happen. I don’t doubt them. Do
you?
”
b o m b a r d i n g media
Lauren Bumgardner
"And So We Melt"
Oil and spray paint on canvas
20" x 16"
$400
“
If popular culture is cancer,
then beauty is the thorn in
American culture's tumor.
Our saccharine aesthetics
have grown to a new level in
the past decade which is both
endearing and repulsive at the
same time. We are trained in
‘the ways of cool’ through the
bombarding media, whether
it is television, magazines or the ever-present billboards that surround us. I'm not suggesting that it has
slyly infiltrated my work, but more that I completely embraced it and base each piece upon it.
Combining excessive patterning, graffiti-esque layering, and a palette of cake frosting colors, I create
paintings that are equally as random as the commercials we see on TV. There is a sense of slow
disintegration, extreme contortion, and uncompromising fashion in my work. Each painting is the love-
child of illustration and poetry, abandoned to the dogs of random thought. The subjects appear
confused by the boundary between cute and creepy, or appealing and unpleasant. These figures are
the forever shifting mutants of a pop culture society.
‘And So We Melt’ is about the destruction of the environment due to greed and eager consumerism.
The natural or organic elements in the background are beginning melt away due to the ‘smog’ and
”
infection of industrialization weighing down on them. Logo-esq shapes, (in this case a thought bubble,
much like Walmart, or McDonalds) are unnaturally forcing their way into the space.
Price of Progress
Acrylic on Canvas
36” x 30”
$7,800
Mahesh Anjarlekar
“
Every crest rises after a trough …
Every wave falls only to rise again…
Every cadence lands in lighter note…
Every soul starts from cradle, crawls to child hood, erects into youth, shoulders
responsibilities, bends with load and stoops back to earth and falls to dust. Just as one
casts off soiled clothes and enters into a fresh pair of clothes at the end of the day...
so does the soul cast off this body to incarnate into a new state…
but here is the catch to land in a better state or incarnation the soul is goaded by the
Karma accrued in the previous form.
Energy in its current form of Oil is fueling the fire of human desire now… if mankind acts
wisely, planning, creating alternatives, that will accrue good Karma. This burning of the
'midnight oil' would last until the day break (an eye opening to complete oil exhaustion).
Identifying alternative modes of energy and switching over to them when we can still
afford to, can avert a greater crisis that is impending.
What if there was no death of oil and we progressed? Time will tell. Time has come to
save the progress from death. The painting depicts human forms in different postures and
sizes indicating the growth. But, ultimately the growth turned into death.
Icarus of the third Millennium
Oil and Pastel on Panel
35.4"x49.6"
$6,000
Sparrows
Oil and Pastel on Panel
32.3"x49.2"
$5,200
Crucifix
Oil on canvas
100x70 cm
$1,980
Fire Bird I
Oil on canvas
120x70 cm
$1,200
Eruption
Oil on canvas
80x100 cm
$890
“ WITH GROWING
POPULATION OIL
DEMAND IS ALSO
INCREASING!
IT IS HIGH TIME TO
C H A N G E
OUR CONCEPTS
FREE ENERGY
PUMPS & POLES
Free Energy ARE YET TO
”
Mixed Media
30cm x 45cm BE INVENTED!
$1,500
Manupal
”
‘End of Day 60’ depicts a road accident not far from the same factory.
Romualdo T. de Jesus
I based my title on the saying,
blood is thicker than water water.
I used an image of a heart for the
globe and put a gasoline hose
on the heart. The droplet shows
that there is little oil left. The images of
fire and people indicate chaos.
My piece represents the effects upon humanity which one individual can have over a
lifetime of small decisions in the pursuit of material wealth and never-ending consumption.
Ivy Klingbeil
“
‘TThe American Way of Life is
not Negotiable’ is from a
speech by former President
George H.W. Bush. It is now
an expression associated
with the exploitation of
natural resources, along with
American over-consumption
”
and exceptionalism as well as
other negative aspects of
the American culture.
Gougeon
Oil has been a mainstay for the "Suppressors" and a poor energy source. It is It is a thorn
a thorn in the side of our planet. With it's subsequent carbon pollutants and in the side of
unnecessary (but lucrative to the few) wars, it could lead to our culture's
near demise. our planet.
We all know not to have all our eggs in one basket, so why have we got the chicken in this one too? As
”
for a description of the paintings, just look and you will find all that I have said and more is in them.
Each piece is 24” x 30” and is Oil on Canvas.
Black Stripe Kazaam Molten
$2,200 $2,200 $2,200
“
16” x 20”
$395
”
“A generation is going, and a generation is coming; but the earth is standing even to time indefinate.”
Ecclesiates 1:4
We each need to show our respect for the earth, our neighbors and God demonstrating that we desire
to live on the earth.
Nik Prashnov
My two paintings were created
with the purpose of drawing
attention to the environment
and to encourage people to
protect the ecosystem and
biosphere.
Rawat
“ The oil peak will send massive
shockwaves through the world’s
economies and will trigger an
instant and sharp crisis in the third
world, causing even more wars,
”
famine and death.
An Era of Weapons
Oil on Canvas
40” x 30”
$1,400
Mother nature has spread a fragrance of peace and she is capable of keeping a balance everywhere.
Mankind has disturbed her for his own selfish needs. Because of this she is forced to show her aggressive
and furious side. It can be said that man has taken her eyes away. Her blindness results in the
destruction of her own planet. The dark eyes of the lady in my painting symbolizes the same. The bird
inside the bottle depicts the world’s desire for fresh air, life and freedom.
Amelita Serrano
We watch and do nothing as if we
have no hands. Not only have we
no hands concerning Peak Oil, but
it seems as though we have no
hands when it comes to a lot of
other useless battles, from which
we acquire nothing but the loss of
h u m a n i t y
for the sake of power..
power
Hunter Jay
Cerulean
Acrylic on Canvas
18” x 24”
What will these coastal areas $600
American Gas
Acrylic and Oil on Canvas
35” x 25”
$1,300
“
Our three pieces are an expression of the
potential peak oil crisis. ‘Electric Chess’ denotes
time. ‘American Gas’ denotes Earth, the care it
gives us, and the care we should give it. ‘Ford-T’
is the depiction of how our ‘forms’ change, yet
we all come from long long ago. This is the sign
”
of life. We must continue to improve.
Ford-T
Acrylic Collage on Wood
19” x 28”
$1,300
Isabella
Olwage
“
The “Hand” of politics and decision
making… make them with care…
”
Drawing on Paper
$300 This time no amount of funds…
Anan Tutra
Turn Off
Photograph
7.75” x 11.75”
$1,500
“ This is a painting that shows the
green earth that is slowly being run
down by red oil. The oil is painted in
red denoting danger. Here, the
dangerous issue of oil is enveloping
the whole world, destroying the
green earth on its way, and creating
ugly issues, denoted here by the
cactus replacing green earth.
”
Green Earth and Red Oil
Acrylic on Canvas
28” x 21”
$2,500
Chinese Alligator
Clay, Acrylic and Resin on Glass Table. There
is a glass cover that has been removed for
the purpose of this photograph.
29” x 25”
$1,200
As the population of China explodes the need for
power far exceeds it's current capacity. The Yangtze
River hydroelectric project is the largest undertaking
of its kind and its mission is to provide electricity to
millions of people. At the same time flooding of the
area has depleted the wild population of the
Chinese Alligator (AKA Yangtze alligator) to around
200 world-wide. The captive population is successfully
reproducing and being reintroduced to the habitat.
Red Coral
Acrylic on Canvas, wooden frame with
sand, resin, seashell and titanium accents
33” x 33”
$900
M. Pradip
Pradip has
In these three depicted the
pieces, the artist
vagaries of
is depicting the
grim reality by tampered
way of dwindling nature - a
water resources, grim future.
parched land,
acid-colored
sky hastened by the world of
pollution, denigration of
forest land and global warming.
Anthony Quinn
Anthony Quinn, known for his
outstanding acting career, was
a world renown artist. He was a
supporter of the arts wherever
he went, buying pieces of art
from the artisans in the small
towns around the world where
his movies were filmed.
Apollo
Marble sculpture
45" tall 44" at the
shoulders
$45,000
Currently
owned
by a member
of the A Glance in the Mirror
Cincinatti Serigraph
Bengals. 30" x 36"
$6,500
This piece is from the rare 1988 edition of 100 and
is numbered 1 of 100, the first signed print from this
edition. We have others available.
Athena
Bronze
1986
numbered 5 of 8
$24,000
Touchdown
Serigraph
19” x 26”
$2,250
LeRoy Neiman
Created in 1972, “Touchdown” depicts Alan
Ameche of the Baltimore Colts scoring the
winning touchdown in the 1958 NFL
Championship in overtime against the NY Giants.
According to the NFL Insider at NFL.com, this was
the greatest game ever played, and the first
championship game to go into overtime.
Horse
Bronze
64" x 44" x 20"
$37,000 Dancers
Bronze
28” x 43”
$49,000
This piece is a part of
Carbonell's Dancers series,
pieces from which have
sold for over $60,000.
Girl on a Swing
Hammered Aluminum
57” x 20” x 14”
$130,000
Purchased at Manuel Carbonell’s One
Man Show in New York City in 1968.
Ludwig Bemelmans
Ludwig Bemelmans (April 27, 1898 - October 1, 1962) was an
author and illustrator of more than 40 books for children and
adults. He was born in the Austrian Tyrol on April 27, 1898. His
father was a painter; his mother was the daughter of a
prosperous brewer.
He is best known for his books about food, dining, and his
Madeline series. Collectors have found the pre-auction estimates Madeline in London
of Bemelmans works sky-rocket recently. His works are Guache on Board
24” x 36”
held by some of the biggest art collectors in the world. $38,000
Phil Hale is best known in London, although sci-fi readers might recognize his
style from the Stephen King book he illustrated from the Dark Tower series
Phil Hale (which, if rumor holds true, will be at a theater near you in a year or two). The
pieces on this page are oil on canvas pieces. His works normally sell around
$35,000, although these are available in the $15,000 range.
Tomasz Rut
Born in 1961, Rut considers himself a
Classical Realist painter. He depicts
his fascination for mythological figures
in his monumental oil paintings.
Orpheica
Serigraph
43” x 38”
$9,125
His many works hang in the Brooklyn Museum, Brooklyn, New York; Chicago Art Institute, Chicago, Illinois;
Whitney Museum, New York, New York; Bank of America, San Francisco, California; and Hirshhorn
Museum and Sculpture Garden, Smithsonian Institution, Washington, DC.
$12,500
George Rodrigue
Known best for his Blue Dog series, George
Rodrigue's art is known through the United States.
He is a New Orleans treasure and philanthropist.
After Hurricaine Katrina, he reached out to his fellow
Louisianans by creating multiple sets of prints whose
proceeds went to the Red Cross and hurricane
relief. George Rodrigue and his wife, Wendy, have
created the House of Blues Foundation Room to
support arts and cultural programs for youth. Money
is raised through the sale of his paintings.
Louisiana Oak
Oil on Canvas
14” x 18”
circa 1975
$34,000
Midnight Cowboy
Serigraph
22” x 27”
$3,500
Robert Hayes
Pears
Digital Art
16” x 20”
$175
Peeking Lady
Digital Art
10” x 12”
$90
William Lindsay
For over 35 years, Bill Mack has created sculpture in the round
and in relief for government, corporate and private collections.
His art hangs in galleries in four continents and he has had
exhibits in Japan, England, France and Germany.
Bill Mack
Esprit Adorned
Mixed Metals
36" x 48"
$9,500
Reflection Together
Bonded Bronze Bonded Sand
36" x 49 1/4" x 11" 54" x 43"
$32,000 $15,000
Melody
Bonded Bronze
47" x 21"
$30,000
Lenor
Lenoree Walker
Walker
Meditation
Acrylic
37” x 29”
$1,375
Beginning
Acrylic
21” x 29”
$675 Perfect Lover
Acrylic
24” x 24”
$500
Wester
esternn Art
Joe Beeler
Finishing Off the Day
39” x 27”
#150 of 250
$2,000
Gordon Snidow
American Paint
#175 of 250
Buy all four pieces of
31” x 40” investment art for $4,000
$800
Snidow (1936 -), Beeler (1931 - 2006), Wieghorst (1899 - 1988) and Bill Owen (1942 - ) are all prominent
and popular Western artists. Beeler formed the Cowboy Artists of America which is still active
today and includes in its membership Bill Owen and Gordon Snidow. This investment-art collection
has been reduced and can be purchased as a whole for $4,000.
Olaf Wieghorst
Missing in the Roundup
30” x 33”
#122 of 1000
$1,000
Bill Owen
Spring Water
40” x 30”
#18 of 1000
$1,000
Spring Blossom
Melted Crayon on Canvas
40” x 30”
$1500
Wax Dali
Crayon on Canvas
12” x 24”
$350
Alexandra Nechita
Restless Paris
Lithograph
18” x 24”
$12,500
Peter Max
Peter Max is one of America's most
renown pop artists. His works
appear in the prominent collections
of many museums, including the
Museum of Modern Art in New York.
His style was much copied in the
late 60s and he has been a national
icon since. He still creates art and
heads major projects with other
well-known artists, musicians,
companies and collectors.
Purple
Acrylic
16” x 48”
$600
Big Cheese #4
Aluminum
43” x 25” x 29”
$20,000
Janie Dunstan
Janie Dunstan is a young and upcoming artist
from Kansas. She graduated from Fort Hays State
University and works as a Graphic Designer and
freelance artist in and around Manhattan, Kansas.
Janie is continually experimenting and
implementing new ideas with various media,
though she prefers the use of acrylics. Janie's
creativity is inspired by her experiences in life and
her pieces are magnificent reflections of such. She
has immense support from her family and friends,
but also from a growing fan base as her works
continue to reach public markets.
Yellow
Acrylic
16” x 48”
$600
Erte
Romain de Tirtoff (pseudonym Erte, a French pronunciation of initials
R.T.) (November 23, 1892 - April 21, 1990) was a French artist and
designer. He is perhaps most famous for his elegant fashion designs
which capture the art deco period in which he worked. His delicate
figures and sophisticated, glamorous designs are instantly recognisable,
and his ideas and art influence fashion into the 21st century. His fashions
were featured in the Ziegfeld Follies and the Folies Bergere.
Earth
Serigraph Summer Breeze
20” x 23” Bronze
$2,250 8” x 23” x 8”
$11,000
Princess Lointaine
Serigraph
22” x 30”
$2,750
Frederique Krzis-Lorent
French artist Frederique Krzis-Lorent has been painting for 35 years. Originally immersed in the world of
fashion and design of France, her transition to a successful artist was an easy one. She has been a
successful artist for more than two decades. Her works that are internationally held focus upon women
and nature.
Leurre
Oil on Canvas
70cm x 70cm
$2,150
Sauge
Oil on Canvas
60cm x 92cm
$3,200
Transparence
Oil on Canvas
54cm x 65cm
$3,200
Naked Eye
Oil on Canvas
60cm x 73cm
$2,650
BenTzion
BenTzion, it could be said, is the world's only Isreali, Indian, Jewish, Kabbalist, Christian artist
who resides in the United States. His early Enron shows threw him into the national scene with
his works in the hands of multi-millionaires around the world. His works are currently in major
art collections throughout the world. The pieces seen here were originally pastel and gold on
black museum board and are available as prints.
Breath of Life
Available as print
32"x40"
$7,500
720.249.2853
802 Waterglen Dr # B8
Fort Collins, CO 80524